The Trap and A Dance in the Sun bring together Jacobson's initial two novels - stories of racial confrontation and social injustice on the South African veld. In The Trap, relations between the white farmers and their black workers are brought on to a sinister and harrowing conclusion whilst A Dance in the Sun sees two young innocent bystanders becoming embroiled in a long-standing family saga. These stories have retained their freshness and their power to move the reader.

Three novellas by an internationally celebrated writer provide a luminous view of a Jewish village in Lithuania between the two world wars and some of its residents

The Torch-Bearers tells the story of an itinerant Anarchist preacher who comes to the corrupt city of Geronta in the company of a fellow vagabond, where he begins preaching in parables, that being his preferred method of enlightenment. He hears a number of other story-tellers narrating their own parables, to which he opposes his own in order to expose their ideological flaws. Here, presented in English for the first time in a superb translation by Brian Stableford, is one of the most interesting novels of the Symbolist Movement--the elaborate fruit of author Bernard Lazare's wholehearted commitment to both Symbolist and Anarchist ideals. This striking literary experiment, testing the hypothesis that the raw materials of myth, legend and folklore, which had been redeployed and pastiched so successfully by the Movement, could be adapted to Anarchist purposes.

In turn of the century Eastern Europe, a brother and sister have been chosen to guard an ancient cemetery of Jewish martyrs situated on an isolated mountain. The endless snows protect them from the pogroms and plagues that rage in the world below, but that same protective blanket cuts them off from their people and tradition. Escape--from loneliness, from wavering piety, and from the burgeoning desire they feel for one another--becomes impossible. A parable for our times, by the writer whom Irving Howe called "one of the best novelists alive," Unto the Soul lays bare the deepest stirrings of religious feeling and despair within the human soul. From the Trade Paperback edition.

Abraham Mapu (1808-1867) was one of the first, & finest, of the novelists to write in Hebrew. Heavily influenced by a wide range of sources, the Bible, the Romantic Novelists, & renewed pride in ancient Jewish history, his works recall the finest works of writers such as Flaubert & other great romantic novelists.

Last Seen, Matt Cohen's penultimate novel, was a finalist for the Governor General's Literary Award and the Trillium Book Award. Last Seen is a darkly comic story of two brothers and a woman who brings them both back to life. Harold, the older brother, is handsome and charming but dying of cancer. Alex is bookish and a scholar in Europe. With Francine, a nurse they both once loved, Alec cares for Harold until he dies. One day, Alec goes into a bar full of Elvis impersonators and there meets Francine--and Harold. Why has Harold come back from the dead? In this fragmentary tale of obsessive grieving, Cohen mixes moments of wry humour with touching pathos. Last Seen demonstrates that it takes more than death to untie the knot between two brothers. From the eBook edition.

Harold Fisch explores the biblical influence on the style and the structure of landmark novels by Fielding, Defoe, Gearge Eliot, Kafka, Dostoevsky and others. These turn out, again and again, to be re-readings of biblical stories. This echoing is sometimes explicit as in Joseph Andrews , where Fielding offers us a comic revision of the career of the biblical Joseph. But it can be inexplicit and even unconscious as in Kafka's The Trial , which, without mentioning Job, reads (as Northop Frye has noted) like a midrashic commentary on that book. In a study remarkable for its range and subtlety, the author develops the notion of the novel as midrash but argues that while the great novelists were held in thrall by the biblical patterns and stories, they were also regularly compelled to throw off this thraldom. They could not manage without the Bible but at the same time "it would not do." Fisch discusses the adversial realation to the biblical text with reference to two archetypal narratives: the Job story and the Dinding of Isaac. Of particluar interest are the chapters devoted to the Israeli novelist S.Y. Agnon and A.B. Yehoshua.

Delivered as an improvised monologue at a writer's conference, Gordon Lish's novel My Romance weaves a intriguing pattern of tell-and-show on such themes as money, psoriasis and how to deal with it, why Lish dresses the way he does, and mortal matters--illness and death--in the Lish family.

In a house in a quiet street in North London, Helena struggles with her self-appointed task of writing a book about the reclusive American artist Joseph Cornell. At the same time she dreams and thinks about her sister Alice working in an orphanage in Chechnya. She is certain that Alice despises her for living a life of comfort and privilege, far away from the horrors of war; yet she knows too that her work is more than self-indulgence. How to reconcile these two visions? Enter Ed, a Czech journalist and photographer who claims he has been working in Chechnya and brings news of Alice, along with the request for a bed for the few days he has to be in London. Gabriel Josipovici’s sparkling new novel charts the course of those few days, as Joseph Cornell’s mysterious life and the strange boxes he constructed wage a silent struggle in Helena’s mind and spirit with the imperatives of the present.

Set in rural New England, Busch's powerful yet subtle second novel explores the collapse and renewal of a contemporary marriage.

A caravan of Jews wanders through pre-World War II Eastern Europe on a heartbreaking quest, in this latest novel from the award-winning writer. Among the group is Laish, a 15-year-old orphan, who narrates the story of this against-all-odds journey.

"In the beginning there was Lucette, who is the mother to three children--Sammy, a gentle giant, almost blind, but a genius with locks; Corinne, a flighty beauty who cannot keep a job; and "the child," an afterthought, who strives to make sense of her fractured Egyptian-Jewish immigrant family. Lucette's children would like a kinder, warmer home, but what they have is a government-issued concrete box, out in the thorns and sand on the outskirts of Tel Aviv; and their mother, hard-worn and hardscrabble, who cleans homes by night and makes school lunches by day. Lucette quarrels with everybody, speaks only Arabic and French, is scared only of snakes, and is as likely to lock her children out as to take in a stray dog. The child recounts her years in Lucette's house, where Israel's wars do not intrude and hold no interest. She puzzles at the mysteries of her home, why her father, a bitter revolutionary, makes only rare appearances. And why her mother rebuffs the kind rabbi whose home she cleans in his desire to adopt her. Always watching, the child comes to fill the holes with conjecture and story. In a masterful accumulation of short, dense scenes, by turns sensual, violent, and darkly humorous, The Sound of Our Steps questions the virtue of a family bound only by necessity, and suggests that displacement may not lead to a better life, but perhaps to art"--

Translation of La Nuit (1961) by Clodagh Kinsella

Howard Johnson and Walt Disney are determined to acquire land near Orlando, Florida from Margery Post Merriweather, heiress of the family cereal fortune

As with so many members of his generation, down-on-his-luck writer-filmmaker Milton Siegel has what some might call an unhealthy fixation on the TV shows, movies, books, music, and celebrities from his childhood that spanned the 1980s and 1990s. Unlike many of his generation, Milt has spent most of his life as an adult (so to speak) chronicling this same pop culture of his youth. Hey, it's a living ... sometimes. After quitting his job at a regional newspaper (or after having been fired, depending on who you ask), Milt finds himself on what becomes a quixotic quest to promote his latest pop culture history project around the country over one progressively insane and hilarious month. Throughout his many misadventures to come, Milt must contend with: a horde of salivating manic nerds, an inexplicable rash of natural disasters, clickbait-concocting media pundits, overly ambitious pseudo-celebrities, bafflingly incompetent event coordinators, a desperately hemorrhaging bank account, a super seductive stripper, ultra-competitive frenemies, and his own sense of the precarious future while being so embroiled in his childish past. In the end, it's up to Milt to make it through the month-long nomadic tour of laughter, tears, and revelations ahead without losing his mind. If he's really lucky, he might even make rent, keep his new wife from fleeing in terror, and perhaps have a little fun along the way. --from Amazon.

The Man Who Was Not With It is the story of young Bud Williams and his safari southward to Florida. On the way, he is abruptly confronted with the con men, addicts, and freaks, and the bruised innocence, of carnival and nightclub life.

In artfully crafted interlocking flashbacks set against a vividly drawn scrim of New York City, Busch lets his hapless hero tell his story of the angst-driven complications of both licit and illicit love. It was Greenwich Village in the Sixties, and Zimmer was writing copy for a sleazy PR agency. Rhona was a voluptuous Nazi-hunting librarian who taught him introductory love and guilt and drove him into the arms of the tall blonde shiksa Lillian.

Growing up in Soviet Russia, Kat Knopman worships her parents, Jewish intellectuals who teach literature at a Moscow school, run a drama club, and dabble in political radicalism. When Kat is diagnosed with rapidly-progressing scoliosis, the trajectory of her life changes and she finds herself at a different institution-- a school-sanatorium for children with spinal ailments. Confined to a brace, surrounded by unsympathetic peers, Kat embarks on a quest to prove that she can be as exceptional as her parents despite her physical limitations, her Jewishness, and her suspicion that her beloved parents are in fact flawed.

"Newlyweds just barely out of their childhood, the ben-Yichyas make their new home in Jerusalem, in the shadows of the dark towering walls of stone and amid a community of devout Jews living in squalor. Who among these impoverished neighbors will buy the exquisite jewelry that Ezra fashions from gold and silver? And how will the young Yemenite couple maintain their ancient traditions and customs while struggling to weave themselves into the vivid tapestry of immigrants from distant lands who comprise the old Yishuv?"--from jacket.

In That's Life, William Herrick's view of humanity is unsparing yet compassionate. He sees life as commitment--to ideals, friends, family--but no one, least of all Herrick, said it was going to be easy. His portraits of the members of a distinctly American family--a novella, five short stories, and a group of five letters--comprise not quite a novel but more than a collection of stories. "I think of it as a co-operative structure," the author says, "in which each character owns and occupies his or her own place, yet it is the entire family which operates the building. To simplify matters, I call the book a fiction." And so we learn the past and present of each of the Millers: Max and Rebecca, Rebecca's mother Ruth (in an old folks' home), and the three Miller children--Eli, an obsessive artist, Peter, an amateur student of life as he bums rides across the country, and teen-ager Nina, a not-so-innocent working-class child away at prep school on a scholarship. But we learn about them in counterpoint and mosaic as Herrick turns our attention, and our allegiance, first to one member of the family and then another. There are few books where human weaknesses are so fully displayed and yet where human endurance and capacity for joy are so palpably present.