"This is the first anthology of translated multilingual Jewish fiction in 25 years: a collection of 18 splendid stories, each translated into English from a different language: Albanian, Croatian, Czech, Danish, French, German, Greek, Hebrew, Hungarian, Italian, Ladino, Polish, Portuguese, Romanian, Russian, Spanish, Turkish, and Yiddish. These compelling, humorous, and moving stories, written by eminent authors that include Shmuel Yosef Agnon, Isaac Babel, and Lili Berger, reflect both the diversities and the commonalities within Jewish culture, and will make you laugh, cry, and think. This beautiful book is easily accessible and enjoyable not only for Jewish readers, but for story-lovers of all backgrounds"--

Developed by French physicist Auguste Piccard and his son Jacques, the bathyscaph Trieste was a scientific marvel that allowed unprecedented scientific, technical, and military feats in the ocean depths. France and the United States both acquired and subsequently developed variants of the original bathyscaph. While both France and the United States employed the bathyscaph as a tool for scientific investigation of the deepest ocean depths, the U.S. Navy developed and employed the Trieste for military missions as well. From its earliest years, participants in the Trieste program realized that they were making history, blazing a trail into previously unexplored and unexploited depths, developing new capabilities and opening a new frontier. Comparisons with developments in space and the space-race between the United States and the Soviet Union often were made concerning the Trieste program and contemporary developments in undersea technologies and capabilities. The Trieste opened the entire oceans to exploration, exploitation, and operations. The bathyscaph was a first-generation system, a Model-T that spawned an entirely new industry and encouraged new concepts for deep-ocean naval operations. Advances in deep-sea technologies lacked the gee-whiz factor of the concurrent space race, but were highly significant in the development of new technology, new knowledge, and new military capabilities. Opening the Great Depths is the story of the three Trieste deep-ocean vehicles, their officers and enlisted men, and the civilians, often told in their own words, documenting for the first time the earliest years of humanity's probing into Earth's final frontier.

\x26#34;Magnificent poetry; dark, severe, even harsh yet pulsating with life.\x26#34; \-John Ashbery \x26#34;A poem has to be heard before it is written. Paul Auster hears with his marvelous exactness the tone and modulations of that voice.\x26#34; \-William Bronk

World of Krypton: The Home of Superman [mass_market] Kupperberg, Paul

The tradition of the Maggid the speaker, storyteller, and profound ethicist has been best exemplified by Rabbi Shalom Schwadron, the great Maggid of Jerusalem. This book captures his eloquence and humor.

Memo to: Filmmakers, Dealmakers, Scribes, Stars, Suits, and Readers Who killed Hollywood? Who's responsible for studios hellbent on assembly-line "event" pictures? Why are production costs so high that no one can take artistic risks? Who decided that the studios should be a development arm of them parks? What happened to putting actual stories with characters onscreen? And while we're at it, what happened to taste? Where are the believable human characters buried? Are all the execs out of control? How does so much money get spent for so little? Who Killed Hollywood? is a passionate love/hate letter to the film industry. In it, Peter Bart pulls together his best columns form Variety and GQ. He groups them, juxtaposes them, and interprets them, outlining in detail the history and inner workings of Hollywood. This could only be done by someone powerful enough to phone an star or head of studio and have his calls taken on the first ring. In story after story, Bart shows how the major studios have diverted their energies away from production of the shrewdly crafted pictures that once made the industry powerful. There isn't, for example, much range or innovation in the movies. There is only a handful of salable subjects-natural disasters, aliens, dinosaurs, ghosts, monsters, or any combination thereof. All the subjects easily parlayed into theme-park environments, action figures, video games, and clothing lines. Similarly, since Jaws twenty years ago, there's been a very short list of acceptable settings. The 1998 Academy Award nominations for best picture all went to films set in Elizabethan times or during World War II. A few years ago it looked as though Pulp Fiction and other independent films were going to save showbiz. Now independent producers like Miramax and New Line have been acquired by conglomerates. Who and what will resurrect Hollywood? Peter Bart has the answers.

The Battle of the Line is infamous in Earth history as the climactic campaign in a long and bloody war between Humankind and the alien Minbari race. But how did this apocalyptic conflict erupt? And how did this fateful clash of two civilizations ultimately lead to the creation of the Babylon 5 space station? Here, at last, the great space epic unfolds--in a new novel based on the first full-length Babylon 5 television movie. Eager to expand their trade with other worlds, the people of planet Earth attempt to make contact with the mysterious Minbari, a race of proud and powerful warriors. But when communication turns to violence, Earth becomes the target of a latter-day holy war, waged by a civilization possessing vastly superior numbers and firepower. And the Minbari will stop at nothing short of the total extermination of its enemy: the Human race . . . From the Paperback edition.

"The days of magic and adventure are fading away, giving way to the age of industry and science. As the aged last Hero sits upon the throne of Albion, two friends-the privileged Thomas and his loyal servant, John- set out for the East in search of a legendary beast: the vicious, rarely-seen balverine. But their desire for adventure may be their ultimate undoing. For although the age of Heroes is ending, dangers and darkness still abound in the wilds of Albion. And as they travel, they encounter both unlikely friends and unnerving allies who seek adventure of a different sort. Though Thomas and James seem on the verge of finding their quarry, they may not live to tell the tale. Because their quarry has just found them ..."--Publisher description.

Volume 1: Jamie Madrox comes face-to-face with the thing that terrifies him the most: having to make a decision. The divisiveness of Civil War has spread to his own team: Half of them want to cooperate with the government; the other half wants to take a stand against it. It's Jamie's choice that may well decide whether X-Factor stays together or cracks apart. And matters aren't being helped by Quicksilver, who offers Rictor the opportunity to get his powers back -- but at what price? Plus: They've been a thorn in X-Factor's side since the beginning, and now things are coming to a head. X-Factor's newest assignment causes them to again cross paths with their arch rivals, Singularity Investigations. The result is revelations that strike to the very core of who and what Jamie Madrox is. -- Volume 2: Jamie Madrox comes face-to-face with the thing that terrifies him the most: having to make a decision. The divisiveness of Civil War has spread to his own team: Half of them want to cooperate with the government; the other half wants to take a stand against it. It's Jamie's choice that may well decide whether X-Factor stays together or cracks apart. And matters aren't being helped by Quicksilver, who offers Rictor the opportunity to get his powers back -- but at what price? Plus: They've been a thorn in X-Factor's side since the beginning, and now things are coming to a head. X-Factor's newest assignment causes them to again cross paths with their arch rivals, Singularity Investigations. The result is revelations that strike to the very core of who and what Jamie Madrox is.

A crewman has been murdered aboard the U. S.S. Trident, and all evidence points to Ensign Janos of the Excalibur. Captain Mackenzie Calhoun is reluctant to accept that Janos, a powerful non-humanoid whom the captain has known and trusted for years, could be a killer, and immediately launches an investigation into the crime. But this troubling murder mystery soon escalates into a full-fledged diplomatic crisis that threatens to pit Calhoun and Captain Elizabeth Shelby against the entire United Federation of Planets -- and the Starship Enterprise™. Meanwhile, the turmoil involving Ensign Janos forces Calhoun to recall his own tempestuous past, his rocky relationship with a young Elizabeth Shelby -- and a long-ago exploit that may have everything to do with the deadly emergency that now confronts them all!

Lieutenant Robin Lefler's mother died in a shuttle explosion ten years ago. So is the woman being held prisoner in Thallonian space really her? If it is, what is her connection to the mysterious woman holding a weapon that could doom entire worlds? With the lives of billions at stake, Robin Lefler, Captain Calhoun and the crew of the U.S.S. Excalibur must find the answers before time runs out for them and for the struggling remnants of the once-great Thallonian Empire.

"Thoroughly revised and updated for its third edition, Place Matters examines the major trends and problems shaping our cities and suburbs, explores a range of policy solutions to address them, and looks closely at the potential political coalitions needed to put the country's "urban crisis" back on the public agenda"--

Peter Eisenman has been an innovative presence in the field of architecture and architectural theory for more than thirty years. Architect, educator, founder and director of the Institute for Architecture and Urbanism, he has given definition to the principal debates on the architecture of our past, present, and future. In this remarkable collection, nineteen of his most important essays are presented together for the first time. Generously illustrated and with a new introduction by the author, these writings assemble the ideas that both set and provoked contemporary architectural practice and theory. This collection ranges from comprehensive theoretical analyses to close readings of Eisenman's own work and that of such architects as Andrea Palladio, Ludwig Mies van der Rohe, Le Corbusier, Alison and Peter Smithson, James Stirling, Philip Johnson, and John Hedjuk. Providing new perspectives on these architects and on Eisenman's own methodologies, these writings present an insider's appraisal of the polemics that have defined architecture over the past half century and that continue as one of the major ongoing forces in the discourse today.

Collects the best of Peter S. Beagle's short stories, ranging across 45 years of his career from early stories to freshly minted tales that will surprise and amaze readers.

One short story, one novella, and two complete movies populated by ghosts, unicorns and werewolves are included.

First published in Australia in 1996, this fantasy novel for teenage readers is set in the realm of unicorns, and deals with belonging and homecoming. By the author of 'The Last Unicorn'.

The number of nonreligious people has increased dramatically over the past several decades, yet scholarship on the nonreligious is severely lacking. In response to this critical gap in knowledge, The Nonreligious provides a comprehensive summation and analysis of existing social scientific research on secular people and societies. The authors present a thorough overview of existing knowledge while also drawing upon ongoing research and suggesting ways to improve our understanding of this growing population. Offering a research- and data-based examination of the nonreligious, this book will be an invaluable source of information and a foundation for further scholarship. Written in clear, accessible language that will appeal to students and the increasingly interested general reader, The Nonreligious provides an unbiased and thorough account of relevant existing scholarship within the social sciences that bears on lived experiences of the nonreligious. -- Provided by publisher

Stevie Smith was one of the few modern poets to reach a wide general audience. Bizarre, witty, sad, sometimes caustic, her poems impart a zest for life, and reveal her unique eye for the marvels of the ordinary and her deep sensibility to the paradoxical nature of all human emotions.