Describes previously unknown aspects of the electoral college crisis of 1800, presenting a revised understanding ofthe early days of two great institutions that continue to have a major impact on American history: the plebiscitarian presidency and a Supreme Court that struggles to put the presidency's claims of a popular mandate into constitutional perspective. Through close studies of two Supreme Court cases, Ackerman shows how the court integrated Federalist and Republican themes into the living Constitution of the early republic. The ink was barely dry on the Constitution when it was almost destroyed by the rise of political parties in the United States. As Bruce Ackerman shows, the Framers had not anticipated the two-party system, and when Republicans battled Federalists for the presidency in1800, the rules laid down by the Constitution exacerbated the crisis. [Publisher web site].

In The Twilight of Common Dreams, Todd Gitlin places the debates of the moment in a sweeping historical context and - sparing no sides - he argues that these highly charged conflicts are a sideshow, obscuring a seismic transformation in American political life. The Left, which once stood for universal values, has come to be identified with the special needs of distinct "cultures" and select "identities." The Right, long associated with privileged interests, now claims to defend the needs of all. The consequences are clear: since the late 1960s, while the Right has been busy taking the White House, the Left has been marching on the English department. With dazzling range and acuteness, Gitlin's analysis moves through American history and modern thought, from academic squabbles to the crisis in the Democratic party, from embattled school boards to the right-wing exploitation of those scarlet letters, "PC." In the end, he maintains, the culture wars are evasions of America's deepest trauma - inequality - and he eloquently contends that America is lost unless its obsession with cultural differences can be transcended in the name of the common good.

According to Paul Robeson, Jr., the controversy about multiculturalism is in fact a profound ideological struggle over the values of our national culture. More than a question of the politics of race and gender, the debate is about whether melting-pot culture, the foundation of American life, should be replaced by a mosaic culture incorporating the values of the diverse groups that make up America's population. Robeson contends that the melting pot image has not worked for Blacks, who are excluded by definition from the blended culture of the ethnic American dream. Basing his argument in part on a rejection of the idea of radical individualism, the author suggests that the absence of a concept of group rights in American history places Blacks at a disadvantage. Radical individualism, as a philosophy, rejects the premise of civil rights for groups, which in modern parlance is termed "group tyranny." Robeson attacks mainstream American culture itself in a series of interrelated essays on his father (Paul Robeson), Clarence Thomas, liberals and conservatives, cultural diversity in the workplace, gender and minorities, Blacks and Jews, the Black middle class, and the university. What is needed, Robeson contends, is a new understanding of the nature of a culture of diversity - one that also celebrates Blacks, women, and other presently marginalized groups as visible and distinct actors.

A riveting inquiry into black history and American racism published here for the first time, Race and Revolution is a work of radiant insight and bold logic. Astonishingly advanced for its time, the document was originally drafted in 1933 as Communism and the Negro and was by far the most comprehensive statement on race produced by the Left Opposition, the dissenting Communist tendency led by Leon Trotsky. Race and Revolution places the black struggle for freedom and equality at the heart of American history. Racial oppression, Shachtman argues, can be comprehended only within the totality of social and class relations. The document culminates in a devastating polemic against the Communist Party’s call for a Black Belt state in the American South. A clarifying introduction by Christopher Phelps explains the document’s historical genesis, compares it to the views of Trotsky and C. L. R. James, and evaluates it in light of subsequent theoretical and historical developments.

The climax of Martin Luther King's Poor People's Campaign Published in 1970, Jill Freedman's Old News: Resurrection City documented the culmination of the Poor People's Campaign of 1968, organized by Martin Luther King, Jr. and the Southern Christian Leadership Conference, and carried out under the leadership of Ralph Abernathy in the wake of Dr King's assassination. Three thousand people set up camp for six weeks in a makeshift town that was dubbed Resurrection City, and participated in daily protests. Freedman lived in the encampment for its entire six weeks, photographing the residents, their daily lives, their protests and their eventual eviction. This new 50th-anniversary edition of the book reprints most of the pictures from the original publication, with improved printing and a more vivid design. Alongside Freedman's hard-hitting original text, two introductory essays are included, by John Edwin Mason, historian of African history and the history of photography at the University of Virginia, and by Aaron Bryant, Curator of Photography at the National Museum of African American History and Culture. The photographs of Jill Freedman (born 1939) are held in the permanent collections of major art institutions including The Museum of Modern Art, New York; the International Center of Photography, New York; the New York Public Library; the Jewish Museum, New York; the George Eastman House, Rochester; the Smithsonian American Art Museum, Washington, DC; and the Museum of Fine Arts, Houston. She has had solo exhibitions at numerous museums, including the International Center of Photography, New York; the Museum of Contemporary Photography, Chicago; and the George Eastman House. Seven monographs of her work have been published: Old News: Resurrection City (Grossman, 1970); Circus Days (Harmony, 1975); Firehouse (Doubleday, 1977); Street Cops (Harper & Row, 1982); A Time That Was: Irish Moments (Friendly Press, 1987); Jill's Dogs (Pomegranate Art Books, 1993); and Ireland Ever (Harry Abrams, 2004). Freedman is represented by Steven Kasher Gallery.

During the Civil War, songs were written & sung by both sides on every aspect of the war: stirring marching songs, sentimental ballads, descriptions of battles & their aftermath, election campaign songs, songs with a political message or social conscience, minstrel songs, & satirical & humorous ditties. The musical arrangements in this book have been kept technically simple -- within the grasp of amateur guitarists. The songs are grouped by categories: the Union, the Confederacy, Lincoln, universal sentiments, soldiers songs, battles, Negro spirituals & abolitionist songs, the lighter side, & Post Bellum. In singing & playing them, a precious legacy of American history will come alive.

Against the Grain is a collection of challenging and insightful essays from a reflective historian. Jerold Auerbach, Professor Emeritus at Wellesley College (where he taught for 40 years), writes in the Foreword how his academic career and his time in Israel "each in its own distinctive way converged to liberate me from my past as a non-Jewish Jew." He adds: "Regardless of the subject-law, modern American history, Pueblo Indians, American Judaism, Israel-deference to the conventional wisdom never had been my style. I always enjoyed the stimulation of writing against the grain: discovering hidden meanings, challenging historical and political pieties, and exposing the self-serving ideology that often lurked beneath self-evident truths. Providing intellectual catnip, it also enabled me to reach readers far beyond the narrow confines of academic journals. "My creative work always was done in the solitude of my study, my sanctum within my home. Enclosed within the treasured artifacts, maps, photographs, prints, and books accumulated during decades of research and travel, I explored the historical past that both inspired and reflected my own intellectual trajectory. Virtually every book I have written, to my genuine surprise, contained within it the seed of its successor. That, of course, is discernible only with hindsight-which, after all, is the distinctive attribute of a historian. I invite my family, friends, and interested readers to accompany me to some favorite destinations during my journey." A new book in Quid Pro's Journeys & Memoirs Series, Against the Grain presents this distinctive hindsight in essays and excerpts targeted to a general audience interested in such issues, in addition to historians and college students. Many of the essays were first published in non-academic periodicals and are accessible to this broader audience, though they are nonetheless supported with the prodigious research, evocative prose, and candor of a widely published writer.

Experience the raw and untamed spirit of the Tennessee frontier in Charles Egbert Craddock's "The Story of Old Fort Loudon," a compelling work of historical fiction. Set against the backdrop of pioneer life and military engagement, this meticulously republished edition brings to life a pivotal chapter in American history. Immerse yourself in a world of rugged landscapes and the challenges faced by those who dared to carve out a life on the edge of civilization. Explore the dramatic narrative woven around Old Fort Loudon, a symbol of both hope and hardship for early settlers. This classic work offers a glimpse into the struggles, sacrifices, and triumphs that defined the era. A captivating blend of historical detail and vivid storytelling, "The Story of Old Fort Loudon" remains a testament to the enduring allure of the American West and the indomitable spirit of its pioneers. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Set amidst the political upheaval of the McCarthy trials, the Vietnam War, and the rise of the women's movement, Intimate Politics is a courageous and uncompromising account of one woman's personal and political transformation, and a fascinating portrayal of a key chapter in our nation's history. At eight years old, Bettina Aptheker watched her family's politics play out in countless living rooms across the country when her father, historian and U.S. Communist Party leader Herbert Aptheker, testified on television in front of the House on Un-American Activities Committee in 1953. Born into one of the most influential U.S. Communist families whose friends included W. E. B. Du Bois, Paul Robeson, and Elizabeth Gurley Flynn, Bettina lived her parents' politics witnessing first-hand one of the most dramatic upheavals in American history. She also lived with a terrible secret: incest at the hands of her famous father and a frightening and lonely life lived inside a home wrought with family tensions. A gripping and beautifully rendered memoir, Intimate Politics is at its core the story of one woman's struggle to still the demons of her personal world while becoming a controversial public figure herself. This is the story of childhood sexual abuse, abortion, sexual violence, activism, and the triumph over one's past. It's about FBI harassment and persecution, Jewish heritage, and lesbian identity. It is, finally, about the courage to speak one's truth despite the consequences and to break the sacred silence of family secrets.

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One of the most important modern developments in American constitutional law has been the extension of the Bill of Rights to the states. The most important guarantees of the first eight amendments have been incorporated into the Due Process Clause of the Fourteenth Amendment, along with the doctrine that these are rights that are so "fundamental" that any restriction is subject to judicial "strict scrutiny." The process has nationalized fundamental rights, giving them a preferred dignity and majesty. In this volume, the renowned constitutional scholar, Milton Konvitz, traces the development of fundamental rights from the early days of American jurisprudence through twentieth-century cases involving the right to privacy, racial discrimination, voting rights, censorship, and abortion laws. In Konvitz's astute view, the Bill of Rights in the Constitution of the United States, like the Ten Commandments, places no priority among protected or guaranteed rights. He argues that values, ideals, rights, liberties, and privileges need to be placed in a hierarchical order or scale. The Supreme Court, acting on a case-by-case basis, has slowly and cautiously moved to designate some rights as superior to others. This idea that some rights are of a "fundamental" nature, while others are not, can be traced back to the early days of the nation's government. Konvitz shows that there may be said to be not one, but two or even three bills of rights, one for the Federal government and one for the States. Still another, may be an unwritten but evolving Bill of Rights. The Court has recognized rights or liberties that are in no written constitution, as for example, a right to marry, a right to have a family, a right to choose education of one's children in a private, even a religious, school, rather than a public school. In an illuminating fashion, Konvitz, whose writings have been cited in Supreme Court decisions, traces the controversial and very uneven line of development of such "fundamental rights." This volume is likely the first book on the subject and a pioneering work in the history of American constitutional law. Accessibly written for a general and scholarly audience, it will be of particular interest to political scientists, historians, and constitutional scholars.

In Third Wave Capitalism, John Ehrenreich documents the emergence of a new stage in the history of American capitalism. Just as the industrial capitalism of the nineteenth century gave way to corporate capitalism in the twentieth, recent decades have witnessed corporate capitalism evolving into a new phase, which Ehrenreich calls "Third Wave Capitalism." Third Wave Capitalism is marked by apparent contradictions: Rapid growth in productivity and lagging wages; fabulous wealth for the 1 percent and the persistence of high levels of poverty; increases in the standard of living and increases in mental illness, personal misery, and political rage; the apotheosis of the individual and the deterioration of democracy; increases in life expectancy and out-of-control medical costs; an African American president and the incarceration of a large percentage of the black population. Ehrenreich asserts that these phenomena are evidence that a virulent, individualist, winner-take-all ideology and a virtual fusion of government and business have subverted the American dream. Greed and economic inequality reinforce the sense that each of us is "on our own." The result is widespread lack of faith in collective responses to our common problems. The collapse of any organized opposition to business demands makes political solutions ever more difficult to imagine. Ehrenreich traces the impact of these changes on American health care, school reform, income distribution, racial inequities, and personal emotional distress. Not simply a lament, Ehrenreich's book seeks clues for breaking out of our current stalemate and proposes a strategy to create a new narrative in which change becomes possible.--Book flap

One of the country’s more perceptive younger critics, Louis Rubin is well known for his commentaries on the literature of the South. These essays—selected from his critical works over a period of more than a dozen years—reflect his wider concern with the whole spectrum of American literature. In the title essay Rubin treats “tired literary critics” and the often-heard pronouncement that the novel is dead. He argues that the response of novelists to our difficult and demanding times “will doubtless be what the response of writers to difficult and demanding times always has been: namely, difficult and demanding works of literature.” Another essay, “The Experience Difference: Southerners and Jews,” is a perceptive examination of the parallels in different factors and cultural experiences which brought Southern and Jewish writers to prominence. Rubin explores the potential pitfalls for Southern writers today in an essay called “Getting Out From Under William Faulkner.” Edgar Allan Poe’s position in American literary history and H.L. Mencken’s role as a literary critic and an “artist of destruction” who cleared the way and created an audience for the major American writers of the twenties are dealt with in other essays. The collection includes imaginative studies of Henry James, Mark Twain, Edmund Wilson, and Karl Shapiro. Several Southern writers, including Faulkner, Ellen Glasgow, Robert Penn Warren, Flannery O’Connor, and James Branch Cabell, also come under Rubin’s scrutiny.

The Making of Modern Law: U.S. Supreme Court Records and Briefs, 1832-1978 contains the world's most comprehensive collection of records and briefs brought before the nation's highest court by leading legal practitioners - many who later became judges and associates of the court. It includes transcripts, applications for review, motions, petitions, supplements and other official papers of the most-studied and talked-about cases, including many that resulted in landmark decisions. This collection serves the needs of students and researchers in American legal history, politics, society and government, as well as practicing attorneys. This book contains copies of all known US Supreme Court filings related to this case including any transcripts of record, briefs, petitions, motions, jurisdictional statements, and memorandum filed. This book does not contain the Court's opinion. The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping ensure edition identification: Harrah Independent School District et al. v. Mary Jane Martin. Petition / RONALD L DAY / 1978 / 78-443 / 440 U.S. 194 / 99 S.Ct. 1062 / 59 L.Ed.2d 248 / 9-15-1978 Harrah Independent School District et al. v. Mary Jane Martin. Brief in Opposition (P) / ROBERT M WEINBERG / 1978 / 78-443 / 440 U.S. 194 / 99 S.Ct. 1062 / 59 L.Ed.2d 248 / 12-14-1978

Here is a concise overview of the historical development and judicial interpretation of the First Amendment religion clauses. It begins with a survey of the history of American religious liberty, goes on to present the views of the Founding Fathers, and then considers the core value of religious liberty and the constitutional purposes that implement that value. the book ends on a practical note by applying these principles to questions of equal access, religious symbolism in public life, and the task of defining religion for constitutional purposes. As the authors note in their introduction, "the historical principles that animate the religion clauses are more than an abstract intellectual exercise. . . . They provide an essential context for guiding the resolution of modern religious liberty issues."

For most of its history, the American gay movement has been part of the democratic Left. Gay liberation's founders were Communists, and its activist core is still overwhelmingly progressive. But in recent years, a more affluent group of gay men has begun to make its mark. Though they are a minority in the queer community (which includes people of all races, classes and genders), conservatives have become the loudest gay voices in the mainstream media. With their withering contempt for feminism and radical politics, these 'gayocons' are changing the movement's public image. Unless their rise is met by a persuasive critique, they may also alter its heart and soul. Homocons offers such a critique. It describes how the gay Right agenda differs from the one the queer community has long embraced. Never abandoning its analysis of the complex relationship between homosexuals and liberal society, the book examines the conflict between liberationists and assimilationists that has raged since the Stonewall era, and explores how political success tipped the balance and facilitated the rise of the gay Right. Finally this book offers an alternative to gay conservatism grounded in queer humanism, a distinct sensibility that has been a major force in progressive thought for more than a century.

A combination of social history, labor history and a history of the New Deal, interweaving stories of migrant workers, laborers and policy makers. One chapter is devoted to the arts of the period and their portrayals of workers. Summaries of several leftist plays are also given, including plays by Clifford Odets, Lillian Hellman,, and Erskine Caldwell. Also has several pages of photographs of Depression scenes and leaders of the period.

An American professor of history finds his roots in a personal journey through Israel -- and through assimilated America, academia, baseball, and family -- headlong into deep tensions and ambivalence about country, culture, identity and religion. Worried about the commitment of Jews to their heritage, Jerold Auerbach (renowned author of Unequal Justice) shares his story and musings with insight, irony, and intensity. A personal journey, literally and spiritually, to Israel by one of the most recognized legal historians in the United States.

Set in Miami Beach in 1972, this novel follows the Posner family--two Holocaust survivors, Sophie and Jacob, and their son, Adam--doing everything they can to avoid one another in a city with an infinite supply of colorful diversions. In '72 Miami hosted both the Republican and Democratic political conventions and experienced the rise of the counterculture, the Cold War, and the desegregation of the old South. Miami Beach was to be the Posner's salvation. Instead they discover their lives quickly turning into a Disney World of funhouse mirrors and chaotic rides that give them front row seats through a transformational year in American culture, politics, and history.