The son of Carol Saroyan Matthau--child bride of William Saroyan and later wife of Walter Matthau--traces the enduring friendship shared by his mother, Oona O'Neill Chaplin, and Gloria Vanderbilt from their childhood and Manhattan debutante days

"How We Elected Lincoln: personal recollections of Lincoln and men of his time" offers a fascinating glimpse into the political landscape of 19th-century America and the pivotal election of 1860. Abram J. Dittenhoefer, a contemporary observer, provides firsthand accounts and anecdotes illuminating the personalities and events that shaped this critical period in United States history. Explore the political climate leading up to the American Civil War through the eyes of someone who witnessed it firsthand. This volume delves into the strategies, personalities, and turning points that led to Abraham Lincoln's election. A valuable resource for anyone interested in political history, the Civil War period, or the life and times of Abraham Lincoln, this book provides a unique and insightful perspective on a nation on the brink. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"Dem Kaufmann steht die Welt offen"– verlockendes Versprechen, das nach Ferne klingt und nach erfreulicher Distanz zu Gymnasiumsängsten und den Erziehungsversuchen der älteren Brüder. Zwei wichtige Gründe für den Sekundaner Victor Klemperer, aus der Schule zu laufen, um bei Loewenstein & Hecht, Kurz- und Galanteriewaren Export, in die Lehre zu gehen. Doch dieser Entschluß gehört zu den Irr- und Umwegen, auf denen er herauszufinden sucht, was er im Innersten ist – Jude, Christ, Deutscher? – und was er tatsächlich einmal sein will: ein Mann der Literatur. Fortan lebt er nur für dieses Ziel: Studium, Promotion, Paris, Neapel – eine "Hochzeitsreise mit dem Leben". Doch dann ist der Weltkrieg da, im Glauben an die deutsche Kulturmission zunächst begeistert begrüßt, am Ende: der "absolute Zweifel an jeder Position". Kriegsmüde, desillusioniert und mit einiger Skepsis vor der kommenden, der kaiserlosen Zeit fährt der ehemalige Freiwillige nach Hause. Von 1939 bis 1942 schrieb Klemperer im Dresdner Judenhaus trotz ständiger Todesgefahr diese geschichten-und geschichtsreichen Memoiren, ein Zeit- und Sittenbild bürgerlicher Lebensart in Deutschland vor und nach der Jahrhundertwende bis zum Ende des Ersten Weltkrieges. --

Argentina is the only country in the Americas that has successfully erased the presence of Indians, Africans, and mestizos from its national story. Official documents, reports, and censuses have largely omitted any references to the country's non-European inhabitants, mirroring official policies that once included the extermination of indigenous peoples and continued to encourage Europeanization well into the twentieth century. In Captive Women, Susana Rotker exposes this concerted act of forgetting by looking at a historical phenomenon that has been expunged from the national record: the widespread kidnapping of white women by Argentine Indians in the nineteenth century.Captivity narratives form a major part of the early colonial literature of the United States, but Argentina has no such tradition. These narratives contradict Argentina's carefully shaped self-image, one historically based on the absence of aboriginal peoples and the impossibility of miscegenation. Captive Women uses close and imaginative readings of military documents, government treaties, travel journals, essays, and memoirs to explore the foundations of Argentina's strategies of silence and its negation of uncomfortable historical realities.

Memoirs of a Jew, intended for children. Jacobsen was born as Ruth Katzenstein in the village of Frankenberg, Germany. In 1937 the family moved to Düsseldorf; in 1939 they fled to the Netherlands. Under the German occupation, the family first lived in the village of Oud Zuylen; in 1941 the Dutch resistance movement hid Ruth in Amsterdam and her parents in Roermond. Jacobsen describes the people who hid and helped her. Several years after the war her parents committed suicide; in 1953 she emigrated to the USA. Includes illustrations, and collages made by Jacobsen from family photographs.

The Wolf Man's Magic Word reopens the examination of the "Wolf Man," a Russian emigre who was Freud's patient and who wrote his own memoirs. Nicolas Abraham and Maria Torok's work is at once the account of the Wolf Man's psychological inventions, a reading of his dreams and symptoms, and a critique of basic Freudian notions.

"One would be hard-pressed to name a more admirable contemporary American example of the intellectual engage than Martin Duberman. Historian, playwright, memoirist, biographer, social commentator, teacher, activist and assured podium performer, Duberman is an unapologetic, uncategorizable and nonsectarian radical whose constant questioning of conventional wisdoms - even on the left - has made him one of this country's pre-eminent participants in the political and cultural wars that have riven public life."â__In These Times"A marvelous collection of a lifetime of courageous writing by a deeply moral and reflective man who has engaged the greatest struggles of our times with an unflinching nerve, a wise heart and a brilliant intellect informed at all times by compassion."â__Jonathan KozolThe lives of â__outsidersâ__ have been the focus of Martin Duberman's work as a public intellectual for the past four decades. Best known for his biography of Paul Robeson, Duberman highlights the "banding together" of the excluded in Left Out. These identity-based movementsâ__black power, gay liberation, feminismâ__have created a vital and controversial change in American consciousness in recent decades. Duberman's collected essays trace this evolution of thought to the history of dissent from abolitionism through the New Left to today's organizing.Presenting summations of Duberman's views on such matters as race, foreign policy, gender and sexuality, Left Out offers incisive analyses of the split between class-based and identity-based politics on the Left. The "godfather" of the gay studies movement, Duberman has taken many brave and prescient stands. His writing shows why he is considered a deeply moral and wise man. For the first time available in paperback, this edition, updated through 2002, includes three new essays: "The State of Gay Studies," "Queer Economic Justice," and "Jewish Radicals, Effeminacy, and the Rise of Gay Chauvinism".

U+0032ThreeU+0032, a collection of memoirs by Lillian Hellman, comprises three volumes: U+0032An Unfinished WomanU+0033 about her childhood and early years as playwright; U+0032PentimentoU+0033, a series of portraits of the people who made a significant impact in her personal and professional life; and U+0032Scoundrel TimeU+0033, an account of her persecution during the McCarthy witch hunt of the 1950′s.

This book consists of ten essays that examine the ways in which language has been used to evoke what Lawrence L. Langer calls the ‘deathscape’ and the ‘hopescape’ of the Holocaust. The chapters in this collection probe the diverse impacts that site visits, memoirs, survivor testimonies, psychological studies, literature and art have on our response to the atrocities committed by the Germans during World War II. Langer also considers the misunderstandings caused by erroneous, embellished and sentimental accounts of the catastrophe, and explores some reasons why they continue to enter public and printed discourse with such ease.

A study based on ca. 700 personal stories of Jewish survivors of Ravensbrück, including ca. 200 testimonies held in the Yad Vashem archives; information from memoirs; and interviews conducted with survivors after the war or during 1997-2005 by Agassi and the team of scholars from Israel and Germany who worked with her, as well as with relatives of survivors who are no longer alive. The percentage of Jews among Ravensbrück prisoners was small, thus this camp was sometimes neglected by scholars of the Holocaust. Divides the history of the Ravensbrück camp (1939-45) into five periods, and presents a sociological portrait of the Jewish population in each period. Gives the distribution of the Jewish prisoners by countries of origin, reasons for arrest and incarceration, age, marital status, etc. Dwells on the prisoners in the satellite camps, the evacuation marches in the last stage of the war, and the rescue of some of the prisoners by Count Bernadotte in February-March 1945. Notes manifestations of antisemitism on the part of some non-Jewish prisoners. There was little group-wide social organization among non-political Jewish prisoners in Ravensbrück, only small group relationships. Resistance was limited to small-scale sabotage at in work places. Nonetheless, the very survival in Ravensbrück constituted a type of heroism.

The Polish Underground and the Jews, 1939-1945 examines one of the central problems in the history of Polish-Jewish relations: the attitude and the behavior of the Polish Underground - the resistance organization loyal to the Polish government-in-exile - toward the Jews during World War II. Using a variety of archival documents, testimonies, and memoirs, Zimmerman offers a careful, dispassionate narrative, arguing that the reaction of the Polish Underground to the catastrophe that befell European Jewry was immensely varied, ranging from aggressive aid to acts of murder. By analyzing the military, civilian, and political wings of the Polish Underground and offering portraits of the organization's main leaders, this book is the first full-length scholarly monograph in any language to provide a thorough examination of the Polish Underground's attitude and behavior towards the Jews during the entire period of World War II.

Strange is not a word he should use (it’s not quite politically correct), but sometimes Joel Yanofsky can think of no other way to describe life with his son, Jonah—life with autism. Jonah is “on the spectrum” of Autism Spectrum Disorders (ASD), but knowing the correct terminology makes it no easier for Yanofsky to understand his ten-year-old son’s complicated relationship with the world. While his wife, Cynthia, an art therapist, assumed the burden of researching ASD and investigating effective treatments for Jonah, Yanofsky tried other approaches. In this funny and moving account of a year in their life together, he chronicles his struggle to enter his son’s world using the materials he knows best: self-help books, feel-good memoirs, and literary classics ranging from the Old Testament to Dr. Seuss, as well as knock-knock jokes, riddles, and puns—all the wacky routines Yanofsky calls schtick. Told with candour, insight, and compassion, Bad Animals is not only about autism; it’s about the things that make life worth living.

Beginning in the late nineteenth century, the pueblos of the Southwest frequently inspired Anglo-American visitors to express their sense of wonder and enchantment in biblical references. Frank Hamilton Cushing's first account of Zuni pueblo described a setting that looked like "The Pools of Palestine." Drawn to the Southwest, Mabel Dodge imagined "a garden of Eden, inhabited by an unfallen tribe of men and women." There she was attracted to Tony Luhan, a Taos Indian who looked "like a Biblical figure." When historian Jerold Auerbach first saw Edward S. Curtis's early twentieth-century photograph Taos Water Girls , he realized that "here, indeed, was the biblical Rebecca, relocated to New Mexico from ancient Haran, where Abraham's faithful servant had journeyed to find a suitable wife for Isaac. Rebecca with her water pitcher is as familiar a biblical icon as Noah and his ark or Moses with the stone tablets. Curtis had recast her as the archetypal Pueblo maiden." Explorers in Eden uncovers an intriguing array of diaries, letters, memoirs, photographs, paintings, postcards, advertisements, anthropological field studies, and scholarly monographs. They reveal how Anglo-Americans disenchanted with modern urban industrial society developed a deep and rich fascination with pueblo culture through their biblical associations.

As Cosmopolitan 's professional agony aunt for the last forty years, Irma Kurtz has had to deal with the most intimate problems of successive generations of readers, while having to keep up with the changing mores and attitudes in British and American society. In these memoirs, she looks back on the seismic transformations that have taken place over the last four decades, as well as her own hectic and often difficult life as a single mother from America living in London. Warm, funny, and perceptive, brimming with wisdom and insight, My Life in Agony is a meditation on the subjects that tend to concern and confuse us the most--from mother-daughter relationships to eating disorders, office politics, and those perennial areas of interest: love and sex.

The unfinished memoirs of Hugo Gryn (1930-1996), born in Berehove, Ruthenia, completed by his daughter. Ch. 11-13 (pp. 123-229), written by Gryn in the USA in 1951, describe his experiences in the Holocaust from the viewpoint of a teenager. In April 1944 Gryn and his family, with the other Jews of Berehove, were interned in a nearby brick factory. In June 1944 they were deported to Auschwitz. Gryn and his father were then sent to the Lieberose concentration camp in Upper Silesia. Naomi Gryn pieces together the remaining account from various writings and interviews, describing a death march which ended at Gunskirchen. Gryn's father succumbed there, shortly after the liberation; his brother perished at Auschwitz, but his mother survived. Gryn moved to England with a group of child survivors in 1946, and later became a well-known rabbi.

Inspired by a real-life incident―getting his tie caught in a moving Moviola editing machine―Gene Deitch, cartoonist, animator, memoirist, renaissance man, created Nudnik, his Everyman character, a cross between Candide and Godot. The star of 12 Paramount-produced animated shorts that ran in theatres as an opening to the main movie in 1964 and 1965, Nudnik was one of Deitch’s most creatively personal and commercially successful creations in a long career of innovative and successful work, including the award-winning animated versions of Jules Feiffer’s Munroand Maurice Sendak’s Where the Wild Things Are. Nudnik is the well-intentioned, kind, cheerful, but bumbling naif, inspired by and reflecting such archetypal characters as Jackie Gleason’s Poor Soul, Charlie Chaplin’s Tramp, and Charles Schulz’s Charlie Brown. He never gets a break, can’t do anything right, but somehow muddles through, dignity more or less intact. Nudnik Revealed! finally collects all of Deitch’s original drawings, sketches, model sheets, storyboards, and color “set-ups” that he drew during the Nudnik production season of ’64-’65, all reproduced from original art, showcasing his lively pencil line and his slick, authoritative pen and ink work. Deitch, a born storyteller and one of the great raconteurs of comics and animation, accompanies the copious examples of art with a running commentary―by turns, funny, spirited, and chock full of historical insights.

Felicity Kendal began writing these richly entertaining and deeply honest memoirs at her father's bedside as he lay in a coma. As she moves hauntingly between the present and the past, Felicity Kendal recaptures her magical childhood in India, her complex relationship with her father and the rest of the family, her love affairs and the acting career that led to her being recognised as one of the outstanding actresses of her generation. 'A remarkable first book about acting, travelling, exile, loving and losing; a book about families and, above all, a book about fathers and daughters.' Angela Lambert, Good Housekeeping

Between the Middle East and the Americas: The Cultural Politics of Diaspora traces the production and circulation of discourses about "the Middle East" across various cultural sites, against the historical backdrop of cross-Atlantic Mahjar flows. The book highlights the fraught and ambivalent situation of Arabs/Muslims in the Americas, where they are at once celebrated and demonized, integrated and marginalized, simultaneously invisible and spectacularly visible. The essays cover such themes as Arab hip-hop's transnational imaginary; gender/sexuality and the Muslim digital diaspora; patriotic drama and the media's War on Terror; the global negotiation of the Prophet Mohammad cartoons controversy; the Latin American paradoxes of Turcophobia/Turcophilia; the ambiguities of the bellydancing fad; French and American commodification of Rumi spirituality; the reception of Iranian memoirs as cultural domestication; and the politics of translation of Turkish novels into English. Taken together, the essays analyze the hegemonic discourses that position "the Middle East" as a consumable exoticized object, while also developing complex understandings of self-representation in literature, cinema/TV, music, performance, visual culture, and digital spaces. Charting the shifting significations of differing and overlapping forms of Orientalism, the volume addresses Middle Eastern diasporic practices from a transnational perspective that brings postcolonial cultural studies methods to bear on Arab American studies, Middle Eastern studies, and Latin American studies. Between the Middle East and the Americas disentangles the conventional separation of regions, moving beyond the binarist notion of "here" and "there" to imaginatively reveal the thorough interconnectedness of cultural geographies.

In a rare foray outside that natural home, Booker Prize-winner Bernice Rubens penned these memoirs 'while I still have a memory'. Poignantly, the highly-acclaimed author, literary bon-vivante and celebrated film-maker died shortly after completing them. She wasn't quite expecting that but nor, as she reveals in these pages, did she expect to become a writer. It wasn't the sort of thing that happened to girls born in Glossop Terrace in Splott, the 'unmentionable and indisputable armpit of Cardiff'. In this delightful evocation of her own life, Rubens escorts us, with a flotilla of anecdotes, away from that armpit through her wartime childhood, her first 'major folly' (studying English at University) to stints as a teacher, lady's maid and actress before stumbling upon a career that bemused her until the end of her days. 'What shall I do,' was her constant internal refrain, 'when I grow up?' Bernice Rubens died in the autumn of 2004.

-Appeals to popular culture book buyers and collectors, especially those dealing in biographies and memoirs, popular music history, punk culture, or the Clash -Published to follow the Clash's 40th anniversary in 2016, this is a testament to the man who both facillitated the band's formation and held it together From the growth of punk and beyond, this visually rich collection of art, fashion and ephemera, accompanied by essays, draws from the archives and philosophy of one of the 'prime instigators' of UK punk - Bernard Rhodes. Wake Up! To the World of Bernard Rhodes is a first-hand account of the punk movement. Bernard Rhodes shares his title of 'prime instigator of UK punk' with Malcom McLaren. Been there, seen it, done it hardly does Rhodes' story justice. Inspired by the avant-garde Situationist movement, and the designer of radical t-shirts for McLaren and the Vivienne Westwood Kings Road shop, it was Rhodes who introduced John Lydon to the Sex Pistols before engineering the formation of the Clash. With him as their manager, and the co-creator of their super-committed style, the Clash became and remains one of the biggest bands of the era, and a symbol of punk as a positive force. Alongside his two stints with them, Rhodes also nurtured the Specials and Dexy's Midnight Runners to huge success.