"To This Day, Nobel prizewinner S. Y. Agnon's last novel (first published in Hebrew in 1952), is also his last to be translated into English. On the surface it is a comically entertaining tale of a young writer - a Galician Jew who has lived in Palestine, returns to Europe on the eve of World War I, and is now stranded in Berlin - who wanders from rented room to rented room in a city with a severe wartime housing shortage. On a deeper level it is a profound commentary on exile, Zionism, divine providence, human egoism, and other typically Agnonian concerns." --Book Jacket.

To a large degree, In Mr. Lublin's Store sums up Agnon's thematic and formal development. This novel is also a prime example of an objective correlative for a world that is out of joint—a world where a plot is no longer possible because impersonal forces deriving from the setting where it takes place, Germany, no longer permit development of a normal plot. Only the components of the place, which determine the fate of many individuals who live there, can be described. The entire tradition has been undermined, although many of the characters yearn for it in their nostalgia for the shtetl of their birth. However, there is no hope of returning home; there is no chance to rebuild the fallen tabernacle of the tradition.

Seven queer fantasy shorts set in the tropical Jewish world of the Mangoverse novels. "Your Name is Love" An energetic royal guard takes her artist wife on a scavenger hunt around the city so she can stop having artist's block about the lesbian graphic novel she's supposed to make for the queen. "No Whining" Trans woman Chef Yael dithers over whether to switch wine sellers, at the urging of her husband Aaron, when her regular vendor is incompetent but the delivery girl is a trusted ally. "Every Us" A prince with anxiety is comforted in the arms of his partner when he wakes up from a nightmare. "Take Time to Stop and Eat the Roses" A trans teenager and his girlfriend go on a midnight quest for flowers for her sister's wedding. "The Generous Princess" A royal family with two moms and two dads puts their own special twist on celebrating Purim. And now, bundled with Tales from Outer Lands, two contrasting stories of heroic Jewish womanhood: "Rivka in Port Saltspray" Trapped in a seedy port town because an innkeeper is holding her shapeshifting dragon-horse hostage until she can pay all the charges he invented, nomadic warrior Rivka finally has a chance at some decent money when a wealthy but weak man hires her to rescue his fiancée. But she has to think on her feet when she learns there may be more at stake. "Aviva and the Aliens" On the night before the royal Passover seder, Aviva has to outsmart the aliens who abducted her to cook for them because they had grown sick of their spaceship's food replicators. Will she get home before Queen Shulamit wakes up and panics from her absence?

Tournament is Shelby Foote's first novel, published originally by Dial Press in 1949. Summa's reprint includes an exclusive preface by the author concerning his literary development and the genesis of Tournament and an introduction by Louis D. Rubin, Jr., the dean of American literature criticism. Tournament is a brilliant novel of the post-Civil War South, replete with Proustian and Faulknerian overtones. Many of the characters that appear in subsequent novels by Shelby Foote come onto the scene for the first time in this work. It is a must acquisition for every fan of Shelby Foote--From item description.

Based on an intriguing alternative history hypothesis, this novel imagines a world where the Moors never left Southern Spain after their 800-year reign but instead expanded their empire across Europe. This fascinating premise is explored through the chaotic lens of a bumbling film crew in the Sahara desert. The director, lost in a haze of Moroccan kif, has embraced the local culture a little too enthusiastically. With the scriptwriters gone and the leading actor in a perpetual sulk inside his Airstream, the production is at a standstill. Enter Tinctorio Indigolin, a bitcoin billionaire on the run from a Shakespeare-quoting Irish assassin. In a bid to leverage a tax loss, Indigolin acquires the film rights, injecting a new lease of life into the project. Mysteriously, a captivating screenplay begins to appear on set, page by page, night after night. Penned by an enigmatic writer, the script proposes a world where the Moors didn't just resist expulsion in 1492 but went on to dominate Spain, France, and Italy, creating an Islamic State of Europe. As the screenplay unfolds, it transforms the lives of everyone involved in the film. The narrative weaves through a labyrinth of twists, assassinations, and narrow escapes, employing the most unexpected methods, only to culminate in the most uplifting conclusion you'll encounter this year.

Tornado Pratt is the last of the old-style American tycoons who has lived his life with ferocious vigour through the vacillating fortunes of twentieth-century America. The novel finds him in a hotel room at the end of his days, as he recounts in a dying monologue the events of his turbulent life. What is revealed, in an account full of jokes and surprises, is a brash, lustful, comic, profane, naive and sentimental man who, driven on by remorse, displays a wry and perceptive honesty about himself, even as his memories begin to merge with imaginings. Often funny and sometimes moving, Tornado Pratt's voice is an unforgettable one in which he confronts his own mortality, and in which Paul Ableman gives us an astonishing, affecting and life-affirming story. Auberon Waugh called Tornado Pratt 'a magnificent and memorable novel'.

When Primo Verona's wife, Beatrice, left him for Pasquale Benvenuto, their close friend who ran the delicatessen on the corner of Long and Bloem Streets, Primo cast a spell on Pasquale's shoes so that ever afterwards their laces would spring undone as he walked out of his front door. It was an easy enough spell to sidestep. Pasquale, unaware that it was magic he was dealing with, merely cursed the quality of modern laces and thereafter wore shoes that did not need them. Primo Verona, a professional magician and soothsayer, is born with a gift of clairvoyance so strong that he is able to predict his own mother's death while still in her womb. He is brought up on a rich diet of astronomy, philosophy and storytelling by his watchmaker father and widowed aunt, both survivors of the death camps in Auschwitz. Primo accurately reads the futures of the local Long Street community of Italians and Jews, who pay him in wads of money, honey cake, tiramisu and other delicacies. Pasquale Benvenuto, his close friend since childhood and fellow soldier in the Angolan war, is the owner of a bar and delicatessen favored by local businessmen and gamblers alike. Pasquale is passionate and headstrong, his culinary reputation resting on the recipes for the fruited breads and salamis his father taught him to make -- a love of which he acquired while hiding from the horrors of the Holocaust. Together Primo and Pasquale form an easy friendship triangle with the beautiful Beatrice, Primo's wife and Pasquale's former girlfriend, but when she leaves her husband for her old love, Primo is devastated. He casts spells to spoil Pasquale's creations and to win back Beatrice, but he inadvertently conjures up an unexpected visitor. Patricia Schonstein delivers a dazzling and evocative novel that mixes magical realism with the big themes -- war, love, death, betrayal and the afterlife -- to entertaining effect. A Time of Angels is spellbinding storytelling that no reader will soon forget.

The Village, first published in 1952, begins on the very day the war ended. Two women, who have been firm friends during the war, go as usual to the Red Cross Post. Here they spend the night as they always had done, chatting over a cup of tea. As dawn breaks they lock the door 'but still they lingered, unwilling finally to end this night and the years behind it. '"There's a lot of us will miss it," Edith said. "We've all of us felt at times, you know, how nice it was, like you and me being able to be together and friendly, just as if we were the same sort, if you know what I mean." "I'll miss it a lot too," Wendy said. There was no point in her saying that it could go on now, the friendliness and the companionship and the simple human liking of one woman for another. Both knew that this breaking down of social barriers was just one of the things you got out of the war, but it couldn't go on.' The main theme of The Village is that Wendy's attempt to cling on to her old way of life was already under pressure by 1939 and had become even more out-of-date by 1945. It is Edith who is the New Britain, with her prosperous son and her commonsense and indeed kindness. Wendy, with her snobbery and her refusal to change and her uncompromising attitude to her daugher, is the Old. When Labour swept to a landslide victory in 1945 'Attlee's government promised a fairer future for all and no going back to the inequalities of the pre-war world,' writes Juliet Gardiner in her Afterword to this Persephone edition of The Village. When Wendy goes back up the road to Wood View on Priory Hill 'where the gentry lived' and Edith goes downhill on the other side, 'down Station Road among the working classes', they both assume that the values and habits of pre-war Britain will continue. But Britain has already changed a great deal, a change symbolised by Edith's son Roy, a printer with excellent prospects, falling in love with the penniless Margaret, Wendy's daughter. 'The story of the romance between the two of them forms the central narrative of the novel,' Juliet Gardiner continues, 'and the attitude of the other villagers when the news gets out illuminates their understanding - or rejection - of the village's elaborately calibrated social stratification. This is a finely-observed novel about the losses and gains of the Second World War, how hopeless and how isolating it would be to hold onto the past, how illusory was the notion that the war had broken down class barriers, or had managed to save "deep England" from the future and how peace, too, would produce its own list of casualties. It is also about the futility of 'keeping up appearances', the boredom of middle-class women with nothing to do, even the realisation that cooking and housework had to be streamlined if theose women were to take their place in society. But above all The Village is an extremely enjoyable and well-written novel evoking an entire community (there is a long cast of characters at the beginning) and a whole way of life, and has one of the most ancient plots in the world - a young couple who fall in love but are forbidden to marry.

First published in 1977, this novel is set in the 1930s within a small community of Jews in Peru. Don Jacobo Lerner, an immigrant from Czarist Russia, lies on his deathbed trying to piece together his life and is shown to be the tragic but heroic prototype of the Wandering Jew.

Internationally renowned novelist Harry Mulisch's The Procedure is a haunting and fascinating novel about two men who try to create life but fail. In the late sixteenth century, Rabbi Jehudah Löw, in order to guarantee the safety of the Jews in Prague, creates a golem by following a procedure outlined in a third-century cabalist text. Four hundred years later, Victor Werker, a Dutch biologist mourning the loss of his stillborn daughter, causes an international uproar when he creates a complex organic clay crystal that can reproduce and has a metabolism. But his unsettling discovery takes its toll as his inner and outer demons pursue him around the world, from California to Venice, Cairo, and Jerusalem.

"Century 21," a time machine in literary form, ignores the unity of time, space, and character. This tragicomical idyll of the future past mixes ancient and modern genres: Platonic dialogue and nineteenth-century romance, reportage and science fiction. At the book's core are two sisters, Ann Kar, a writer and survivor, and Carol, a suicidal artist. Considering herself a lunatic, Carol dreams about escaping from the earth to the moon (luna) and about the moon scholar, a lunar archeologist, who a thousand years after her death, while reconstructing terrestrial life, discovers the traces of her existence, falls in love with her, and begins to write about her - and his - erotic adventure. The result is a novel where Anna Karenina writes about Simone Weil, where Joseph Conrad meets Malcolm Lowry in Mexico, where Goethe presides over a literary institute made up of such members as Italo Svevo and Sextus Propertius, and where Djuna Barnes, dying from AIDS, visits Moses Maimonides in Japan. Ewa Kuryluk is fascinated by the repetition of the same situations and types, yet she's after her contemporaries who are starved for affection, lost in transit, ready to slip into somebody else's skin, and speaking in English, their second language, with a heavy accent. "Century 21" is a profoundly moving and original work.

Hetty Clarkson is a typical modern woman: attractive, romantic and single. Her situation is the same as that of thousands of twenty- and thirty-somethings arriving in London each year, with one small exception. She is old enough to be their mother. It wasn't meant to be like this, but blame that on her philandering husband. When she caught him cheating with a younger woman, Hetty's traditional views of marriage hit the buffers. One divorce later, and Hetty is discovering that the etiquette books for the mid-life single woman haven't been written yet... In turn sexy and poignant, Chasing Men lifts the lid on how Hetty copes and finds contentment. In an age when mid-life singles are the fastest growing group in society, Edwina Currie has delivered a terrific and timely novel.

This work is a romantic novel revolving around the legend of Melusine. Raymond de Forests travels to visit his father at the estate of Emory, Earl of Poitou. Emory immediately likes the boy and Raymond becomes a fosterling. Raymond becomes one of the family, but on his 21st birthday, the ominous counselor and magician to Emory, Owain arranges for Raymond to accidentally murder Emory. In a state of intense bereavement, Raymond rides away, discovering a grotto where Melusine has been secreted to seduce him. Raymond and Melusine build a grand castle on some land granted to them by Emory's eldest son, Bertrand, calling it Lusignan. Bertrand later dies of poisoning and Raymond inherits his land. The Lusignans are prosperous, and one of the younger sons, Geffray, is meant to inherit. However, after Geffray murders another brother who was to be a monk, Raymond condemns his wife as a witch and she throws herself out the window. Raymond gives his titles to his son and retires to Montserrat to spend the rest of his life in meditation.

A novel based loosely on the life of the Turkish-born 17th-century Jew, Shabbatai Zevi. Hailed as the Messiah, forced to convert to Islam, five times married, he is an eccentric and exotic character. In 1970 the author won the Booker Prize for her fourth novel, The Elected Member.

Complete and unabridged paperback edition. The Wondrous Tale of Alroy is the sixth novel written by Benjamin Disraeli, who would later become a Prime Minister of Britain. It is a fictionalised account of the life of David Alroy. Its significance lies in its portrayal of Disraeli's "ideal ambition" and for its being his only novel with a distinctive Hebrew subject. Description from Wikipedia, the free encyclopedia.

"An eerie novel . . . an unbeatable combination of suspense, sex and the supernatural . . . highly recommended." - Baton Rouge Advocate "The worthy successor to Rosemary's Baby " - San Francisco Examiner "A horror masterpiece " - Camden Courier Post It starts out innocently enough, when reporters Tony Dumont and Robin Shepherd are sent to interview teenager Mark Elias, a scientific genius, about a scholarship he has won. But it is quickly clear that there is something very strange about the Elias family. Mark and his sister Shirley spend long hours behind closed doors conducting weird and inscrutable experiments involving electricity and a tape recorder. And then there is old Mrs. Elias, the children's grandmother, who died recently and whom the family seems terrified to discuss. The two journalists believe there may be a more serious news story than the one they were sent to cover, but they have no idea how serious - until people begin to die . . . Arch Oboler (1907-1987) was a major figure in the Golden Age of Radio whose weekly horror show Lights Out terrified listeners in the 1930s and '40s. In House on Fire (1969), his only novel, Oboler delivers a page-turning chiller that is effective both as an eerie tale of supernatural horror and as an examination of the nature of evil. This edition features a new introduction by Christopher Conlon

“SOPHISTICATED AND SUSPENSEFUL . . . TAUTLY WRITTEN . . . Wilentz knows the world she writes about very well, and her descriptions have a solid specificity that lends authority to her fiction.” –The New York Times Book Review “At a closed Israeli checkpoint, Marina, a Palestinian mother, clutches her ailing boy, desperate for access to Jerusalem and its doctors. When a young Israeli soldier waits too long before deciding to disobey orders, a martyr is born. Thus begins a graceful, painful, illuminating novel of the Middle East. . . . [Wilentz’s] prose tugs at the reader. . . . The characters are magnetic. . . . [This] is a very human tale of regrets, revenge, and the elusive nature of absolution.” –Entertainment Weekly “SO PRECISE, SO STARTLING, SO UNFORGETTABLE. . . . These characters are all pawns of history and politics, but Wilentz makes them live.” –Los Angeles Times “MAGNIFICENT . . . Wilentz writes with a prose style reminiscent of The New Yorker ’s highest ambitions: crystalline, pure, faultlessly communicative. . . . Like the best documentaries, Martyrs’ Crossing allows us unprecedented access to a little-understood and often misrepresented part of the world.” –Chicago Tribune “A BRILLIANTLY RESEARCHED MEDIDATION ON THE CRISIS IN THE MIDDLE EAST . . . Martyr’s Crossing matches Damascus Gate in the quality of research and the mass of intriguing characters–and yet it remains a lean thriller.” –The New York Observer

Hailed as a masterpiece when it was first published in France in 1977, The Desert tells the story of al-Mammi, a young exiled prince of a now-destroyed Jewish kingdom in southern Morocco in the late fourteenth century. Fighting battles in the service of kings and narrowly escaping imprisonment, the prince travels the Islamic world absorbing lessons, often painfully, on how to govern himself, as well as a country. At that same time, al-Mammi engages upon a spiritual journey to obtain inner wisdom rather than material riches. Memmi chronicles the prince’s fortunes as they rise and fall, drawing upon the traditions of Maghrebian storytelling and Arabian tales to offer a highly imaginative and allegorical novel that provocatively blends history with fiction.

Love's Shadow (1908) is a novel by Ada Leverson. Having established herself as a journalist and short story writer, Leverson published her debut novel in 1907 to moderate acclaim. Entertaining and effortlessly witty, Leverson's prose paints a stunning portrait of the Edwardian era, a time when hope and relative peace proved prosperous for many. Often compared to her close friend Oscar Wilde, Leverson, a pioneering Jewish woman, remains a unique and refreshing voice in English literature. Love's Shadow is the first installment in her Little Ottleys trilogy, a series of novels exploring the romantic lives of a hilariously diverse group of friends. Edith and Bruce Ottley seem to have it all--a charming flat, a healthy child, and a group of entertaining friends. Although they are far from perfect--Bruce can be jealous and quite the hypochondriac at times--their marriage remains strong and their home remains a place of refuge to their frequently lovelorn comrades. Among a dizzying array of faces and names, Hyacinth Verney, Mrs. Eugenia Raymond, Cecil Reeve, and Lord Selsey stand out. Although Hyacinth loves Cecil, a match favored by his uncle Lord Selsey, the young man seems inexplicably smitten with the widow Eugenia, who has no interest in marrying again. Edith and Bruce do their best to make themselves hospitable while defending their home against the hostilities of love, but the hearts and minds of their eclectic guests prove difficult to assuage. Love's Shadow is a humorous tale of romance and desire from Ada Leverson, an underappreciated novelist of the Edwardian era. This edition of Ada Leverson's Love's Shadow is a classic work of British literature reimagined for modern readers. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

This is a classic science fiction novella by Stanley G. Weinbaum that was originally published in Astounding Stories in 1935. This is the only of Weinbaum's stories to be set on the planet Pluto, written only five years after the planet's discovery. The tale starts with a spaceship called Aardkin that gets boarded by the notorious pirate ship the Red Peri. One year on Frank Keene and astrophysicist Solomon Nestor crash land on Pluto and find themselves captives of the Red Peri herself, the nineteen year-old daughter of the man who built the Red Peri. During their ordeal the secret of the reason behind her forays into piracy are revealed. This work is part of our Vintage Sci-Fi Classics Series, a series in which we are republishing some of the best stories in the genre by some of its most acclaimed authors, such as Isaac Asimov, Marion Zimmer Bradley, and Robert Sheckley. Each publication is complete with a short introduction to the history of science fiction.