"Comic verse," writes editor John Gross, "is verse that is designed to amuse--and perhaps that is as far as any attempt at a definition ought to go." In The Oxford Book of Comic Verse, Gross has combed the annals of literature in English from the middle ages to the present, gathering poems that provoke laughter, smiles, and even reflections on the human condition--but always poems that amuse. From limericks to social satire, The Oxford Book of Comic Verse offers a remarkable collection of outstanding light poetry. Gross has brought together the finest writers in the history of the English language--from Chaucer and Skelton to Shakespeare and Swift, Lord Byron to Robert Browning, Emily Dickinson to John Updike--offering delightful examples of their comic verse. Many of these lines dance with whimsy, such as John Skelton's Colin Clout ("For though my rhyme be ragged,/ Tattered and jagged,/ Rudely rain-beaten,/ Rusty and moth-eaten,/ If ye take well therewith,/ It hath in it some pith"); others float heavier thoughts on light rhymes--as in Matthew Prior's succinct Human Life ("What trifling coil do we poor mortals keep;/ Wake, eat, and drink, evacuate and sleep."). The range of writers who have composed comic verse is astonishing, as is the delight of the poems themselves. Here we read T.S. Eliot mocking himself ("How unpleasant to meet Mr. Eliot!/ With his features of clerical cut"); poet and Soviet historian Robert Conquest, mingling his two professions in a limerick ("There was a great Marxist called Lenin/ Who did two or three million men in/ --That's a lot to have done in/ --But where he did one in/ That grand Marxist Stalin did ten in"); and Wendy Cope commenting on her disillusionment with poets ("I used to think all poets were Byronic./ They're mostly wicked as ginless tonic/ And wild as pension plans"). And along the way, we are treated to witty song lyrics as well, from First World War soldiers' tunes, to Irving Berlin, to Cole Porter, to Lorenz Hart ("When love congeals/It soon reveals/ the faint aroma of performing seals/The double-crossing of a pair of heels/I wish I were in love again!"). Whether it comes from anonymous popular culture or the icons of the literary canon, comic verse has been a source of pleasure and diversion through the ages--a combination of wit, verbal artistry, and even serious contemplation. This collection, compiled by one of our finest critics and anthologists, brings this tradition into the hands of today's readers, offering hours of delight.

Novelist, draughtsman, film-maker, essayist and critic - John Berger is one of the major European intellectuals of our time. For sixty years he has been challenging the way we see the world and how we think about it, in books like Ways of Seeing, Permanent Red, To the Wedding, A Painter of Our Time, Pig Earth, Once in Europa, Lilac and Flag and G. But although Berger has always written poetry, often smuggling poems inside books like The Seventh Man and The White Bird, this is the first time his poetry has been collected in English. Collected Poems reflects Berger's longstanding concerns with art and politics, love and war, history and memory, emigration, immigration and the life of the European peasantry. It includes well-known poems like 'The Ladle', 'Village Maternity' and 'Death of La Nan M.' as well over twenty previously unpublished poems. From 'My Coney' (written in 1952 when Berger was just twenty-six) to 'They Are the Last' written in 2008, Berger the poet demonstrates an enduring commitment to the extraordinary lives of ordinary people. These are perfectly framed still-life images, sensual and plain, delicate sketches of hard lives caught between the provisional quality of language and the permanence of things. John Berger's Collected Poems reveals its author to be a major poet of our time.

Down-and-out ex-cop and not-quite-reformed addict Manny Rupert accepts an undercover job to find out if a California prison inmate is who he claims to be: Josef Mengele, aka the Angel of Death. Did the sadistic legend, whose Auschwitz crimes still horrify, fake his own death thirty years ago? Suddenly Manny finds himself in the middle of a conspiracy involving genocide, drugs, eugenics, human experiments, and America's secret history of collusion with the Nazis—all while careening from one extreme of apocalypse-adjacent reality to the other. Not for the faint of heart, Jerry Stahl's Pain Killers hurtles readers into a disturbing, original, and alarmingly real world filled with some of the strangest sex, most horrific violence, and screaming wit ever found on the page.

Why do some artists use elephant dung, eggshells and crushed cars to make their art? Who created sculptures from fluorescent lightbulbs? Are two giant hamburgers better than one? Does Rachel Whiteread's bed look comfortable to you? And why is there a suit hanging on the wall of an art gallery? What is Contemporary Art? reveals all this and more. The perfect introduction to the world of contemporary art, it celebrates the work of around 70 artists from across the globe. Exploring subjects such as outer space, unusual materials and bizarre beasts, the book is packed with special features inkling pull-out information and ideas boxes, quotations by the artists and 'How Did They Do It?' prompts. Short biographies include fascinating facts on each of the artists, a glossary explains key art terms and a list of useful websites and art museums where to go next. A beguiling book for children and parents, as well as the perfect support for school topic work on art history themes, What is Contemporary Art? invites young readers to understand, enjoy and question some of the most dynamic and exciting art of our times.

In his acclaimed novels of alternate history, Harry Turtledove has scrutinized the twisted soul of the twentieth century, from the forces that set World War I in motion to the rise of fascism in the decades that followed. Now, this masterly storyteller turns his eyes to the aftermath of World War II and asks: In an era of nuclear posturing, what if the Cold War had suddenly turned hot? Bombs Away begins with President Harry Truman in desperate consultation with General Douglas MacArthur, whose control of the ground war in Korea has slipped disastrously away. MacArthur recognizes a stark reality: The U.S. military has been cut to the bone after victory over the Nazis--while China and the USSR have built up their forces. The only way to stop the Communist surge into the Korean Peninsula and save thousands of American lives is through a nuclear attack. MacArthur advocates a strike on Chinese targets in Manchuria. In actual history, Truman rejected his general's advice; here, he does not. The miscalculation turns into a disaster when Truman fails to foresee Russia's reaction. Almost instantly, Stalin strikes U.S. allies in Europe and Great Britain. As the shock waves settle, the two superpowers are caught in a horrifying face-off. Will they attack each other directly with nuclear weapons? What countries will be caught in between? The fateful global drama plays out through the experiences of ordinary people--from a British barmaid to a Ukrainian war veteran to a desperate American soldier alone behind enemy lines in Korea. For them, as well as Truman, Mao, and Stalin, the whole world has become a battleground. Strategic strikes lead to massive movements of ground troops. Cities are destroyed, economies ravaged. And on a planet under siege, the sounds and sights of nuclear bombs become a grim harbinger of a new reality: the struggle to survive man's greatest madness. Praise for Bombs Away "A fascinating and compelling story of real people caught in forces beyond their control . . . [Harry Turtledove is] the unrivaled monarch of alternate history." -- Analog "Turtledove is an undisputed centerpiece of the alternate-history genre, and now, to his already grand display, he's adding the ambitious tale of a WWIII that could have happened." -- Booklist "This is Turtledove at his best." --SFRevu "Alternate-world warrior extraordinaire Turtledove delivers the opening barrage of a new speculative conflict." -- Kirkus Reviews

In this collection of short meditations on various topics, Hans Blumenberg eschews academic ponderousness and writes in a genre evocative of Montaigne's Essais , Walter Benjamin's Denkbilder , or Adorno's Minima Moralia . Drawing upon an intellectual tradition that ranges from Aesop to Wittgenstein and from medieval theology to astrophysics, he works as a detective of ideas scouring the periphery of intellectual and philosophical history for clues--metaphors, gestures, anecdotes--essential to grasping human finitude. Images of shipwrecks, attempts at ordering the world, and questions of foundations are traced through the work of Goethe, Schopenhauer, Simmel, Husserl, Thomas Mann, and others. The book's reflections culminate in a rereading of the fable "Care Crosses the River" that lies at the center of Heidegger's analysis of Dasein in which the fable's elided Gnostic center is recovered: Care creates the human in its own image, as a reflection of its narcissism. At stake throughout are two inextricable elements of Blumenberg's thought: a theory of nonconceptuality as essential to philosophizing and an exploration of culture understood as humanity's unceasing attempts to relieve itself of the weight of the absolutism of reality.

"Emma Lazarus's most famous poem gave a voice to the Statue of Liberty, but her remarkable life has remained a mystery until now. She was a woman so far ahead of her time that we are still scrambling to catch up with her-a feminist, a Zionist, and an internationally famous Jewish American writer before thse categories even existed. Drawing upon a cache of personal letters undiscovered until the 1980, Esther Schor brings this vital woman to life in all her complexity. Born into a wealthy Sephardic family in 1849, Lazarus published her first volume of verse at seventeen and gained entree into New York's elite literary circles. Although she once referred to her family as "outlaw" Jews, she felt a deep attachment to Jewish history and peoplehood. Her compassion for the downtrodden Jews of Eastern Europe-refugees whose lives had little in common with her own-helped redefine the meaning of America itself. In this groundbreaking biography, Schor argues persuasively for Lazarus's place in history as a poet, an activist, and a prophet of the world we all inhabit today-a world that she helped to invent."--Publisher's website. A portrait of the iconoclastic poet and activist whose words are are set on the Statue of Liberty follows the complex life and times of Emma Lazarus, from her early literary success, to her roles as a feminist, Zionist, and renowned Jewish-American writer.

We used to know how to know. We got our answers from books or experts. We'd nail down the facts and move on. But in the Internet age, knowledge has moved onto networks. There's more knowledge than ever, of course, but it's different. Topics have no boundaries, and nobody agrees on anything. Yet this is the greatest time in history to be a knowledge seeker, if you know how. In Too Big to Know, Internet philosopher David Weinberger shows how business, science, education, and the government are learning to use networked knowledge to understand more than ever and to make smarter decisions than they could when they had to rely on mere books and experts. This groundbreaking book shakes the foundations of our concept of knowledge -- from the role of facts to the value of books and the authority of experts -- providing a compelling vision of the future of knowledge in a connected world. - Publisher.

Daniel Gross, Yahoo! financial columnist and author of Dumb Money , offers a refreshingly optimistic take on our nation’s economic prospects, examining the positive trends that point to a better, stronger future. Financial meltdown, a deep recession, and political polarization—combined with strong growth outside the U.S.—have led to a global bubble of pessimism surrounding the U.S. and its economic prospects. Bloated with debt, outpaced by China, India, and other emerging markets, the U.S. has been left for dead as an economic force. But, Daniel Gross, widely respected for his Newsweek and Slate coverage of the crash and the recovery, shows that much of the talk about decline is misplaced. In the wake of the crash, rather than accept the inevitability of a Japan-style lost decade, America’s businesses and institutions tapped into the very strengths that built the nation’s economy into the global powerhouse in the first place: speed, ingenuity, adaptability, pragmatism, entrepreneurship, and, most significantly, an ability to engage with the world. As the U.S. wallowed in self-pity, the world continued to see promise in what America has to offer—buying exports, investing in the U.S., and adapting American companies and business models as their own. Global growth, it turns out, is not a zero-sum game. These same attributes can propel the world’s largest economy forward through the significant headwinds it faces. Better, Stronger, Faster is a narrative of the remarkable reconstruction and reorientation that started in March 2009, a period that Gross compares to March 1933. Both marked the start of unexpected recoveries and monumental shifts in our nation’s history. As Gross explains, through stories of innovative solutions devised by policymakers, businesses, investors, and consumers, America has the potential to emerge from this period, not as the unrivaled ruler of the global economy, but as a leader and enabler of growth.

Claude Levi-Strauss's fascination with Northwest Coast Indian art dates back to the late 1930s. "Sometime before the outbreak of the Second World War," he writes, "I had already bought in Paris a Haida slate panel pipe." In New York in the early forties, he shared his enthusiasm with a group of Surrealist refugee artists with whom he was associated. "Surely it will not be long," he wrote in an article published in 1943, "before we see the collections from this part of the world moved from ethnographic to fine arts museums to take their just place amidst the antiquities of Egypt of Persia and the works of medieval Europe. For this art is not unequal to the greatest, and, in the course of the century and a half of its history that is known to us, it has shown evidence of a superior diversity and has demonstrated apparently inexhaustible talents for renewal." In The Way of the Masks , first published more than thirty years later, he returned to this material, seeking to unravel a persistent problem that he associated with a particular mask, the Swaihwe, which is found among certain tribes of coastal British Columbia. This book, now available for the first time in an English translation, is a vivid, audacious illustration of Levi-Strauss's provocative structural approach to tribal art and culture. Bringing to bear on the Swaihwe masks his theory that mythical representations cannot be understood as isolated objects, Levi-Strausss began to look for links among them, as well as relationships between these and other types of masks and myths, treating them all as parts of a dialogue that has been going on for generations among neighboring tribes. The wider system that emerges form his investigation uncovers the association of the masks with Northwest coppers and with hereditary status and wealth, and takes the reader as far north as the Dene of Alaska, as far south as the Yurok of northern California, and as far away in time and space as medieval Europe. As one reader said of this book, "It will be controversial, as his work always is, and it will stimulate more scholarship on the Northwest Coast than any other single book that I can think of."

There are almost as many works about intellectuals as there are intellectuals. Perhaps this is because intellectuals are masters of the word and their mastery is often used to write about themselves. Indeed, with the possible exceptions of sports figures and film actors, intellectuals may be the most overpublicized people in America. In this classic study, originally published in 1974, Charles Kadushin examines the attitudes of that class of people known as the American intellectual elite. While most works on intellectuals first establish who should be included under the title "intellectual," and debate their characteristics, Kadushin instead sets forth a sociological history of leading American intellectuals of the late 1960s. The book's concern, however, is primarily with time and place. While The American Intellectual Elite is very much about social circles and the networked "small world" of intellectuals defined by the institutions such as the journals and magazines around which they gathered, the uniqueness of this volume is the recognition that fact must come before theory. Thus, the collective attitude of leading intellectuals of the sixties are presented in a straightforward and dispassionate manner on topics as diverse as the Vietnam War, race relations, foreign and domestic policy, and the place of intellectuals in the resolution of such issues. Now in paperback with a new introduction by the author, The American Intellectual Elite is an influential work that will be valued by students of sociology, members of the intellectual elite, and professionals and students of contemporary American history. "What a boon to sociologists of knowledge, and, in fact, to anyone who cares about the role and future of intellectuals to have THE AMERICAN INTELLECTUAL ELITE back and print and with a thoughtful new essay by the author that places the work in the context of thirty years of social and cultural change that have transpired since its publication. Professor Kadushin not only recognized that intellectuals populate an intellectual field that is, to a far greater extent than others, constituted and sustained by the networks of relationships among them but he pioneered in the application of social network analysis to identify both players and links using concrete social data. In a conversation too frequently dominated by the empirically undisciplined claims of those with the greatest stakes in the debate, THE AMERICAN INTELLECTUAL ELITE stands out as a beacon of careful research and clear thinking. One hopes that social scientists and other interested in modern intellectual life will read it carefully, and even that republication may inspire replication." -Professor Paul DiMaggio, Princeton University Charles Kadushin is professor emeritus of sociology at the Graduate Center of CUNY and Distinguished Scholar at Brandeis University, and has also taught at Columbia University and Yale University's School of Management. He is the author of Why People Go to Psychiatrists.

Served up with easygoing style and garnished with piquant wit, this is a banquet of food lore, history, and travel tips--plus more than 100 four-star recipes from famous restaurants all over America and around the world.

Koestler advances the thesis that Ashkenazi Jews are not descended from the historical Israelites of antiquity, but from Khazars, a Turkic people originating in and populating an empire north of and between the Black Sea and Caspian Sea. Koestler's hypothesis is that the Khazars - who converted to Judaism in the 8th century - migrated westwards into current Eastern Europe (primarily Ukraine, Poland, Belarus, Lithuania, Hungary and Germany) in the 12th and 13th centuries when the Khazar Empire was collapsing. At the end of the book's last chapter, Koestler summarises its content and his intentions as follows: "In Part One of this book I have attempted to trace the history of the Khazar Empire based on the scant existing sources. In Part Two, Chapters V-VII, I have compiled the historical evidence which indicates that the bulk of Eastern Jewry - and hence of world Jewry - is of Khazar-Turkish, rather than Semitic, origin. In the last chapter I have tried to show that the evidence from anthropology concurs with history in refuting the popular belief in a Jewish race descended from the biblical tribe."

"Crisis? What crisis? How powerful corporations make a killing out of disaster Award-winning journalist Antony Loewenstein travels across the US, Britain, Afghanistan, Pakistan, Haiti, Papua New Guinea and Australia to witness the reality of Disaster Capitalism--the hidden world of privatized detention centers and militarized private security, formed to protect corporations as they profit from war zones. He visits Britain's immigration detention centers, tours the prison system in the United States, and digs into the underbelly of the companies making a fortune from them. Loewenstein reveals the dark history of how large multinational corporations have become more powerful than governments, supported by media and political elites"--

"According to the philosopher Ludwig Wittgenstein (1889-1951), philosophy is a 'battle against the bewitchment of our intelligence by means of language.' This audacious idea changed the way many of its practitioners saw their subject. In the first biography of Wittgenstein in more than three decades, Anthony Gottlieb evaluates this revolutionary idea, explaining the evolution of Wittgenstein's thought and his place in the history of philosophy. Wittgenstein was born into an immensely rich Viennese family but yearned to live a simple life, and he gave away his inheritance. After studying with Bertrand Russell in Cambridge, he wrote his famous Tractatus Logico-Philosophicus while serving in World War I. He then took several positions as a primary-school teacher in rural Austria before returning as a fellow to Cambridge, where a cult-like following developed around him. Wittgenstein worked not only as a philosopher and schoolteacher, but also as an aeronautical engineer in Manchester and as an architect in Vienna. Gottlieb's meticulously researched book traces the itinerant and troubled life of Wittgenstein, the development of his influential ideas, and the Viennese intellectual milieu and family background that shaped him."--from the inside front flap.

Deep in the heart of history's most infamous concentration camp, a man lies dreaming. His name is Shomer, and before the war he was a pulp fiction author. Now, to escape the brutal reality of life in Auschwitz, Shomer spends his nights imagining another world - a world where a disgraced former dictator now known only as Wolf ekes out a miserable existence as a low-rent PI in London's grimiest streets. An extraordinary story of revenge and redemption, A Man Lies Dreaming is the unforgettable testament to the power of imagination

"It was one of history's great vanishing acts. As early as 3500 BCE, scribes in the mud-walled city-state of Sumer used a reed stylus to press tiny wedge-shaped symbols into clay. For three thousand years, the script chronicled the military conquests, scientific discoveries, and epic literature of the grand kingdoms of Mesopotamia - Assyria, Babylon, the mighty Achaemenid Empire - along with precious minutia about everyday life so long ago. But as the palaces of these once great kingdoms sank beneath the desert sands, the meaning of these characters was lost. London, 1857. Colossal sculptures of winged bulls and alabaster bas-reliefs depicting cities under siege and vassals bearing tributes to Biblical kings lined the halls of the British Museum. In the Victorian era's obsession with the triumph of human progress, the mysterious kingdoms of ancient Mesopotamia - the very cradle of civilization - had captured the public imagination. Yet Europe's best philologists struggled to decipher the strange characters. Cuneiform seemed to have thousands of symbols - with some scholars claiming each could be pronounced in up to eight, nine, even ten different ways. Others insisted they'd cracked the code and deciphered inscriptions that corresponded precisely to the Old Testament - proving the veracity of the Word of God. Was it all a hoax? A delusion? A rollicking adventure through the golden age of archaeology, The Writing on the Wall tracks the decades-long race to decipher the oldest script in the world. It's the story of a swashbuckling young archeologist, a suave British military officer, and a curmudgeonly Irish rector, all vying for glory - from the ruins of Persepolis to the opulence of Ottoman-era Baghdad - in a quest to unearth the relics of lost civilizations and unlock the secrets of humanity's past"--

The oral history of a renowned Czech writer, whose optimism and faith in people survived grueling experiences under authoritarian regimes. Heda Margolius Kovály (1919-2010) was a renowned Czech writer and translator born to Jewish parents. Her bestselling memoir, Under a Cruel Star: A Life in Prague, 1941-1968 has been translated into more than a dozen languages. Her crime novel Innocence; or, Murder on Steep Street --based on her own experiences living under Stalinist oppression--was named an NPR Best Book in 2015. In the tradition of Studs Terkel, Hitler, Stalin and I is based on interviews between Kovály and award-winning filmmaker Helena Trestíková. In it, Kovály recounts her family history in Czechoslovakia, starving in the deprivations of Lodz Ghetto, how she miraculously left Auschwitz, fled from a death march, failed to find sanctuary amongst former friends in Prague as a concentration camp escapee, and participated in the liberation of Prague. Later under Communist rule, she suffered extreme social isolation as a pariah after her first husband Rudolf Margolius was unjustly accused in the infamous Slánsky Trial and executed for treason. Remarkably, Kovály, exiled in the United States after the Warsaw Pact invasion in 1968, only had love for her country and continued to believe in its people. She returned to Prague in 1996. Heda had an enormous talent for expressing herself. She spoke with precision and was descriptive and witty in places. I admired her attitude and composure, even after she had such extremely difficult experiences. Nazism and Communism afflicted Heda's life directly with maximum intensity. Nevertheless, she remained an optimist. Helena Trestíková has made over fifty documentary films. Hitler, Stalin and I has garnered several awards in the Czech Republic and Japan.

This book is about he dramatic and controversial history of the world's leading tournament. Brian Glanville's classic account is a celebration of the great players and matches from Uruguay in 1930 to Korea/Japan in 2002 - and a bold attack on all those who have mismanaged the 'beautiful game'.

Rousseau and Revolution, " Volume 10 of Willand Ariel Durant's" Story of Civilization, " ranges over a Europe in ferment, but centers on the passionate rebel--philosopher Jean-Jacques Rousseau, the great exponent of the romantic impulse toward self-exploration and social revolt, who contended with the great rationalist, Voltaire, for the mind of Europe. Rousseau condemned civilization as a disease, glorified the noble savage, proclaimed to the world with equal intensity his own love affairs and the natural Rights of Man, and became the patron Saint of the Revolution and the worldwide social upheavals of two centuries.