This book reviews five decades of the rich and uniquely varied musical life of Daniel Barenboim.

This collection brings together Daniel Bell's best work in essay form. It deals with a variety of topics: technology and culture, religion and personal identity, intellectuals and their societies, and the uses and abuses of doctrines of social class. The Winding Passage demonstrates the author's continuing concern with the salient issues of our times, while its inspiration draws upon an older, humanistic sociological tradition. In a central essay on intellectuals, Bell examines the term new class and calls it a muddle. Though the idea of class has been relevant to Western industrial society for the past two hundred years, the concept is less useful for examining Communist states, the Third World, and even the emerging postindustrial sectors of the West. Bell seeks to establish the idea of situs, the competitive conflict of functional groups for shares in the state budgetary process. A more personal note is struck in the final section of the book. In reflecting on the nature of intellectual life, the special role of the Jewish intellectual, and the tension between the claims of the parochial and the universal, Bell uses as a general framework antinomianism, the claims of individual conscience against authority, law, and established institutions. And in a final statement, "The Return of the Sacred," Bell explores the enlightenment belief in the dissolution of religion and attempts to show why it was wrong. This is a must book for those concerned with the sociology of knowledge, intellectual history, and social stratification. Speaking of The Winding Passage, Seymour Martin Lipset called the book "sociological analysis at its best" Irving Howe noted that "Bell is always worth listening to. He is a true intellectual." And Irving Louis Horowitz, in his review of the book, calls it "the sifted excellence of a civilized and urbane intellectual.

The historical separation between Judaism and Christianity is often figured as a clearly defined break of a single entity into two separate religions. Following this model, there would have been one religion known as Judaism before the birth of Christ, which then took on a hybrid identity. Even before its subsequent division, certain beliefs and practices of this composite would have been identifiable as Christian or Jewish.In Border Lines , however, Daniel Boyarin makes a striking case for a very different way of thinking about the historical development that is the partition of Judaeo-Christianity. There were no characteristics or features that could be described as uniquely Jewish or Christian in late antiquity, Boyarin argues. Rather, Jesus-following Jews and Jews who did not follow Jesus lived on a cultural map in which beliefs, such as that in a second divine being, and practices, such as keeping kosher or maintaining the Sabbath, were widely and variably distributed. The ultimate distinctions between Judaism and Christianity were imposed from above by "border-makers," heresiologists anxious to construct a discrete identity for Christianity. By defining some beliefs and practices as Christian and others as Jewish or heretical, they moved ideas, behaviors, and people to one side or another of an artificial border--and, Boyarin significantly contends, invented the very notion of religion.

In a book that will both enlighten and provoke, Daniel Boyarin offers an alternative to the prevailing Euroamerican warrior/patriarch model of masculinity and recovers the Jewish ideal of the gentle, receptive male. The Western notion of the aggressive, sexually dominant male and the passive female reaches back through Freud to Roman times, but as Boyarin makes clear, such gender roles are not universal. Analyzing ancient and modern texts, he reveals early rabbis—studious, family-oriented—as exemplars of manhood and the prime objects of female desire in traditional Jewish society. Challenging those who view the "feminized Jew" as a pathological product of the Diaspora or a figment of anti-Semitic imagination, Boyarin argues that the Diaspora produced valuable alternatives to the dominant cultures' overriding gender norms. He finds the origins of the rabbinic model of masculinity in the Talmud, and though unrelentingly critical of rabbinic society's oppressive aspects, he shows how it could provide greater happiness for women than the passive gentility required by bourgeois European standards. Boyarin also analyzes the self-transformation of three iconic Viennese modern Jews: Sigmund Freud, the father of psychoanalysis; Theodor Herzl, the founder of Zionism; and Bertha Pappenheim (Anna O.), the first psychoanalytic patient and founder of Jewish feminism in Germany. Pappenheim is Boyarin's hero: it is she who provides him with a model for a militant feminist, anti-homophobic transformation of Orthodox Jewish society today.

"The legacy of the Second World War has been, like the war itself, an international phenomenon. In both Europe and Asia, common questions of criminality, guilt, and collaboration have intersected with history and politics on the local level to shape the way that wartime experience has been memorialized, reinterpreted, and used. By directly comparing European and Asian legacies, Confronting Memories of World War II, provides unique insight into the way that World War II continues to influence contemporary attitudes and politics on a global scale. The collection brings together experts from a variety of disciplines and perspectives to explore the often overlooked commonalities between European and Asian handling of memories and reflections about guilt. These commonalities suggest new understandings of the war's legacy and the continuing impact of historical trauma. Daniel Chirot is Herbert J. Ellison Professor of Russian and Eurasian Studies at the University of Washington. Gi-Wook Shin is director of the Walter H. Shorenstein Asia-Pacific Research Center at Stanford University, as well as holder of the Tong Yang, Korea Foundation, and Korea Stanford Alumni Chair of Korean Studies. Daniel Sneider is associate director of the Shorenstein Asia-Pacific Center. Contributors include Thomas Berger, Frances Gouda, Julian T. Jackson, Fania Oz-Salzbe, Gilbert Rozman, Igor Torbakov, and Roger Petersen; "A provocative, timely, superbly documented volume on urgent moral, political and historical topics. There is no trace of idealization--the book is objective, clear-minded, and historically poignant. A substantial, truly enriching addition in terms of a global comparative approach"--Vladimir Tismaneanu, University of Maryland, College Park; "This truly 'international' edited volume on the issues of war, memory, and national identity explores how memories about wartime experiences--including criminality, collaboration and reconciliation--are shaped and reshaped, connected to questions of national identity, and used for domestic and international political purposes."--Patricia L. Maclachlan, University of Texas, Austin"

"A memoir of a decade in prison by a well-educated young addict known as the "Apologetic Bandit" In 2003, fresh out of NYU, Daniel Genis was working in publishing as his writer father had always expected. But he was also hiding a serious heroin addiction that led him into debt and burglary. After he was arrested for robbing people at knifepoint in 2003, Daniel Genis was nicknamed the "apologetic bandit" in the press, given his habit of apologizing to his victims as he took their cash. He was sentenced to twelve years (ten with good behavior), surviving the decade by reading 1,046 books, weightlifting, having philosophical discussions with various inmates, encountering violence on a daily basis, working at a serious of prison jobs, and in general observing an existence for which nothing in his life had prepared him. Sentence is one of the most striking prison memoirs--and memoirs in general--in recent years--written with intelligence, wit, empathy, and remarkable style. Genis is the son of a famous Soviet émigré writer, broadcaster, and culture critic in Russia. He grew up in a home whose visitors included Mikhail Baryshnikov; Russian nuclear physicist Andrei Sakharov; authors Kurt Vonnegut, Umberto Eco and Norman Mailer; and Czech film director Milos Forman. The education and culture so prized by his family were his lifeline during his decade in prison, and he describes in unsparing and vivid detail the realities of daily life in the New York penal system, from Rikers Island through a series of upstate institutions. He learns about the social strata of gangs, the "court" system that sets geographic boundaries in prison yards, how sex was obtained, the black market of drugs and more practical goods, the inventiveness required for everyday tasks such as cooking, and how debilitating solitary confinement actually is--all while trying to preserve his relationship with his recently married wife"--

There's never been a career guide like this book. It is fully illustrated story (ingeniously told in Manga form) of a young Everyman just out of college who lands his first job. Johnny Bunko is new to parachute company Boggs Corp., and he stumbles through his early days as a working stiff until a crisis prompts him to find a new job. Step by step he builds a career, illustrating as he does the 6 core lessons of finding, keeping, and flourishing in satisfying work: 1. There is no plan. 2. Forget about your weaknesses. 3. Persistence trumps talent. 4. It's not about you. 5. Make excellent mistakes. 6. Leave an imprint. Smart, engaging, and insightful, this book offers practical advice for anyone looking to start a rewarding career. -- Publisher details.

Quantum computers will break today's most popular public-key cryptographic systems, including RSA, DSA, and ECDSA. This book introduces the reader to the next generation of cryptographic algorithms, the systems that resist quantum-computer attacks: in particular, post-quantum public-key encryption systems and post-quantum public-key signature systems. Leading experts have joined forces for the first time to explain the state of the art in quantum computing, hash-based cryptography, code-based cryptography, lattice-based cryptography, and multivariate cryptography. Mathematical foundations and implementation issues are included. This book is an essential resource for students and researchers who want to contribute to the field of post-quantum cryptography.

How much of our political tradition can be absorbed and used by other peoples? Daniel Boorstin's answer to this question has been chosen by the Carnegie Corporation of New York for representation in American Panorama as one of the 350 books, old and new, most descriptive of life in the United States. He describes the uniqueness of American thought and explains, after a close look at the American past, why we have not produced and are not likely to produce grand political theories or successful propaganda. He also suggests what our attitudes must be toward ourselves and other countries if we are to preserve our institutions and help others to improve theirs. ". . . a fresh and, on the whole, valid interpretation of American political life."—Reinhold Niebuhr, New Leader

A New York Times Notable Book • An NYPL Best Book of 2025 • A Washington Post Notable Book A Late Show with Stephen Colbert Book Club Pick “Nothing short of brilliant.” — The Wall Street Journal From “a surpassingly gifted storyteller” ( The New York Times ), a visionary novel inspired by the life of film director G.W. Pabst, who fled to Hollywood to resist the Nazis only to return to his homeland to create propaganda films for the German Reich. An artist’s life, a pact with the devil, and the dangerous illusions of the silver screen. G.W. Pabst, one of cinema’s greatest directors of the 20th century, was filming in France when the Nazis seized power. To escape the horrors of the new and unrecognizable Germany, he fled to Hollywood. But now, under the blinding California sun, the world-famous director suddenly looks like a nobody. Not even Greta Garbo, the Hollywood actress whom he made famous, can help him. When he receives word that his elderly mother is ill, he finds himself back in his homeland of Austria, which is now called Ostmark. Pabst, his wife, and his young son are suddenly confronted with the barbaric nature of the regime. So, when Joseph Goebbels—the minister of propaganda in Berlin—sees the potential for using the European film icon for his directorial genius and makes big promises to Pabst and his family, Pabst must consider Goebbels’s thinly veiled order. While Pabst still believes that he will be able to resist these advances, that he will not submit to any dictatorship other than art, he has already taken the first steps into a hopeless entanglement. Kehlmann’s latest oeuvre explores the complicated relationships and distinctions between art and power, beauty and barbarism, cog and conspirator.

The powerful, moving and turbulent novel of Sally Porter and the multiple personalities she has no idea she lives with... From the award-winning bestselling author of FLOWERS FOR ALGERNON: 'Heartbreaking, and utterly, completely brilliant' GUARDIAN Sally Porter is perfectly 'ordinary'. A waitress, divorcee, and loner in the great city. But, though she is unaware of it, she is also four other, quite different people: Nola, the cold independent artist who has a studio in Greenwich Village; Derry, the happy-go-lucky tomboy; Bella, the highly-sexed live wire with a talent for singing and dancing; and finally Jinx, the hate-filled killer. Whenever events put too much of a strain on Sally Porter, she feels a headache and a blackout coming on - and a new character takes over. If there is a man to be fascinated, she will become Bella. If there is an intellectual problem, she will become Nola. And - as happens in the opening scene of the novel - if there is a rapist to be dealt with, she becomes the vicious Jinx. It is the task of the wise and patient psychiatrist, Dr. Roger Ash - a man who nevertheless has severe problems of his own - to deal with this case of multiple personality and, through painstaking therapy, to try to fuse the four disparate personalities into "the fifth Sally."

"What's Good is a work of passionate lyrical analysis, a set of freewheeling liner notes, and a love letter to the most vital American art form of the last half century. Over a series of short chapters, each centered on a different lyric, Daniel Levin Becker considers how rap's use of language operates and evolves at levels ranging from the local (slang, rhyme) to the analytical (quotation, transcription) to the philosophical (morality, criticism, irony), celebrating the pleasures and perils of any attempt to decipher its meaning-making technologies. Ranging from Sugarhill Gang to UGK to Young M.A, Rakim to Rick Ross to Rae Sremmurd, Jay-Z to Drake to Snoop Dogg, What's Good reads with the momentum of a deftly curated mixtape, drawing you into the conversation and teaching you to read it as it goes. A book for committed hip-hop heads, curious neophytes, armchair linguists, and everyone in between"--

On October 12, 1994, Steven Spielberg, Jeffrey Katzenberg, and David Geffen-three of Hollywood's biggest players-announced they would form a new studio to produce feature films, television series, and pop music recordings. It didn't have a name, though Katzenberg's reference to his partners as the "Dream Team" eventually led to the company being dubbed DreamWorks. What the three men were attempting hadn't been done in more than sixty years: create a movie studio that could compete with the already existing major players. In The Dream Team , Daniel Kimmel tells the behind-the-scenes story of DreamWorks' rise-and the end of the dream eleven years later, when most of the company was sold off or shut down. Its plan for 1,087 acres of studio facilities that would include residences and retail operations came to naught. Its animation division was split off and went public. Its principals had already begun to go their own ways. Mr. Kimmel explores DreamWorks' successes: best-picture Oscars for American Beauty and Gladiator ; a near miss (but box office success) for Saving Private Ryan ; a smash animated hit Shrek winning the first Oscar ever for best animated feature and pointing the industry toward computer animation. But he also investigates why an enterprise with such promise failed to reach the heights. Was it the company's diffuse management style, or had the industry changed and consolidated so greatly that it was now impossible for new players to break into the ranks? Mr. Kimmel offers intriguing answers, showing how, more often than not, the guys tilting at windmills usually end up on the ground.

In this hip and hilarious novel by the incomparable Daniel Pinkwater, a trio of fat camp dropouts set out to subvert their community's" Anti-Fat" movement. Revenge was never so sweet...or so funny! Fed up with the systematic jeering and abuse at Camp Noo Yoo, where frantic parents send their pudgy little darlings in the hopes that they will shed a few of those socially unacceptable pounds, Ralph and Sylvia Nebula and their friend, Mavis Goldfarb, hop a bus back to Pokooksie. There, they seek revenge. Revenge on their parents. Revenge on Dr. Frizzbender, founder of Anti-Fat day. And revenge on Richard "Dick" Tator, the overweight and overbearing owner of Camp Noo Yoo.

Ben Franklin is the most lovable of America's founding fathers. His wit, his charm, his inventiveness--even his grandfatherly appearance--are legendary. But this image obscures the scandals that dogged him throughout his life. In The Loyal Son, award-winning historian Daniel Mark Epstein throws the spotlight on one of the more enigmatic aspects of Franklin's biography: his complex and confounding relationship with his illegitimate son William. When he was twenty-four, Franklin fathered a child with a woman who was not his wife. He adopted the boy, raised him, and educated him to be his aide. Ben and William became inseparable. After the famous kite-in-a-thunderstorm experiment, it was William who proved that the electrical charge in a lightning bolt travels from the ground up, not from the clouds down. On a diplomatic mission to London, it was William who charmed London society. He was invited to walk in the procession of the coronation of George III; Ben was not. The outbreak of the American Revolution caused a devastating split between father and son. By then, William was royal governor of New Jersey, while Ben was one of the foremost champions of American independence. In 1776, the Continental Congress imprisoned William for treason. George Washington made efforts to win William's release, while his father, to the world's astonishment, appeared to have abandoned him to his fate. A fresh take on the combustible politics of the age of independence, The Loyal Son is a gripping account of how the agony of the American Revolution devastated one of America's most distinguished families. Like Nathaniel Philbrick and David McCullough, Epstein is a storyteller first and foremost, a historian who weaves together fascinating incidents discovered in long-neglected documents to draw us into the private world of the men and women who made America.

A GOOD TALK is an analysis of and guide to that most exclusively human of all activities-- conversation. Drawing on over forty years of experience in American letters, Menaker pinpoints the factors that drive and enliven every good conversation: the vagaries (and joys) of subtext; the deeper structure and meaning of conversational flow; the subliminal signals that guide our disclosures and confessions; and the countless other hurdles we must clear along the way. Moving beyond self-help musings and "how to" advice, he has created a stylish, funny, and surprising book: a celebration of "the most excusively human of all activities." In a time when conversation remains deeply important-- for building relationships, for relaxing, even for figuring out who we are-- and also increasingly imperiled (with Blackberries and texting increasingly in vogue), A GOOD TALK is a refreshing celebration of the subtle adventures of a good conversation.

"In Ecstasy and Terror, Mendelsohn once again casts an eye at literature, film, television, and the personal essay, filtering his insights through his training as a scholar of classical antiquity in illuminating and sometimes surprising ways. Many of these essays look with fresh eyes at our culture's Greek and Roman models: some find an arresting modernity in canonical works (Bacchae, the Aeneid), while others detect a "Greek DNA" in our responses to national traumas such as the Boston Marathon bombings and the assassination of JFK. There are pieces on contemporary literature, from the "aesthetics of victimhood" in Hanya Yanagihara's A Little Life to the uncomfortable mixture of art and autobiography in novels by Henry Roth, Ingmar Bergman, and Karl Ove Knausgard. Mendelsohn considers pop culture, too, in essays on the feminism of Game of Thrones and on recent films about artificial intelligence--a subject, he reminds us, that was already of interest to Homer. This collection also brings together for the first time a number of the award-winning memoirist's personal essays, including his "critic's manifesto" and a touching reminiscence of his boyhood correspondence with the historical novelist Mary Renault, who inspired him to study the Classics."--