John F. Kennedy was the first American president to go bareheaded and he ruined the hat business. Or so it is popularly believed. In Hatless Jack, Neil Steinberg examines why Kennedy was so reluctant to wear a hat in public - was it really because Khrushchev always did? He charts the attempts of the hat-makers of America to persuade their new, charismatic leader to save their declining industry. Along the way, he uncovers the now nearly-forgotten rituals of hat-wearing, with hat-check girls, straw-hat riots and ways of stopping the wind from blowing your hat off. Hats were tipped, raised, checked, waved and eaten (metaphorically, at least) and then they disappeared for ever. Hatless Jack is a fascinating and funny explanation of why hats went and what we all lost when they did.

Book by Davis, Moshe

This book is A thoughtful meditation on the values of Judaism and the ideals of the Declaration of Independence. As he makes clear, there is such a thing as the American-Hebraic idea, which is manifested in the ideals of human dignity, the Rule of Law, the democratic ideal, the rights of conscience, and the pursuit of happiness. It is certain to appeal to American Jews who are seeking identity as Americans and as Jews, and to any reader interesting in understanding why Jews feel rooted in modern America -- from AbeBooks website.

This collection of stories and memories, suitable for adolescents, offers a perspective on both traditional and contemporary ways of California Indians. Some stories are from old reports and books, and some are from people of today. The introduction ties the wide variety of Indians that live in California to the variety of landscape and climate. Before the arrival of outsiders, over 100 languages were spoken in California. Subjects range from descriptive and informational topics, such as how marriages were arranged and how acorns were cooked, to larger concepts, such as the importance of family compared to the insignificance of the individual. The Indian belief that all things are alive in the same way that humans are alive explains why all things are viewed as sacred and why religion is very much a part of everyday life. Leaders were chosen because they were respected, and ruled by getting everyone to agree rather than by strength. Wars were small because winners had to give gifts for the people they had killed. A chapter on growing up Indian discusses family, nonformal learning, childhood games, reminiscences of childhood, toys, teaching-stories, learning to hunt, becoming a woman or man, and getting married. An index, a map of Native California, over 80 photographs, and a list of California Indian resources are included. (TD)

Zum Zeitpunkt seines Todes im Jahr 1820 war Benjamin West der berühmteste Künstler der englischsprachigen Welt und wurde in ganz Europa gefeiert. Aus bescheidenen Verhältnissen in Pennsylvania stammend, hatte er als erster amerikanischer Künstler in Italien studiert und war innerhalb weniger Jahre nach seiner Ankunft in London maßgeblich an der Gründung der Royal Academy of Arts beteiligt und zum Historienmaler von König Georg III. ernannt worden. Wie der Autor in diesem Buch feststellt, gehörte West jedoch zur Avantgarde, die den Neoklassizismus und die Romantik schuf und zu den ersten Malern, die die inspirierenden Qualitäten zeitgenössischer Ereignisse darstellten. Vor allem sein bekanntestes Gemälde, Der Tod des General Wolfe, war ein revolutionäres Werk, das die Kunst nachhaltig veränderte. Es ist das erste Buch, das den Beitrag von West zu den Ideen der Moderne und der Erneuerung der Historienmalerei bewertet und es bietet spannende neue Einblicke in Wests berühmtestes Gemälde.

"Roth examined the concept of Jewish identity years before the onset of National Socialism and looked ahead with apprehension to Germany's future. Emotionally ravaged by the whirlwind events of Weimar Germany, he dared to write about the historical schism between Eastern and Western Jews, warning of the false comforts of materialism and assimilation and urging his fellow Jews to embrace their heritage and the land of Palestine as a nascent Jewish homeland. As one of Berlin's most eminent journalists, he traveled throughout Europe and composed these essays with both an exigency and restrained contemplation that have earned him comparisons to his more celebrated contemporaries, Thomas Mann and Isaac Babel. By the mid-1930s, as anti-Semitism crested and Roth fled Germany for what he thought were safer climes in Paris, he became increasingly desperate and hobbled by alcoholism. He had tremendous difficulties securing a German publisher, and his powerful 1937 preface, written for what he hoped would be the second edition of The Wandering Jews and included here, was never published in his lifetime."-- Jacket.

Beginning in the late nineteenth century, the pueblos of the Southwest frequently inspired Anglo-American visitors to express their sense of wonder and enchantment in biblical references. Frank Hamilton Cushing's first account of Zuni pueblo described a setting that looked like "The Pools of Palestine." Drawn to the Southwest, Mabel Dodge imagined "a garden of Eden, inhabited by an unfallen tribe of men and women." There she was attracted to Tony Luhan, a Taos Indian who looked "like a Biblical figure." When historian Jerold Auerbach first saw Edward S. Curtis's early twentieth-century photograph Taos Water Girls , he realized that "here, indeed, was the biblical Rebecca, relocated to New Mexico from ancient Haran, where Abraham's faithful servant had journeyed to find a suitable wife for Isaac. Rebecca with her water pitcher is as familiar a biblical icon as Noah and his ark or Moses with the stone tablets. Curtis had recast her as the archetypal Pueblo maiden." Explorers in Eden uncovers an intriguing array of diaries, letters, memoirs, photographs, paintings, postcards, advertisements, anthropological field studies, and scholarly monographs. They reveal how Anglo-Americans disenchanted with modern urban industrial society developed a deep and rich fascination with pueblo culture through their biblical associations.

The author shares his impressions of 1968, examines the social and political movements of the time, and discusses Vietnam and the Presidential conventions

A New perspective on an important issue by Gerald Sorin

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

One of America's most popular Jewish writers, Chaim Potok (b. 1929) is the author of such novels as The Chosen (1967), The Promise (1969), The Book of Lights (1981), and Davita's Harp (1985). Each of his novels explores the tension between tradition and modernity, and the clash between Jewish culture and contemporary Western civilization, which he calls "core-to-core culture confrontation." Although primarily known as a novelist, Potok is an ordained Conservative rabbi and a world-class Judaic scholar who has also published children's books, theological discourses, biographies, and histories. Conversations with Chaim Potok presents interviews ranging from 1976 to 1999. Potok discusses the broad range of his writing and the deep influence of non-Jewish novels-in particular, Evelyn Waugh's Brideshead Revisited and James Joyce's Portrait of the Artist as a Young Man -on his work. Interviews bear witness to Potok's many other influences-Orthodox Jewish doctrine, Freudian psychoanalytical theory, Picasso's Guernica, and Jewish kabbalah mysticism. Though labeled an American Jewish writer, Potok argues that Flannery O'Connor should then be called an American Catholic writer and John Updike an American Protestant writer. "In his mind," editor Daniel Walden writes, "just as Faulkner was a writer focused on a particular place, Oxford, Mississippi, . . . so Potok's territory was a small section of New York City." Potok often explores conflict in his writings and in his interviews. Strict Jewish teachings deem fiction an artifice and therefore unnecessary, yet since the age of sixteen Potok has been driven to write novels. At the root of all of these conversations is Potok's intense interest in the turmoil between Jewish culture, religion, and tradition and what he calls "Western secular humanism." As he discusses his work, he continually includes broader issues, such as the state of Jewish literature and art, pointing out with pride and enthusiasm his belief that Jewish culture, in the twentieth century, has finally begun to have a significant role in producing and shaping the world's art and literature. Whether discussing the finer details of Talmudic textual analysis or his period of chaplaincy during the Korean War, Potok is articulate and philosophical, bringing deep consideration into what may seem small subjects. Although his novels and histories take place primarily in the recent past, the Chaim Potok that emerges from this collection is a writer deeply rooted in the tensions of the present. Daniel Walden is Professor Emeritus of American Studies, English and Comparative Literature at Penn State University. He has written or edited several books, including On Being Jewish (1974), Twentieth Century American Jewish Writers (1984), The World of Chaim Potok (1985), and American Jewish Poets: The Roots and the Stems (1990).

"Sidney Reilly (c. 1873-1925) is one of the most colorful and best-known spies of the twentieth century. Emerging from humble beginnings in southern Russia, Reilly was an inventive multilingual businessman and conman who enjoyed espionage as a sideline. By the early twentieth century he was working as an agent for Scotland Yard, spying on émigré communities in Paris and London, with occasional sorties to Germany, Russia, and the Far East. He spent World War I in the United States, brokering major arms deals for tsarist Russia, and then decided to become a professional spy, joining the ranks of MI6, Britain's foreign intelligence service. He came close to overthrowing the Bolshevik regime in Moscow before eventually being lured back to Russia and executed. Said to have been the inspiration for Ian Fleming's iconic James Bond character, Reilly was simultaneously married to three or four women and had mistresses galore. Sifting through the reality and the myth of Reilly's life, historian Benny Morris offers a fascinating portrait of one of the most intriguing figures from the golden age of spies"--Amazon.com.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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What started out as a mutual affinity for kitschy Jewish album covers-think Neil Diamond baring his chest hair on the cover of "Hot August Night "or Barbra Streisand in hot pants on the cover of "Streisand Superman"-soon became a quest for identity, history, and culture between the grooves of LPs. Together, Roger Bennett and Josh Kun embarked on a thrilling journey, scouring the world to collect thousands of vinyl LPs from attics, garage sales, and dusty archives. Pieced together, these scratched, once-loved and now-forgotten audio gems tell a vibrant tale: the story of Jews in America. "And You Shall Know Us by the Trail of Our Vinyl" spans the history of Jewish recorded music from the 1940s to the 1980s, weaving an account that begins with sacred songs and ends with the holy trinity of Neil, Barbra, and Barry. The LPs found here are also a love letter to forgotten moments in Jewish American pop history, celebrating well-dressed cantors singing Christmas tunes, Long Island suburbanites dancing the mambo, and Chassidic prog-rockers. The music, much of which is no longer available in any format, is brought to life through commentary from writers Aimee Bender, Etgar Keret, Michael Wex, and Shalom Auslander; performers Sandra Bernhard and Motown legend Lamont Dozier; music critics Oliver Wang and Anne Powers; and TV pioneer Norman Lear. A gateway to a forgotten kingdom of sound, the good, the bad, and the ugly of Jewish vinyl gives this aspect of Jewish culture the attention it so richly deserves.

"The Great Women Superheroes is the first book for its kind-a unique and lively look at the larger than life comic book women who have fascinated generations of American readers. Tina Robbins, the foremost authority on women and comics and the author of the widely hailed A Century of Women Cartoonists, traces the full story of all the strong and heroic women who've battled evildoers and righted wrongs in the pages of America's Sunday funnies and comic books from the 1940s to today. From the famous to the forgotten, all the powerful women of the comics are here, from Wonder Woman to Elktra, from the cat-suited Miss Fury and poineer avitrix Flying Jenny of the 1940's to the leather-corseted action heroines like Ghost of the 1990's, Robbins covers all the good girls and all the bad girls in one fascinating volume." -- back cover.

In the years following World War II, the United States suffered its most severe military and diplomatic reverses in Asia while Mao Zedong laid the foundation for the emergence of China as a major economic and military world power. As a correspondent for the International News Service, the Associated Press, and later for the New York Times, Seymour Topping documented on the ground the tumultuous events during the Chinese Civil War, the French Indochina War, and the American retreat from Vietnam, Cambodia, and Laos. In this riveting narrative, Topping chronicles his extraordinary experiences covering the East-West struggle in Asia and Eastern Europe from 1946 into the 1980s, taking us beyond conventional historical accounts to provide a fresh, first-hand perspective on American triumphs and defeats during the Cold War era. At the close of World War II, Topping—who had served as an infantry officer in the Pacific—reported for the International News Service from Beijing and Mao’s Yenan stronghold before joining the Associated Press in Nanking, Chiang Kai-shek’s capital. He covered the Chinese Civil War for the next three years, often interviewing Nationalist and Communist commanders in combat zones. Crossing Nationalist lines, Topping was captured by Communist guerrillas and tramped for days over battlefields to reach the People’s Liberation Army as it advanced on Nanking. The sole correspondent on the battlefield during the decisive Battle of the Huai-Hai, which sealed Mao’s victory, Topping later scored a world-wide exclusive as the first journalist to report the fall of the capital. In 1950, Topping opened the Associated Press bureau in Saigon, becoming the first American correspondent in Vietnam. In 1951, John F. Kennedy, then a young congressman on a fact-finding visit to Saigon, sought out Topping for a briefing. Assignments in London and West Berlin followed, then Moscow and Hong Kong for the New York Times. During those years Topping reported on the Chinese intervention in the Korean conflict, Mao’s Cultural Revolution and its preceding internal power struggle, the Chinese leader’s monumental ideological split with Nikita Khrushchev, the French Indochina War, America’s Vietnam War, and the genocides in Cambodia and Indonesia. He stood in the Kremlin with a vodka-tilting Khrushchev on the night the Cuban missile crisis ended and interviewed Fidel Castro in Havana on its aftermath. Throughout this captivating chronicle, Topping also relates the story of his marriage to Audrey Ronning, a world-renowned photojournalist and writer and daughter of the Canadian ambassador to China. As the couple traveled from post to post reporting on some of the biggest stories of the century in Asia and Eastern Europe, they raised five daughters. In an epilogue, Topping cites lessons to be learned from the Asia wars which could serve as useful guides for American policymakers in dealing with present-day conflicts in Afghanistan and Iraq. From China to Indochina, Burma to Korea and beyond, Topping did more than report the news; he became involved in international diplomacy, enabling him to gain extraordinary insights. In On the Front Lines of the Cold War, Topping shares these insights, providing an invaluable eyewitness account of some of the pivotal moments in modern history.