In honor of Harlan Ellison's eightieth birthday, Susan Ellison-his wife of thirty years, the Electric Baby-has scoured raw eight (8) decades of his written output (from his 1949 serialized stories in The Cleveland News to as-yet unpublished tales fresh from his Olympia Manual typewriter) to present one artifact from each calendar decade. Where possible, the eight stories herein have been reproduced from Ellison's original typescripts, as preserved in his meticulous archives. In some cases, they may differ from the preferred texts established over years of revisions and reprints. From the 1940s: "The Sword of Parmagon," a five-part serial inspired by the works of Sir Walter Scott. Originally published in the Cleveland News when the author was fifteen years old, this story has been re-set with the original illustrations for this printing. From the 1950s: "Nedra at f:5.6," Ellison's homage to Fritz Leiber, reprinted from the revised typescript. From the 1960s: "The Resurgence of Miss Ankle-Strap Wedgie," a novella of Hollywood written as a showpiece for Ellison's first hardback collection. Reprinted from the original typescript with the author's handwritten corrections. From the 1970s: "The Diagnosis of Dr. D'arqueAngel," a fantasy written from a concept generated before an audience of California high school students by the author, Ray Bradbury, and Frank Herbert. Reprinted from the original typescript. From the 1980s: "She's a Young Thing and Cannot Leave Her Mother," the story Ellison was writing while attending the Scottish convention where he met the future Susan Ellison (and Neil Gaiman). Reprinted from the original typescript. From the 1990s: "Scartaris, June 28th," the story that--according to Susan Ellison--crystallized a new auctorial voice for her husband, the one that would go on to appear in THE BEST AMERICAN SHORT STORIES with "The Man Who Rowed Christopher Columbus Ashore" (available in HARLAN 101: ENCOUNTERING ELLISON). Reprinted from the original typescript. From the 2000s: "Incognita, Inc.," the story that explores the source of all those maps to buried treasure and magical lands. Reprinted from the original typescript, it makes its first appearance in an Ellison collection here. From the 2010s: "Weariness," inspired by a random piece of art, was first published in an anthology dedicated to the late Ray Bradbury. Reprinted from the original typescript, it makes its first appearance in an Ellison collection here.

"Here, in one volume, are three “easy pieces” by the master of the verbal firecracker and Gallic wit. The novella “The Exeter Text” contains all those e‘s that were omitted from A Void (Perec hated waste) and no other vowel (honest). In “Which Moped with Chrome-Plated Handlebars at the Back of the Yard?” we are introduced to Sergeant Henri Pollak and his vehicle (the aforementioned moped) that carried him between Vincennes and Montparnasse; in “A Gallery Portrait”, the sensation of the 1913 exhibition in Pittsburgh depicts the artists’ patron, beer baron Hermann Raffke, sitting in front of his huge art collection, which includes (of course) “A Gallery Portrait” of the baron sitting before “A Gallery Portrait,” etc." -- From publisher's website.

1928. With eight illustrations after Rembrandt. Ludwig studied law but chose writing as a career. At first he wrote plays and novella, but also worked as a journalist. In 1906 he moved to Switzerland but during World War I he worked as a foreign correspondent for the Berliner Tageblatt in Vienna and Istanbul. During the 1920s he achieved international fame for his popular biographies which combined historical fact and fiction with psychological analysis. In The Son of Man Emil Ludwig writes a history of Jesus from his own unique perspective. Contents: To the Reader; Prelude: Jerusalem; Calling; Glad Tidings; The Shadows Darken; Struggle; and Passion. See other titles by this author available from Kessinger Publishing.

Based on the Sherlock Holmes film: Ellery Queen matches wits with the Baker Street sleuth to unmask Jack the Ripper. Ellery Queen is struggling over his latest book when a friend brings him a mystery. It is a journal, written by a Victorian doctor, of reports on the remarkable adventures of his close friend, a brilliant detective named Sherlock Holmes. Queen's surprise turns to amazement as he turns its pages and discovers the lost story of Sherlock Holmes's greatest case: the pursuit of Jack the Ripper. From the brothels and back alleys of fog-choked Whitechapel to the manor of one of England's greatest families, Holmes and Dr. Watson chase history's most fearsome killer. But it will take the brilliance of Ellery Queen to solve the case once and for all. Based on the Sherlock Holmes film A Study in Terror , this collaboration between two of the world's greatest detectives is one of the most original mystery novels of all time.

"Eleanor Farjeon is probably best known for her powerfully imaginative children's books, so it is not surprising to discover that her own childhood, recalled here in quite astonishing detail, was a happy and creative one. 'Nellie' was born in 1881, the daughter of the irrepressible Ben Farjeon, a writer of popular novels, and the sweet-natured Margaret Jefferson, of the famous American acting family. Their own fascinating stories, which take us as far as the New Zealand bush and a Louisiana plantation, occupy almost half the book. Being a girl, Nellie was never sent to school, and she was miserably self-conscious at parties or in the company of strangers. The nursery, therefore, was the only world she knew for more than sisxteen years. It was here that she read, wrote stories, and with her three brothers evolved the rituals and games that dominated their lives. Her imagination flourished in this hothouse atmosphere to such an extent that her fantasy life became more important and more exciting to her than the real world of Victorian London outside the nursery. She later admitted that this was unhealthy and seriously delayed her maturity, but readers of A nursery in the nineties can only be grateful for the passionate involvement in the nursery that inspired one of the most striking accounts of childhood ever written." - Back cover.

'One of the best novels of recent years, a complete success'- Le Monde (France) Following years of unrequited love, an out-of-work school teacher takes matters into his own hands, triggering a chain of events neither he nor his psychiatrist could have anticipated. At once a psychological thriller and a social critique, Seven Types of Ambiguity is a story of obsessive love in an age of obsessive materialism.

One of America’s premier writers, the bestselling author of Ragtime, Billy Bathgate, The Book of Daniel, and World’s Fair turns his astonishing narrative powers to the short story in five dazzling explorations of who we are as a people and how we live. Ranging over the American continent from Alaska to Washington, D.C., these superb short works are crafted with all the weight and resonance of the novels for which E. L. Doctorow is famous. You will find yourself set down in a mysterious redbrick townhouse in rural Illinois (“A House on the Plains”), working things out with a baby-kidnapping couple in California (“Baby Wilson”), living on a religious-cult commune in Kansas (“Walter John Harmon”), and sharing the heartrending cross-country journey of a young woman navigating her way through three bad marriages to a kind of bruised but resolute independence (“Jolene: A Life”). And in the stunning “Child, Dead, in the Rose Garden,” you will witness a special agent of the FBI finding himself at a personal crossroads while investigating a grave breach of White House security. Two of these stories have already won awards as the best fiction of the year published in American periodicals, and two have been chosen for annual best-story anthologies. Composed in a variety of moods and voices, these remarkable portrayals of the American spiritual landscape show a modern master at the height of his powers.

Introducing Marvel's all-new, never-before-seen heroes of the 1930s! With a new evil washing over an unsuspecting New York City, the Operative, the Aviatrix, the Surgeon, the Revenant and Achilles blast through dangers from blood-soaked mob warehouses to monster-infested mansions, and fight to blow the lid off a conspiracy that could bring the nation itself to its knees! Award-winning historical thriller novelist David Liss (Black Panther: The Man Without Fear) and acclaimed artist Patrick Zircher (Spider-Man Noir) weave an edge-of-your-seat and in-continuity adventure intertwined with America's most scandalous crimes! Before the Invaders...before the Twelve...who were the Mystery Men? COLLECTING: MYSTERY MEN 1-5

DAVID GERROLD-Hugo & Nebula Award winner-presents: Praxis Makes Permanent , the thrilling conclusion to the extraordinary journey of Jamie and José to the colony world Praxis! "This sequel completely fulfills the promise of the first volume, creating a vision of the future that feels plausible and full of hope, despite that future's gritty, messy imperfection." -Nigel Suckling, Hugo Award-winning author Praxis Makes Permanent is the highly anticipated conclusion to Praxis ! Jamie and José have hurtled headlong into a world where nothing is what it's supposed to be. Praxis is in rebellion, but who are the players and what do they want to achieve? If everything is chaotic, where do Jamie and José fit in? And guess what? They're the biggest part of the problem! "Only David Gerrold could deliver a novella this sharp, this smart, and this deeply human. Gerrold doesn't just write science fiction-he builds futures with heart, wit, and razor-edged insight. Praxis Makes Permanent is bold, unflinching and hard to put down." -K. Pimpinella, author of the Time Ranger series

"In Ecstasy and Terror, Mendelsohn once again casts an eye at literature, film, television, and the personal essay, filtering his insights through his training as a scholar of classical antiquity in illuminating and sometimes surprising ways. Many of these essays look with fresh eyes at our culture's Greek and Roman models: some find an arresting modernity in canonical works (Bacchae, the Aeneid), while others detect a "Greek DNA" in our responses to national traumas such as the Boston Marathon bombings and the assassination of JFK. There are pieces on contemporary literature, from the "aesthetics of victimhood" in Hanya Yanagihara's A Little Life to the uncomfortable mixture of art and autobiography in novels by Henry Roth, Ingmar Bergman, and Karl Ove Knausgard. Mendelsohn considers pop culture, too, in essays on the feminism of Game of Thrones and on recent films about artificial intelligence--a subject, he reminds us, that was already of interest to Homer. This collection also brings together for the first time a number of the award-winning memoirist's personal essays, including his "critic's manifesto" and a touching reminiscence of his boyhood correspondence with the historical novelist Mary Renault, who inspired him to study the Classics."--

'A strange and compelling new book from one of America's greatest living authors' Times Literary Supplement 'As cunning and rich as anything Ozick's written' Wall Street Journal 'One of our era's central writers. About a man ensnared by history, Antiquities is at once a warning against the hazards of nostalgia and an invitation to take a longer view of how we got to where we are' The New Yorker 'Ozick's prose urges the breathless reader along, her love of language rolling excitedly through her sentences like an ocean wave' New York Review of Books I remember nothing. I remember everything. I believe everything. I believe nothing. In 1949, Lloyd Wilkinson Petrie returns as a Trustee to the long-defunct boarding school that he attended as a child. There he is preparing a memoir about the subtle anti-Semitism that pervaded the school, about his fascination with the Egyptian archaeological adventures of his distant cousin, about the passions of a boyhood friendship with named Ben-Zion Elefantin, a mystifying older pupil. In this novella, and the three stories published alongside it, one of our most preeminent writers weaves together myth and mania, history and illusion to capture the shifting meanings of the past.

In the tumultuous late 60s and early 70s, a social movement known as the "New Left" emerged as a major cultural influence, especially on the youth of America. It was a movement that embraced "flower-power" and psychedelic "consciousness-expansion," that lionized Ho Chi Minh and Fidel Castro and launched the Black Panthers and the Theater of the Absurd. In Return Of The Primitive (originally published in 1971 as The New Left), Ayn Rand, bestselling novelist and originator of the theory of Objectivism, identified the intellectual roots of this movement. She urged people to repudiate its mindless nihilism and to uphold, instead, a philosophy of reason, individualism, capitalism, and technological progress. Editor Peter Schwartz, in this new, expanded version of The New Left, has reorganized Rand's essays and added some of his own in order to underscore the continuing relevance of her analysis of that period. He examines such current ideologies as feminism, environmentalism and multiculturalism and argues that the same primitive, tribalist, "anti-industrial" mentality which animated the New Left a generation ago is shaping society today. --

The Defeat of the Mind examines the opposition to Enlightenment thought from the eighteenth century to the present. Finkielkraut asserts that the ostensibly progressive cast of third world anticolonial and anti-Western sentiment, paradoxically, has its antecedent in Eurocentric sources - chiefly the German romantic concept of the Volksgeist, or spirit of the people. Straightforward and succinct, Finkielkraut draws a line between the idea of culture as an expression of the life of the mind and culture as an expression of national spirit. He deplores the appropriation of the concept of the Volksgeist by ethnic nationalists, who employ the notion in justification of such horrors as the Final Solution in Nazi Germany and the current waves of "ethnic cleansing." Equally worrying, he claims, are the seemingly harmless infusions of the Volksgeist into campaigns for ethnic diversity espoused by some social scientists and third world intellectuals. The Defeat of the Mind questions notions of cultural relativism espoused by such intellectual and political leaders as Claude Levi-Strauss and Frantz Fanon. Finkielkraut points to the United Nations and UNESCO - founded to propagate the universalist ideals of Enlightenment Europe, these organizations have co-opted the notion of cultural relativism to a fault, now speaking on behalf of every ethnic prejudice. "The objective remained the same," Finkielkraut maintains of this shift in ideology, "but to achieve its goal, it was no longer a matter of opening others to reason, but of opening ourselves to the reason of others." Defending values that seem absent from many contemporary frames of reference, the book concludes with a chapter challenging post-modernist thought, for Finkielkraut claims that it equates the value of novels by Flaubert with television movies and lacks concern for the survival of culture and reason.

"A collection of essays from a "great poet-critic-intellectual" (Daily Beast). In these brilliant, wide-ranging essays, published over the last seven years in the New Republic, The New Yorker, and elsewhere, renowned American critic Adam Kirsch explores the intersection of literature with larger questions about ideas, history, and society. Kirsch has been described as "elegant and astute . . . [a] critic of the very first order" (Michiko Kakutani, New York Times). In Rocket and Lightship he examines the work and lives of writers past and present, from intellectuals Susan Sontag, Hannah Arendt, and Walter Benjamin to novelists including E. M. Forster, David Foster Wallace, and Zadie Smith. Kirsch quotes G. M. Hopkins: "Nor rescue, only rocket and lightship, shone." So, according to Kirsch, shines literature: as an unattainable speed, as a moving beacon. Taken together, the provocative and bold essays in Rocket and Lightship show how literature can illuminate questions of meaning, ethics, and politics, and how those questions shape the way we take pleasure in art" --

Human beings have long imagined their subjectivity, ethics, and ancestry with and through animals, yet not until the mid-twentieth century did contemporary thought reflect critically on animals' significance in human self-conception. Thinkers such as French philosopher Jacques Derrida, South African novelist J. M. Coetzee, and American theorist Donna Haraway have initiated rigorous inquiries into the question of the animal, now blossoming in a number of directions. It is no longer strange to say that if animals did not exist, we would have to invent them.This interdisciplinary and cross-cultural collection reflects the growth of animal studies as an independent field and the rise of "animality" as a critical lens through which to analyze society and culture, on a par with race and gender. Essays consider the role of animals in the human imagination and the imagination of the human; the worldviews of indigenous peoples; animal-human mythology in early modern China; and political uses of the animal in postcolonial India. They engage with the theoretical underpinnings of the animal protection movement, representations of animals in children's literature, depictions of animals in contemporary art, and the philosophical positioning of the animal from Aristotle to Derrida. The strength of this companion lies in its timeliness and contextual diversity, which makes it essential reading for students and researchers while further developing the parameters of the discipline.

"A prophetic lost classic from interwar Germany, now translated into English for the first time, following a group of Berliners on the skids as their nation unravels. Berlin in the 1920s is the largest city in Europe, a cultural mecca, and a political mess: a hedonistic Babylon, though there's little glamour for the hundreds of thousands out of work, the war wounded, the prostitutes, and the beggars. Come evening, they too want to shed their cares at the Jolly Huntsman pub, where they gather to drink, dance, and reassert their pride. But there's always disaster lurking in the alleys and flophouses, a disaster that the twenty-two-year-old author Ulrich Alexander Boschwitz clearly saw coming for his nation. In this dark comedy of petty theft, soapbox speeches, and bar fights is the disarray of a country devouring itself. Tragically, Germany's self-destruction engulfed the author, who was killed five years after finishing this novel. When Boschwitz's The Passenger was rediscovered in 2021, it was heralded as a masterpiece that terrifyingly captured the zeitgeist of life under Nazism. Now, Berlin Shuffle-his literary debut from 1937, finally available in English, with a preface by the preeminent translator Philip Boehm-brings to life the society that would enable fascism's takeover. The triumph of one of world literature's spectacular talents, Berlin Shuffle is a dire warning, sent from a pivotal moment in history to our own time"-- Provided by publisher.

A great panorama of the years leading up to the Russian Revolution. The novel focuses on St. Petersburg, Warsaw, and Moscow, and how various people deal with these earth shaking events.

"Ho Chi Minh was not always an enemy of the United States. There was a time near the close of World War II when American agents of Wild Bill Donovan's Office of Strategic Services, the forerunner of the Central Intelligence Agency, lived with Ho Chi Minh, trained and armed his Vietminh cadres. One of them, a medic, saved his life. This novel, based on those OSS operations, unfolds as the United States is poised at a fatal crossroads-to pursue President Roosevelt's vision of a trusteeship for Indochina leading to independence or allow France to resume its colonial control. On a secret mission to realize Roosevelt's vision, Travis Duncan, a special agent of the OSS, undertakes a perilous journey across the China border, eluding bandits and Japanese patrols, to Ho Chi Minh's jungle camp. Duncan is witness in North and South Vietnam to the brutality of the no-holds struggle between Vietnamese nationalists and the French for control of the country. Two women out of Duncan's past become key actors in his mission, one, an aide to Ho Chi Minh, and the other, a Gaullist agent. The reader will recognize the historical characters in this novel; the other characters are based on real individuals or are fictional personages. They speak to a lost opportunity in dealing with Ho Chi Minh and the French at a turning point in history that might have spared America the agony of the Vietnam War."--Publisher's website.

A novel narrated by octogenarian ex-sportswriter Word Smith, who plans to write the "Great American Novel" and also to tell the tragic and hilarious story of the Ruppert Mundys - the only homeless baseball team ever to play in the big league, who have disappeared from all official histories.

A novel narrated by octogenarian ex-sportswriter Word Smith, who plans to write the "Great American Novel" and also to tell the tragic and hilarious story of the Ruppert Mundys - the only homeless baseball team ever to play in the big league, who have disappeared from all official histories.