Poetry. With art by Wayne Atherton. "The sea's endlessness, its glittery surfaces, the often scruffy island life of the Bahamas are wonderfully recorded in Paul Pine's FISHING ON THE POLE STAR. Bright-scaled marlin populate the text, as do Wayne Atherton's mysteriously beautiful collages. The vision is spacious and colorful, awe- filled and deep dwelling." Michael Heller "FISHING ON THE POLE STAR is full of wonder, for Pines knows that fishing correlates with the Arthurian Graal- search, the poet's hunt for the poem, the deep sea-voyage to heal the wounded soul. This collection places him in the tradition of Hektorovi, Walton, Melville, Hemingway, and Hughes." Richard Berengarten"

Poetry. "'Remember this, ' the poet tells himself as he races his 'little girl': 'what is a memory that anticipates itself / a recollection / that becomes / the ground on which the present plays.' And we follow, drawn along a 'golden thread' between father and daughter that is at once binding and unwinding, the reweave of every Charlotte's Web. Here are poems, in the language of the luminous moment, full of the timeless, of time's surprise, of all that enraptures, all that sorrows, all that joys." Robert Murphy, author of From Behind the Blind"

Poetry. Norman Fischer's long poem takes as its place CHARLOTTE'S WAY, a house on the California coast, but mostly the poem takes things in. Fischer, a Zen priest, meditates on talk, the passing of time, the brain, catness, bills to be paid, poems, search parties, birds and myriad other subjects as they flicker in and out of thought. Terri Wada's design emphasizes the fluidity of Fischer's thinking; rather than turning from one page to the next, the chapbook opens out, filling both space and time.

Poetry. In poems written on the rocky coast of Frenchman Bay in Maine, Michael Ruby begins with wisdom and ends with delight, reversing Frost's famous dictum about poetry. THE MOUTH OF THE BAY begins with the wisdom of the Eleatic philosophers on the coasts of southern Italy and Sicily--"There is no beginning and there is no end"--and their calls for purification. Ruby writes the words that appear in his mind when he repeats sayings of Pythagoras, Xenophanes, Empedocles and others. In "Elements," he breaks the coastal landscape into six elements--rocks, water, islands, mountain, sky, sun--and writes a stanza for each, creating a series of 23 poems akin to abstract expressionist landscapes. In the long poem, "Wave Talk," he listens to small waves lapping against the rocks and writes the conversational phrases that appear in his mind. In the last section, "Foghorns," he responds to the blue sky and water of Frenchman Bay on clear days and the two-note foghorn at Egg Rock Light on foggy days. The poems end with delight in the sights and sounds around us, the words that appear within us.

Kinship, the new collection of poetry by the bilingual author, Boston College professor Maxim D. Shrayer, weaves together some of the principal themes in modern Jewish history: ancestry in Eastern Europe, the Shoah, antisemitism, exile, displacement and immigration, Zionism and Israel. Shrayer's richly orchestrated and formally elegant verse captures with poignancy and passion what it feels like to be a Jewish poet with Soviet roots, living in America during Russia's brutal war in Ukraine. Kinship is, ultimately, a pained and inspiring meditation on writing between languages and cultures.

Poetry. Jewish Studies. Translated from the Yiddish, Edited, and Introduced by Marcia Falk. WITH TEETH IN THE EARTH is the first full-length collection in English of the poetry of acclaimed Yiddish-American poet Malka Heifetz Tussman. Selected from her six books of verse and from a last unpublished manuscript, these poems reflect her love of nature, her deep enjoyment of the physical and sensual world, and her experience of spirituality. "[Tussman's] elegant, deft lyrics subvert the central myth of women's lives: the belief that happiness and fulfillment come from devotion to others.... Marcia Falk has gracefully and intelligently captured Tussman's subtle ironic tone" Miriam Levine, American Book Review."

From Publishers Weekly In one of the essays in this delightfully engaging self-portrait, poet-critic Simpson calls himself an "unnecessary man," a man without a definite place in the world. His refusal to bow to trends or schools may explain why this Pulitizer Prize-winning poet is not currently fashionable. In limpid, sharp prose he describes growing up in Jamaica when it was a British colony, love for his Russian actress mother, the "low emotions" of his remarried father and stepmother, who treated him like a boarder, his service in WW II, subsequent mental breakdown and partial amnesiaout of which he began writing poetry. When published in the New Yorker , he bemoaned that magazine's "tiresome air of facetiousness" and its heavy-handed editing of his poems. Critical essays gathered here offer unbuttoned cameos of Rilke, T. S. Eliot, Dylan Thomas, William Carlos Williams, Auden, V. S. Naipaul. In the astonishing prose selections culled from his journal, Simpson reveals the poet's essential gift: a continual sense of wonder at the world's unpredictability. Copyright 1989 Reed Business Information, Inc.

The award winning author's fourth book of poetry finds her meditating on the heroic journey of famed polar explorer Robert Falcon Scott (1868-1912). The poems are adapted from Scott's journals of the doomed Terra Nova expedition of 1910-13. Through "disciplined, beautifully descriptive verse" [Linda Pastan], Roberts creates an "epic that chronicles an expedition to the South Pole" [Francisco Aragón] which "has seldom been told with such formal control, flashes of color, and suspense." [Reginald Harris]

FROM THE POET the Chicago Tribune calls the new voice of Chicago, comes L-vis Lives!, a bold new collection of poetry and prose exploring the collision of race, art, and appropriation in American culture. L-vis is an imagined persona, a representation of artists who have used and misused Black music. Like so many others who gained fame and fortune from their sampling, L-vis is as much a sincere artist as he is a thief. In Kevin Coval's poems, L-vis' story is equal parts forgotten history, autobiography, and re-imaginings. We see shades of Elvis Presley, the Beastie Boys, and Eminem, and meet some of history's more obscure whiteboy heroes and anti-heroes: legendary breakdancers, political activists, and music impresarios. A story of both artistic theft and radical invention, L-vis Lives! is a poetic novella on all of the possibilities and problems of post-racial" American culture-where Black art is still at times only fully accepted in a white face, and every once in a while an L-vis" comes along to step in to the void. i am a hero to most. the great hope of something other. a complex back-story. something other than the business of my father. Bland's antonym. jim crow's black sheep. the forgotten son left to rise in the darkness among the dis carded in the wild of working class, single mother hoods. a hero who transcends who translates the dis satisfactions of the plains; kids of kurt cobain, method man amphetamine, the odd Iowan who digs dirt and lights beyond the pig yard, spits nebraskan argot, hero to the heart land, middle brow(n) america "--

This magnificent book is a gallery of words and images that celebrates the sister arts of poetry and painting. John Hollander, the eminent poet and critic, has selected more than fifty works of art—paintings, prints, drawings, photographs, and sculptures from antiquity to the present—and matched them to poems that address the same images in their verses. The result is an illuminating and ingeniously organized chronicle of words and images in conversation, as well as a powerful introduction to how, across Western culture, great writers have been inspired by pictures. The Gazer's Spirit focuses on leading examples of ecphrastic poetry, or poems that directly confront particular works of art. Hollander, who is one of the most distinguished contemporary practitioners of the ecphrastic tradition, has crafted a survey of enormous range, taste, and depth, from the Renaissance to the twentieth century. The heart of the book is its gallery of poems and images set side by side. There are poems whose presence in this book is all but inevitable, such as Auden's "Musee des Beaux Arts" paired with Breugel the Elder's Landscape with the Fall of Icarus , and delightful surprises, such as Edith Wharton's sonnet that casts fresh light on Leonardo's Mona Lisa . Here are Robert Browning and Michelangelo; Walt Whitman and George Inness; and Randall Jarrell and Albrecht Dürer writing and drawing about The Knight, Death and the Devil. Among the poets are many visually sophisticated writers such as James Merrill, Richard Howard, Marianne Moore, and Richard Wilbur; the visual objects in the book are both celebrated and obscure, as various as a Greek sculplture, a medieval tapestry, a famous Renoir, or a fountain by an anonymous architect. In some cases, obvious affinities, such as a poem by Vicki Hearne on a white horse by Gauguin, produce unexpected poetic results.

A poetry collection by Joel Oppenheimer.

In this anthology, we bringing together many revolutionary voices of poets from around the world, writing in many languages. Every poet has a unique style, but we share a common vision with insights, passions, music, tools, weapons, forging visions and consciousness. This is not genteel poetry for coffee tables and drawing rooms, but poems built for action, for demonstrations and uprisings, rebellions and street corners, verses for storming the halls of power. Handle these poems with care: they are fully armed. Overthrowing Capitalism is published annually by the Revolutionary Poets Brigade. Volume Four was edited by Jack Hirschman, Agneta Falk, and John Curl.

Poetry. Jewish Studies. Blasphemy is holy--and exciting, outrageous literature in TREYF PESACH (Unkosher Passover). Novelist Paul Auster declares that this book "strikes with all the force of an exploding bomb--because it speaks the truth." This collection of poems presents radical departures from traditional rituals, formats and conventions: alternative Passover Seders, Yom Kippur liturgy, Thanksgiving prayers, psalms and other poems in the form of proclamations, resolutions, jazz improvisations, incantations, rants, orations, comic monologues, oil spills, life spills, songs, visions, undocumented documents, borders, suns, farewells, minutes of meetings, talk-stories, and all accompanied by provocative drawings of Treyf Passover Seder plates by artist Charles Steckler. In this book the symbolic plate is arrayed with treyf (un-kosher food) and the story of the Exodus with untypical meanings, whiskey instead of wine, recounting the continual slavery of wars and military occupations. The poems in TREYF PESACH have taken place over the course of years and various occasions, from vicious aggressions, to absurd walls, to smallpox blankets, to oil spouting across the Gulf, and more, all framed by the first months of the Trump regime. Some have been read out loud at Seders, Yom Kippur services, Thanksgiving Day benedictions, Sunday fellowships, and other ceremonies. But those are the exceptions. For the most part TREYF PESACH has been placed under arrest and shoved across the borders of respectability. Hilton Obenzinger writes poetry, fiction, history, and criticism, and is the recipient of the American Book Award. According to poet Diane di Prima, "he is the American Jonathan Swift."

Poetry. Art. Translated from the French by Michael Kasper and Bhamati Viswanathan. SAINT GHETTO OF THE LOANS reissues a legendary but little seen masterpiece of French book art from 1950, by the Lettrist Gabriel Pomerand. The prose poem text appears in segments on left-hand pages (bilingually, in this edition), and its French words and syllables are represented visually by dazzling pictographs--rebuses--on pages facing. "Every 20th century art movement has its mythic works, fetishized objects of cult workshop. Gabriel Pomerand's Saint Ghetto des Prets sits alongside Isidore Isou's Les Journaux des Dieux as one of the few sustained works of metagraphics produced by the Lettrists. A remarkable novel-in-pictographs-and-verse"--Johanna Drucker.

About the Book Books about Ancient, Classical and Medieval Poetry begin with the ancient epic poetry of Babylon and Greece. Poetry did not flourish in the Middle Ages, but experienced re-birth during the Renaissance. Titles include: Aristotle on the Art of Poetry, A Study of the Anglo-Saxon Poem, The Harrowing of Hell; Dissertation, Beowulf, an Old English Poem, Translated into Modern Rhymes, Das neue Leben; La Vita Nova, Homer. The Odyssey, Sonnets from Marcus Aurelius, Homer. The Odyssey, Longmans English Classics. Macaulay's Lays of Ancient Rome, Lucretius, epicurean and poet, and Selections from ancient Irish poetry. About us Trieste Publishing's aim is to provide readers with the highest quality reproductions of fiction and non-fiction literature that has stood the test of time. Our titles are produced from scans of the original books and as a result may sometimes have imperfections. To ensure a high-quality product we have: thoroughly reviewed every page of all the books in the catalog repaired some of the text in some cases, and rejected titles that are not of the highest quality. You can look up "Trieste Publishing" in categories that interest you to find other titles in our large collection. Come home to the books that made a difference

"This is a collection of poetry & art by the author-artist Carolyn Mary Kleefeld, dedicated in memoriam to David Campagna, the great romantic interest in Kleefeld's life, co-published by Cross-Cultural Communications of Merrick, New York, and The Seventh Quarry Press of Swansea, Wales. What is "immortal"? That which is not subject to death and decay. As Hippocrates wrote, Ars longa, vita brevis. And what is a "seed"? Origin, root, fountainhead-come to mind. Immortal Seeds is a collection of art and poetry, of that which cannot decay and is a planting of creative eternality. Borne of a heart nurtured by true love, he love of David Campagna, Carolyn Mary Kleefeld, the artist-poet has, in image and word, produced a volume that brings to mind Shakespeare's: "So long lives this and this gives life to thee." Or, to paraphrase: "So long as these Immortal Seeds exist, they give life to Carolyn's beloved." -Stanley H. Barkan, Poet-Publisher Cross-Cultural Communications"--

Algorithmic Shapeshifting is the first poetry collection of Bogi Takács, winner of the Lambda award for editing Transcendent 2: The Year's Best Transgender Speculative Fiction, and finalist for the Hugo and Locus awards. The collection includes poems from the past decade and previously unpublished work. The scope of pieces extends from the present and past of Jewish life in Hungary and the United States to the far-future, outer-space reaches of the speculative—always with a sense of curiosity and wonder. “Bogi Takács is a poet of visceral exuberance and Talmudic invention. Moving as dazzlingly between genres as languages, e makes the reader eir kaleidoscope where ancient traditions, unenvisioned technologies, and children's toys tumble with ordinary, transcendent precision, imagining new ways of being and observing others signally extant. These poems draw blood and spark synapses, make dauntingly familiar and tenderly strange. You should let them change you.” Sonya Taaffe, author of Forget the Sleepless Shores “Bogi Takács's poetry is gleefully and unabashedly itself, pulling the reader through surreal worlds of visceral magic, body modification, political wit, and interpersonal devotion. Whether looking back into Talmudic history, forward into a science fictional psychic war, or sinking into the earth and growing flowers from its own eye sockets, "Algorithmic Shapeshifting" presents a voice that is consistently fresh, startling, and sincere.” Ada Hoffmann, author of The Outside

Ben Saltman's eleventh book of verse. These are the uncollected poems that includes a section of his essays on poetry and an article he wrote about his friend, poet Bert Meyers whom he befriended during the 1960s. This book offers over sixty poems and two essays on poetry. A must have for any reader who loves the poetry of Benjamin Saltman.

In this first full-length collection, Anna Mendelssohn continues her explorations of power, persecution and loss. Mendelssohn's work shows the intense relationship between agency and structure in the modern world. Her magical, weaving and at times painful lyric poetry draws us into an ecstatic vision of our own dependencies, dreams and desires.

This book of poems has intent, design, and purpose. They are written to touch something hidden deep within you, something latent, undiscovered, and mysterious. I hope that you may wish to discover more about that of which I speak.For there are answers to your questions if you but seek. That hidden something is true of everyone, almost without exception, but most of us have fallen asleep to the yearning and the searching that it can give rise to. If you are not in the category of the walking dead--and you are truly searching-- perhaps this book will be for you. If you loved fairy tales as a child, would rather travel to ancient sites than take cruises or hang out on a beach, appreciate the mythology from other cultures, enjoy classical art, perhaps read philosophy and great literature, are enthralled by the wonder of the natural world--and the list goes on and on--this book may be of interest to you. Even if your yearning takes other forms, you may love what I've written as well. But the book is not an answer to your yearnings. It can, though, be a window into a world where those same yearnings are addressed, satisfied, and shown a further and meaningful path to take. I wrote it in the language of today (including a small amount of crude language), with some references to literary or artistic works of the past. Despite the simplicity of many of the poems, there is great depth of meaning, if you are open to it. My suggestion would be to read only a few poems at a time, trying to ponder what I am talking about, letting them sink in emotionally, rather than dissecting them intellectually. And certainly don't continue to read until your eyes glaze over, as that will not profit you in the least. Enjoy!