A compelling account of the development of a great artist, and a portrait of the tragic character of an entire era The uncompromising achievement of Elias Canetti has been matched by few writers this century. Canetti worked brilliantly in many forms, but the three volumes that comprise his autobiography are where his genius is perhaps most evident. The first volume, "The Tongue Set Free," presents the events, personalities, and intellectual forces that fed Canetti's early creative development. "The Torch in My Ear" explores his admiration for the first great mentor of his adulthood, Karl Krauss, and also describes his first marriage. The final volume, "The Play of the Eyes," is set in Vienna between 1931 and 1937, with the European catastrophe imminent; here he vividly portrays relationships with Hermann Broch and Robert Musil, among others.

"A young Jewish boy strolls through Vienna and witnesses acts of anti-Semitism during the Jewish holiday of Hanukkah. At night he dreams of a superhero, Judah Maccabee, who appears to defend Vienna's Jews. When he awakes, he knows there will be no Maccabean rescue and he weeps. Years pass, the boy, now an old man, returns to Vienna and sees the Jewish community and the Temple have been restored. He looks for the eternal light in his Temple and can't find it. Then suddenly it becomes clear to him: The light was there all the time; it was in his own heart"--

THE GRAND PIANO is an ongoing experiment in collective autobiography by ten writers identified with Language poetry in San Francisco. It takes its name from a coffeehouse at 1607 Haight Street, where from 1976-79 the authors took part in a reading and performance series. The writing project, begun in 1998, was undertaken as an online collaboration, first via an interactive web site and later through a listserv. When completed, THE GRAND PIANO will comprise ten parts, in which each of the ten authors will appear in a different sequence. These poets are Bob Perelman, Barrett Watten, Steve Benson, Carla Harryman, Tom Mandel, Ron Silliman, Kit Robinson, Lyn Hejinian, Rae Armantrout, and Ted Pearson.

Autobiography of Samuel Gompers, describing his role in the historical development of the AFL labour movement and trade union attitudes in the USA - discusses working conditions of working class immigrants, the role of strikes in resolving early labour disputes, the growth of trade unionism, acceptance of labour standards, socialism, respect for woman workers, etc.; includes brief biographies of other trade union officers of the period. Bibliography, photographs.

We are desperately in need of a new Story-specifically a new Story of Value, an Outrageous Love Story-as a way to meet the outrageous pain of the world. This is the only true response to the current meta-crisis, the amalgamation of interlocking political, educational, spiritual, ecological, and cultural crises that threatens not merely the total disruption of all social systems, but either the death of humanity or the death of our humanity. This series of oral essays outlines the contours of a new Story of Value. Most importantly, they clearly show how we-both individually and collectively-can transform our lives and become an "imaginal cell," an ontological activist, for the sake of the whole. Through profound "writual" practices like writing a Sacred Autobiography and composing Outrageous Love Letters, we start to move from a pathologized life to a mythic life. We begin to play our instruments as part of Unique Self Symphony. We become Homo amor, the New Human and the New Humanity, irreducibly unique incarnations of Eros, of the Intimate Cosmos that lives in, as us, and through us-for the sake of Reality itself. These oral essays are based on talks delivered by Marc at the Eros Mystery School at Kasteel de Berckt in Baarlo, Netherlands, August 2019.

The book is an expanded autobiography of the famous theoretical physicist Isaak Khalatnikov. He worked together with L.D. Landau at the Institute for Physical Problems lead by P.L. Kapitza. He is the co-author of L.D. Landau in a number of important works. They worked together in the frame of the so-called Nuclear Bomb Project. After the death of L.D. Landau, I.M. Khalatnikov initiated the establishment of the Institute for Theoretical Physics, named in honour of L.D. Landau, within the USSR Academy of Sciences. He headed this institute from the beginning as its Director. The institute inherited almost all traditions of the Landau scientific school and played a prominent role in the development of theoretical physics. So, this is a story about how the institute was created, how it worked, and about the life of the physicists in the "golden age" of the Soviet science. A separate chapter is devoted to today ́s life of the institute and the young generation of physicists working now in science. It is an historically interesting book on the development of Soviet and Russian science and presents the background of the Soviet nuclear bomb program in the cold war age. In war times, Khalatnikov was a chief of the military staff of nuclear research. He writes about the internal conditions of Soviet society, the way of operating of the Soviet authorities and ways for scientists to interact with them. It gives many interesting insights into the development of superconductivity and superfluidity. The book is written by the most experienced and best informed person among the few living Russian scientists in the environment of Landau. Many stories of the book were never published before and considered as "top secret".

From working family to fame and life in the fast lane during the roaring twenties. Buddy was in 15 films, was 5 feet 18 1/2 inches tall, and 285 pounds at that time.

Pesach Bursrein, an old trouper from the Yiddish theater, recalls dramas both onstage and off in this memoir, which he dictated to his wife, Lillian Lux Burstein. The Story of Burstein's successful stage career is played out against the background of political turmoil in Europe, vignettes of life in small towns and big cities, friendships and rivalries among theater folk, family life, emigration to the United States, and tours through Europe, South America, Israel, and South Africa. Every personal anecdote tells the larger history: theater history and also the history of the Yiddish communities who were his audiences. While Burstein is a legend in Yiddish cheater, he was little known outside that world until he was celebrated in Arnon Goldfinger's acclaimed documentary Der Komedia11t. This memoir provides the first window for English readers into the other side of Yiddish culture—the Yiddish burlesque, the traveling Yiddish theater, and the music hall. It will not only delight readers but also reveal a social and cultural history never before described in such detail. Burstein's life is the story of popular Yiddish theater in the first half of the century.

John Marks is something of a national treasure. Warm, funny, passionate, opinionated and occasionally contrary, he is a man whose life for more than 40 years marched in beat with that of the National Health Service. There is scarcely a medical issue or controversy in which John Marks was not involved. Abortion law reform, the doctors' 1970s revolt against the General Medical Council, the foundation of the Royal College of General Practitioners, countless NHS reorganizations, and the bloody battle over NHS pay beds and the pay of junior doctors are just a sample.Then there was the fierce, principled battle over how the medical profession and the public should respond to the terror of a new disease - AIDS. And the great war that was fought over the Conservatives introduction of market forces into the NHS in the late 1980s and early 1990s - an approach to running the NHS that lives on, reincarnated, under the current Labor government.In all of these John Marks played more than a walk-on part. In many he was a principal actor. For anyone wanting fully to understand the BMA's role in all this, this book is thus required reading. But it is much more than just a dry history of times past. It is laced with anecdote, from the horrifying to the hilarious, and on to high politics. John Marks' account of his life and times provides the tale of a warm, human, liberal and occasionally buccaneering man whose passion for life and causes leaves even those who do not always agree with him eager to count him among their friends.

extremely rare,very good condition