For more than forty years, Harry Turtledove has been the acknowledged master of one of science fiction's most durable sub-genres: the tale of alternate history. In the course of an incredibly prolific career, Turtledove has created a host of brilliantly imagined revisionist histories on subjects ranging from the American Civil War to the Byzantine Empire to the Second World War (in which an alien invasion plays an unexpected role.) His work includes standalone novels and multi-volume epics, along with an impressive array of short fiction, the best of which has been gathered in this generous, irreplaceable volume. The Best of Harry Turtledove opens with "Peace is Better," the first of three stories featuring Bill Williamson, the nine-foot-tall Sasquatch who serves as governor of the fictional state of Jefferson, a place where "everyone gets along, regardless of race or size." Or species. "Bonehunters" posits a world in which the extinction event that ended the reign of the dinosaurs never took place. Two subsequent stories, "Junior & Me" and the Melville-inspired novella, "The Quest for the Great Gray Mossy," continue to develop this scenario. "The Eighth Grade History Class Visits the Hebrew Home for the Aging" imagines a world in which Anne Frank survived and emigrated to the United States, where she recounts her experiences to a visiting middle school class. "But It Does Move" is the account of a fictional confrontation between Galileo and a leader of the Holy Inquisition. These are only a few of the people, places, and historical epochs you will encounter in this magisterial collection. The twenty-four stories in The Best of Harry Turtledove constitute a master class both in the technique of alternate history and in the art of narrative itself. Longtime Turtledove readers will take this book to their hearts. Newcomers will find themselves searching for more of the author's inimitable--and highly addictive--fiction. They have a lot to look forward to.

In this spooky book from the nonfiction An Unsolved Mystery from History picture book series, tragedy strikes Salem, Massachusetts, in 1692 as the community is torn apart by accusations of witchcraft. When a group of girls came down with a horrible, mysterious bout of illness, they pointed the finger at people in their community they claimed were witches. Soon, the whole town was convinced they were in danger from supernatural forces. Today, we have details about the accusations, trials, and those who lost their lives, but the question remains: What caused the mass hysteria? Become a detective, study the clues, and see if you can help solve this chilling mystery from history!

You've paid money for this book, or you have family or friends who don't mind your borrowing or who gift books like this. You are being attentive because you're interested in what type of person this gifter thinks you are - too attentive, to them, to yourself, or too inattentive.

Who is a Jew? In this colorful, eye-opening work, bestselling author and lecturer Jonathan Kirsch takes us on a three-thousand-year tour of Jewish identity and diversity and offers answers to this complex and difficult question. Kirsch reveals that Judaism has never been a religion of strict and narrow orthodoxy. For every accepted tradition in Jewish faith there are countertraditions rooted in biblical antiquity: the Maccabee freedom fighters who closed the Bible and picked up swords, dervish-like ecstatics who claimed to enjoy direct communication with God even after they had been excommunicated by a distrustful rabbinate, and courageous men and women who were the forgotten heroes of the Holocaust. With drama and narrative verve, Kirsch explores these and many other "Judaisms" that make up the rich tapestry of Jewish identity.

Though written more than a century ago, Elizabeth Barrett Browning's beautiful sonnet rings true today for three young couples who believe in the power of love. In "Night Vision," Brett finds a way to brighten a special girl's lonely existence. "Bobby's Girl" features Dana, who must choose between two brothers, both of whom she loves. "Laura's Heart," the third story, introduces 16-year-old Laura Carson, who is hospitalized on a regular basis because of her weak heart. But when tragedy strikes a loved one, she realizes her heart is stronger than she thought and that love lives on forever. "From the Hardcover edition."

Memoir of a Hungarian woman who was imprisoned for several years in the German concentration camp Auschwitz. This is the true, documented chronicle of a beautiful woman who survived the nightmare horror of the worst death camp of them all. Olga Lengyel tells, frankly and without compromise, one of the most horrifying stories of all time. This book is a necessary reminder of one of the ugliest chapters in the history of human civilization. ""You have done a real service by letting the ones who are now silent and most forgotten speak.""-Albert Einstein "This book is a horrifying, but necessary, reminder of one of the ugliest chapters in the history of human civilization."-New York Herald-Tribune "It is a picture of utter hell."-Saturday Review of Literature

An astonishing World War II military story of civil rights from New York Times bestselling author and Newbery Honor recipient Steve Sheinkin. A National Book Award Finalist A YALSA Award for Excellence in Nonfiction Finalist A School Library Journal Best Book of the Year On July 17, 1944, a massive explosion rocked the segregated Navy base at Port Chicago, California, killing more than 300 sailors who were at the docks, critically injuring off-duty men in their bunks, and shattering windows up to a mile away. On August 9th, 244 men refused to go back to work until unsafe and unfair conditions at the docks were addressed. When the dust settled, fifty were charged with mutiny, facing decades in jail and even execution. The Port Chicago 50 is a fascinating story of the prejudice and injustice that faced black men and women in America's armed forces during World War II, and a nuanced look at those who gave their lives in service of a country where they lacked the most basic rights. This thoroughly-researched and documented book can be worked into multiple aspects of the common core curriculum, including history and social studies. “Sheinkin delivers another meticulously researched WWII story, one he discovered while working on his Newbery Honor book, Bomb ...Archival photos appear throughout, and an extensive bibliography, source notes, and index conclude this gripping, even horrific account of a battle for civil rights predating Rosa Parks and Martin Luther King, Jr.” — Publishers Weekly (starred review) Also by Steve Sheinkin: Bomb: The Race to Build—and Steal—the World's Most Dangerous Weapon The Notorious Benedict Arnold: A True Story of Adventure, Heroism & Treachery Undefeated: Jim Thorpe and the Carlisle Indian School Football Team Most Dangerous: Daniel Ellsberg and the Secret History of the Vietnam War Which Way to the Wild West?: Everything Your Schoolbooks Didn't Tell You About Westward Expansion King George: What Was His Problem?: Everything Your Schoolbooks Didn't Tell You About the American Revolution Two Miserable Presidents: Everything Your Schoolbooks Didn't Tell You About the Civil War Born to Fly: The First Women's Air Race Across America

"Ever since it was first formulated a century and a half ago, the Second Law of thermodynamics (or "law of entropy increase") has had an air of mystery about it. Why is it true? Is it even always true? In this book, Stephen Wolfram builds on recent breakthroughs in the foundations of physics to finally provide a resolution to the mystery of the Second Law, elegantly showing how it emerges as a general feature of processes that can be described computationally, as well as their interplay with our computational characteristics as observers. For Wolfram, the effort to understand the Second Law has been a 50-year quest, beginning when he was 12 years old. In the book, Wolfram tells the story of this quest as well as traces the whole remarkable history of the Second Law. Written with great clarity and richly illustrated with both striking modern diagrams and extensive historical material, the book will be of interest to anyone who wants to understand the foundations and origins of one of the most important and widely applied principles of modern science"--

'One of the great love stories of history, in a league with Napoleon and Josephine, and Antony and Cleopatra ... Excellent, with dazzling mastery of detail and literary flair' Economist It was history's most successful political partnership - as sensual and fiery as it was creative and visionary. Catherine the Great was a woman of notorious passion and imperial ambition. Prince Potemkin - wildly flamboyant and sublimely talented - was the love of her life and her co-ruler. Together they seized Ukraine and Crimea, defining the Russian empire to this day. Their affair was so tumultuous that they negotiated an arrangement to share power, leaving Potemkin free to love his beautiful nieces, and Catherine her young male favourites. But these 'twin souls' never stopped loving each other. Drawing on their intimate letters and vast research, Simon Sebag Montefiore's enthralling, widely acclaimed biography restores these imperial partners to their rightful place as titans of their age.

When he visited Israel in 1975, Saul Bellow kept an account of his experiences and impressions. It grew into an impassioned and thoughtful book. As he wryly notes, -If you want everyone to love you, don't discuss Israeli politics.- But discuss them is very much what he does. Through quick sketches and vignettes, Bellow evokes places, ideas, and people, reaching a sharp picture of contemporary Israel. The reader is offered a wonderful panorama of an ancient and modern world city. Like every other visitor to Israel, Bellow tumbles into -a gale of conversation.- He loves it and he makes the reader feel at home. Bellow delights in the liveliness, the gallantry of Israeli life: people on the edge of history, an inch from disaster, yet brimming with argument and words. He delights not in tourist delusions but with a tough critical spirit: his Israel is pocked with scars and creases, and all the more attractive for it. Simply as a travel book, the reader finds remarkable descriptions, such as one in which Bellow finds -the melting air- of Jerusalem pressing upon him -with an almost human weight- Something intelligible is communicated by the earthlike colors of this most beautiful of cities. The impression that Bellow offers is that living in Israel must be as exhausting as it is exciting: a murderous barrage on the nerves. Israel, he writes, -is both a garrison state and a cultivated society, both Spartan and Athenian. It tries to do everything, to make provisions for everything. All resources, all faculties are strained. Unremitting thought about the world situation parallels the defense effort.- Jerusalem's people are actively and individually involved in universal history. Bellow makes you share in the experience.

In Love Stories, Jonathan Ned Katz presents stories of men's intimacies with men during the nineteenth century--including those of Abraham Lincoln--drawing flesh-and-blood portraits of intimate friendships and the ways in which men struggled to name, define, and defend their sexual feelings for one another. In a world before "gay" and "straight" referred to sexuality, men like Walt Whitman and John Addington Symonds created new ways to name and conceive of their erotic relationships with other men. Katz, diving into history through diaries, letters, newspapers, and poems, offers us a clearer picture than ever before of how men navigated the uncharted territory of male-male desire.

In this intellectual companion piece to his acclaimed autobiography, Radical Son, David Horowitz argues that, even in this supposedly post-ideological, post-Cold War era, the historic themes of that conflict still drive our politics and animate our cultural debates. With keen political insight and a masterly grasp of history, he examines how the political Left, including those who describe themselves as liberals, has refused to learn from the past -- particularly from the checkered records of progressive movements for social justice. This important work is a cohesive and searing document for all who refuse to bury their heads in the sand while American institutions and beliefs are corrupted by the politics of bad faith masquerading under the guise of social justice.

'Great art has dreadful manners...' Simon Schama observes at the start of his epic exploration of the power, and whole point, of art. 'The hushed reverence of the gallery can fool you into believing masterpieces are polite things, visions that soothe, charm and beguile, but actually they are thugs. Merciless and wily, the greatest paintings grab you in a headlock, rough up your composure and then proceed in short order to re-arrange your sense of reality...' With the same disarming force, Power of Art jolts us far from the comfort zone of the hushed art gallery, as Schama closes in on intense make-or-break turning points in the lives of eight great artists who, under extreme stress, created something unprecedented, altering the course of art forever. The embattled heroes - Caravaggio, Bernini, Rembrandt, Turner, Van Gogh, Picasso and Rothko - faced crisis with steadfast defiance. The masterpieces they created challenged convention, shattered complacency, shifted awareness and changed the way we look at the world. With powerfully vivid story-telling, Schama explores the dynamic personalities of the artists and the spirit of the times they lived through, capturing the flamboyant theatre of bourgeouis life in Amsterdam, the passion and paranoia of Revolutionary Paris, and the carnage and pathos of civil-war Spain. Most compelling of all, Power of Art traces the extraordinary evolution of eight world-class works of art. Created in a bolt of illumination, such works 'tell us something about how the world is, how it is to be inside our skins, that no more prosaic source of wisdom can deliver. And when they do that they answer, irrefutably and majestically, the nagging question of every reluctant art-conscript... "OK, OK, but what's art really for ?"

Traces the controversy over birth control in the United States from mid-nineteenth-century furtiveness to current abortion arguments, contending that the issue has always been more social and political than technological

'Punk was a new kind of music, a new social critique, but most of all it was a new kind of free speech. It inaugurated a moment - a long moment, that still persists - when suddenly countless odd voices, voices no reasonable person could have expected to hear in public, were being heard all over the place: sometimes as monstrous shouts in the marketplace, sometimes as whispers from an alleyway.' In the Fascist Bathroom collects Greil Marcus's responses to that new free speech in a series of essays that vividly recapture the diversity and impact of punk. Sometimes working from seemingly random songs and shows, sometimes following careers - the Clash, the Mekons, Elvis Costello, Margaret Thatcher - in essence Marcus write about whatever moves him, scares him, disgusts him, and about those things he feels privileged to have witnessed. Marcus's chronicle goes far beyond the disintegration of the Sex Pistols, focusing especially on the reaction of the pop work, which reformed itself against the punk challenge and exiled new voices to cult stations scattered along its borders. Yet punk has shown an extraordinary resilience, resurfacing and reasserting its message again and again, in forms as varied as the voices the carried it: things do not have to be as they seem.

"A dazzling biography of one of the twentieth century's most respected painters, Helen Frankenthaler, as she came of age as both an artist and a woman in the vibrant art world of 1950s New York"--

Greil Marcus has been one of the most distinctive voices in American music criticism for over forty years. His books, including Mystery Train and The Shape of Things to Come, traverse soundscapes of folk and blues, rock and punk, attuning readers to the surprising, often hidden affinities between the music and broader streams of American politics and culture. Drawn from Marcus’s 2013 Massey Lectures at Harvard, his new work delves into three episodes in the history of American commonplace song: Bascom Lamar Lunsford’s 1928 “I Wish I Was a Mole in the Ground,” Geeshie Wiley’s 1930 “Last Kind Words Blues,” and Bob Dylan’s 1964 “Ballad of Hollis Brown.” How each of these songs manages to convey the uncanny sense that it was written by no one illuminates different aspects of the commonplace song tradition. Some songs truly did come together over time without an identifiable author. Others draw melodies and motifs from obscure sources but, in the hands of a particular artist, take a final, indelible shape. And, as in the case of Dylan’s “Hollis Brown,” there are songs that were written by a single author but that communicate as anonymous productions, as if they were folk songs passed down over many generations.

This fascinating history of mind doctors and their patients probes the ways in which madness, badness, and sadness have been understood over the last two centuries. Lisa Appignanesi charts a story from the days when the mad were considered possessed to our own century when the official psychiatric manual lists some 350 mental disorders. Women play a key role here, both as patients--among them Virginia Woolf, Sylvia Plath, and Marilyn Monroe--and as therapists. Controversially, Appignanesi argues that women have significantly changed the nature of mind-doctoring, but in the process they have also inadvertently highlighted new patterns of illness.

In the compelling oral tradition of Nam, the second volume of the dramatic front-line account of Khe Sanh takes the reader straight into the trenches and foxholes.--New York Times Book Review. Here are the first-person accounts of the men who fought and survived one of the longest and bloodiest battles of the Vietnam War.