A New York Times Notable Book: A woman learns the truth about her husband's deceptions in this "superb" novel by the bestselling author of Gone to Soldiers ( Boston Herald ). After a cross-country tour promoting her latest cookbook, Daria Walker is ready to return to her beautiful home in an affluent Boston suburb and her beloved husband, Ross, a prominent attorney whose rough-hewn good looks have never stopped charming her. But when she arrives, he blindsides her by announcing he wants a divorce. Surprised and devastated, Daria suspects he may be having an affair, but the reality is far worse and will tear apart the illusion of her perfectly happy family. When a boy dies tragically and a scandal erupts involving a mercenary slumlord, Daria is outraged along with the rest of the city. But when she learns that Ross may have a connection to the case, she sets out on a journey to discover the truth--a quest that will cast a shadow over the comfortable life she once enjoyed. From the New York Times -bestselling author of Woman on the Edge of Time , Fly Away Home is the story of a woman forced to question her values, her relationships, and herself--"a tale of love, betrayal, and revenge set against a backdrop of sterile suburbs, confrontational politics [and] the evils of gentrification" ( The New York Times ).

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY PUBLISHERS WEEKLY Compared by critics to Kafka, Joyce, and Musil, H. G. Adler is becoming recognized as one of the towering figures of twentieth-century fiction. Nobel Prize winner Elias Canetti wrote that “Adler has restored hope to modern literature,” and the first two novels rediscovered after his death, Panorama and The Journey, were acclaimed as “modernist masterpieces” by The New Yorker . Now his magnum opus, The Wall, the final installment of Adler’s Shoah trilogy and his crowning achievement as a novelist, is available for the first time in English. Drawing upon Adler’s own experiences in the Holocaust and his postwar life, The Wall , like the other works in the trilogy, nonetheless avoids detailed historical specifics. The novel tells the story of Arthur Landau, survivor of a wartime atrocity, a man struggling with his nightmares and his memories of the past as he strives to forge a new life for himself. Haunted by the death of his wife, Franziska, he returns to the city of his youth and receives confirmation of his parents’ fates, then crosses the border and leaves his homeland for good. Embarking on a life of exile, he continues searching for his place within the world. He attempts to publish his study of the victims of the war, yet he is treated with curiosity, competitiveness, and contempt by fellow intellectuals who escaped the conflict unscathed. Afflicted with survivor’s guilt, Arthur tries to leave behind the horrors of the past and find a foothold in the present. Ultimately, it is the love of his second wife, Johanna, and his two children that allows him to reaffirm his humanity while remembering all he’s left behind. The Wall is a magnificent epic of survival and redemption, powerfully told through stream of consciousness and suffused with daydream, fantasy, memory, nightmare, and pure imagination. More than a portrait of a Holocaust survivor’s journey, it is a universal novel about recovering from the traumas of the past and finding a way to live again. Praise for The Wall “[A] majestic novel . . . Adler’s prose is tidal, surge after narrative surge rushing forward and then enigmatically receding, the moment displaced by memory, and memory by introspective soliloquy.” —Cynthia Ozick, The New York Times Book Review “A towering meditation on the self and spirit . . . The writing is sonorous and so entirely devastating that the reader is compelled to pore over every word.” — Publishers Weekly (starred review) “Masterful and utterly unique.” —The Jerusalem Post “Haunting and utterly heart-wrenching . . . a literary masterpiece.” —Historical Novels Review “An epic novel . . . an unforgettable portrait.” —The Jewish Week “[A] pensive portrait of a man struggling to find a place in the world after enduring transformative calamity . . . an eloquent record of suffering—and perhaps of redemption as well.” — Kirkus Reviews Praise for H. G. Adler’s novels The Journey and Panorama, translated by Peter Filkins “Modernist masterpieces worthy of comparison to those of Kafka or Musil.” — The New Yorker “Haunting . . . as remarkable for its literary experimentation as for its historical testimony.” —San Francisco Chronicle , on Panorama

A darkly funny, surreal novel set in Chile and Peru, Albina and the Dog-Men is Alejandro Jodorowsky's sprawling modern myth in which sexual desire appears as a dangerous and generative force that mutates and transforms, unraveling identities and rending the social and moral fabric of a small town. Written with the stunning vision and cinematic flair he brought to his cult 1970s psychedelic freak-out films El Topo and The Holy Mountain, Jodorowsky turns the classic stranger-comes-to-town narrative on its head in his novel Albina and the Dog-Men. When two women--a beautiful amnesiac albino giantess and her protector, a leather-tough woman called Crabby--arrive in this South American desert town, Albina's otherworldly allure and unfettered sensuality turns men into wild animals. Chased at the same time by a clubfoot criminal, Albina and Crabby must fend off their aggressors before the town consumes itself in an orgy of lust and violence.

Paul Dear is a good and clever boy, but he’s special in ways that even his adoring parents could never have imagined. For by day, in London’s Kensington Gardens, he walks and talks with the pixies and sprites and other magical creatures that dwell among the living–but are unseen by most. Then everything changes when tragedy strikes–and a quest begins that will lead Paul to a curio shop where a magical ally awaits him and launches him into the starry skies, bound for a realm where anything is possible. Far from home, Paul will run with fierce Indian warriors, cross swords with fearsome pirates, befriend a magnificent white tiger, and soar beside an extraordinary, ageless boy who reigns in a boundless world of imagination.

Howard Gordon—the longtime executive producer of the hit TV series 24 —makes his fiction debut with a tale of political intrigue and international terrorism. Gideon Davis has just 48 hours to bring his rogue agent brother in—before a twisted global conspiracy turns deadly. GIDEON DAVIS, whose behind-the-scenes negotiating skills have earned him the role of peacemaker in conflicts around the globe, knows more about hush-hush discussions in Capitol corridors than he does about hand-to-hand combat. But his more practical, tactical skills come into play when he’s called on by family friend and government bigwig Earl Parker to chaperone a rogue agent from Southeast Asia to D.C. The agent, Tillman Davis, has promised to turn himself in— but only to his brother, Gideon. Although the two brothers have been estranged for years, Gideon cannot fathom how his brother could have turned into so ruthless a man. But when the plan for Tillman’s surrender goes awry and Earl Parker is taken hostage, Gideon is forced to embrace his dark side in order to evade hostile locals in war-torn Mohan to make his way to the Obelisk—the multimillion-dollar, state-of-the-art oil rig that has been seized by terrorists led by Tillman himself. It is with the help of oil rig manager Kate Murphy that Gideon launches an unlikely one-man rescue.

A plane en route from New York to Tel Aviv is forced down by bad weather. A nearby house provides refuge for five of its passengers. Once they are locked in, their enigmatic host tells them he is their judge, and they must reveal their lives to him. Shockingly, he announces the least worthy of them will be sentenced to death. Who should live, and who should die? Which crash survivor has the weakest claim on life?

Celebrity journalist Amelia Stone is the quintessential Hollywood party girl: she stays out late, rubs shoulders (and occasionally more) with celebrities, and ingests copious amounts of cocaine. But after losing her job, her friends, and much of her mind, Amelia makes the drastic decision to end her drug abuse. Once sober, she's hired by a big-name magazine to write a column detailing her wild adventures and she starts seeing the man who could be her Mr. Right. There's just one problem. Overnight, Amelia has become the new face of Hollywood nightlife, and her editors—who don't know she's come clean —want her to play the part. As the lure of her former fast-and-furious lifestyle begins to pull at her, she must decide whether to save herself or salvage her reputation as the ultimate party girl.

A collection of short stories by the author of the novellas Cock and Bull and the novel My Idea of Fun. The book won the 1993 Geoffrey Faber Memorial Prize.

***SHORTLISTED FOR THE COSTA NOVEL AWARD*** 'Wickedly funny, deeply touching . . . I confess this was the first of Rachman's novels I'd read but I was so swept away by it that I raced out to buy the other three' PATRICK GALE 'Relentlessly entertaining' Daily Mail Rome, 1955 The artists are gathering together for a photograph. In one of Rome's historic villas, a party glitters with socialites and patrons. Bear Bavinsky, creator of vast, masculine, meaty canvases, is their god. He is at the centre of the picture. His wife, Natalie, edges out of the shot. From the side of the room watches little Pinch - their son. At five years old he loves Bear almost as much as he fears him. After Bear abandons their family, Pinch will still worship him, while Natalie faces her own wars with the art world. Trying to live up to his father's name - one of the twentieth century's fiercest and most controversial painters - Pinch never quite succeeds. Yet by the end of a career of twists and compromises, he enacts an unexpected rebellion that will leave forever his mark upon the Bear Bavinsky legacy. What makes an artist? In The Italian Teacher , Tom Rachman displays a nuanced understanding of art and its demons. Moreover, in Pinch he achieves a portrait of vulnerability and frustrated talent that - with his signature humour and humanity - challenges the very idea of greatness.

The post-office girl is Christine, who looks after her ailing mother and toils in a provincial Austrian post office in the years just after the Great War. One afternoon, as she is dozing among the official forms and stamps, a telegraph arrives addressed to her. It is from her rich aunt, who lives in America and writes requesting that Christine join her and her husband in a Swiss Alpine resort. After a dizzying train ride, Christine finds herself at the top of the world, enjoying a life of privilege that she had never imagined. But Christine's aunt drops her as abruptly as she picked her up, and soon the young woman is back at the provincial post office, consumed with disappointment and bitterness. Then she meets Ferdinand, a wounded but eloquent war veteran who is able to give voice to the disaffection of his generation. Christine's and Ferdinand's lives spiral downward, before Ferdinand comes up with a plan which will be either their salvation or their doom. Never before published in English, this extraordinary book is an unexpected and haunting foray into noir fiction by one of the masters of the psychological novel.

LONGLISTED FOR SCOTLAND'S NATIONAL BOOK AWARDS 2024. THE ENCHANTING NEW NOVEL BY THE AUTHOR OF THE 2022 WATERSTONES SCOTTISH BOOK OF THE YEAR, THE FAIR BOTANISTS. 'Gripping' Good Housekeeping 'S ecrets discovered, ruinous rumours scotched, happiness regained and friendships founded' Daily Mail 'A novel of feeling and intellect which will surely and deservedly be a great success' Allan Massie, The Scotsman You wouldn't suspect it, but scandalous secrets are being kept on Blythswood Square... 1846. Glasgow is a city on the cusp of great social change, but behind the curtains, neighbours are watching, and rumours of improper behaviour spread like wildfire on the respectable Blythswood Square. When Charlotte Nicholl discovers that the fortune she has been bequeathed by her father is tied up in a secret collection of erotic art, she is faced with a terrible dilemma: sell it and risk shaming her family's good name or lose her home. An encounter with Ellory Mann, a talented working-class photographer newly arrived in Glasgow, leads Charlotte to hope she has found not only someone who might help her, but also a friend. Yet Ellory is hiding secrets of her own - secrets that become harder to conceal as she finds herself drawn into Charlotte's world. As the truth begins to catch up with both women, will it destroy everything they've fought to build - or set them both free? Readers love Sara Sheridan's storytelling! 'I absolutely love Sara Sheridan's books. They're so easy to get into and so hard to put down. The Secrets of Bythwood Square is no exception. It's a great story populated with excellent, believable characters and woven with rich historical detail' 5* reader review, NetGalley 'A fascinating, atmospheric story which I greatly enjoyed' 5* reader review, NetGalley 'I absolutely loved it, finished it within 2 days' 5* reader review, NetGalley 'Wonderful characters and a beautifully interwoven story.' 4* reader review, NetGalley PRAISE FOR THE FAIR BOTANISTS : 'Sheridan creates an evocative, enjoyable portrait of two women determined to lead independent lives' SUNDAY TIMES 'Completely enchanting and fascinating . . . a rollicking and immensely readable tale' SCOTSMAN 'Lush, seductive and scandalous, this is a gorgeous read' DAILY MAIL 'A cracking good read' VAL MCDERMID 'Dazzling, original, full of wonderful characters' KATIE FFORDE 'What a beautiful, immersive gem of historical fiction' GOOD HOUSEKEEPING 'An absolute treat for fans of historical fiction and rich storytelling' RED

Captivating and thought-provoking, THE STOCHASTIC MAN is another outstanding novel by award-winning Robert Silverberg. Lew Nichols is been in the business of stochastic prediction--surveys and high-powered guesswork. Nichols has also been the administrative assistant to the mayor of New York City, the contented husband of Sundara Shastri, and a disciple of Martin Carvajal--an odd little man who is capable of seeing the future. But Nichols' life is changing. While under the influence of Carvajal, Nichols seeks the secrets of developing second sight, so he can manipulate the future. With unrivaled skill, Silverberg has created characters with great complexity, whose dilemmas have a strange air of future reality.

2004 Grand Prix de l’Imaginaire winner Peter S. Beagle’s The Rhinoceros Who Quoted Nietzsche and Other Odd Acquaintances celebrates the beginning of Beagle’s extraordinary career as a fantasist. Widely available for the first time and with a new preface by the author, this delightful book contains seven short stories and three essays by one of the most popular authors in the history of the fantasy field. The Last Unicorn, Beagle’s most beloved novel, was an underground best-seller in the late 1960s and 1970s and is still in print and enchanting new readers today. It reached an audience far beyond the market for fantasy books, tying in with an emerging counter-culture and selling hundreds of thousands, if not millions, of copies. The Rhinoceros Who Quoted Nietzsche contains two of Beagle’s popular unicorn stories, ?“Professor Gottesman and the Indian Rhinoceros” and ?“Julie’s Unicorn,” as well as “?Lila the Werewolf” (anthologized in the Oxford Book of Fantasy) and a tribute to J. R. R. Tolkien, ?“The Naga.”

An innovative, reverently faithful graphic novel adaptation of F. Scott Fitzgerald's jazz-age classic.

This book is a critical analysis, based on a broad physical, historical, and philosophical study, of how empirical phenomena led to the renunciation of classical physics and how experimental research -- combined with mathematical thought and philosophical speculation -- opened entirely novel perspective. It offers a thorough, detailed exposition of the various phases of the development of quantum theory, analyzes the logical dependence of each stage on those preceding it, and leads the reader from the very beginning of this intellectual process to the front line positions of current foundational research in physics. "... the only full history of the Quantum Theory." -- Dr. F. Hund, Institute for Theoretical Physics, Gottingen University.

When We Were Romans is a haunting psychological novel and another masterful work from the author of the prize–winning English Passengers . Nine-year-old Lawrence is the man of his family. He watches over his mother and his willful little sister Jemima. He is the one who keeps order, especially when his mother decides they must leave their life in England behind because of threats from Lawrence's father. But their new life in Rome does not go as planned. Short of money and living off of his mother's old friends—all who seem to doubt her story—Lawrence soon realizes that things are not what they seem.

When Marek Halter's award-winning international bestseller The Book of Abraham was published here in 1986, it was greeted with unanimous praise and compared with Roots, War and Peace, and the works of James Michener. That epic portrayal of a Jewish family through history -- based in large part on the records of the Halters themselves -- ended in the midst of World War II, with the destruction of the Warsaw ghetto. Here the author picks up the thread of the family saga in the postwar period. Like most of European Jewry, the Halter family is decimated and dispersed: Sidney and his family in New York; the Lerners in Moscow; Don Israel and Dona Regina in Buenos Aires; Mordecai and his family in Israel. At the heart of the new epic is Hugo Halter, an elusive and haunting figure who, as a young man in the late 1930s, had warned of the coming Holocaust. Most had not listened and perished in the conflagration. As this book opens, Hugo and his German wife, Sigrid, are driving from Tel Aviv to Jerusalem in March 1961. Hugo parks to gaze in wonder at the magic city spread before him. Suddenly a military truck approaches, and as it passes submachine-gun fire erupts from it, killing both Hugo and Sigrid. Why were they assassinated in cold blood, presumably by Arab terrorists? Who exactly was Hugo: an agent? A double agent? Working for whom and to what ends? In Paris, Marek Halter, the self-appointed family scribe, sets out to find the answer. At the same time, another cousin, an officer in the Israeli secret service, begins his own official investigation. Their paths, and lines of inquiry, sometimes cross, often diverge, as different versions of the same episode appear in oddly varying lights. The result is a suspense novel of high intrigue, but also a panorama of contemporary Judaism, with its conflicts and contradictions, its struggles and achievements, its heady victories and discouraging defeats. - Jacket flap.

A new, colorful, and fascinating drama has emerged on the American scene. The action involves love, spiritually free sex, dope as a religious sacrament, and a new work ethic. And so sociologist Yablonsky begins his novel, giving the reader an opportunity to join him on his hippie trip. Yablonsky delves into the hippie movement as a sociologist, a hip interviewer/reporter, and as an involved person. This book includes experiences and perceptions from all three of these integral facets of Yablonskys personality. Yablonsky combines an extensive, coherent report on hippie life with a thorough look at the movement in relation to the wider societal issues of the time. The book begins with a Preview, an introduction into the scene, and then moves onto The Trip, Yablonskys actual journey. Part III, Analysis, examines the hippie movement in its own right and within the framework of American society. Part IV, The Appendix, is a presentation of data from questionnaires filled out by over seven hundred hippies. And there is, of course, a Glossary for all of you readers who may not be familiar with the terminology of the psychedelic movement.

“Jonathan Carroll is a cult waiting to be born, a novelist of rare and terrifying power.”—Pat Conroy Ricocheting between Vienna and Los Angeles, between the worlds of desires and dreams, Sleeping in Flame is a hypnotic literary novel with irresistible elements of fantasy and magic. “I envy anyone who has yet to enjoy the sexy, eerie, and addictive novels of Jonathan Carroll.”—The Washington Post Book World “Jonathan Carroll is a master of sunlit surrealism.”—Jonathan Lethem

Historical novel based on the life of Jessie Benton Frémont