In this "powerful" (New York Times Book review) collection of personal essays and landmark speeches by "one of the great writers of our generation" (New Republic), Elie Wiesel weaves together reminiscences of his life before the Holocaust, his struggle to find meaning afterward, and the actions he has taken on behalf of others that have defined him as a leading advocate of humanity and have earned him the Nobel Peace Prize. Here, too, as a tribute to the dead and an exhortation to the living are landmark speeches, among them his powerful testimony at the Klaus Barbie trial, his impassioned plea to President Reagan not to visit a German S.S. cemetery, and the speech he gave in Oslo in acceptance of the Nobel Peace Prize, in which he voices his hope that "the memory of evil will serve as a shield against evil."

His book is difficult for me to describe, I guess I can only say that along with 'Man's Search for Meaning' by Viktor E. Frankl, 'Souls on Fire' by Elie Wiesel is among the two books that have changed my life.In these powerful and beautiful stories of Jewish Hasidic masters Elie Wiesel teaches us to fight depression by deliberately cultivating joy, that we must enjoy life in spite of life, that death is never the answer, and that that life is sacred, so much so that in spite of anything we have suffered we must say yes to this life.

Gamaliel Friedman is only a child when his family flees Czechoslovakia in 1939 for the relative safety of Hungary. For him, it will be the beginning of a life of rootlessness, disguise, and longing. Five years later, in desperation, Gamaliel’s parents entrust him to a young Christian cabaret singer named Ilonka. With his Jewish identity hidden, Gamaliel survives the war. But in 1956, to escape the stranglehold of communism, he leaves Budapest after painfully parting from Ilonka. Gamaliel tries, unsuccessfully, to find a place for himself in Europe. After a failed marriage, he moves to New York, where he works as a ghostwriter, living through the lives of others. Eventually he falls in with a group of exiles, including a rabbi––a mystic whose belief in the potential for grace in everyday life powerfully counters Gamaliel’s feelings of loss and dispossession. When Gamaliel is asked to help draw out an elderly, disfigured Hungarian woman who may be his beloved Ilonka, he begins to understand that a real life in the present is possible only if he will reconcile with his past.

It may be true that the whole world is watching Dallas and Dynasty, but is everyone seeing the same story? This analyzes conversations about Dallas among people in different sub-cultures: in Israel (where it was a best-seller), in Japan (where it was rejected), and in the US (the original market).

For Elisabeth Roudinesco, a historian of psychoanalysis and one of France's leading intellectuals, Canguilhem, Sartre, Foucault, Althusser, Deleuze, and Derrida represent a "great generation" of French philosophers who accomplished remarkable work and lived incredible lives. These troubled and innovative thinkers endured World War II and the cultural and political revolution of the 1960s, and their cultural horizon was dominated by Marxism and psychoanalysis, though they were by no means strict adherents to the doctrines of Marx and Freud. Roudinesco knew many of these intellectuals personally, and she weaves an account of their thought through lived experience and reminiscences. Canguilhem, for example, was a distinguished philosopher of science who had a great influence on Foucault's exploration of sanity and madness-themes Althusser lived in a notorious personal drama. And in dramatizing the life of Freud for the screen, Sartre fundamentally altered his own philosophical approach to psychoanalysis. Roudinesco launches a passionate defense of Canguilhem, Sartre, Foucault, Althusser, Deleuze, and Derrida against the "new philosophers" of the late 1970s and 1980s, who denounced the work-and sometimes the private lives-of this great generation. Roudinesco refutes attempts to tar them, as well as the Marxist and left-wing tradition in general, with the brush of Soviet-style communism. In Freudian theory and the philosophy of radical commitment, she sees a bulwark against the kind of manipulative, pill-prescribing, and normalizing psychology that aims to turn individuals into mindless consumers. Intense, clever, and persuasive, Philosophy in Turbulent Times captivates with the dynamism of French thought in the twentieth century.

"From one of the leading historians of the Jewish past comes a stunning look into a previously unexamined dimension of Jewish life and culture: the calendar. In the late sixteenth century, Pope Gregory XIII instituted a momentous reform of Western timekeeping, and with it a period of great instability. Jews, like all minority cultures in Europe, had to realign their time-keeping to accord with the new Christian calendar. Elisheva Carlebach shows that the calendar is a complex and living system, constantly modified as new preoccupations emerge and old priorities fade. Calendars serve to structure time and activities and thus become mirrors of experience. Through this seemingly mundane and all-but-overlooked document, we can reimagine the quotidian world of early modern Jewry, of market days and sacred days, of times to avoid Christian gatherings and times to secure communal treasures. In calendars, we see one of the central paradoxes of Jewish existence: the need to encompass the culture of the other while retaining one#x19;s own unique culture. Carlebach reveals that Jews have always lived in multiple time scales, and demonstrates how their accounting for time, as much as any cultural monument, has shaped Jewish life. After a decade exploring Judaica collections around the world, Carlebach brings to light these textually rich and beautifully designed repositories of Jewish life. With color illustrations throughout, this is an evocative illumination of how early modern Jewry marked the rhythms and realities of time and filled it with anxieties and achievements."--Jacket.

The latest information, advice, and answers from one of the nation’s leading psychiatrists Children always suffer the most during a divorce, and parents don’t know what to say or do to help them. Drawn from more than twenty years of clinical and forensic experience, this invaluable manual gives answers to some of the most common questions on which divorced parents seek guidance, such as: Helping children adjust to separation and divorce Telling children about how the divorce will affect them Reassuring children that their parents will continue to love and care for them—and then just doing that Helping avoid many of the parenting pitfalls common after divorce Keeping the relationship between ex-spouses as free of conflict as possible Cooperating with ex-spouses on matters pertaining to the children Helping children feel good about themselves and grow as individuals

This book looks at the difference between data and information. Misunderstanding the difference between the two may affect the quality of organisational decision-making process. Table of contents: * Formalizing the decision process (how to use data in the decision making process) * The architecture of an information system * Scheduling.

Nearly everywhere and at all times, marriage has enjoyed a privileged status as the primary social unit—the essential bond that created alliances between families and a bridge between the sexes. In joining a man and woman, marriage attempted to hold men to collective social standards, including responsibility for the women they impregnated and the children they fathered, while also stringently hedging in women’s sexuality. In short, marriage has always demanded that both men and women sacrifice a considerable measure of individual freedom. In marriage, “I” becomes “we,” and “we” frequently extends beyond the couple to extended family, clan, and society. For these reasons, both political and religious authorities typically have taken great care to present marriage as an institution to which individual interests must be subordinated. At the time of her death in January 2007, the celebrated historian Elizabeth Fox-Genovese was worried that these attitudes were in the process of being reversed. In this book, which she was in the midst of preparing for publication at the time of her passing, she argues that marriage is disintegrating under the rising demands that it serve not the good of the whole but the desires of the individual. A union that at one point was used to limit individual “rights” is now claimed as one right among many. The sexual liberation movements of the last forty years have seriously undermined marriage, argues Fox-Genovese, so much so that the institution seems to face the threat of extinction. Even so, she writes, “Marriage for love—the promise of an enduring and engulfing bond between a man and a woman—is a dream that refuses to die. . . . It still promises that we will finally be loved as we long to be loved.” That dream is the ultimate theme of this book, a fitting coda to Elizabeth Fox-Genovese’s distinguished career.

"There is a longstanding confusion of Johann Fust, Gutenberg's one-time business partner, with the notorious Doctor Faustus. The association is not surprising to Elizabeth L. Eisenstein, for from its very early days the printing press was viewed by some as black magic. For the most part, however, it was welcomed as a "divine art" by Western churchmen and statesmen. Sixteenth-century Lutherans hailed it for emancipating Germans from papal rule, and seventeenth-century English radicals viewed it as a weapon against bishops and kings. An early colonial governor of Virginia thanked God for the absence of printing in his colony. A century later, revolutionaries on both sides of the Atlantic paid tribute to Gutenberg for setting in motion an irreversible movement that undermined the rule of priests and kings. Yet scholars continued to praise printing as a peaceful art. They celebrate the advancement of learning while expressing concern about information overload.

"There is a longstanding confusion of Johann Fust, Gutenberg's one-time business partner, with the notorious Doctor Faustus. The association is not surprising to Elizabeth L. Eisenstein, for from its very early days the printing press was viewed by some as black magic. For the most part, however, it was welcomed as a "divine art" by Western churchmen and statesmen. Sixteenth-century Lutherans hailed it for emancipating Germans from papal rule, and seventeenth-century English radicals viewed it as a weapon against bishops and kings. An early colonial governor of Virginia thanked God for the absence of printing in his colony. A century later, revolutionaries on both sides of the Atlantic paid tribute to Gutenberg for setting in motion an irreversible movement that undermined the rule of priests and kings. Yet scholars continued to praise printing as a peaceful art. They celebrate the advancement of learning while expressing concern about information overload.

Presents numerous personalities of the revolutionary period, including George Washington, John Hancock, and Thomas Paine, accompanied by information about the events leading to and including the Revolutionary War. The American colonies have had enough of British governance, British taxes, even British tea. They've decided it's time to form a United States of America. Sounds like war ... Revolutionary War!From battlefield to Congress, the fight is on to win independence for the 13 colonies. And movers and shakers like George Washington, Thomas Jefferson, Alexander Hamilton, and the Adams family are leading the charge!

No teacher has ever appreciated Jackie's excessive enthusiasm, until Ms. Sugarman. When Ms. Sugarman leaves the fourth grade to become principal, Jackie is devastated. "The honest and caring relationship between [Jackie] and Ms. Sugarman is one that every student and teacher might envy. Solid characterizations, with good insight into the difference an understanding teacher can make." —SLJ. "A funny, heartwarming story with a very real little girl at it heart. Any student who has ever idolized a wonderful teacher will sympathize with Jackie." —ALA Booklist 1995 Charlie May Simon Children's Book Honor Award (AR)

"Second-grader Brian and his sister Penny, a kindergartner who he calls Pea Brain, [try] to discover who is undermining School Spirit Week. Readers will have a good chance of solving this mystery, which features...the lively, but fundamentally good-natured, rivalry between Brian and Penny."—H.

Recounts her transformation from screen goddess to overweight celebrity, discusses the courage and perseverance it took to regain her figure and self-esteem, and summarizes her personal diet and exercise system

"Unthinking Eurocentrism, a seminal and award-winning work in postcolonial studies first published in 1994, explored Eurocentrism as an interlocking network of buried premises, embedded narratives, and submerged tropes that constituted a broadly shared epistemology. Within a transdisciplinary study, the authors argued that the debates about Eurocentrism and post/coloniality must be considered within a broad historical sweep that goes at least as far back as the various 1492s: the Inquisition, the Expulsion of Jews and Muslims, the Conquest of the Americas, and the Transatlantic slave trade; a process which culminates in the post War attempts to radically decolonize global culture. Ranging over multiple geographies, the book deprovincialized media/cultural studies through a polycentric approach, while analysing in depth such issues as postcolonial hybridity, antinomies of Enlightenment, the tropes of empire, gender and rescue fantasies, the racial politics of casting, and the limitations of positive image analysis. The substantial new afterword in this 20th anniversary new edition brings these issues into the present by charting recent transformations of the intellectual debates, as terms such as the transnational, the commons, indigeneity, and the Red Atlantic have come to the fore. The afterword also explores some cinematic trends such as indigenous media and postcolonial adaptations that have gained strength over the past two decades, along with others, such as Nollywood, that have emerged with startling force. Winner of the Katherine Kovacs Singer Best Film Book Award, the book has been translated in full or in its entirety into diverse languages from Spanish to Farsi. This expanded edition of a ground-breaking text proposes analytical grids relevant to a wide variety of fields including postcolonial studies, literary studies, anthropology, media studies, cultural studies, and critical race studies. "--

Jewish symbols reflect the interaction of word and image within Jewish culture. Jews have always studied, interpreted, and revered sacred texts; they have also adorned the settings and occasions of sacred acts. Calligraphy and ornamentation have transformed Hebrew letters into art; quotation, interpretation, legend, and wordplay have made ceremonial objects into narrative. This book represents just such a collaboration between art and language. Ellen Frankel and Betsy Platkin Teutsch, writer and artist, have brought their extensive knowledge and talents together to create The Encyclopedia of Jewish Symbols, the first reference guide of its kind, designed for use by educators, artists, rabbis, folklorists, feminists, Jewish and non-Jewish scholars, and lay readers.