For 19-year-old Harriet Morton, life in 1912 Cambridge is dull. Her stuffy father and her oppressive aunt Louisa allow her only one outlet: ballet. When a Russian ballet master comes to class searching for dancers to fill the corps of his ballet company before their South American tour, Harriets world changes.

The Aunts need help caring for the mermaids, selkies, and other creatures who live on tehir hidden island - and they know adults can't be trusted. When the newly kidnapped assistant caretakers arrive on the island all kinds of amazing and wondrous things start happening.

Monster Mission by Eva Ibbotson is a fun fantasy adventure full of fantastical creatures and mythical monsters! 'We must kidnap some children,' announced Aunt Etta. 'Young, strong ones. It will be dangerous, but it must be done.' Three children are stolen and taken to a bizarre island, which is home to some extraordinary creatures - including mermaids, selkies and the legendary kraken. The island is the base for a very mysterious mission. But the magical adventure is cut short when the island is suddenly under siege. Can the children save themselves and their new friends? 'Funny, gripping, charming and completely irresistible' - Amanda Craig

Combine a quintet of homesick Scottish ghosts, a Texas millionaire and his sickly daughter, the impoverished last scion of the Clan MacBluff, and a trio of fascistically inclined malefactors, and you get a terrifically tongue-in-cheek outing .--Kirkus Reviews. Illustrations.

In 1920s Austria, no one in the Viennese opera company knows that their wardrobe mistress Tessa is really a princess. But when the dashing self-made millionaire Guy Farne arrives at the opera, Tessa realizes that there may be more to life--and love--than just music.

The author relates her experiences during World War II, detailing the particulars of her Auschwitz confinement, as well as her mother's story

A meditation on the transforming nature of intimacy, stripped to its essentials in the relationship between patient and therapist." "When she begins therapy for depression after breast cancer treatment, Eve Kosofsky Sedgwick brings with her an extraordinarily open and critical mind, but also shyness about revealing herself and fear. Resisting easy responses to issues of dependence, vulnerability, desire, and mortality, she warily commits to a male therapist who shares little of her cultural and intellectual world." "Although not without pain, their improvised relationship is as unexpectedly pleasurable as her writing is unconventional: Sedgwick combines dialogue, verse, and even her therapist's notes to explore her interior life - her responses to terminal illness, her close relationships to gay male friends, the risky terrain of sexual fantasies, and the grace of her engagement with Buddhism.

In this first book from an openly lesbian and celibate Catholic, widely published writer and blogger Eve Tushnet recounts her spiritual and intellectual journey from liberal atheism to faithful Catholicism and shows how gay Catholics can love and be loved while adhering to Church teaching. Eve Tushnet was among the unlikeliest of converts. The only child of two atheist academics, Tushnet was a typical Yale undergraduate until the day she went out to poke fun at a gathering of philosophical debaters, who happened also to be Catholic. Instead of enjoying mocking what she termed the zoo animals, she found herself engaged in intellectual conversation with them and, in a move that surprised even her, she soon converted to Catholicism. Already self-identifying as a lesbian, Tushnet searched for athird way in the seeming two-option system available to gay Catholics: reject Church teaching on homosexuality or reject the truth of your sexuality. Gay and Catholic is the fruit of Tushnet's searching: what she learned in studying Christian history and theology and her articulation of how gay Catholics can pour their love and need for connection into friendships, community, service, and artistic creation.

Why do we eat sardines, but never goldfish; ducks, but never parrots? Why does adding cheese make a hamburger a "cheeseburger" whereas adding ketchup does not make it a "ketchupburger"? By the same token, how do we determine which things said at a meeting should be included in the minutes and which ought to be considered "off the record" and officially disregarded? In this wide-ranging and provocative book, Eviatar Zerubavel argues that cognitive science cannot answer these questions, since it addresses cognition on only two levels: the individual and the universal. To fill the gap between the Romantic vision of the solitary thinker whose thoughts are the product of unique experience, and the cognitive-psychological view, which revolves around the search for the universal foundations of human cognition, Zerubavel charts an expansive social realm of mind--a domain that focuses on the conventional, normative aspects of the way we think. With witty anecdote and revealing analogy, Zerubavel illuminates the social foundation of mental actions such as perceiving, attending, classifying, remembering, assigning meaning, and reckoning the time. What takes place inside our heads, he reminds us, is deeply affected by our social environments, which are typically groups that are larger than the individual yet considerably smaller than the human race. Thus, we develop a nonuniversal software for thinking as Americans or Chinese, lawyers or teachers, Catholics or Jews, Baby Boomers or Gen-Xers. Zerubavel explores the fascinating ways in which thought communities carve up and classify reality, assign meanings, and perceive things, "defamiliarizing" in the process many taken-for-granted assumptions.

One of the most troubling problems in archaeology is to determine the manner and content of prehistoric thought. A fundamental challenge is to develop the theory, methodology and tools to understand human cognition. Cognitive archaeology as a subject is still in its infancy, and archaeologists are adopting a variety of approaches--literary, linguistic, and scientific. The contributors to The Ancient Mind develop a new direction in prehistoric cognitive research that is rooted in the scientific tradition and in an empirical methodology. Together, they begin to develop a science of cognitive archaeology.

From the Foreword: For the past two decades Canadian politicans of all stripes have told us that it's time to stop "mortgaging our future." They've talked about the unfairness of saddling future generations with a massive public debt, and they've talked about the need to correct the deep flaws inherent in our welfare state entitlements.... While many of Levant's peers have a general sense of the fiscal disaster which they are set to inherit, few have a deep understanding of the fiscal and political causes and consequences of it. "Youthquake" probes those questions with humour and passion, making it a compelling introduction to issues that are too often the preserve of policy specialists. Simply put, those who want to know the bottom line won't have to pour through actuarial tables or academic jargon to learn that a Canadian born in the 1970s will end up paying $200,000 more in taxes than he receives in services, or that the CPP premiums are set to triple over the next 20 years.

When Cassie Munro fled her hometown of Bilkara to follow the charismatic Dan to the other side of the world, she never expected to return. Now, devastated by revelations of Dan's betrayal and the news of a brutal attack on her father, she returns home with nothing left to lose. Against her better judgement, she finds herself battling to save the family business.In the midst of her struggle, Cassie is reunited with her first love, Mack, who forces her to confront a guilty secret and the tragic past they share.

Joanna Russ, a feminist writer best known for The Female Man (1975), has produced a fierce, intense body of fiction and essays whose influence has been wide-ranging and complex. Her many publications include How to Suppress Women's Writing (1983), and she has won both of science fiction's most prestigious awards, the Nebula and the Hugo. The essays in this volume examine every aspect of Russ's body of work and provide a critical assessment that is long overdue. The first part of the book, "Criticism and Community," gives readers a context for and overview of Russ's works, and includes discussions of Russ's role in the creation of a feminist science fiction tradition. The second part, "Fiction," offers detailed analyses of some of Russ's writing. Contributors include: Andrew M. Butler, Brian Charles Clark, Samuel R. Delany, Edward James , Sandra Lindow, Keridwen Luis, Paul March-Russell, Helen Merrick, Dianne Newell, Graham Sleight, Jenea Tallentire, Jason Vest, Sherryl Vint, Pat Wheeler, Tess Williams, Gary K. Wolfe, and Lisa Yaszek.

Comedy / Characters: 8 male 12 female Scenery: Interior A Broadway hit about a liberal Congresswoman who returns to her old school as an honorary visitor. Since her wartime experiences in Europe she has devoted herself to the task of acquainting people with the horrors of war. That is why she has brought a documentary with her to be shown to the young graduates. The movie is considered harsh and improper by the trustees so she has a fight on her hands. The conflict exposes the president a

When a billionaire heiress connects a recent high-profile murder to an unsolved killing from fifteen years earlier, LAPD lieutenant Peter Decker schedules an interview with a detective from the first case, only to learn of the man's suspicious suicide.

This is a new, digitally-enhanced reprint of the classic vocal score edited by H.W. Nicholl, with a piano reduction arranged by Felix Mendelssohn that was first issued in 1900 by G. Schirmer of New York. With English text by Charles Jennens adapted from the Bible, this authoritative score is now available in an affordable, easy to read format designed for choruses everywhere.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.