From a description of Sartre's hitherto unknown father to the painful last moments of Sartre's declining years, this biography incorporates previously untold aspects of Sartre's private and political life.

Often called the father of modern philosophy, René Descartes set the intellectual agenda for seventeenth-century philosophy, mathematics, natural science, and beyond. In this critical biography, based on compelling new research, Steven Nadler follows Descartes from his early education in France to the Dutch Republic, where he lived most of his adult life, to his final months as a tutor to Queen Christina of Sweden. Along the way, Nadler shows how Descartes renewed philosophy by transforming fundamental assumptions about the cosmos, natural world, and human nature as well as how his work continues to generate new insights into many of the metaphysical and epistemological problems that engage philosophers today.

"Philip Roth (1933-2018) is one of the most celebrated American writers of his age. Born in Newark, New Jersey -- where his short stories and thirty-one books were often set -- he wrote with immense ambition and drive, along with a keen awareness of what must be done to produce great literature. Yet despite rubbing shoulders with the Kennedys and engaging in a spate of famous and infamous romances, he viewed himself as socially withdrawn, living much like an "unchaste monk" (his words). In this original and lucid biography, Steven J. Zipperstein captures Roth's complex life and the astonishing range of his self-reflective writings-from "Goodbye, Columbus" and "Portnoy's complaint" to the Pulitzer Prize-winning "American pastoral" and "The plot against America." Employing extensive archival research and well over one hundred interviews, including conversations with Roth himself, Zipperstein provides an intimate and probing look at one of the twentieth century's most influential authors, placing his work in the context of Jewishness, freedom, and sexuality in America"-- Provided by publisher.

A biography of a pioneer in African exploration whose extraordinary experiences in his quest for the source of the Nile made many of his contemporaries label him a charlatan.

Before he was the Academy Award- nominated director of The Last Picture Show, Peter Bogdanovich (b. 1939) interviewed some of cinema's great masters: Orson Welles, Alfred Hitchcock, John Ford, and others. Since becoming an acclaimed filmmaker himself, he has given countless interviews to the press about his own career. This volume collects thirteen of his best, most comprehensive, and most insightful interviews, many long out-of print and several never before published in their entirety. They cover more than forty years of directing, with Bogdanovich talking candidly about his great triumphs, such as The Last Picture Show and What's Up, Doc?, and his overlooked gems, such as Daisy Miller and They All Laughed. Assembled by acclaimed critic Peter Tonguette, also author of a new critical biography of Bogdanovich, these interviews demonstrate that Bogdanovich is not only one of America's finest filmmakers, but also one of its most eloquent when discussing film and his own remarkable movies. Peter Tonguette, New Albany, Ohio, is a freelance writer whose work has appeared in the New York Times, Wall Street Journal, Christian Science Monitor, Weekly Standard, Sight & Sound, Film Comment, and many other publications. Also the author of Orson Welles Remembered and The Films of James Bridges, he is author of a forthcoming critical biography of Peter Bogdanovich.

Great historians have seldom described the notable events in which they themselves participated. Marc Bloch - author of Feudal Society, the classic study of medieval social systems and co-founder of the influential French historical journal Annales - is an exception, In his powerful memoir The Strange Defeat, he analysed the fall of France in 1940 from the viewpoint of combatant as well as historian. And in his Memoirs of War, 1914-15, here in its first English translation (originally published in hard covers in 1980 by Cornell University Press), Bloch left a keen and affecting account of his earliest experience of war. Carole Fink's introduction includes a brief biography of Bloch, discusses the effect of the war upon his intellectual development, and assesses his achievements as a historian. Though Bloch survived the savage trench warfare of the First World War, he was shot by a Gestapo firing squad in 1944 for his participation in the Resistance. Trenchant, inspiring, and tersely written, Memoirs of War, 1914-15 is a monument to a great scholar and fierce patriot.

Continuing his popular series of novels about saints of the Church, de Wohl devotes his considerable talents to an interpretation of one of the most unusual women of all time, Saint Catherine of Siena. The daughter of a prosperous dyer in fourteenth- century Siena, Catherine never forgot the mystical experience of her extreme youth; at that time she devoted herself to Christ. It was, however, a shock to her family when, refusing marriage, she insisted on giving her life totally to God. Her career was extraordinary. In that confused and dangerous era of history, the Pope was living at Avignon: Catherine persuaded him to return to Rome. The City-States of Italy were at war with each other: Catherine subdued them. There was pestilence: Catherine served and saved. She performed miracles, she received the stigmata, she drew about her a crowd of devoted men and women. A saint who would not let the Lord God alone, she really did lay siege to heaven-and changed the face of her world. This novel, which is also a vivid biography, brings Catherine of Siena to life in a remarkable way. She lives on every page.

Kenneth Turan brings to life the extraordinary partnership of Louis B. Mayer and Irving Thalberg and their role in creating the film industry as we know it "Sharply observant."--Farran Smith Nehme, Wall Street Journal A New Yorker Best Book of the Year One was a tough junkman's son, the other a cosseted mama's boy, but they dreamed the same mighty dream: that the right movies could make a profit and change both the culture and individual lives. Sharing a religion and an evangelical zeal for film, Louis B. Mayer (1884-1957) and Irving Thalberg (1899-1936) were unlikely partners in one of the most significant collaborations in movie history. Over the course of their decade-long relationship, as key players at Metro-Goldwyn-Mayer and major players in Hollywood, they joined forces in redefining and mastering the template for the film industry. Mayer, older by more than a dozen years, was the business-minded face of the studio, while Thalberg worked closely with the creative corps, especially writers; together they rarely set a foot wrong. And while Mayer initially viewed Thalberg as the son he never had, the two would go from passionate friends to near enemies before Thalberg's shocking death at the age of thirty-seven. In the first joint biography of the two men in fifty years, film critic Kenneth Turan traces their fraught relationship while examining the complicated history of Jewish identity in Hollywood.

Schoolteacher Thomas Abbey travels into the enchanting supernatural when he begins the biography of his childhood idol, writer Marshall France, ironically aided by France's daughter Anna, who worshipped Abbey's own movie-star father

What would it be like to be privy to the mind of one of the twentieth century's greatest thinkers? John Gerassi had just this opportunity; as a child, his mother and father were very close friends with Jean-Paul Sartre and Simone de Beauvoir, and the couple became for him like surrogate parents. Authorized by Sartre to write his biography, Gerassi conducted a long series of interviews between 1970 and 1974, which he has now edited to produce this revelatory and breathtaking portrait of one of the world's most famous intellectuals. Through the interviews, with both their informalities and their tensions, Sartre's greater complexities emerge. In particular, we see Sartre wrestling with the apparent contradiction between his views on freedom and the influence of social conditions on our choices and actions. We also gain insight into his perspectives on the Spanish Civil War, World War II, and the disintegration of colonialism

Augusta Ada Byron, Countess of Lovelace, was the daughter of Lord Byron and a close friend to many of the leading figures of the Victorian era; based on her report on Charles Babbage's Analytical Engine she is also generally known as the inventor of the science of computer programming. In this engrossing biography, Dorothy Stein strips away the many layers of myth to reveal a story far more dramatic and fascinating than previous accounts have indicated. Dorothy Stein is a psychologist with a special interest in thought and language and a background in physics and computer programming. She has taught courses in nineteenth-century women's history and in the biology and psychology of sex differences, and is particularly concerned with the use of myth in science.

The director and writer of the second, third, and fourth Star Trek movies shares his memories of their creation and much more. Movie Tie-in.

Family Sayings is Natalia Ginzburg's masterpiece and a classic of contemporary Italian literature. Although it asks to be read as fiction, the author, one of Italy's finest twentieth-century writers, admits that it is highly autobiographical. The book spans the period from the rise of Fascism through World War II (in which her first husband perished at the hands of the Nazis) and its aftermath. Its subject is the other people in Ginzburg's family. Woven around the inconsequential, revealing remarks that are repeated in a family until they become its affectionate private code, rich in memory and association, this is one of the rare true evocations of a family in modern literature. Family Sayings is at the same time a living history that documents the life of the assimilated Jewish Ginzburg family and the culture to which they belonged. Winner of the Strega Prize-Italy's Pulitzer for literature-this intimate and candid portrait is no less relevant today than when it was first published in 1963. --

"Shut Up, I'm Talking" is a smart, hilarious insider take on Israeli politics that reads like the bastard child of Thomas Friedman and David Sedaris. Now a political writer for Salon, Gregory Levey stumbled into a job as speechwriter for the Israeli delegation to the United Nations at age twenty-five and suddenly found himself, like a latter-day Zelig, in the company of foreign ministers, U.S. senators, and heads of state. Much to his surprise, he was soon attending U.N. sessions and drafting official government statements. The situation got stranger still when he was transferred to Jerusalem to write speeches for Prime Minister Ariel Sharon. "Shut Up, I'm Talking" is a startling account of Levey's journey into the nerve center of Middle Eastern politics at one of the most turbulent times in Israeli history. During his three years in the Israeli government, the Second Intifada continued on in fits and starts, Yasser Arafat died, Hamas came to power, and Ariel Sharon fell into a coma. Levey was repeatedly thrust into highly improbable situations -- from being the sole "Israeli" delegate (even though he's Canadian) at the U.N. General Assembly, with no idea how "his" country wanted to vote; to nearly inciting an international incident with his high school French translation of an Arab diplomat's anti-Israel remarks; to communicating with Israeli intelligence about the suspected perpetrators of suicide bombings; to being offered leftover salami from Ariel Sharon's lunch. As Levey got better acquainted with the personalities in the government's inner sanctum, he witnessed firsthand the improvisational and ridiculously casual nature of the country's behind-the-scenes leadership -- and realized that he wasn't the only one faking his way through politics. With sharp insight and great appreciation for the absurd, Levey offers the first-ever look inside Israel's politics from the perspective of a complete outsider, ultimately concluding that the Israeli government is no place for a nice Jewish boy.

At the heart of The Shadow President is a controversial idea - that, more than is brothers, Ted Kennedy has come to be the most influential political figure of this generation. His challenge to Jimmy Carter in the 1980 primaries, his bitter rearguard defense of social programs during the Reagan-Bush years, and the many upheavals in his personal life are all fully treated here.

"The Beatles White Album and the Launch of Apple " is the tenth book on the Beatles by critically acclaimed Beatles author/historian Bruce Spizer. His latest book covers all aspects of the Beatles 1968 double album titled "The Beatles," but more commonly referred to as "The White Album" due to its pure white cover. The book opens with chapters of the start of Apple and the first four singles released by Apple, including the Beatles single "Hey Jude"/"Revolution." The book then moves on to chapters about how "The White Album" was received upon its release in the U.S., U.K. and Canada. Other chapters deal with the turbulent year 1968, details on the recording sessions and recollections from fans. The book contains 150 color and original black and white images through.

Hetty Werkendam was 13 years old in 1943 when she was transported to the repatriation camp at Westerbork. From there she was sent to Belsen to live in the "Children's House," where she witnessed firsthand the horrors of the Holocaust. Her account of life in the Children's House-where the awfulness of Belsen was countered by the inspirational figure of the children's mentor Sister Luba-provides a painful but unusually uplifting Holocaust memoir.

"A comprehensive biography of the Marx Brothers"--

This dual biography reveals, as never before, the secret life and the extraordinary relationship of Hollywood's legendary pair: Greta Garbo and Cecil Beaton, the celebrated Hollywood photographer who immortalized her image. With provocative details about their personal lives and a subtle focus on their work, Diana Souhami divulges the secrets of Greta and Cecil's unconventional loves and obsessions. It is a compelling tale of a strange romance where boundaries merge between image and reality, fact and fantasy, male and female, and art and life. Their ardent affair, Garbo's discreet liaisons with the women she loved, and Beaton's charismatic yet emotionally distraught personality are brought to life in Diana Souhami's hallmark style. Photographs, letters, and a wealth of new research reveal the obsessions, true desires, and secrets of Hollywood behind closed doors.