"Saying No to Hate grounds readers in the history of antisemitism in America, emphasizing the strategies Jews have used to address threats and thereby preparing us to recognize, understand, and confront hatred today"--

Is Faith Darwin Asbury really Grace Paley? Or is it coincidental that the personal history, politics, and relationships of the fictional Asbury seem to mirror those of the well-known author? And do other characters in Paley's stories represent individuals she has known, in scenes and entire episodes she has experienced? A writer who translates her life into art not only saves her own life, according to Paley, but offers others the revelation of its meaning. That idea is at the core of Judith Arcana's biographical reading of this strongly autobiographical writer. Grace Paley's Life Stories interweaves details about Paley with critical discussions of her works, examining her as a woman, mother, activist, and Jew. Arcana visited and interviewed Paley at her homes in Vermont and New York over a period of several years. She also interviewed Paley's family, friends, and colleagues. Such extensive research is unmatched in Paley scholarship; Arcana's focus on the political crucible of Paley's consciousness is rare in contemporary literary criticism.

“It is frightening to think the [Jon Wiener] teaches history at a university ... ”—Jacques Derrida “Wiener takes the modern university as his beat, and covers it like a police reporter ... Wiener’s mean streets are the think tank, the scholarly symposium, and the faculty lounge. And when he’s had enough of this academic low life, he listens to Elvis, Springsteen and the Beatles. He even listens to Frank Sinatra.”—John Leonard “In this book, Jon Wiener demonstrates his great skill as guerrilla sharpshooter in the forty-year war that the National Security State has been conducting against the American people. These reports from the field—the resistance—illuminate Nixon and Watergate as never before, reveal in fascinating detail the turbulence within Academe, invoke pity if not awe for that unexpected victim of state, Frank Sinatra.”—Gore Vidal “Wiener is good at spotting, and blasting, paranoid fantasy and incompetence in high (and low) places and his range of targets is impressively wide ... [his] surveys are lucid, trenchant and brief.”— Observer

A master historian offers an eloquent and personal auto-history of his life and his ideas Twenty years ago, John Lukacs paused to set down the history of his own thoughts and beliefs in Confessions of an Original Sinner, an adroit blend of autobiography and personal philosophy. Now, in Last Rites, he continues and expands his reflections, this time integrating his conception of history and human knowledge with private memories of his wives and loves, and enhancing the book with footnotes from his idiosyncratic diaries. The resulting volume is fascinating and delightful--an auto-history by a passionate, authentic, brilliant, and witty man. Lukacs begins with a concise rendering of a historical understanding of our world (essential reading for any historian), then follows with trenchant observations on his life in the United States, commentary on his native Hungary and the new meanings it took for him after 1989, and deeply personal portraits of his three wives, about whom he has not written before. He includes also a chapter on his formative memories of May and June 1940 and of Winston Churchill, a subject in some of Lukacs's later studies. Last Rites is a richly layered summation combined with a set of extraordinary observations--an original book only John Lukacs could have written. Praise for Confessions of an Original Sinner: "[Lukacs] is an often witty and always fascinating--even entertaining--writer."--Washington Post

Some of the biggest battles fought by the Marines during World War II took place on tiny islands scattered throughout the western Pacific. Among these, the battles for Tarawa and the Marshalls were some of the fiercest and most decisive of the Pacific campaign--critical engagements that this pictorial history brings vividly to life. In hundreds of rare photographs, many never-before-published, the historic drama unfolds beginning with the 2d Marine Division’s landing on Betio Island in the Tarawa Atoll on November 20, 1943. Assured that the island’s defenses had been “pounded into coral dust” by naval and air bombardment, the Marines in fact found themselves in the thick of the first modern amphibious assault on a well-defended beachhead. Three days of intense fighting secured the island for the Allies, at the cost of 1,000 Marines dead and more than 2,000 wounded. The book then turns to the Marshall Islands where, early in World War II, the Japanese had built airfields on the Kwajalein and Eniwetok atolls. Dramatic photographs document the taking of Kwajalein by U.S. Marines and Army troops after the most massive bombardment of the war. We then witness the landing of the 22d Marines on the five islands of Eniwetok on February 18, followed by the intense fighting that brought the entire atoll under Allied control within four days--securing crucial landing fields and operational support for the Allies’ island-hopping campaign to ultimate victory in the Pacific. A tribute to the rare courage and heroism that, for the Marines in WWII, were merely a matter of course, this illustrated history keeps their spectacular sacrifices and feats of valor forever before us.

The first novel written and published in English by an American Jewish woman Published serially in the spiritualist journal Banner of Light in 1860, Cosella Wayne: Or, Will and Destiny is the first coming-of-age novel, written and published in English by an American Jewish woman, to depict Jews in the United States and transforms what we know about the history of early American Jewish literature. The novel never appeared in book form, went unmentioned in Jewish newspapers of the day, and studies of nineteenth-century American Jewish literature ignore it completely. Yet the novel anticipates many central themes of American Jewish writing: intermarriage, generational tension, family dysfunction, Jewish-Christian relations, immigration, poverty, the place of women in Jewish life, the nature of romantic love, and the tension between destiny and free will. The narrative recounts a relationship between an abusive Jewish father and the rebellious daughter he molested as well as that daughter’s struggle to find a place in the complex social fabric of nineteenth-century America. It is also unique in portraying such themes as an unmarried Jewish woman’s descent into poverty, her forlorn years as a starving orphaned seamstress, her apostasy and return to Judaism, and her quest to be both Jewish and a spiritualist at one and the same time. Jonathan Sarna, who introduces the volume, discovered Cosella Wayne while pursuing research at the Israel Institute for Advanced Studies in Jerusalem. This edition is supplemented with selections from Cora Wilburn’s recently rediscovered diary, which are reprinted in the appendix. Together, these materials help to situate Cosella Wayne within the life and times of one of nineteenth-century American Jewry’s least known and yet most prolific female authors.

A brilliant writer’s account of a long, painful, ecstatic—and unreciprocated—affair with a country that has long fascinated the world. The Rainy Season, Amy Wilentz’s award-winning 1989 portrait of Haiti after the fall of Jean-Claude Duvalier, was praised in the New York Times Book Review as “a remarkable account of a journalist’s transformation by her subject.” In her relationship with the country since then, Wilentz has witnessed more than one magical transformation. Now, with Farewell, Fred Voodoo , she gives us a vivid portrayal of the extraordinary people living in this stark place. Wilentz traces the country’s history from its slave plantations through its turbulent revolutionary history, its kick-up-the-dirt guerrilla movements, its totalitarian dynasty that ruled for decades, and its long and always troubled relationship with the United States. Yet through a history of hardship shines Haiti’s creative culture—its African traditions, its French inheritance, and its uncanny resilience, a strength that is often confused with resignation. Haiti emerged from the dust of the 2010 earthquake like a powerful spirit, and this stunning book describes the country’s day-to-day struggle and its relationship to outsiders who come to help out. There are human-rights reporters gone awry, movie stars turned aid workers, priests and musicians running for president, doctors turned diplomats. A former U.S. president works as a house builder and voodoo priests try to control elections. A foreign correspondent on a simple story becomes, over time and in the pages of this book, a lover of Haiti, pursuing the essence of this beautiful and confounding land into its darkest and brightest corners. Farewell, Fred Voodoo is a spiritual journey into the heart of the human soul, and Haiti has found in Amy Wilentz an author of astonishing wit, sympathy, and eloquence.

The Public Is Never Wrong: The Autobiography of Adolph Zukor is a memoir written by Adolph Zukor, one of the most influential figures in the early days of Hollywood. In this book, Zukor recounts his life story, from his humble beginnings as an immigrant in New York City to his rise to fame as the founder of Paramount Pictures.Zukor's narrative takes readers on a journey through the early days of the film industry, as he describes his experiences working as a nickelodeon operator and film distributor before ultimately founding his own studio. He also discusses his relationships with some of the biggest names in Hollywood, including Charlie Chaplin, Mary Pickford, and Douglas Fairbanks.Throughout the book, Zukor emphasizes the importance of listening to the audience and giving them what they want. He argues that the public is never wrong and that the key to success in the film industry is to understand and cater to their tastes. He also provides insights into the business side of the industry, discussing topics such as financing, marketing, and distribution.Overall, The Public Is Never Wrong offers a fascinating glimpse into the life and career of one of the most important figures in the history of Hollywood. It is a must-read for anyone interested in the early days of the film industry and the art of storytelling on the big screen.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This book brings together the essays of Robert Art, one of America's leading scholars of international relations and US foreign policy.

In the Fall of 1992, Millennium Approaches, the first part of Tony Kushner's Angels in America, won England's prestigious Evening Standard award as the season's Best Play. By the Spring of 1993, Millennium had come to Broadway and won its highest honor, the Tony Award for Best Play, and the distinguished Pulitzer Prize for drama as well. Through its epic theatrical panorama of the intimate and political dynamics that arise when individuals, histories, and cultures intersect, Millennium captured the imagination and the conscience of all who saw it. Its ability to deeply move the audience in personal, communal, and political ways was admirably (and astoundingly) matched by the subsequent production of the play's second part, Perestroika, which brought Kushner yet another Evening Standard award and Tony Award for Best Play (1994). Tony Kushner has, almost overnight, become the premier American male playwright to "represent" the 1990s, as David Mamet and August Wilson dominated critical attention in the 1980s. The phenomenally positive response to Angels in America was matched by the equally enthusiastic reception of its young, politically engaged playwright, who impressed journalists and scholars with his eloquent intellect, wit, and moral convictions. Kushner spoke for a younger generation of American artists and activists whose art is intimately connected to social vision and "revolutionary" possibilities in the public and private sectors. His role as a generational (read "national," "liberal," "socialist," "Jewish," "queer") spokesman has provided him with a public platform from which to address concerns that lie at the center of national debate. In a short time Kushner has capturedand retained a nation's fascination, and his opinions are widely sought out on a wide range of topics. And, most often, the platform from which Kushner expresses his ideas is the personal interview, in which he boldly confronts Americans to rethink, even to reinvent, themselves as the Millennium approaches. Tony Kushner in Conversation is the first book to compile Kushner's most significant interviews of the past decade, tracing his career from its early years to his maturing artistic and political visions. The collection includes pieces that first appeared in an amazingly broad range of periodicals as well as interviews not previously published, such as his appearance on PBS on The Charlie Rose Show. In addition to Angels in America, Tony Kushner is author of Slavs! and is currently finishing work on Henry Box Brown, scheduled to have its world premiere at the Royal National Theatre in the summer of 1997. Robert Vorlicky is Associate Professor of Drama at Tisch School of the Arts, New York University.

The Death and Rebirth of American Radicalism differentiates the ""Social Justice Left"" from ""Cultural Radicalism"" and the various social movements for individual freedom. In The Death and Rebirth of American Radicalism, Stanley Aronowitz asks the question, ""Is there anything left of the Left?"" With the rise of Newt Gingrich and his ""Contract With America,"" how is it that conservativism staged such a remarkable recovery after being discounted in the turbulent 1960s? Aronowitz addresses these and other burning issues of contemporary politics.

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. . . Mr. Itzkoff places most of the blame for America's alleged intellectual decline on what he sees as an economically and intellectually elite cast of misguided liberals. They have isolated themselves from American society, he says, by their paternalistic treatment of the underclass, by discounting the importance of traditional family values and by failing to raise enough bright children to sustain national competence. The New York Times Book Review Few doubt that the United States has slipped from its longstanding eminence as the world's wealthiest and most productive nation. The problem for the past 30 years has been the diagnosis of both the decline and then the cure. Literally trillions of dollars have been expended in futile programs to stanch the hemorrhaging of our economic wealth, jobs, educational achievement, and cultural elan. Itzkoff argues that we will never stop the fall until we understand our real national dilemma. This is the decline in our national intelligence profile: fewer citizens of high intelligence, educational potential, and economic productivity. These ideas are taboo. Itzkoff, however, insists that these are the facts, and they must be examined. In this book, he lays out the available evidence for our social disintegration and suggests a rational program of policy initiatives that would begin to restore us to what we were as recently as 1955--the great hope of the world.

With a reporter's keen eye for detail, award-winning journalist Zelnick conveys every emotion of the key players in this battle, presenting a rich, colorful tale that reads more like a fictional political thriller than the bizarre real-life drama it was--from election night through the U.S. Supreme Court's historic decision.

Book by Parmet, Robert D., Parment, Robert

No detailed description available for "Families against the City".

First published in 1985, this book examines how workers theatre movements intended their performances to be activist -- perceiving art as a weapon of struggle and enlightenment -- and an emancipatory act. An introductory study relates left-wing theatre groupings to the cultural narratives of contemporary British socialism. The progress of the Workers' Theatre Movement (1928-1935) is traced from simple realism to the most brilliant phase of its Russian and German development alongside which the parallel movements in the United States are also examined. A number of crucial texts are reprints as well as stage notes and glimpses of the dramaturgical controversies which accompanied them.