An account of the carbon atom covering its birth billions of years ago and its relevence to the modern world

Jacob Katz presents a major reinterpretation of modern anti-Semitism that blends history of ideas with social analysis. He describes the process by which a set of negative ideas about the Jews gradually became transformed and then, around 1879, picked up so much social force as to result in the premeditated and systematic destruction of the Jewish people of Europe.

"In an effort to forestall the frailty and isolation of old age, psychiatrist Millard Salter intends to kill himself at the end of the day-but not before he ties up his life's loose ends. These include a with his ne'er-do-well youngest son, Lysander, who at 43 has yet to hold down a paying job; an unscheduled rendezvous with his first wife, Carol, whom he hasn't seen in 27 years; and a brief visit to the grave of his second wife, Isabelle, with whom he fathered an illegitimate child. Yet on what he intends to be the final day of his life, Millard has also assumed a far greater responsibility: to assist a theater director suffering from Lou Gehrig's disease in ending her own life with a helium hood. Complicating this plan is that, during the months since Compassionate Endings has paired Millard with Delilah, the widower has fallen in love with her. As Millard sets about wrapping up his life, he confronts a lifetime of challenges during a single day: a narcissistic colleague intent on having his job, an obsessive administrator browbeating him for a report that will doom his colleagues, and an escaped lynx that is roaming the hospital in search of prey. Meanwhile, as Millard prepares for his impending suicide, his family is planning a surprise for him of its own"--

A Los Angeles Times Healthy Bestseller and winner of the Body Mind Spirit magazine Award of Excellence. A LITTLE BOOK ON LOVE explores the great works of philosophy, myth, and sacred wisdom. Written by philosopher Jacob Needleman, it offers a bold new interpretation of why two people are brought together in the miracle called love. In A LITTLE BOOK ON LOVE, Needleman uses eclectic sources to explain the essence and nature of the miracle that is love. From the radiant poetry of the great Sufi mystic Rumi to the revelations of Saint Paul, Needleman guides readers on an enthralling journey of discovery. Resonating with hope and wisdom, A LITTLE BOOK ON LOVE demonstrates that true love can transcend both time and the mundane to become a precious resource for anyone who wants a relationship to last a lifetime--and beyond.

The tobacco controversy is usually portrayed as a battle between selfless defenders of public health and greedy merchants of death. In For Your Own Good, journalist Jacob Sullum argues that such a view conceals the true nature of the crusade for a smoke-free society. As Sullum demonstrates, this struggle is not about the behavior of corporations; it's about the behavior of individuals. It is an attempt by one group of people to impose their tastes and preferences on another. For Your Own Good shows that long before Philip Morris or R.J. Reynolds existed, tobacco's opponents condemned smoking as disgusting, immoral, addictive, unhealthy, and inconsiderate. In recent decades, they have used scientific evidence that smoking is hazardous to enlist the state in their crusade, arguing that the government has an obligation to discourage behavior that might lead to disease or injury. Given this country's tradition of limited government, however, Americans tend to be skeptical of this argument. Sullum justifies their misgivings, noting that achieving a "smoke-free society" in a nation where tens of millions choose to smoke is necessarily an exercise in tyranny.

The groundbreaking novel about a woman whose subconscious mind splinters and finds itself in the body of a young man, from the author of I Who Have Never Known Men . Now in paperback with a new foreword by Isle McElroy for the 30th anniversary of its original publication. One afternoon in a café across the Gare du Nord train station in Paris, Aline Berger, a literature professor, struggles to re-read Virginia Woolf’s Orlando , when an odd feeling comes over her. Suddenly, part of her consciousness splits off and finds itself in the body of an attractive young man named Lucien Lèfrene, who works as a rock journalist. In this newfound body, Aline’s splintered mind names themselves Orlanda in homage to Virginia Woolf as a woman who has now become a man. Orlanda begins to follow Aline. And when the two meet again in Belgium, Aline subconsciously sheds her prim tendencies for a more assertive presence, as she begins to understand that Orlanda was born from her own psyche. Orlanda is the assertive, confident, and amorous person, who loves men unabashedly, that Aline has always aspired to be but could never become. The more time the two spend together, the less time they can stand to be apart. This lyrical novel is a stunning portrait of a woman who is forced to confront every part of her soul and embrace herself fully.

One of our leading thinkers forges a new language for feminism, weaving together stories of visionary women past and present, and their paths of defiance. A decade on from its first publication, Jacqueline Rose's Women in Dark Times is as urgent and compelling as ever.

Jacqueline van Maarsen's first book My Name is Anne, She Said, Anne Frank ends in 1947, two years after the death of her close friend Anne Frank. But Anne's death did not spell the end of the friendship. Otto Frank clung desperately to his deceased daughter's dearest friend. Having remained silent about her friendship with Anne Frank for decades after the war, Jacqueline van Maarsen finally decided to tell her story, hoping to expose half-truths and fabrications surrounding her former friend and to respect Anne Frank's legacy for what it is. While her books have been written in close cooperation with the Anne Frank Foundation, there are times when she has felt obliged to disagree with the Foundation and she has not shied away from confrontation. In her second book, van Maarsen returns in detail to the most dominant person in her life, her French mother who died in 1992 at the age of 101. The aftermath of an inheritance question in France in which the author had an important role to play, takes on tragic proportions, although the hilarity of the sometimes grotesque situation surfaces now and then. Inheriting Anne Frank is the continuation of Jacqueline van Maarsen's My Name is Anne, She Said, Anne Frank, and is an important documentary contribution to our knowledge of Anne Frank and what happened to and on account of her renowned diary. It is also a stirring portrait of a woman's turbulent life in the twentieth century

In this series of dialogues, Derrida discusses and elaborates on some of the central themes of his work, such as the problems of genesis, justice, authorship and death. Combining autobiographical reflection with philosophical enquiry, Derrida illuminates the ideas that have characterized his thought from its beginning to the present day. If there is one feature that links these contributions, it is the theme of singularity - the uniqueness of the individual, the resistance of existence to philosophy, the temporality of the singular and exceptional moment, and the problem of exemplarity. The second half of this book contains an essay by Maurizio Ferraris, in which he explores the questions of indication, time and the inscription of the transcendental in the empirical. A work of outstanding philosophy and scholarship, the essay is developed in close proximity to Derrida and in dialogue with figures such as Plato, Aristotle, Plotinus, Kant, Hegel and Heidegger. It thereby provides a useful introduction to the philosophy of one of Italy's most prominent philosophers as well as an excellent complement to Derrida's own ideas. A Taste for the Secret consists of material that has never before appeared in English. It will be of interest to second-year undergraduates, graduate students and academics in philosophy, modern languages, literature, literary theory and the humanities generally.

"This book is an event in Derrida scholarship, as it marks the publication of a long-lost Derrida text simply as "Geschlecht III," which the French philosopher never completed. Part of a series of reflections that represent his most sustained engagement with the writings of Martin Heidegger, this third part was thought by Derrida himself to be the heart of his Geschlecht series. The enigmatic word itself has several meanings in German, and Derrida teases out its implications for topics as diverse and provocative as sexual difference, nationalism, race, and humanity, engaging with Heidegger's controversial oeuvre throughout, as well as a host of other philosophical thinkers and even poetic ones, in the case of Georg Trakl. Thanks to the meticulous editorial work of Geoffrey Bennington, Katie Chenoweth, and Rodrigo Therezo, and vividly rendered by Chenoweth and Therezo's translation, Derrida's most mysterious text, awaited for decades, is finally available for new generations to ponder"--

Few philosophers held greater fascination for Jacques Derrida than Martin Heidegger, and in this book we get an extended look at Derrida’s first real encounters with him. Delivered over nine sessions in 1964 and 1965 at the École Normale Supérieure, these lectures offer a glimpse of the young Derrida first coming to terms with the German philosopher and his magnum opus, Being and Time . They provide not only crucial insight into the gestation of some of Derrida’s primary conceptual concerns—indeed, it is here that he first uses, with some hesitation, the word “deconstruction”—but an analysis of Being and Time that is of extraordinary value to readers of Heidegger or anyone interested in modern philosophy. Derrida performs an almost surgical reading of the notoriously difficult text, marrying pedagogical clarity with patient rigor and acting as a lucid guide through the thickets of Heidegger’s prose. At this time in intellectual history, Heidegger was still somewhat unfamiliar to French readers, and Being and Time had only been partially translated into French. Here Derrida mostly uses his own translations, giving his own reading of Heidegger that directly challenges the French existential reception initiated earlier by Sartre. He focuses especially on Heidegger’s Destruktion (which Derrida would translate both into “solicitation” and “deconstruction”) of the history of ontology, and indeed of ontology as such, concentrating on passages that call for a rethinking of the place of history in the question of being, and developing a radical account of the place of metaphoricity in Heidegger’s thinking. This is a rare window onto Derrida’s formative years, and in it we can already see the philosopher we’ve come to recognize—one characterized by a bravura of exegesis and an inventiveness of thought that are particularly and singularly his.

This collection of essays and interviews, some previously unpublished and almost all of which appear in English for the first time, encompasses the political and ethical thinking of Jacques Derrida over thirty years. Passionate, rigorous, beautifully argued, wide-ranging, the texts shed an entirely new light on his work and will be welcomed by scholars in many disciplines--politics, philosophy, history, cultural studies, literature, and a range of interdisciplinary programs. Derrida's arguments vary in their responsiveness to given political questions--sometimes they are vivid polemics on behalf of a position or figure, sometimes they are reflective analyses of a philosophical problem. They are united by the recurrent question of political decision or responsibility and the insistence that the apparent simplicity or programmatic character of political decision is in fact a profound avoidance of the political. This volume testifies to the possibility and the necessity of a philosophical politics. Negotiations assembles some of the most telling examples of the intrinsic relationship, so often affirmed by Derrida in more abstract philosophical terms, between deconstructive reading practices and what is called the "political"--more precisely, politics in an almost down-to-earth, pragmatic, and commonsense use of the word. Among the many subjects covered in the book are: the death penalty in the United States, the civil war in Algeria, globalization and cosmopolitanism, the American Declaration of Independence, Jean-Paul Sartre, the value of objectivity, politics and friendship, and the relationship between deconstruction and actuality.

“The name: What does one call thus? What does one understand under the name of name? And what occurs when one gies a name? What does one give then? One does not offer a thing, one delivers nothing, and still something comes to be, which comes down to giving that which one does not have, as Plotinus said of the Good. What happens, above all, when it is necessary to sur-name, renaming there where, precisely, the name comes to be found lacking? What makes the proper name into a sort of sur-name, pseudonym, or cryptonym at once singular and singularly untranslatable?” Jacques Derrida thus poses a central problem in contemporary language, ethics, and politics, which he addresses in a liked series of the three essays. Passions: “An Oblique Offering” is a reflection on the question of the response, on the duty and obligation to respond, and on the possibility of not responding—which is to say, on the ethics and politics of responsibility. Sauf le nom (Post Scriptum) considers the problematics of naming and alterity, or transcendence, raised inevitably by a rigorous negative theology. Much of the text is organized around close readings of the poetry of Angelus Silesius. The final essay, Khora, explores the problem of space or spacing, of the word khora in Plato’s Tmaeus . Even as it places and makes possible nothing less than the whole world, khora opens and dislocates, displaces, all the categories that govern the production of that world, from naming to gender. In addition to readers in philosophy and literature, Khora will be of special interest to those in the burgeoning field of “space studies”(architecture, urbanism, design).

Psyche: Inventions of the Other is the first publication in English of the twenty-eight essay collection Jacques Derrida published in two volumes in 1998 and 2003. In Volume I, Derrida advances his reflection on many topics: psychoanalysis, theater, translation, literature, representation, racism, and nuclear war, among others. The essays in this volume also carry on Derrida's engagement with a number of key thinkers and writers: Barthes, Benjamin, de Man, Flaubert, Freud, Heidegger, Lacoue-Labarthe, Levinas, and Ponge. Included in this volume are new or revised translations of seminal essays (for example, "Psyche: Invention of the Other," "The Retrait of Metaphor," "At This Very Moment in This Work Here I Am," "Tours de Babel" and "Racism's Last Word"), as well as three essays that appear here in English for the first time

"This powerful, meticulously researched novel is a moving tale of one girl's struggle against a world in turmoil. In 1930s Berlin, choked by the tightening of Hitler's fist, the Klein family are gradually losing everything that is precious to them. Their fifteen-year-old daughter, Rosa, slips out of Germany on a Kindertransport train to begin a new life in England. Charged with the task of securing a safe passage for her family, she vows that she will not rest until they are safe. But as war breaks out and she loses contact with her parents, Rosa finds herself wondering if there are some vows that can't be kept ...A sweeping tale of love and loss, with the poignant story of the Kindertransport at its heart, this is an exceptional accomplishment from one of Britain's bravest and most vibrant young writers."