From " The Talk of the Town, " Jamaica Kincaid's first impressions of snobbish, mobbish New York Talk Pieces is a collection of Jamaica Kincaid's original writing for the New Yorker 's "Talk of the Town," composed during the time when she first came to the United States from Antigua, from 1978 to 1983. Kincaid found a unique voice, at once in sync with William Shawn's tone for the quintessential elite insider's magazine, and (though unsigned) all her own--wonderingly alive to the ironies and screwball details that characterized her adopted city. New York is a town that, in return, fast adopts those who embrace it, and in these early pieces Kincaid discovers many of its hilarious secrets and urban mannerisms. She meets Miss Jamaica, visiting from Kingston, and escorts the reader to the West Indian-American Day parade in Brooklyn; she sees Ed Koch don his "Cheshire-cat smile" and watches Tammy Wynette autograph a copy of Lattimore's Odyssey ; she learns the worlds of publishing and partying, of fashion and popular music, and how to call a cauliflower a crudite. The book also records Kincaid's development as a young writer--the newcomer who sensitively records her impressions here takes root to become one of our most respected authors.

These are the raw, best-written stories of James Altucher as he rides the roller coaster of wealth, poverty, abundance, romance, tragedy, comedy, and everything in between. From the depths of despair to revelation and honesty, these stories are James at his best in writing and rawness. He kept these stories under wraps until now.

"A deep dive into the life of history's "best known, least known" woman, the Virgin Mary, tracking how her story was changed and lost over the centuries. In the first century AD, a widowed Jewish woman raised eight children during a brutal Roman occupation of her homeland, instilling into them the lessons she'd learned from growing up under extreme violence barely twenty years before. Some of her sons would go on to proselytize based on what she'd taught; her eldest would face persecution, crucifixion, and, after his death, be known to the world as Jesus Christ. But everyone knows Jesus. What do we know about Mary? Anchoring itself firmly in the "messianic game of thrones" employed by Herod the Great and turbulence of Roman rule, The Lost Mary presents a detailed account of the influences shaping Mary's life, and, by extension, the lives she touched. With precision and expertise, Dr. Tabor breathes life into a woman who remains well-known but unseen, exploring her upbringing and marriage, and presents a compelling case for understanding her not as the saintly mother of a prophet, but as the influential foremother of a movement. Working with snippets from the Bible and primary writings from the period, and drawing on his long academic career, Dr. Tabor pieces together a spellbinding composite of Christianity's forgotten founder: A girl from a wealthy and well-pedigreed family in the cosmopolitan city of Sepphoris. A fierce and devoted mother who instilled her beliefs into her sons. A woman whose accomplishments were lost to theological dogma and time, but, guided by this groundbreaking work, may once again be imagined as something more"--

In his follow-up to A California Childhood, James Franco reflects on his life in Hollywood and beyond through an intimate and powerful series of poems, artwork, and short stories. In his follow-up to the critically acclaimed A California Childhood, James Franco presents a compelling portrait of the life of a young actor coming into his own in Hollywood. Told in an absorbing array of literary styles and art forms—from short stories and poems to personal snapshots, paintings and self-portraits—Hollywood Dreaming brilliantly pieces together the youth of a seemingly familiar actor, playfully blurring the line between reality and fiction. The escapades of a jaded Hollywood insider counter a series of inter-connected stories about a boy named Shrimp and the hopeful young actor he becomes. Each piece of the story, whether visual or textual, thoughtfully peels away another layer of the book’s protagonist, whose character unfolds like a Russian nesting doll. Ultimately, the collage that James Franco creates becomes a fascinating caricature of himself, a performance on the page that is equal parts provocative, funny, and emotional.

Explores the symbolism implied in both real and mythical animals, and examines how these figures have been used in art

"Blending case histories with myth, clinical fact with imaginative meaning, this book, with its profound appreciation of history and biography, of the arts, ideas, and culture, trains the senses to perceive the face of the soul. In papers on abandonment, nostalgia, betrayal, schism, failure, and masturbation, Hillman shows that pathology belongs intrinsically to the psyche and that it reveals the unchanging, necessary, fecund depths of human nature. A brief note on story pleads for a "story sense," a deeply therapeutic awareness of how mythic persons and archetypal events influence the psyche by conditioning perceptions, generating meanings, and shaping our lives, while another essay associates archetypal psychology with neoplatonism, the elegant, cultured, psychological vision of Plotinus, Ficino, and Vico. Together, these twelve essays and talks affirm the polyvalent, shadowed reality of the psyche and afford an example of subtle, nuanced psychological thought. For psychotherapists, analysts, counselors, and the general reader"--

This brilliant book brings Pan back to life by following C.G. Jung's famous saying that the gods have become our diseases. Chapters on nightmare panic, masturbation, rape and nympholepsy, instinct and synchronicity, and Pan's female lovers - Echo, Syrinx, Selene, and the Muses - show the goat-god at work and play in the dark drives and creative passions of our lives. (Includes a full translation of EPHIALTES, Wilhelm Heinrich Roscher's masterful nineteenth-century mythological-pathological treatise on Pan and the demons of the night).

In Union Grove, early spring is a challenging season, known as the "six weeks want," a time when fresh food is scarce and the winter stores are dwindling. The town is struggling in particular this year as the Hudson River trade route to Albany has been halted by the local plantation tycoon Stephen Bullock, who has deemed it too resource-intensive and is now striving for self-sufficiency. Meanwhile, after returning from his travels around what is left of the United States, Daniel Earle is intent on resurrecting a newspaper for the community, and finds an interesting story to cover when representatives of a group of anti-establishment, hyper-liberals known as the Berkshire People's Republic arrive in the town.

Determined to preserve their dreams and their marriage, Ted and Hallie Bennett weather the storms of society as it sweeps from the fifties, through the turbulent sixties and seventies, to the eighties. 20,000 first printing.

Lawrence Miller, a British professor working in New York, relates the story of how someone is trying to frame him for a series of brutal murder.

Kate and her actor brother live in 21st century New York. Her ex-boyfriend, Stuart, has found a spot near the Brooklyn Bridge where there is a gap in time--one can return to the 19th century. Stuart goes back to the 1870s and takes pictures, then is followed back to New York by Leopold. Leopold gets help with fitting into the 21st century from Kate's brother Charlie, and meets Kate herself. Kate is climbing the corporate ladder in advertising, but her growing feelings for Leopold cause her to reevaluate her priorities in life.

THE MANUAL OF ARMS was the first step in the training of each individual soldier who enlisted either in the Union or Confederate army during the American Civil War, & gives detailed instructions for the new recruit in the use of his rifle or rifle musket. Each major position such as Shoulder Arms is closely described as well as the means of loading the piece in nine times & firing on command. Most importantly, the transitions between each position is also detailed, enabling soldiers standing elbow to elbow to use their weapons efficiently in a fire fight. This new illustrated reprint presents an exhaustive, painstakingly researched combination of the original step-by-step text & detailed drawings. Every illustration is meticulously cross referenced with the manuscript to provide both historical accuracy & ease of use. This is an excellent resource for the military historian or Civil War buff.

Retooling his second novel considerably, the acclaimed novelist retells his classic tale of the lives of a squadron of Air Force pilots in occupied France during wartime, rewriting entire sections of the original novel.

A singular life often circles around a singular moment, an occasion when one's life in the world is defined forever and the emotional vocabulary set. For the extraordinary writer James Salter, this moment was contained in the fighter planes over Korea where, during his young manhood, he flew more than one hundred missions. James Salter is considered one of America's greatest prose stylists. The Arm of Flesh (later revised and retitled Cassada ) and his first novel, The Hunters, are legendary in military circles for their descriptions of flying and aerial combat. A former Air Force pilot who flew F–86 fighters in Korea, Salter writes with matchless insight about the terror and exhilaration of the pilot's life.

This tale of two families is set on a grand scale, as James Thomas Flexner brings his talents to bear on his own noteworthy heritage. An American Saga is an historical narrative, grounded on documentary sources, which ends with the marriage of Helen Thomas and Simon Flexner. The account deals equally with the lives and the backgrounds of husband and wife, the author's parents. Simon Flexner was the famous medical investigator, discoverer of the "Flexner vacillus" and the "Flexner serum," who became the creating director of the Rockefeller Institute for Medical Research (now Rockefeller University) and eventually acknowledged leader of American medical science. The Kentucky-born son of impoverished German Jewish immigrants, he grew up in penury. As he never completed the eighth grade, he was almost completely self-educated when he appeared at the Johns Hopkins University before its celebrated medical school had been founded. Almost instantly he began making the discoveries that soon made him the leading younger medical scientist in the United States.

National book Award laureate; recipient of Special Pulitzer Prize citation; winner of the Life in America Prize the Archives of American Art Award; among many others, James Thomas Flexner has written with distinction about American history and art. He has penetrated many of the charactrers who have shaped history exposing the intricacies of not only the historical figure, but the man beneath the marble image. The range of Flexner's subjects is wide: painters, inventors, doctors, loyalists, traitors, and spies, such luminaries as George Washington, Benedict Arnold, Alexander Hamilton, and John Singleton Copley, are among those Flexner has taken as subjects. After over fifty years of writnig, Flexner, one of America's greatest chroniclers has turned his probing eye back on to the pages of his own life with the same honesty, frankness, wit which have come to signify his form. James Thomas Flexner was born in 1908 on Lexington Avenue, New York City to parents Helen Thomas and Simon Flexner (scientist and first director of the Rockefeller Institute for Medical research.) Published in the literary magazine at the Lincoln High School, Flexner's passion for writing was spawned at a young age. This passion would become a source of life long struggle as well as success for Flexner. Journalist for the Herald Tribune, and foremost biographer (as well as making numerous appearances on radio and television,) Flexner's career allowed him access into the quick of the political, social, and artistic movements and developments that shaped the twentieth century. An un-traditional student, Flexner, although graduating magna com laude from Harvard University, often pursued what was to be considered by academics, unorthodox methods of research for his work. Following the passion of his own interests and plotting his own course of research and study, Flexner created of himself a sort of maverick, chartign a course for biography that countered that written in the guide books of academe. While he probed and uncovered the lives of the great men who shaped the past, noteworthy publishers, writers, artists, and politicians of the twentieth century fill the pages of Maverick's Progress. Flexner writes of how influences, acquantances, and friends such as Bernard Berenson, Conrad Aiken, Ivy Lee, Harry Hopkins, Allan Nevins, Logan Pearsall Smith, and Edward Hopper figured in his life, and in his development as a writer. James Flexner has authored more than twenty books, several of them have been recently re-published by Fordham University Press. He was awarded the Gold Medal for Eminence in Biography, by the American Academy and Institute of Arts and Letters in 1988. He is perhaps most well known for his four-volume biography of George Washington which was eventually condensed into one: An Indispensable Man from which two television mini-series have been produced and for which he was awared the Peabody Award and Emmy Nomination. Maverick's Progress offers us a candid an sparkling look into the life of a writer who has indeed been a maverick in the canon of American historians - an individual who himself has been an Indispensable Man.