The discovery of the Dead Sea Scrolls in Qumran, Palestine, in 1947 was one of the greatest archaeological finds of all time. Written in Hebrew, Aramaic and Greek, and hidden in caves by an ancient Jewish sect, these mysterious manuscripts revolutionized our understanding of the Bible, of Judaism and the early Christian world. Geza Vermes is the world's leading Dead Sea Scrolls scholar, whose English translations brought these extraordinary documents to thousands, and whose life has been inextricably interwoven with the scrolls for over sixty years. In this illuminating book he relates the controversial story of their discovery and publication around the world, revealing cover-ups, blunders and academic in-fighting, but also the passion and dedication of many of those involved. He shares what he has learned about the scrolls and, evaluating passages from them, gives his views on their true significance and what they can teach us, as well as those areas where scholarly consensus has not yet been reached. Few scholars have been as closely associated with the Dead Sea Scrolls as Vermes. Writing with candour and unique authority, he has created an ideal introduction to understanding these miraculous documents.

Rickman, the U.S. Special Envoy to Monitor and Combat Anti-Semitism, gives a broad picture of the conspicuous rise of antisemitism worldwide in the 21st century. Factors involved in this increase are the collapse of the USSR and communism, and the simultaneous rise of post-Khomeini Iran and jihadi Islamism, as well as the rise of Europe's second-generation Muslims, who have become the main perpetrators of antisemitic violence. The new wave of antisemitism is accompanied by an almost total indifference of European authorities, as well as rhetoric attempting to equate Islamophobia with antisemitism, substituting Muslims for Jews as victims of "antisemitism". Tropes and statements of delegitimization of Israel, denial of a historical connection of Jews with the Land of Israel, and denial of the narratives of Judaism are increasingly gaining currency in Europe and the UN. Most of the Muslim countries remain steadily hostile to the Jews, and antisemitism continues to be a problem in the post-communist countries of Eastern Europe. Contends that in order to reduce antisemitism five practical steps should be taken: stop tolerating intolerance; define antisemitism for what it truly is; end the "tribal" view that each and every Jew bears responsibility for the actions of Israel, good or bad; collect data accurately and compile statistics on antisemitic incidents; and stop applying a double standard to Israel.

Did America's fortieth president lead a conservative counterrevolution that left liberalism gasping for air? The answer, for both his admirers and his detractors, is often "yes." In Morning in America , Gil Troy argues that the Great Communicator was also the Great Conciliator. His pioneering and lively reassessment of Ronald Reagan's legacy takes us through the 1980s in ten year-by-year chapters, integrating the story of the Reagan presidency with stories of the decade's cultural icons and watershed moments-from personalities to popular television shows. One such watershed moment was the 1984 Los Angeles Olympics. With the trauma of Vietnam fading, the triumph of America's 1983 invasion of tiny Grenada still fresh, and a reviving economy, Americans geared up for a festival of international harmony that-spurred on by an entertainment-focused news media, corporate sponsors, and the President himself-became a celebration of the good old U.S.A. At the Games' opening, Reagan presided over a thousand-voice choir, a 750-member marching band, and a 90,000-strong teary-eyed audience singing "America the Beautiful!" while waving thousands of flags. Reagan emerges more as happy warrior than angry ideologue, as a big-picture man better at setting America's mood than implementing his program. With a vigorous Democratic opposition, Reagan's own affability, and other limiting factors, the eighties were less counterrevolutionary than many believe. Many sixties' innovations went mainstream, from civil rights to feminism. Reagan fostered a political culture centered on individualism and consumption-finding common ground between the right and the left. Written with verve, Morning in America is both a major new look at one of America's most influential modern-day presidents and the definitive story of a decade that continues to shape our times.

Predicts an imminent global political crisis, including a dangerous rivalry between America and China and a breakdown of the European Union, citing key events and contributors that have culminated in present-day instabilities.

This pioneering study wrestles with the perpetual problem of chronology in the Books of Kings. Starting from the conservative assumptions that the courts of Israel and Judah maintained regnal records, and that these for the most part accurately reflect regnal length, the author arrives at a new and persuasive dating for the reigns and their synchronisms. In addition, his chronological scheme includes all points of contact between Israel and Judah and external powers, especially Assyria. The result is one of the most responsible and yet most critical chronologies proposed to date, and will be the standard chronological reference for the next decade, if not longer.

U.S.S. Seawolf: Submarine Raider of the Pacific is the famous first-hand account of the legendary U.S. Navy submarine Seawolf a.k.a. the Wolf which patrolled the Pacific during the conflict with Japan in World War 2. Shoving off the day of Pearl Harbor, Chief Radioman J. (Joseph) M. (Melvin) Eckberg gives the reader a tense and detailed account of his initial 24-month stint aboard the Seawolf and beyond.

"During the fifth century following the withdrawal of the Roman military establishment from England, the armed incursions of the Angles, Saxons, Jutes and others of the Barbarian tribes from across the North Sea increased, and soon became a surge. After a relatively short time the subjugation of the British was complete and England a patchwork of waring domains and isolated settlements. Yet within the space of two centuries the English (as the tribes may collectively be called) had achieved a sense of themselves that may fairly be described as nationhood. It is the evolution of this sense and of the distinctive characteristics of England and the English that gave it form and substance which Geoffrey Elton traces through twelve centuries."--Jacket.

Demonstrating the candor and conviction that have made him one of our most trusted and incisive public voices, The New York Times columnist Frank Rich brilliantly and meticulously illuminates the Bush administration?s disturbing love affair with ?truthiness.? Rich?s step-by-step chronicle shows how, in the wake of 9/11, a propaganda president and his advisors misled a nation into war in Iraq and how the bungled aftermath, a Washington leak, and a devastating hurricane at long last revealed the lies in a story that had been so effectively sold to the nation as God-given patriotic fact.

"The volume offers a comprehensive introduction to the archaeology of the southern Levant (modern day Israel/Palestine/Jordan) from the Paleolithic period to the Islamic era, presenting the past with chronologically changes from hunter-gatherers to empires"--

My Further Disillusionment in Russia is a 1924 non-fiction book by Emma Goldman, her continuation of My Disillusionment in Russia, the original publication in which the last twelve chapters were entirely missing, including the Afterword.

Since her girlhood, Prudence Winship has gazed across the tidal straits from her home in Brooklyn to the city of Manhattan and yearned to bridge the distance. Now, established as the owner of the enormously successful gin distillery she inherited from her father, she can begin to realize her dream. Set in eighteenth-century Brooklyn, this is the story of a determined and intelligent woman who is consumed by a vision of a bridge: a gargantuan construction of timber and masonry she devises to cross the East River in a single, magnificent span. With the help of the local surveyor, Benjamin Horsfield, and her sisters—the high-spirited, obstreperous Tem, who works with her in the distillery, and the silent, uncanny Pearl—she fires the imaginations of the people of Brooklyn and New York by promising them a bridge that will meet their most pressing practical needs while being one of the most ambitious public works ever attempted. Prue’s own life and the life of the bridge become inextricably bound together as the costs of the bridge, both financial and human, rise beyond her direst expectations. Brookland confirms Emily Barton’s reputation as one of the finest writers of her generation, whose work is ”blessedly post-ironic, engaging and heartfelt” (Thomas Pynchon).

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

For fans of The Passenger , this thrilling tale of an ex-Nazi surgeon hiding in plain sight in 1960s London by the celebrated filmmaker is a lost noir gem, introduced by Anthony Quinn and narrated on audio by Mark Gatiss, as chosen by Ian Rankin on BBC Radio 4's A Good Read . 'Stunning: incredibly good, tense and compelling and morally complex.' Ian Rankin 'This extraordinary novel had me hooked from start to finish.' Sarah Waters 'An outstanding novel: gripping, tense and darkly unsettling. ' Jonathan Freedland 'A wonderfully compelling noir thriller and audacious and challenging act of imagination.' William Boyd 'One of the best London novels of the 20th century.' Benjamin Myers Nothing is more inviting to disclose your secrets than to be told by others of their own ... London, June 1965. Karl Braun arrives as a lodger in Pimlico: hatless, with a bow-tie, greying hair, slight in build. His new neighbours are intrigued by this cultured German gentleman who works as a piano tuner; many are fellow émigrés, who assume that he, like them, came to England to flee Hitler. That summer, Braun courts a woman, attends classical concerts, dances the twist. But as the newspapers fill with reports of the hunt for Nazi war criminals, his nightmares become increasingly worse ... 'A haunting, remarkable novel, as startlingly original as any of Pressburger's films.' Nicola Upson 'A dark and harrowing window on the past: the ending will haunt your dreams.' Janice Hallett

Southern slaveholders proudly pronounced themselves orthodox Christians, who accepted responsibility for the welfare of the people who worked for them. They proclaimed that their slaves enjoyed a better and more secure life than any laboring class in the world. Now, did it not follow that the lives of laborers of all races across the world would be immeasurably improved by their enslavement? In the Old South but in no other slave society a doctrine emerged among leading clergymen, politicians, and intellectuals -- "Slavery in the Abstract," which declared enslavement the best possible condition for all labor regardless of race. They joined the Socialists, whom they studied, in believing that the free-labor system, wracked by worsening class warfare, was collapsing. A vital question: to what extent did the people of the several social classes of the South accept so extreme a doctrine? That question lies at the heart of this book.--Publisher.

A fascinating portrait of life with the Black Panthers in Algiers: a story of liberation and radical politics Following the Algerian war for independence and the defeat of France in 1962, Algiers became the liberation capital of the Third World. Elaine Mokhtefi, a young American woman immersed in the struggle and working with leaders of the Algerian Revolution, found a home here. A journalist and translator, she lived among guerrillas, revolutionaries, exiles, and visionaries, witnessing historical political formations and present at the filming of The Battle of Algiers. Mokhtefi crossed paths with some of the era's brightest stars: Frantz Fanon, Stokely Carmichael, Timothy Leary, Ahmed Ben Bella, Jomo Kenyatta, and Eldridge Cleaver. She was instrumental in the establishment of the International Section of the Black Panther Party in Algiers and close at hand as the group became involved in intrigue, murder, and international hijackings. She traveled with the Panthers and organized Cleaver's clandestine departure for France. Algiers, Third World Capital is an unforgettable story of an era of passion and promise.

"Two prominent Israeli liberals argue that for the conflict between Israel and the Palestinians to end with peace, Palestinians must come to terms with the fact that there will be no "right of return." In 1948, seven hundred thousand Palestinians were forced out of their homes by the first Arab-Israeli War. More than seventy years later, most of their houses are long gone, but millions of their descendants are still registered as refugees, with many living in refugee camps. This group-unlike countless others that were displaced in the aftermath of World War II and other conflicts-has remained unsettled, demanding to settle in the state of Israel. Their belief in a "right of return" is one of the largest obstacles to successful diplomacy and lasting peace in the region. In The War of Return, Adi Schwartz and Einat Wilf-both liberal Israelis supportive of a two-state solution-reveal the origins of the idea of a right of return, and explain how UNRWA - the very agency charged with finding a solution for the refugees - gave in to Palestinian, Arab and international political pressure to create a permanent "refugee" problem. They argue that this Palestinian demand for a "right of return" has no legal or moral basis and make an impassioned plea for the US, the UN, and the EU to recognize this fact, for the good of Israelis and Palestinians alike. A runaway bestseller in Israel, the first English translation of The War of Return is certain to spark lively debate throughout America and abroad"--

A scathing expos of the link between major U.S. corporations and the holocaust makes sobering indictments about such companies as IBM, General Motors, and the Rockefeller Foundation, revealing how some of their mid-twentieth-century agendas directly or indirectly supported Nazi activities.

The Waverly Inn has been a landmark in New York’s Greenwich Village since the 1920’s. But since 2006, when Vanity Fair editor Graydon Carter bought and refurbished the restaurant, it has also been one of the most sought after destinations in the city. And while we can’t guarantee you a reservation there, we can bring you the wonderful, witty mural by Edward Sorel that graces its walls. Sorel--whose caricatures and drawings regularly appear in The New Yorker and on its cover--chose forty Greenwich Village greats from the past 150 years to cavort in bacchanalian splendor. Each of the 40 makes a solo appearance in these pages alongside a charming, telling vignette of his or her life by Dorothy Gallagher, then appears in a foldout of the entire mural at the back of the book. Here you will find Walt Whitman being attacked by a ferocious Truman Capote butterfly; Jane Jacobs, Gertrude Vanderbilt Whitney and Willa Cather playing ring-around the rosy; those famous denizens of the White Horse Tavern, Dylan Thomas--who breakfasted on beer and lunched on brandy--and Jack Kerouac, typing his long roll of a novel. Anais Nin appears nude, which, Gallagher points out, was her usual state. Norman Mailer admires himself in a reflecting pond. Here, too, are Djuna Barnes and Edna St. Vincent Millay, Jackson Pollack and James Baldwin, Thelonius Monk, Bob Dylan, and Joan Baez, Andy Warhol and Fran Lebowitz, Margaret Sanger, Marlon Brando, and many others. The Mural at the Waverly Inn is an enduring delight to treasure and to give.