Divided into two parts, this new book contains a collaboration with the artist Leonard Baskin called "Presumptions of Death, " reproducing 22 masterly wood engravings and all of Hecht's other poems written since his last book, The Transparent Man.

In Codrescu's own words: "I wrote my first book of poems, License to Carry a Gun (Big Table, 1970), when I first lived in New York City, 1967-1970. Those were troubled times and I was 21 years-old. Decades later the city has changed and the times are still troubled. These poems, 2016-2018, try to find out just how changed my dear city and how troubled my days."

Every Day in the Morning (slow) is a work that looks and reads like no other. Sam, a composer, reflects on his floundering career, life with his lover and tensions with his father. Some thoughts, like facial hair and breakfast, are mundane; others, like love, money and war, are often overwhelming. At turns laughable and vain, at others, tender and considered, Sam's feelings and ideas turn continuously. The result is an oddly lyrical streamof– consciousness that's as conversational as its appearance is unconventional. Spare text and the generous white space invite a distinct interaction with the story, one where every detail, every placement and every repetition influences meaning. The lack of punctuation allows the reader the freedom to internalize this exquisitely crafted work and understand the protagonist's state of mind. The exceptional style of Every Day in the Morning (slow) amounts to a kind of thinging , somewhere between singing and thinking, thing and thought, utter brilliance and complete crap. A novella with long poem features, slow breaks the rules of both genres, while at the same time offering an addictive and compulsive flow that may make it the fastest book you will ever (want to) read.

"The love and peace poems by international poet Ada Aharoni, are among the best in modern literature." (Saul Bellow, Nobel Laureate in Literature) "Rare Flower" by Ada Aharoni is a collection of moving, powerful and well-crafted poems, which has been compared to Jubran Khalil's "The Prophet." In brilliant poem after poem, Ada unfolds before our eyes new depths of human relations, the complexities and intricacies of love, and the joys and pains of life. Several of her poems have been put to music in a delightful manner. Influenced by the British Peace Poet, Wilfred Owen, whom she greatly admires, she powerfully denounces the whole concept and practice of War. As a woman and a mother, she condemns the killing of soldier-sons by involving them in war situations, and she clearly demonstrates that in our nuclear age, the continuation of the practice of war can dangerously lead to the end of humanity. Her beautiful, hopeful poems shed light and a deep comprehension of the possibilities of peace between Israelis and Palestinians, and the creation of "A Global Village Beyond War."

Text: English, Yiddish (translation)

Nameless Country gathers poems by the Scottish-Jewish poet Arthur "A.C." Jacobs, whose work, somewhat critically neglected in the past, has gained new resonance for twenty-first-century readers. Writing in the shadow of the Holocaust, Jacobs in his poems confronts his complex cultural identity as a Jew in Scotland, as a Scot in England, and as a diaspora Jew in Israel, Italy, Spain and the UK. A self-made migrant, Jacobs was a wanderer through other lands and lived in search, as he puts it, of the "right language," which "exists somewhere / Like a country." His poems are attuned to linguistic and geographic otherness and to the lingering sense of exile that often persists in a diaspora. In his quiet and philosophical verse we recognise an individual’s struggle for identity in a world shaped by migration, division and dislocation.

Discusses medieval poetry in Hebrew (plus one example in Old French) dealing with martyrdom in the face of forced conversion. Deals with the ideal of Jewish resistance to persecution, but notes also the influence of Christian culture on Jewish literature. Focuses on Jewish martyrs in Blois, Troyes, and Paris. Notes how Talmud burnings impacted on the literature, reflected in the idea of the immortality of both the Jews and their books. Elucidates how the literature, often directed at the educated Jewish elite (the Tosafists and their pupils), reflected ideals of Jewish life as well as death. Suggests the latter ideal may have led most Ashkenazi Jews to prefer "Kiddush Hashem" or exile to conversion, when faced with that choice.

David Edelshtat (1866-1892), a pioneer of Yiddish social poetry and one of the most prominent figures among communist anarchists, was born in Russia and immigrated to the United States (1882). He became a central poet during his lifetime and a legend among revolutionaries and Yiddish poets of subsequent generations, despite his short literary career which spanned a mere three and a half years (1889-1892). He was involved in the emergence of American Yiddish literature and journalism, and American Radicalism. This book treats his biography and explores major thematical, political and social aspects of his poetry, its revolutionary function, the poet's role as a political agitator and the press's role as a vehicle for the introduction of his poetry. The book also examines the diction and prosody of the poems and contributes to the theory of political poetry and the rhetoric of revolution.

Originally published in 1879-80. This volume from the Cornell University Library's print collections was scanned on an APT BookScan and converted to JPG 2000 format by Kirtas Technologies. All titles scanned cover to cover and pages may include marks notations and other marginalia present in the original volume.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

Product Description During the 1980s Michael Hamburger published both collected and selected editions of his poetry, but `Roots in the Air' is his first collection of new poems to appear for a decade. "Memorably disquieting" was one reviewer's verdict on his last collection, a response which the poems in this book will evoke in many readers. His work is profoundly engaged with both the natural and human world, its concerns are felt not fashioned, and his verse has a natural ease and personal rhythms which make it both distinctive and approachable. About the Author Michael Hamburger was born in Berlin in 1924, and came to Britain as a child. His `Collected Poems' appeared in 1984. He has published several critical books, including `The Truth of Poetry' and numerous translations, among them versions of Hölderlin, Rilke, Hofmannsthal and Celan. In 1990 he was awarded the EC's first European Translation Prize for `Poems of Paul Celan'.

Poetry. "In his latest collection, TIME AS DISTANCE, Halperin explores some of his and our various lives, traveling along a time-line from Yakima, Washington, and Tallinn, Pennsylvania, back to Tallinn, Estonia, deep into his own Russian-Jewish ancestry. Along that time-line he and we all live, still, always: for Halperin, time strands and estranges us; it streamlines and brings us together. These are poems that travel immense distances very quietly, without gimmicks, but with saving heart and irresistible grace" - Nancy Eimers.

Stuart Ross's eighth collection of poems delivers a gallery of emotionally charged poetry experiments along with a series of philosophical meditations on the aesthetically contrived and sometimes downright quirky poetic processes that were followed to generate the poems in this book. A Hamburger in a Gallery is deeply engaged in demonstrating how art happens, especially through a poet's immediate aesthetic engagement with other works of art. Comprised of poems written 'after' the lines and language of other artists' works, 'during' sessions of listening to other poets reading their poems, or constructed 'from' the parts and pieces of other artists' words, A Hamburger in a Gallery provides a distinctive experience of the relationship between the finished poem and the process that informed its creation. Blurring the boundaries between creative writing and creative reading, Ross has once again created an utterly original, accessible, moving and avant-garde classic. 'Now considered to be Canada's foremost writer of the surreal, Ross is enjoying some much-deserved recognition and has taken his place as one of the cool uncles of Canadian poetry.' George Murray, The Globe & Mail

In this collection of poetry, Sophie Hannah explores and celebrates the complex interactions and strong feelings involved in everyday experience, in poems that are memorable, witty and moving.