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Digital_humanities

Burdick, Anne,Drucker, Johanna,Lunenfeld, Peter,Presner, Todd Samuel,Schnapp, Jeffrey T.
Digital_Humanities is a compact, game-changing report on the state of contemporary knowledge production. Answering the question, "What is digital humanities?," it provides an in-depth examination of an emerging field. This collaboratively authored and visually compelling volume explores methodologies and techniques unfamiliar to traditional modes of humanistic inquiry--including geospatial analysis, data mining, corpus linguistics, visualization, and simulation--to show their relevance for contemporary culture. Included are chapters on the basics, on emerging methods and genres, and on the social life of the digital humanities, along with "case studies," "provocations," and "advisories." These persuasively crafted interventions offer a descriptive toolkit for anyone involved in the design, production, oversight, and review of digital projects. The authors argue that the digital humanities offers a revitalization of the liberal arts tradition in the electronically inflected, design-driven, multimedia language of the twenty-first century.Written by five leading practitioner-theorists whose varied backgrounds embody the intellectual and creative diversity of the field, Digital_Humanities is a vision statement for the future, an invitation to engage, and a critical tool for understanding the shape of new scholarship.
The MIT Press 2016-02-12 141 pages

The Journey Back

Johanna Reiss
How does it feel to leave the people you've grown to love -- and go back to a family you no longer know? Holland,1945 -- World War II has finally ended. For thirteen-year-old Annie de Leeuw and her sister Sini, Almost three years of hiding from the Germans in the upstairs room of a remote farmhouse have also ended. Saying good-bye to the courageous family who hid them is very difficult. And Annie finds that being home again isn't easy either. Her mother is dead; her father, distant and distracted. Sini is out dancing with the soldiers every night , trying to make up for lost time, and Annie's oldest sister, Rachel, has become a Christian. Soon Annie has another problem -- getting used to a new stepmother she cannot seem to please. Annie learns that though the fighting is over, some of the wounds of the war still remain. Her old home is gone. Now she must build a new life for herself.
HarperCollins 1987-09-25 224 pages

Where have all the Democrats gone? the soul of the party in the age of extremes

Judis, John B.,Teixeira, Ruy A.
"For decades, American politics has been plagued by a breakdown between the Democratic and Republican parties, in which victory has inevitably led to defeat, and vice versa. Both parties have lost sight of the political center of the American electorate, leading to polarization and paralysis. In Where Have All the Democrats Gone?, John B. Judis and Ruy Teixeira reveal the tectonic changes shaping the country's current political landscape that both pundits and political scientists have missed. The Democratic party, once the preserve of small towns as well as big cities and of the industrial working class and the newly immigrated, has abandoned and even actively alienated many of these voters. In this clarion and essential argument for common sense and common ground, Judis and Teixeira reveal the transformation of American politics and provide a much-needed wakeup call for Democrats and Republicans alike"--
Henry Holt and Company 2023-11-07 325 pages

Berger on drawing

Berger, John
"Berger On Drawing is a new anthology of essays in which John Berger explores that most primary and most primal of all art activities: drawing. The 16 texts are gathered from nearly half a century of the author's engagement with the activity of drawing, both as a writer and as a practitioner. They are published together in one volume for the first time, accompanied by newly commissioned pieces : including a major collaborative essay by John Berger and his son, the painter Yves Berger; and an exchange of letters on drawing between John Berger and the American art historian James Elkins (author of, amongst other books: What Painting Is, The Object Stares Back, Stories of Art and Pictures and Tears). As we have come to expect from Berger, the book offers many fascinating and unexpected insights into this intriguing subject, ranging from his account of a journey deep into the Chauvet Caves to see some of the earliest drawings ever made, right up to present day encounters with the contemporary drawn image."--Publisher's website.
Occasional Press 2007 158 pages

Permanent Red; Essays in Seeing

John Berger
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Creative Media Partners, LLC 2021-09-09 232 pages

The shape of a pocket

Berger, John
'The pocket in question is a small pocket of resistance. A pocket is formed when two or more people come together in agreement. The resistance is against the inhumanity of the new world economic order. The people coming together are the reader, me and those the essays are about -- Rembrandt, Palaeolithic cave painters, a Romanian peasant, ancient Egyptians, an expert in the loneliness of certain hotel bedrooms, dogs at dusk, a man in a radio station. And unexpectedly, our exchanges strengthen each of us in our conviction that what is happening to the world today is wrong, and that what is often said about it is a lie. I've never written a book with a greater sense of urgency.' John Berger
Bloomsbury 2002 256 pages

What is your dangerous idea? today's leading thinkers on the unthinkable

Editor John Brockman; Introduction Steven Pinker; Afterword Richard Dawkins
From Copernicus to Darwin, to current-day thinkers, scientists have always promoted theories and unveiled discoveries that challenge everything society holds dear; ideas with both positive and dire consequences. Many thoughts that resonate today are dangerous not because they are assumed to be false, but because they might turn out to be true. What do the world's leading scientists and thinkers consider to be their most dangerous idea? Through the leading online forum "Edge" (www.edge.org), the call went out, and this compelling and easily digestible volume collects the answers. From using medication to permanently alter our personalities to contemplating a universe in which we are utterly alone, to the idea that the universe might be fundamentally inexplicable, "What Is Your Dangerous Idea?" takes an unflinching look at the daring, breathtaking, sometimes terrifying thoughts that could forever alter our world and the way we live in it.
Simon & Schuster 2006 320 pages

The Green Lantern archives

Broome, John
Volume 4: Test pilot Hal Jordan came to wield the greatest power in the universe -- the Green Lantern! Jordan was not the first to bear the mantle of the Emerald Gladiator. Alan Scott battled Nazis and costumed villains under that moniker during the Golden Age. But his day had come and gone. His light, as it were, had faded. Then came the Silver Age. With the success of the revamped Flash, DC editor Julius Schwartz decided that it was time to bring back another Golden Age favorite. With a new identity and a new look, the updated Green Lantern immediately struck a chord with fans who clamored for tales of adventure and ingenuity. After three wildly successful appearances in SHOWCASE, Hal was given his own eponymous book. The eight issues included in this volume (GREEN LANTERN #22-29) find the Emerald Gladiator doing battle with the Tattooed Man, Sonar, Star Sapphire, the Shark and other extraordinary foes. Under the auspices of the classic creative team of John Broome, Gardner Fox, Gil Kane, Joe Giella (with an assist from Murphy Anderson), Frank Giacoia and Sid Greene, the Green Lantern's light was never more radiant than it was during these halcyon days of comicdom. Brightest day, indeed!
DC Comics 1993 214 pages

C: because cowards get cancer too_

Diamond, John
Shortly before his 44th birthday, John Diamond received a call from the doctor who had removed a lump from his neck. Having been assured for the previous 2 years that this was a benign cyst, Diamond was told that it was, in fact, cancerous. Suddenly, this man who'd until this point been one of the world's greatest hypochondriacs, was genuinely faced with mortality. And what he saw scared the wits out of him. Out of necessity, he wrote about his feelings in his TIMES column and the response was staggering. Mailbag followed Diamond's story of life with, and without, a lump - the humiliations, the ridiculous bits, the funny bits, the tearful bits. It's compelling, profound, witty, in the mould of THE DIVING BELL & THE BUTTERFLY.
Vermilion 1999 256 pages