The Jewish people, having survived for thousands of years in the most adverse circumstances, including the Holocaust and horrific terrorist attacks, is today also threatened by intermarriage and assimilation. Jewish communities throughout the diaspora are experiencing demographic decline: Why has this happened, and can anything be done to reverse the trend? Times have changed and that, in consequence, communal priorities need to change also.In Will We Have Jewish Grandchildren?, Rabbi Sacks issues an inspiring summons to collective action to counteract the prevailing trend of assimilation and hand on the age-old faith and traditions to a new generation.

The first trade edition of the cult classic from the artist/author hailed by Iggy Pop as “the great nightmare anti-hero of the new age,” legendary tattoo artist Jonathan Shaw, that chronicles a scandalous, degenerative addiction between two people—a wild, brutal, passionate, and unstoppable ride into depravity and darkness through the back alleys of Rio De Janeiro and New York City. A legendary tattoo master and notorious creator of trendsetting underground art, Jonathan Shaw has created a masterpiece with this powerful story that captures the destructive addiction of love, sex and drugs, embodied in two people whose irresistible passions threaten to destroy them. In the wild backwaters of Rio de Janeiro and New York, motorcycle-riding, nomadic outlaw poet Ignacio Valencia Lobos—known as Cigano—attempts in vain to curb the unhinged habits of his lover Narcisa, a crack-smoking philosopher prostitute. Though he knows they will destroy each other, Narcisa is an exquisite poison he cannot resist. As they navigate the chaos of her downward spiral—dragged deeper by the gravity of drugs, burglaries and violence, Cigano recounts a love affair doomed by insanity, dysfunction, and vice. A magnificent epic of literary genius, Narcisa belongs among the works of such greats as Charles Bukowski, Henry Miller, William S. Burroughs, Jack Kerouac, Irvine Welsh, and Hunter S. Thompson.

German and Italian fascist armies in the Second World War treated the Jews quite differently. Jews who fell into the hands of the German army ended up in concentration camps; none of those taken by the Italians suffered the same fate. Yet the protectors of the Jews were no philo-Semites, nor were they (often) great respecters of human life. Some of those same officers had sanctioned savage atrocities against Ethiopians and Arabs in the years before the war. Jonathan Steinberg uses this remarkable and poignant story to unravel the motives and forces underpinning both Fascism and Nazism. As a re

An analysis of our earth today and during the next century.

A family's story of human tenacity, faith and a race for survival in the face of unspeakable horror and cruelty perpetrated by the Nazi regime against the Jewish people. Growing up in the safety of Britain, Jonathan Wittenberg was deeply aware of his legacy as the child of refugees from Nazi Germany. Yet, like so many others there is much he failed to ask while those who could have answered his questions were still alive. After burying their aunt Steffi in the ancient Jewish cemetery on the Mount of Olives, Jonathan, now a rabbi, accompanies his cousin Michal as she begins to clear the flat in Jerusalem where the family have lived since fleeing Germany in the 1930s. Inside an old suitcase abandoned on the balcony they discover a linen bag containing a bundle of letters left untouched for decades. Jonathan's attention is immediately captivated as he tries to decipher the faded writing on the long-forgotten letters. They eventually draw him into a profound and challenging quest to uncover the painful details of his father's family's history. Through the wartime correspondence of his great-grandmother Regina and his grandmother, aunts and uncles, Jonathan weaves together the strands of an ancient rabbinical family with the history of Europe during the Second World War and the unfolding policies of the Nazis, telling the moving story of a family whose lives are as fragile as the paper on which they write, but whose faith in God remains steadfast.

"Gene sharing" means that the different functions of a protein may share the same gene--that is, a protein produced by a gene evolved to fulfill a specialized function for one biological role may also perform alternate functions for other biological roles. In the 1980s and early 1990s, Joram Piatigorsky and colleagues coined the term "gene sharing" to describe the use of multifunctional proteins as crystallins in the eye lens. In Gene Sharing and Evolution Piatigorsky explores the generality and implications of gene sharing throughout evolution and argues that most if not all proteins perform a variety of functions in the same and in different species, and that this is a fundamental necessity for evolution. How is a gene identified, by its structure or its function? Do the boundaries of a gene include its regulatory elements? What is the influence of gene expression on natural selection of protein functions, and how is variation in gene expression selected in evolution? These are neither new nor resolved questions. Piatigorsky shows us that the extensiveness of gene sharing and protein multifunctionality offers a way of responding to these questions that sheds light on the complex interrelationships among genes, proteins, and evolution.

Martin isn't exactly the most steadfast or pious knight, but he does manage to escape when the king of France and the pope massacre the Templars and steal their legendary treasure. In fact, Martin rises to the occasion. He rallies a small force of surviving Templars, and together the band hatches an audacious plan ... to steal the world's greatest treasure out from under the king's nose.

A school project helps fifth-grader Willie, his friend Elizabeth, and even his meddlesome younger sister Amy, aided by the irrepressible genie Dodger, save the local forest from ruthless developers.

This is a short philosophical drama set in a well-appointed apartment/prison in the 21st century, in which two toga-dressed characters discuss the kind of concerns which would have preoccupied Roman publicans of the first century AD.

In Kabbalah: A Very Short Introduction, Joseph Dan, one of the world's leading authorities on Jewish mysticism, offers a concise and highly accurate look at the history and character of the various systems developed by the adherents of the Kabbalah. Dan sheds light on the many misconceptions about what Kabbalah is and isn't--including its connections to magic, astronomy, alchemy, and numerology--and he illuminates the relationship between Kaballah and Christianity on the one hand and New Age religion on the other. The book provides fascinating historical background, ranging from the mystical groups that flourished in ancient Judaism in the East, and the medieval schools of Kabbalah in Northern Spain and Southern France, to the widening growth of Kabbalah through the school of Isaac Luria of Safed in the sixteenth century, to the most potent and influential modern Jewish religious movement, Hasidism, and its use of kabbalistic language in its preaching. The book examines the key ancient texts of this tradition, including the Sefer Yezira or "Book of Creation," The Book of Bahir, and the Zohar. Dan explains Midrash, the classical Jewish exegesis of scriptures, which assumes an infinity of meanings for every biblical verse, and he concludes with a brief survey of scholarship in the field and a list of books for further reading. Embraced by celebrities and integrated in many contemporary spiritual phenomena, Kabbalah has reaped a wealth of attention in the press. But many critics argue that the form of Kabbalah practiced in Hollywood is more New Age pabulum than authentic tradition. Can there be a positive role for the Kabbalah in the contemporary quest for spirituality? In Kabbalah, Joseph Dan debunks the myths surrounding modern Kabbalistic practice, offering an engaging and dependable account of this traditional Jewish religious phenomenon and its impact outside of Judaism.

Edited by Vice President of the World Bank and Gerald Meier, author of several very successful Oxford titles, Frontiers in Development, offers cutting edge thinking from a new generation of dynamic thinkers in development economics.

There is a dissatisfaction with the economic policies advocated by many international financial institutions. This book presents an alternative to 'Washington Consensus' neo-liberal economic policies by showing that both macro-economic and liberalization policy must be sensitive to the particular circumstances of developing countries.

The Stiglitz Report, released by the committee in late 2009, sees the recent financial crisis as the latest and most damaging of several concurrent crises—of food, water, energy, and sustainability—that are tightly interrelated. The analysis and recommendations in the report cover the gamut from short-term mitigation to deep structural changes, from crisis response to lasting reform of the global economic and financial architecture.

Joseph Epstein’s Fred Astaire investigates the great dancer’s magical talent, taking up the story of his life, his personality, his work habits, his modest pretensions, and above all his accomplishments. Written with the wit and grace the subject deserves, Fred Astaire provides a remarkable portrait of this extraordinary artist and how he came to embody for Americans a fantasy of easy elegance and, paradoxically, of democratic aristocracy. Tracing Astaire’s life from his birth in Omaha to his death in his late eighties in Hollywood, the book discusses his early days with his talented and outspoken sister Adele, his gifts as a singer (Irving Berlin, George Gershwin, and Jerome Kern all delighted in composing for Astaire), and his many movie dance partners, among them Cyd Charisse, Rita Hayworth, Eleanor Powell, and Betty Hutton. A key chapter of the book is devoted to Astaire’s somewhat unwilling partnership with Ginger Rogers, the woman with whom he danced most dazzlingly. What emerges from these pages is a fascinating view of an American era, seen through the accomplishments of Fred Astaire, an unassuming but uncompromising performer who transformed entertainment into art and gave America a new yet enduring standard for style.

Gossip is no trivial matter; despite its reputation, Epstein argues, it is an eternal and necessary human enterprise. Proving that he himself is a master of the art, Epstein serves up delightful mini-biographies of the Great Gossips of the Western World, along with many choice bits from his own experience. He also makes a powerful case that gossip has morphed from its old-fashioned best--clever, mocking, a great private pleasure--to a corrosive new-school version, thanks to the reach of the mass media and the Internet. Written in his trademark erudite and witty style, Gossip captures the complexity of this immensely entertaining subject.

THE STORY: As decribed in the World Telegram, The new play recounts only the twelve months' period encompassed by the signing of a lease on a Greenwich Village basement apartment and the evacuation thereof, and a few of the amazing adventures that