From Moses' fateful journey in the basket to the wondrous parting of the Red Sea, this stunningly rendered storybook recaptures the magic and grandeur of The Prince of Egypt film. Full-color illustrations.

A wild girl with a mysterious past When her adopted father is slain by a strange beast, Atalanta is determined to take care of herself. She is happy in the forest with only her friend Urso -- a giant bear -- for company. She wants nothing to do with the world of men. But the ferocious creature that killed her father is still out there, and Atalanta can't resist the opportunity to hunt it down, even if that means she has to join forces with a group of hunters to do so. Atalanta must prove that she is as strong and brave as any of the others, as they search together for the deadly Arcadian Beast.

Many years have passed since the end of the Trojan War, and Penelope is still waiting for her husband, Odysseus, to return home. The city of Ithaka is overrun with uncouth suitors from the surrounding islands who are vying to win Penelope's hand in marriage, thereby gaining control of the land. When a naked, half-drowned man washes up on the beach, everything changes. . . . Told through the eyes of Klymene, a young girl who is like a daughter to Penelope--and who longs for more than friendship from the young prince Telemachus-- Ithaka captures the quiet strength and patience of a woman's enduring love for her husband and the ensuing chaos that threatens all as Penelope is pressured to remarry.

In the fifth volume of the popular series of historical mysteries, a ragged stranger and the prospect of losing her family's fortune lead Flavia Gemina and her friends, Jonathan, Lupus, and Nubia to a seaside villa. There, they discover a shipwreck and sunken treasure--and that someone else is after the treasure, too. As they solve the riddle of the wreck, the four friends also stumble across the terrible mystery of Lupus's past.

"It was one of history's great vanishing acts. As early as 3500 BCE, scribes in the mud-walled city-state of Sumer used a reed stylus to press tiny wedge-shaped symbols into clay. For three thousand years, the script chronicled the military conquests, scientific discoveries, and epic literature of the grand kingdoms of Mesopotamia - Assyria, Babylon, the mighty Achaemenid Empire - along with precious minutia about everyday life so long ago. But as the palaces of these once great kingdoms sank beneath the desert sands, the meaning of these characters was lost. London, 1857. Colossal sculptures of winged bulls and alabaster bas-reliefs depicting cities under siege and vassals bearing tributes to Biblical kings lined the halls of the British Museum. In the Victorian era's obsession with the triumph of human progress, the mysterious kingdoms of ancient Mesopotamia - the very cradle of civilization - had captured the public imagination. Yet Europe's best philologists struggled to decipher the strange characters. Cuneiform seemed to have thousands of symbols - with some scholars claiming each could be pronounced in up to eight, nine, even ten different ways. Others insisted they'd cracked the code and deciphered inscriptions that corresponded precisely to the Old Testament - proving the veracity of the Word of God. Was it all a hoax? A delusion? A rollicking adventure through the golden age of archaeology, The Writing on the Wall tracks the decades-long race to decipher the oldest script in the world. It's the story of a swashbuckling young archeologist, a suave British military officer, and a curmudgeonly Irish rector, all vying for glory - from the ruins of Persepolis to the opulence of Ottoman-era Baghdad - in a quest to unearth the relics of lost civilizations and unlock the secrets of humanity's past"--