"The Black Death was a pandemic of unimaginable proportions, taking the lives of 75 - 200 million people worldwide. Lauren Tarshis's story of one girl surviving the plague pulses with terror, action, and hope. The deadliest disease in the history of the world ... Elsie dreams of becoming a brave warrior like her father, who is an archer fighting in England's war against France. But life isn't fair in 1348 Europe. Peasant girls like Elsie can't be archers or knights or anything exciting. Then one day in the forest, Elsie and her best friend, Humphrey, discover a chest filled with stolen treasures--and a dangerous secret. At last Elsie has a chance to prove that she's as brave as any knight. Little does she know that a deadly illness -- the Black Death--has begun its attack on England. It's already killed millions around the world. And now it's come for Elsie"--Provided by the publisher.

In 1766, a boy, Billy Marvel, is shipwrecked, rescued, and goes on to found a brilliant family of actors that flourishes in London until 1900--and nearly a century later, Joseph Jervis, runs away from home, seeking refuge with his uncle in London, and is captivated by the Marvel house, with its portraits and ghostly presences.

After being told that his father was an assassin for a criminal organization, fourteen-year-old Alex goes to Italy to find out more and becomes involved in a plan to kill thousands of English school children.

Through multiple perspectives, tells of London in the near future where, when the government stops distributing a behavioral modification drug, Concentr8, chaos erupts and five teens take a man hostage, seemingly at random, changing all of their lives forever.

Old friends are separated when Jefferson tries to bring a cure for the mysterious Sickness back to the Washington Square tribe in New York City while Donna faces an unimaginable new world in England, but an even greater disaster than the Sickness looms.

When shy, quiet Shylo overhears the plan of a band of ratzis to embarrass the Queen, he must travel to Buckingham Palace and convince the Royal Rabbits of London to stop them.

It's 1913 and a young, carefree and recklessly innocent girl, Mina, goes out into the forest on the edge of the Baltic sea and meets a gang of rowdy young men with revolution on their minds. It sounds like a fairy tale but it's life. The adventure leads to flight, emigration and a new land, a new language and the pursuit of idealism or happiness - in Liverpool. But what of the stories from the old country; how do they shape and form the next generations who have heard the well-worn tales? --

Stephen Greenblatt sets out to explain his longtime fascination with the ghost of Hamlet's father, and his daring and ultimately gratifying journey takes him through surprising intellectual territory. It yields an extraordinary account of the rise and fall of Purgatory as both a belief and a lucrative institution--as well as a capacious new reading of the power of Hamlet. In the mid-sixteenth century, English authorities abruptly changed the relationship between the living and dead. Declaring that Purgatory was a false "poem," they abolished the institutions and banned the practices that Christians relied on to ease the passage to Heaven for themselves and their dead loved ones. Greenblatt explores the fantastic adventure narratives, ghost stories, pilgrimages, and imagery by which a belief in a grisly "prison house of souls" had been shaped and reinforced in the Middle Ages. He probes the psychological benefits as well as the high costs of this belief and of its demolition. With the doctrine of Purgatory and the elaborate practices that grew up around it, the church had provided a powerful method of negotiating with the dead. The Protestant attack on Purgatory destroyed this method for most people in England, but it did not eradicate the longings and fears that Catholic doctrine had for centuries focused and exploited. In his strikingly original interpretation, Greenblatt argues that the human desires to commune with, assist, and be rid of the dead were transformed by Shakespeare--consummate conjurer that he was--into the substance of several of his plays, above all the weirdly powerful Hamlet. Thus, the space of Purgatory became the stage haunted by literature's most famous ghost. This book constitutes an extraordinary feat that could have been accomplished by only Stephen Greenblatt. It is at once a deeply satisfying reading of medieval religion, an innovative interpretation of the apparitions that trouble Shakespeare's tragic heroes, and an exploration of how a culture can be inhabited by its own spectral leftovers.

In this wry, candid, and sometimes poignant memoir, Peter Owen recalls his lonely Jewish boyhood in Nazi Germany and migration to England where he survived the London Blitz, a teenage dalliance with aspiring actress Fenella Fielding, and working with a motley variety of book publishers. He founded his eponymous publishing firm in 1951, becoming one of the youngest publishers in Britain. A pioneer of books on social themes, gay and lesbian writing, and literature in translation, Owen's authors included ten Nobel laureates and brought Hermann Hesse, Ezra Pound, and Anaïs Nin to a wider audience. Enjoying their success, he and his wife Wendy were memorably stylish and eccentric figures at the literary parties of the 1960s and 1970s. Owen describes his often hilarious encounters with many of those he published, including John Lennon, Yoko Ono, and Salvador Dalí, his adventures in Japan with Yukio Mishima and Shūsaku Endō, and in Morocco with Tennessee Williams and Paul and Jane Bowles. As one of the last of the great émigré publishers, his death in 2016 aged 89 signalled the end of a literary era.

A masked terrorist has brought London to its knees ' there are bombs inside books, and nobody knows which ones. On the day of the launch of the first expedition to Mars, by giant cannon, he outdoes himself with an audacious attack.For young poet Orphan, trapped in the screaming audience, it seems his destiny is entwined with that of the shadowy terrorist, but how?Like a steam-powered take on V for Vendetta, rich with satire and slashed through with automatons, giant lizards, pirates, airships and wild adventure, The Bookman is the first of a series.File under: Steampunk [Serial killer | Alternate Victorian London | Exploding Books | Historical Crime]

'An exuberant, breathless sprint through London in the fifties, sixties and seventies... It's bright, boisterous and extremely funny' Tatler 'Clancy's scapegrace adventures are described with so much vitality and scabrous wit you feel as charmed as one of his serial conquests ... Marvellous' Spectator 'If you're searching for something to keep you on the edge of your sun lounger this summer, look no further' Daily Mail If Fielding's Tom Jones were alive in postwar England he might be Clancy Sigal, the American author of this restlessly curious memoir. Honest and devious, faithful and lustful, a mass of plucky contradictions, Clancy first arrived in London in 1957. He was broke, homeless and, according to his FBI file, a dangerous 'subversive'. Over the next three decades, Clancy was to wander the soot-stained streets of London, devouring as much as life could offer him. From the birth of the CND and his affair with Lessing, to therapy with R. D. Laing and wondering whether the entire world was on acid, Clancy details it all to illuminating effect. Underneath all of these encounters is the character of Clancy himself: funny, hapless, warm-hearted and a self-professed 'crazy American'. Call it luck, charm or sheer lack of good sense, he escaped with a cracking good story.

In this tale of life at sea the author tells of voyages round the Horn and his time in the Aland Islands where he fitted out a small boat and sailed with the lovely Elsa. He describes the trials and pleasures of life under sail, including adventures with sharks, drunken captains and a stowaway.