"If readers are to come to Shakespeare and to Chekhov, to Henry James and to Jane Austen, then they are best prepared if they have read Lewis Carroll and Edward Lear, Robert Louis Stevenson and Rudyard Kipling," writes Harold Bloom in his introduction to this enchanting and much-needed anthology of exceptional stories and poems selected to inspire a lifelong love of reading. As television, video games, and the Internet threaten to distract young people from the solitary pleasures of reading, Bloom presents a volume that will amuse, challenge, and beguile readers with its myriad voices and subjects. Here are old favorites by beloved writers of children's literature, as well as exciting rediscoveries and wonderful works penned by writers better known for their adult classics, such as Herman Melville, Leo Tolstoy, Edith Wharton, and Walt Whitman. Encompassing the natural world and the supernatural; childhood, romance, and death; pets, wild animals, and goblins; mystery, adventure, and humor; the selections reflect the passion and erudition of our most revered literary critic. Arranged by season, Stories and Poems for Extremely Intelligent Children of All Ages is a must-have anthology, sure to delight readers young and old for years to come.

My octogenarian dad wanted to study Homer's epic and learn its lessons about life's journeys. First he took my class. Then we sailed for Ithaca. When eighty-one-year-old Jay Mendelsohn decides to enroll in the undergraduate Odyssey seminar his son teaches at Bard College, the two find themselves on an adventure as profoundly emotional as it is intellectual. For Jay, a retired computer scientist who sees the world through a mathematician's unforgiving eyes, this return to the classroom is his "one last chance" to learn the great literature he'd neglected in his youth--and, even more, a final opportunity to more fully understand his son, a writer and classicist. But through the sometimes uncomfortable months during which the two men explore Homer's great work together--first in the classroom, where Jay persistently challenges his son's interpretations, and then during a surprise--filled Mediterranean journey retracing Odysseus's famous voyages--it becomes clear that Daniel has much to learn, too: Jay's responses to both the text and the travels gradually uncover long-buried secrets that allow the son to understand his difficult father at last. As this intricately woven memoir builds to its wrenching climax, Mendelsohn's narrative comes to echo The Odyssey itself, with its timeless themes of deception and recognition, marriage and children, the pleasures of travel and the meaning of home. Rich with literary and emotional insight, An Odyssey is a renowned author-scholar's most triumphant entwining yet of personal narrative and literary exploration.

A collection of "first-rate frontline journalism" from the Spanish Civil War to US actions in Central America "by a woman singularly unafraid of guns" (Vanity Fair). For nearly sixty years, Martha Gellhorn's fearless war correspondence made her a leading journalistic voice of her generation. From the Spanish Civil War in 1937 through the Central American wars of the mid-eighties, Gellhorn's candid reporting reflected her deep empathy for people regardless of their political ideology. Collecting the best of Gellhorn's writing on foreign conflicts, and now with a new introduction by Lauren Elkin, The Face of War is a classic of frontline journalism by "the premier war correspondent of the twentieth century" (Ward Just, The New York Times Magazine ). Whether in Java, Finland, the Middle East, or Vietnam, she used the same vigorous approach. "I wrote very fast, as I had to," she says, "afraid that I would forget the exact sound, smell, words, gestures, which were special to this moment and this place." As Merle Rubin noted in his review of this volume for The Christian Science Monitor, "Martha Gellhorn's courageous, independent-minded reportage breaks through geopolitical abstractions and ideological propaganda to take the reader straight to the scene of the event."

This fascinating mystical adventure, the sequel to the best-selling book The Golem of Prague, is gripping reading!Readers will be swept along in an adventurous story as the ancient breastplate of the Kohen Gadol (high priest), affixed with twelve sacred stones, is discovered--and stolen. As the threat of war looms, the saintly Maharal of Prague, Rabbi Yehudah Loewy ben Bezalel, is compelled to recreate the awesome Yossele the Golem to rescue the Jews and avert disaster.Culled from more than two dozen sources, the introduction to The Sacred Stones provides the reader with a historical backdrop to the era and focuses briefly on the life and philosophy of the Maharal. For ages 8-14.

This selection from the first ten years of the Evergreen Review gives the full flavor of the energy, savvy, excitement, and gall that characterized the magazine during the days of its publication. It also happens to bring together some of the world’s best writers in one volume, in the company of their peers. Evergreen was more than another literary magazine. Founded by Barney Rossett of Grove Press and publishing from 1957 through 1973 (it now exists as an online only magazine), it was the voice of a movement that helped to change the attitudes and prejudices of the culture at large through the language of art—and succeeded. It was always damn the torpedoes and full speed ahead. Here are original short stories by Samuel Beckett and Jack Kerouac (with his “October in the Railroad Earth” predating the publication of On the Road ); Allen Ginsberg’s “Howl” (previously published only as a pamphlet); a selection from Lawrence Ferlinghetti’s A Coney Island of the Mind ; and a passage from Alexander Trocchi’s Cain’s Book . Also included are a fantastic sample of the original and iconic magazine covers which were works of art themselves—a heavily bearded Ginsberg cavorting in a sport coat and Uncle Sam top hat in 1966—and several reprinted comic strips; notably, Michael O’Donoghue’s “The Adventure of Phoebe Zeit-geist.”

Hans Breuer, Austria’s only wandering shepherd, is also a Yiddish folksinger. He walks the Alps, shepherd’s stick in hand, singing lullabies to his 625 sheep. Sometimes he even gives concerts in historically anti-Semitic towns, showing slides of the flock as he belts out Yiddish ditties. When New York-based writer Sam Apple hears about this one-of-a-kind eccentric, he flies overseas and signs on as a shepherd’s apprentice. For thoroughly urban, slightly neurotic Sam, stumbling along in borrowed boots and burdened with a lot more baggage than his backpack, the task is far from a walk in Central Park. Demonstrating no immediate natural talent for shepherding, he tries to earn the respect of Breuer’s sheep, while keeping a safe distance from the shepherd’s fierce herding dogs. As this strange and hilarious adventure unfolds, the unlikely duo of Sam and Hans meander through a paradise of woods and high meadows toward awkward encounters with Austrians of many stripes. Apple is determined to find out if there are really as many anti-Semites in Austria as he fears and to understand how Hans, who grew up fighting the lingering Nazism in Vienna, became a wandering shepherd. What Apple discovers turns out to be far more fascinating than he had imagined. With this odd and wonderful book, Sam Apple joins the august tradition of Tony Horwitz and Bill Bryson. Schlepping Through the Alps is as funny as it is moving.

Homer's Epic in Pictures

The interviews in this collection will convince the reader that Jerzy Kosinski's public persona was one of the greatest creations. Few authors were ever more adept at press interviews. For Kosinski, the author of nine novels, including The Painted Bird, Steps, Being There , and The Hermit of 69th Street , the interview was part performance, part public relations, part blind date. Kosinski in person was different from the existential adventurer in his novels. He was not so much engaged as engaging. though his fiction was brutal, he was charming. The contrast between Kosinski and the intensity of his fiction created the backdrop for his interviews. Like his readers, Kosinski's interviews were obsessed with the facts of his life. As a young boy he survived the Holocaust. He escaped Communist Poland. His life became the stuff of novels. He came to the United States with little money and no command of the English, but within a year he was a Ford Fellow at Columbia University and not long afterward was married to an American heiress and was living on Park Avenue. Yet Kosinski felt that his unique experiences, when transmuted to fiction, became a didactic lesson for others. A human being is loaded with the greatest power, he says in one interview, his imagination and the power to transcend his own conditions. The interviews here are published chronologically without abridgement. The same questions recur and Kosinski's answers are filled with discrepancies and contradictions. A good interview, he once wrote, is like truth itself, the temporary resolution of various contradictions. These compelling conversations recapture part of Jerzy Kposinski, who took his own life on May 3, 1991.

"In our brave new world, techno-evolution is often decried as the death knell of the written word. Award-winning author Andrei Codrescu demolishes this doomsday provocation in Bibliodeath: My Archives (With Life in Footnotes). Our moment of bibliodeath marks a tectonic shift under the ocean of human consciousness and the written word. As words migrate from the book into other means of transport, we are "privy to ... the passage of the soul from one body into another, a reincarnation that is not a meta-physics." A suspenseful meditation planted in a bed of alluring stories-cum-footnotes, Codrescu wades into the bibliodeath waters to examine his own evolution as a writer. From the poetic lines of an unlined notebook in 1960s Romania to the founding of Exquisite Corpse in 1983 to his ongoing commentary on NPR's All Things Considered, his journey is an archive of reinvention. Codrescu's literal Archives and his unsentimental and savage faith in reinvention take in the history of the literate world, the transformation of the printed word, and language itself. This picaresque adventure of a mind at work spans the fin-de-siécle to the 21st century, as the bibliodeath of one medium meets the birth of the next. The evolution of technology must deal with the indomitable bond between language and the human being. In the story of Codrescu, "leaving the traces of one's passage is worth the labor of a lifetime."--Back cover.

David Biespiel's long poetic lines crackle with rhythmic energy and a jazzy, bittersweet richness of language. Rolling out across the page like darkly luminous highways, his innovative, nine-line "American sonnets" promise adventure, offering a variant on the sonnet form that is both lyric and dramatic and bringing his masterful formal inventiveness to free verse. "I've come to imagine the nine-line sonnet to be like one of those classic Thunderbirds," says Biespiel, "something distinctly American: wide, roomy, and with a robust engine." The vastly varied voices within the poems are united by a wonderfully limber diction. Using with revelatory precision the vocabularies of history, science, art, sport, philosophy, religion, literature, government, and domestic life, Biespiel has crafted a hip, melodic, elastic language that travels the registers of expression: lush and coarse, gaudy and austere, pliant and rigidly tough. The civility of the poems is the form; the wildness is the bristling energy of the language. Passionate, resilient, rich with wit and word play, these poems affirm David Biespiel's increasing stature as a poet of remarkable accomplishment and promise. David Biespiel teaches English at Oregon State University and is Writer in Residence at The Attic in Portland, Oregon. His honors include a Stegner Fellowship in Poetry and the National Endowment for the Arts Fellowship in Literature. He is the author of Shattering Air. "Like microprocessors, the poems in Wild Civility deliver an almost incalculable amount of information instantaneously. As a result, they demonstrate the pure and powerful recombinant energy of language that is the essence of lyric poetry." - Michael Collier, Bread Loaf Writers' Conference "Wild in its imaginative thrust, civil in its formal command, this glowing new sequence represents David Biespiel's best poetry to date." - Stanley Plumly

"Fantasy once again, deftly and convincingly -- as only Robert Nathan can do it -- handled, with a satiric twist now and again, and a pull at the heartstrings. He has told the story of a failure whose one escape into a dream world comes through the imposed background of the ship he has built for himself in his own drab front yard. When the wife who demands results, sells it as a hot dog stand, he takes one last stand -- and Fate plays into his hands and launches the ship on the high road of adventure, southward bound. He picks up a "crew" as rudderless as himself, and they make their way against insuperable obstacles until "the law" catches up with them. But -- he has won something as a bulwark for the future. There is pathos and humor and that indefinable tug at the love of makebelieve that gave One more spring its impetus. It lacks the immediate application to current problems -- but it has the same adult fairy tale quality."--Kirkus.