"In July 2013, Oliver Sacks turned eighty and wrote [a] ... piece in The New York Times about the prospect of old age and the freedom he envisioned for himself in binding together the thoughts and feelings of a lifetime. Eighteen months later, he was given a diagnosis of terminal cancer--which he announced publicly in another piece in The New York Times. Gratitude is Sacks's meditation on why life [continued] to enthrall him even as he [faced] the all-too-close presence of his own death, and how to live out the months that [remained] in the richest and deepest way possible"--

Hilarious and heartfelt observations on aging from one of America's favorite comedians as he turns 65, and a look back at a remarkable career in this New York Times bestseller. Billy Crystal is turning 65, and he's not happy about it. With his trademark wit and heart, he outlines the absurdities and challenges that come with growing old, from insomnia to memory loss to leaving dinners with half your meal on your shirt. In humorous chapters like "Buying the Plot" and "Nodding Off," Crystal not only catalogues his physical gripes, but offers a road map to his 77 million fellow baby boomers who are arriving at this milestone age with him. He also looks back at the most powerful and memorable moments of his long and storied life, from entertaining his relatives as a kid in Long Beach, Long Island, his years doing stand-up in the Village, up through his legendary stint at Saturday Night Live , When Harry Met Sally , and his long run as host of the Academy Awards. Readers get a front-row seat to his one-day career with the New York Yankees (he was the first player to ever "test positive for Maalox"), his love affair with Sophia Loren, and his enduring friendships with several of his idols, including Mickey Mantle and Muhammad Ali. He lends a light touch to more serious topics like religion ("the aging friends I know have turned to the Holy Trinity: Advil, bourbon, and Prozac"), grandparenting, and, of course, dentistry. As wise and poignant as they are funny, Crystal's reflections are an unforgettable look at an extraordinary life well lived.

Karl Taro Greenfeld knew from an early age that his little brother, Noah, was not like other children. He couldn't crawl, and he had trouble making eye contact or interacting with his family. As Noah grew older, his differences became even more pronounced—he was unable to communicate verbally, use the toilet, or tie his shoes, and despite his angelic demeanor, he often had violent outbursts. No doctor, social worker, or specialist could pinpoint what was wrong with Noah beyond a general diagnosis: autism. The boys' parents, Josh and Foumi, dedicated their lives to caring for their younger son with myriad approaches—a challenging, often painful experience that the devoted father detailed in a bestselling trilogy of books. Now, for the first time, acclaimed journalist Karl Taro Greenfeld speaks out about growing up in the shadow of his autistic brother, revealing the complex mix of rage, confusion, and love that defined his childhood. Boy Alone is his brutally honest memoir of the hopes, dreams, and realities of life with a mentally disabled sibling. Seamlessly weaving together the social history of autism and autism research—as the Greenfelds lived through it in seeking treatment for Noah—with the deeply affecting story of two very different boys growing up side by side, this book raises crucial philosophical questions: Can relationships exist without language? How should aging parents care for a nonverbal, violent child, and then a grown man who is not self-sufficient? Is there anything that can be done to help an extremely autistic child or adult become a member of mainstream society? Haunting, tragic, and unforgettable, this chronicle of autism is a beautiful, wholly original exploration of what it means to be a family, a brother, and a person.

Comedy veteran Leifer tells hilarious stories about herself, in her laught-out-loud literary debut that looks at life, love, family, and the aging process.

From legendary Olympic gold medalist Dara Torres comes a motivational, inspirational memoir about staying fit, aging gracefully, and pursuing your dreams. Dara Torres captured the hearts and minds of Americans of all ages when she launched her Olympic comeback as a new mother at the age of forty-one - years after she had retired from competitive swimming and eight years since her last Olympics. When she took three silver medals in Beijing - including a heartbreaking .01-second finish behind the gold medalist in the women's 50-meter freestyle - America loved her all the more for her astonishing achievement and her good-natured acceptance of the results. Now, in Age Is Just a Number, Dara reveals how the dream of an Olympic comeback first came to her - when she was months into her first, hard-won pregnancy. With humor and candor, Dara recounts how she returned to serious training - while nursing her infant daughter and contending with her beloved father's long battle with cancer. Dara talks frankly about diving back in for this comeback; about being an older athlete in a younger athletes' game; about competition, doubt, and belief; about working through pain and uncertainty; and finally - about seizing the moment and, most important, never giving up. A truly self-made legend, her story will resonate with women of all ages - and with anyone daring to entertain a seemingly impossible dream.

"Paul Auster has spent his fifty-year writing career examining what it means to be truly alive. And now, for the first time ever, in this newly self-curated collection, Auster stitches together various autobiographical writings to lay bare the trajectory of both his personal life and sense of self. From his breakout memoir, The Invention of Solitude, which solidified Auster's reputation as a canonical voice in American letters, to excerpts from his later memoirs, Winter Journal and Report from the Interior, readers are ushered into the inner workings of Auster's self-development. His sweeping recollection winds through the halls of Columbia University during the turbulent 1960s and into life as a young poet-turned-novelist, then dives headfirst into the realities that accompany aging today. Along the way, Auster continually challenges the notion of what autobiography can be, inverting the form through fragmentation and, ultimately, illustrating firsthand the brilliance behind "one of the great writers of our time" (San Francisco Chronicle)"--

The story of two women—one a hunter-gatherer in Botswana, the other an ailing American anthropologist—this powerful book returns the reader to territory that Marjorie Shostak wrote of so poignantly in the now classic Nisa: The Life and Words of a !Kung Woman. Here, however, the ground has perceptibly shifted. First published in 1981, Nisa served as a stirring introduction to anthropology’s most basic question: Can there be true understanding between people of profoundly different cultures?Diagnosed with breast cancer, and troubled by a sense of work yet unfinished, Shostak returned to Botswana in 1989. This book tells simply and directly of her rediscovery of the !Kung people she had come to know years before—the aging, blunt, demanding Nisa, her stalwart husband Bo, understanding Kxoma, fragile Hwantla, and Royal, translator and guide. In Shostak’s words, we clearly see !Kung life, the dry grasslands, the healing dances, the threatening military presence. And we see Shostak herself, passionately curious, reporting the discomforts and confusion of fieldwork along with its fascination. By turns amused and frustrated, she describes the disappointments—and chastening lessons—that inevitably follow when anthropologists (like her younger self) romanticize the !Kung.Throughout, we observe a woman of threatened health but enormous vitality as she pursues the promise she once discovered in the !Kung people and, above all, in Nisa. At the core of the book is the remarkable relationship between these two women from different worlds. They are often caught off guard by the limits of their mutual understanding. Still, their determination to reach out to each other lingers in the reader’s mind long after the story ends—providing an eloquent response to questions that Nisa so memorably posed.

The autobiography-of-sorts of André Gregory, an iconic figure in American theater and the star of My Dinner with André This Is Not My Memoir tells the life story of André Gregory, iconic theater director, writer, and actor. For the first time, André shares memories from a life lived for art, including stories from the making of My Dinner with André . Taking on the dizzying, wondrous nature of a fever dream, This Is Not My Memoir includes fantastic and fantastical stories that take the reader from wartime Paris to golden-age Hollywood, from avant-garde theaters to monasteries in India. Along the way we meet Jerzy Grotowski, Helene Weigel, Gregory Peck, Gurumayi Chidvilasananda, Wallace Shawn, and many other larger-than-life personalities. This Is Not My Memoir is a collaboration between André and Todd London, who together create a portrait of an artist confronting his later years. Here, too, are the reflections of a man who only recently learned how to love. What does it mean to create art in a world that often places little value on the process of creating it? And what does it mean to confront the process of aging when your greatest work of art may well be your own life?

Marlon Brando was the brightest, boldest, and most iconoclastic acting talent of our time. But while his courage and imagination as an artist brought applause and attention from around the world, Brando shunned nearly everything that goes with celebrity status. He was one of the most reclusive personalities in modern times and a legend beyond compare. He was also an equal opportunity provocateur -- a dazzling baffler -- be it on stage, on screen, or in his private life. Always true to his nature, he never failed to surprise. He did things his way -- The Way It's Never Been Done Before. No one shared as much of Brando's private fields as his lifelong friend and business confidant, George Englund. For more than five decades, Brando and Englund were each other's most trusted ally and closest compadre. Even at their first meeting, at a Hollywood party in 1956 -- the kind of occasion where Brando was most on guard against any who would attempt to get close to him -- he and Englund forged close ties. From that initial meeting right up to the eve of the superstar's death in the summer of 2004, Brando and Englund were in nearly constant contact. They traveled together, worked together, and played together. They consoled and cajoled each other through their marriages and divorces, the births and tragic deaths of their children, good and bad business deals, and the onset of aging, concluding with Brando's death at the age of eighty. "I remembered what Mark Twain wrote," Englund says, "'that everybody is a moon with a dark side he doesn't show anyone else.' I felt this was an appropriate hour for a book that looked at the other side of Marlon, that told of the man and friend and father he was. There has not been such a book in Marlon's lifetime, even including his autobiography, and I felt that after our long years of friendship, perhaps I should attempt to write it. I knew the difficulty I would encounter; to write about Marlon is to work with delicate glass, for he was, without question, the most complicated personality I ever met or knew about. "I once thought what a grand time he and I would have writing the book about our friendship together. That possibility has passed away, for Marlon is gone now -- I must make the attempt to write of us alone. I summon to the task the sacredness, which, when we were at our best, Marlon and I laid upon our friendship."

As a young woman, Carolyn Heilbrun made a resolution not to live past "three score years and ten." Taking her own life at the age of seventy, she reasoned, would lend clean closure to a life well lived, and would keep her from the many tragedies of aging--becoming a burden to her children, witnessing the deterioration of her body, falling prey to a crippling disease. But on the advent of her seventieth birthday, she looked back on the past ten years and found, to her surprise, that her sixties had been the happiest decade of all: after fifty years, her marriage had matured into a happy balance of companionship and respect for solitude; she had developed deep friendships with her grown children and a small circle of peers; she had mastered a highly successful career as a scholar and writer. In the poignant, essayistic writing that best showcases her elegant talent and provocative mind, Carolyn Heilbrun celebrates the many pleasures of a mature life. Filled with wisdom, knowledge, wry humor, and literary allusion, The Last Gift of Time is a moving book for all women invested in the pursuit of leading a woman's life to its fullest capacity.

The rare book dealers who delighted readers with the history of their bookselling days in "Old Books, Rare Friends" now offer the other side of their story -- an intimate look at the joys of a relationship that has lasted more than half a century. When their friendship and business partnership began in the 1940s, Leona Rostenberg and Madeleine Stern were pioneers in a man's world. Now approaching their nineties, the duo, who -- among their many discoveries -- unearthed Louisa May Alcott's pseudonymous blood-and-thunder stories, remains a vibrant institution in the rare book trade, even as the Internet changes their field -- and their community -- forever. After publishing "Old Books, Rare Friends," Rostenberg and Stern received a flood of fan mail asking about their personal lives, and they have responded with poignant honesty and the warmth for which they are famous, as they reflect on their lives and their remarkable partnership. "Bookends" recounts their fascinating histories: family backgrounds, business adventures, the men they did not marry, and their approach to the bittersweet trials of aging. More than just a dual memoir, "Bookends" is also a chronicle of the cultural changes of twentieth-century American life and a loving farewell to the golden age of book collecting. Filled with wisdom and humor, this volume is a tribute to Rostenberg and Stern's passion for the written word -- and for life itself. Catching us off guard with their candor, they offer their insights regarding their business, their way of life, and their worldview. Above all, they present the story of a special relationship. At a time when people find it increasingly difficult to connect, here wehave the seamless story of a shared life. It is the unique product of an earlier time, yet it is a timeless reflection on the very nature of friendship. Though their fantastic partnership is un-reproducible, the ideal they have established, for the integration of one life so completely with another, contains lessons for all of us. Without husband or children they created a loving home when this was uncharted territory for women. They nurtured a business and life partnership that has lasted more than half a century and has only gotten stronger with time. When the passing years began to claim one's hearing and the other's sight, they became each other's eyes and ears. A meditation on aging and togetherness, this book is also the narrative of two pioneering single, Jewish women making their way in tandem through a world largely organized to keep them in their place. It is a gentle, wise story, told in their inimitable style, sparse, unadorned, and honest. Their affirmations supersede their uncertainties. As they write, "Bookends support books and come in pairs...If the word encapsulates our past, it looks also to the future, and to the books -- lived together, written together -- that will follow." They confront the challenges of aging in a no-nonsense tone, and, in facing them, give us an ideal of enduring human friendship that can't help but touch the heart.

On September 11, 2001, veteran comedian David Brenner was in the midst of a 48-week stand-up gig in Las Vegas. Immediately after that day, he cancelled the engagement and instructed his manager to book him on a nationwide tour. He called it the "Laughter to the People" tour, and on it he shared his humor with a grieving nation. Audience response was overwhelming. In this book, Brenner draws on highlights from his stand-up material to show how humor can give us the power to transcend personal and world problems from the unavoidable, like aging, to the uncontrollable, like war. The essays in the book cover a wide range of issues, including fear of flying, aging, marriage and divorce, pets, politics, terrorism, and religion.

""Acclaimed author and feisty nonagenarian Hotchner's witty ruminations about the art of living well into old age...with brio and a touch of his trademark sass, Hotchner writes about rediscovering love after 75, finding joy in a scrappy African gray parrot he named after his longtime friend, Ernest Hemingway, and going on his very first safari at age 88." - Kirkus Reviews When youngsters in their seventies and eighties, nervously lurching toward the horizon of ninety, ask me, "What's the secret?" That's what I tell them: "O.J. in the morning, gin and tonic at night." You don't have to be in your seventies or eighties to enjoy A. E. Hotchner's elixir for aging happily, but after reading this charming collection of essays, you may wish you were. Nonagenarian, novelist, playwright, and biographer, Hotchner gives us heartfelt and laugh-out-loud anecdotes that describe his unique reflections on the aging process. His musings cover everything from the outlandish commercials that target the older generation (Viagra, Cialis, and Flomax) to suggestions on adapting the tennis game for seniors (he suggests lowering the net by two inches and moving all outer lines two feet inward) to the advantages of having a pet (his pet parrot often tells guests to "kiss my ass"). He can equally capture the headier side of aging, which is bittersweetly revealed in his piece about divorce. With his disarming, eloquent voice and dry sense of humor, Hotch illuminates life's wisdoms through his optimistic, witty, and romantic outlook, all the while maing you feel, well, not unhappy about growing older. O.J. in the Morning, G&T at Night is a book of courageous advice, humorous wisdom, and, above all, good strategies for how to stay young at heart"--

"A poignant, compelling, and clear-eyed memoir of a life in music, with the dogged pursuit of composing at its center. Perhaps no art form has ever splintered into as many factions, genres, languages, philosophies, and mutually exclusive audiences as the art of music did in the mid-twentieth century. Allen Shawn's memoir fascinatingly evokes this tumultuous time, while weaving together his art and his life, hinting at their unexpected and sometimes paradoxical interconnections. Shawn grew up in an atmosphere of cultural privilege in New York City, the son of New Yorker editor William Shawn. An instinctive composing prodigy at age ten, it took him until the age of thirty to compose music he was proud of. Shawn sketches his childhood and long apprenticeship, his experiences composing for theater, dance, and concert hall, his forty years as a teacher at Bennington College, and his unexpected emergence as a writer. The book balances an account of his musical evolution, ups and downs, and life choices, offering glimpses into family life and of the many people with whom he interacted, including Leon Kirchner, Earl Kim, Nadia Boulanger, Pierre Petit, Jacques-Louis Monod, J. D. Salinger, John Updike, Benny Goodman, Louis Malle, and Vivian Fine. Along the way, Shawn offers reflections on such issues as social class, aging, loneliness, politics, and music education. In The Realm of Tones: A Composer's Memoir is a unique and touching account of one individual's internal search for self-expression and self-understanding, and of his effort to construct a life around it"--

George Melly is nudging 80. He is still swinging and singing, fly-fishing, flirting, and for now just playing at senility. But he walks very slowly these days. He's losing control over his bladder, and his bowels. He no longer, being quite deaf, enjoys noisy parties. He's been seriously ill once, and not quite well often. And he's constantly being probed and tinkered with, at St Mary's Hospital: like an old car in and out of the garage. Sex has walked out on him, but Irish Whiskey, in only slightly diminished quantities, remains a good friend. This remarkably cheerful book is his diary of it all. A darkly funny, frank, and larger-than-life account about how he feels to be growing old and irresistibly slowing down.

Singing to a Bulldog presents the practical and motivational lessons Anson Williams, an accomplished actor, director, singer and producer gleaned from his life experience and words of wisdom from the head janitor at one of his first jobs. Growing up in 1950s California, young Anson William Heimlich showed very little promise. Clumsy, unsure of himself, and made to feel like a failure by his disappointed artist of a dad, Anson started working odd jobs as a teenager to help support his family. His boss at one of these jobs, an aging African-American janitor named Willie, unexpectedly became a mentor—and the lessons he taught young Anson proved to be invaluable throughout his subsequent career as an actor, director, and entrepreneur. In Singing to a Bulldog, Anson Williams (as he came to be known) relates both these lessons and the never-before-revealed stories of the many seminal TV series he has worked on and the famous (and not-so-famous) folks he’s encountered during his 40 years in Hollywood, including: • being directed by Steven Spielberg in his first dramatic role • getting kidnapped by Gerald Ford’s daughter at the White House • subbing for Sammy Davis, Jr., as a headliner with Bill Cosby • being humbled by Sunny, a young volunteer for the Cerebral Palsy National Organization • mentoring Shailene Woodley on the set of The Secret Life of the American Teenager and many more. This compelling read has a cross-generational and broad appeal, combining all the fun of a celebrity memoir with the emotional impact of an inspirational bestseller. With Singing to a Bulldog, Anson Williams brings his gift of storytelling to a new medium in a book that is sure to touch readers’ hearts and lives as profoundly as Willie once touched his.