Peter Decker and Rina Lazarus return in the biggest Kellerman mystery so far. While Rina is six months pregnant, Pete is going Hollywood. He's investigating the rape of a health-spa owner--and the trail leads to her aging mother, an actress and psychic.

A young and ambitious writer named Jerome David Salinger set his goals very high very early in his career. He almost desperately wished to publish his early stories in The New Yorker magazine, the pinnacle, he felt, of America's literary world. But such was not to be for several long years and the length of one long world war. The New Yorker, whose tastes in literary matters were and remain notoriously prim and fickle, was not quite ready for this brash and over-confident newcomer with the cynical worldview and his habit of slangy dialogue. But other magazines were quick to recognize a new talent, a fresh voice at a time when the world verged on madness. Story magazine, an esteemed and influential small circulation journal devoted exclusively to the art of the short story and still active and respected today, was the first publication to publish the name J.D. Salinger and the story "The Young Folks" in 1940, an impressive view of New York's cocktail society and two young people talking past one another, their conversation almost completely meaningless and empty. His next short story was published in a college journal, The University of Kansas City Review, "Go See Eddie," a tale of quiet menace as an unsavory male character gradually turns up the pressure on a young lady to see a man named Eddie. Also published in 1940, the story is notable for the backstory that is omitted - a technique that Hemingway used to great effect. Four years later toward the end of Salinger's war experience saw the publication of "Once A Week Won't Kill You," again in Story magazine. Ostensibly about a newly minted soldier trying to tell an aging aunt he is going off to war, some may see the story as a metaphor for preparing one's family for the possibility of wartime death. Three Early Stories (Illustrated) is the first legitimately published book by J.D. Salinger in more than 50 years. Devault-Graves Digital Editions, a publisher that specializes in reprinting the finest in American period literature, is proud to bring you this anthology by one of America's most innovative and inspiring authors.

From Lee Goldberg, the #1 New York Times bestselling author of Lost Hills -- a wildly funny thriller that won wide-spread acclaim, including rave reviews from Entertainment Weekly , Publishers Weeky and The Los Angeles Times Ex-cop Charlie Willis handles "special security" at Pinnacle Pictures. His job: to protect the studio and its stars, to stop scandals before they explode, to keep the peace in the land of make-believe. When Pinnacle revives the cult, 1960s TV series "Beyond the Beyond" as the cornerstone of a fourth network, two powerful forces fight for control of the show-a talent agency that uses blackmail, torture, and murder to keep its clients on the A-list, and a homicidal legion of rabid fans led by an insane actor who thinks he's in outer space. (This book, the sequel to "My Gun Has Bullets," was originally entitled "Beyond the Beyond" when it was published by St. Martin's Press in 1997) CRITICAL ACCLAIM FOR DEAD SPACE "Goldberg uses just about everything he can think of to send up the studio system, fandom, Star Trek , Trekkies, agents, actors... you name it, he'll make you laugh about it." Analog "An outrageously entertaining take on the loathsome folkways of contemporary showbiz," Kirkus Reviews "Mr. Goldberg has an observant eye and a wicked pen!" Washington Times "[It] reads like a modern-day Alice in Wonderland set against the venal world of the TV industry. It's wonderfully revealing and uncannily accurate," Vancouver Sun (Canada) "Some of the easily recognizable actors, agents and producers who are mercilessly ribbed may find it hard to crack a smile at the author's gag-strewn prose, likewise those seekers after politically correct entertainment. But the rest of us should have no trouble....the novel's satiric slant is strong enough to have an effigy of Goldberg beamed into outer space at the next Star Trek convention," Los Angeles Times "Pinnacle Pictures has decided to revive a 25-year-old cult sci-fi TV show called Beyond the Beyond, but somebody keeps killing off the new cast. Is it the Hollywood agent who eats human flesh? The aging actor who still thinks he's a starship captain? The fans who live only to attend conventions? This sharp roman a clef goes where no Hollywood satire has gone before-altering just enough facts to avoid the libel courts but still smacking of a certain je ne sais Trek . It probably won't make Goldberg, a television writer and producer (Baywatch, Spenser: For Hire, seaQuest), the most popular boy on the Paramount lot, but it's a stingingly funny novel just the same." Entertainment Weekly "The hilarious follow-up to Goldberg's witty debut, My Gun Has Bullets ...[this book] skewers the entertainment business, which Goldberg knows well," Oline Codgill, Knight-Ridder Newspapers "As in his riotous novel My Gun Has Bullets , TV writer/producer Goldberg once again bites the hand that feeds him, laughing all the while. Inspired silliness," Publishers Weekly

"Allison Weiss has a great job ... a handsome husband ... an adorable daughter ... and a secret. Allison Weiss is a typical working mother, trying to balance a business, aging parents, a demanding daughter, and a marriage. But when the website she develops takes off, she finds herself challenged to the point of being completely overwhelmed. Her husband's becoming distant, her daughter's acting spoiled, her father is dealing with early Alzheimer's, and her mother's barely dealing at all. As she struggles to hold her home and work life together, and meet all of the needs of the people around her, Allison finds that the painkillers she was prescribed for a back injury help her deal with more than just physical discomfort--they help her feel calm and get her through her increasingly hectic days. Sure, she worries a bit that the bottles seem to empty a bit faster each week, but it's not like she's some Hollywood starlet partying all night, or a homeless person who's lost everything. It's not as if she has an actual problem. However, when Allison's use gets to the point that she can no longer control--or hide--it, she ends up in a world she never thought she'd experience outside of a movie theater: rehab. Amid the teenage heroin addicts, the alcoholic grandmothers, the barely-trained "recovery coaches," and the counselors who seem to believe that one mode of recovery fits all, Allison struggles to get her life back on track, even as she's convincing herself that she's not as bad off as the women around her. With a sparkling comedic touch and tender, true-to-life characterizations, All Fall Down is a tale of empowerment and redemption and Jennifer Weiner's richest, most absorbing and timely story yet"--

O, The Oprah Magazine, Time Magazine, Financial Times, Esquire, Bustle, Lit Hub, Electric Literature, Library Journal, Brooklyn Based, Avenue BEST BOOK OF THE YEAR New York Times Editors' Choice "Superb. . . . Krauss's depictions of the nuances of sex and love, intimacy and dependence, call to mind the work of Natalia Ginzburg in their psychological profundity, their intellectual rigor. . . . Krauss's stories capture characters at moments in their lives when they're hungry for experience and open to possibilities, and that openness extends to the stories themselves: narratives too urgent and alive for neat plotlines, simplistic resolutions or easy answers." --Molly Antopol, New York Times Book Review "From a contemporary master, an astounding collection of ten globetrotting stories, each one a powerful dissection of the thorny connections between men and women. . . . Each story is masterfully crafted and deeply contemplative, barreling toward a shimmering, inevitable conclusion, proving once again that Krauss is one of our most formidable talents in fiction." --Esquire In one of her strongest works of fiction yet, Nicole Krauss plunges fearlessly into the struggle to understand what it is to be a man and what it is to be a woman, and the arising tensions that have existed from the very beginning of time. Set in our contemporary moment, and moving across the globe from Switzerland, Japan, and New York City to Tel Aviv, Los Angeles, and South America, the stories in To Be a Man feature male characters as fathers, lovers, friends, children, seducers, and even a lost husband who may never have been a husband at all. The way these stories mirror one other and resonate is beautiful, with a balance so finely tuned that the book almost feels like a novel. Echoes ring through stages of life: aging parents and new-born babies; young women's coming of age and the newfound, somewhat bewildering sexual power that accompanies it; generational gaps and unexpected deliveries of strange new leases on life; mystery and wonder at a life lived or a future waiting to unfold. To Be a Man illuminates with a fierce, unwavering light the forces driving human existence: sex, power, violence, passion, self-discovery, growing older. Profound, poignant, and brilliant, Krauss's stories are at once startling and deeply moving, but always revealing of all-too-human weakness and strength.

The Laws of Our Fathers opens with a spectacular drive-by shooting in one of Kindle County's most notorious drug-plagued housing projects. The victim is an aging white woman who has never been seen there before; within days her son, Nile Eddgar, a probation officer, is charged in connection with the crime. Nile's trial is presided over - and narrated by - Judge Sonia "Sonny" Klonsky, whom Turow's fans will remember from his second novel, The Burden of Proof. It brings together a vivid cast of characters from Sonny's student years during the turbulent sixties, among them Nile's father, Loyell Eddgar, once a leading campus revolutionary, and Sonny's old boyfriend Seth Weissman, who is now a renowned journalist. All have been permanently marked by the heady iconoclasm of their youth; some carry terrible secrets that come to bear on the case at hand in unforeseeable and explosive ways.

Is this what's in store? June 12, 2030 started out like any other day in memory—and by then, memories were long. Since cancer had been cured fifteen years before, America's population was aging rapidly. That sounds like good news, but consider this: millions of baby boomers, with a big natural predator picked off, were sucking dry benefits and resources that were never meant to hold them into their eighties and beyond. Young people around the country simmered with resentment toward "the olds" and anger at the treadmill they could never get off of just to maintain their parents' entitlement programs. But on that June 12th, everything changed: a massive earthquake devastated Los Angeles, and the government, always teetering on the edge of bankruptcy, was unable to respond. The fallout from the earthquake sets in motion a sweeping novel of ideas that pits national hope for the future against assurances from the past and is peopled by a memorable cast of refugees and billionaires, presidents and revolutionaries, all struggling to find their way. In 2030 , Albert Brooks' all-too-believable, dystopian imagining of where today's challenges could lead us tomorrow makes gripping and thought-provoking reading.

For more than forty years, Harry Turtledove has been the acknowledged master of one of science fiction's most durable sub-genres: the tale of alternate history. In the course of an incredibly prolific career, Turtledove has created a host of brilliantly imagined revisionist histories on subjects ranging from the American Civil War to the Byzantine Empire to the Second World War (in which an alien invasion plays an unexpected role.) His work includes standalone novels and multi-volume epics, along with an impressive array of short fiction, the best of which has been gathered in this generous, irreplaceable volume. The Best of Harry Turtledove opens with "Peace is Better," the first of three stories featuring Bill Williamson, the nine-foot-tall Sasquatch who serves as governor of the fictional state of Jefferson, a place where "everyone gets along, regardless of race or size." Or species. "Bonehunters" posits a world in which the extinction event that ended the reign of the dinosaurs never took place. Two subsequent stories, "Junior & Me" and the Melville-inspired novella, "The Quest for the Great Gray Mossy," continue to develop this scenario. "The Eighth Grade History Class Visits the Hebrew Home for the Aging" imagines a world in which Anne Frank survived and emigrated to the United States, where she recounts her experiences to a visiting middle school class. "But It Does Move" is the account of a fictional confrontation between Galileo and a leader of the Holy Inquisition. These are only a few of the people, places, and historical epochs you will encounter in this magisterial collection. The twenty-four stories in The Best of Harry Turtledove constitute a master class both in the technique of alternate history and in the art of narrative itself. Longtime Turtledove readers will take this book to their hearts. Newcomers will find themselves searching for more of the author's inimitable--and highly addictive--fiction. They have a lot to look forward to.

In their latest, greatest Marvel Masterworks, the Fantastic Four confront one of their oldest enemies - the Skrulls! And they'll have to do it as their older selves, after an aging weapon advances them to death's door! The talents of Marv Wolfman, Keith Pollard and John Byrne - in his FF debut - keep the story feisty, the art spry and the adventure fantastic. How could it not be when the world-devourer Galactus enters the fray with a new herald? As if that weren't enough, the cosmic Sphinx, scheming Monocle, combustible Blastaar, formidable Frightful Four and diabolical Salem's Seven keep the scope epic, the stakes absolute, and you on the edge of your seat! And H.E.R.B.I.E.? He's just keeping it real. COLLECTING: FANTASTIC FOUR (1961) 204-218, ANNUAL (1963) 14

"A successful commercial artist with a New York ad agency, he is the father of two sons from a first marriage who despise him and a daughter from a second marriage who adores him, He is the beloved brother of a good man whose physical well-being comes to arouse his bitter envy, and he is the lonely ex-husband of three very different women with whom he's made a mess of marriage. In the end he is a man who has become what he does not want to be." From the bookjacket.

Five years after Judd Apatow introduced us to Pete and Debbie in Knocked Up, Paul Rudd and Leslie Mann reprise their roles as the couple in the writer/director's This Is 40, a comedic look at the everyday life of an American family. What emerges is a portrait of the challenges and rewards of marriage and parenthood: sex and romance, career triumphs and financial hardships, aging parents and maturing children and everything in between. This Is 40 captures what it takes for a family to flourish in the middle of a lifetime together, rendered with the unique intimacy of a filmmaker collaborating with his own wife and children. The Newmarket Shooting Script Book includes: An introduction by writer/actor Lena Dunham written especially for this edition Judd Apatow's answers to "Five Obvious Questions" and an afterword on his writing/directing process The complete screenplay 35 color photographs Complete cast and crew credits

"A story of secrets, loss, and the betrayals of memory: a lyrical novel of an aging woman confronting her romantic past under the mysterious skies of her island home Off the coast of Georgia, near Savannah, generations have been tempted by strange blue lights in the sky near an island called Lyra. At the height of WWII, impressionable young Elle Ranier comes to the island when her new husband, Simon, is dispatched by his industrialist father to find the source of the mysterious lights. There they will live for decades, raising a family while employing much of the island's population in a quixotic campaign to find and exploit the elusive minerals rumored to lurk offshore. Fifty years later, as Simon's business is shuttered in disarray, Elle looks back at her life on the mysterious island--and at a secret she herself has guarded for decades. As her memory recedes, her life seems a tangle of questions: How did the business survive so long without ever finding the legendary Lyra stones? How did her own life crumble under treatment for depression? And what became of the other man they brought to the island--handsome, raffish Gabriel, who risked everything to follow the light to its source? With echoes of We Are Not Ourselves and even Jean Rhys's Wide Sargasso Sea, The Stars Are Not Yet Bells is a darkly romantic story of the tantalizing, faithless relationship between ourselves and the lives and souls we leave behind"--

Laugh till you cry in this new collection of stories from the award-winning "Serena Williams of humor writing" ( New York Times Book Review ) about raising babies and trying not to be one. Called a "comedic Godsend" by Conan O'Brien and "the Stephen King of comedy writing" by John Mulaney, Simon Rich is back with New Teeth, his funniest and most personal collection yet. Two murderous pirates find a child stowaway on board and attempt to balance pillaging with co-parenting. A woman raised by wolves prepares for her parents' annual Thanksgiving visit. An aging mutant superhero is forced to learn humility when the mayor kicks him upstairs to a desk job. And in the hard-boiled caper "The Big Nap," a weary two-year-old detective struggles to make sense of "a world gone mad." Equal parts silly and sincere, New Teeth is an ode to growing up, growing older, and what it means to make a family.

Strange things are happening in London, 1895. Someone kills a theater critic. There's a throat-slashing at the Savoy. A police surgeon disappears, taking two corpses with him. Then it gets really bizarre.Some of the theater's most fashionable and creative names are Bernard Shaw, a struggling writer; Bram Stoker, a shady box office clerk; Henry Irving, an aging star; and Oscar Wilde, a controversial wit. Scotland Yard is baffled by what appears to be a string of unrelated cases. But to Sherlock Holmes, it's elementary, a maniac is on the loose. And his name is Jack."Sherlock Holmes didn't die with Conan Doyle. He lives on through the pen of Nicholas Meyer." (B-O-T Editorial Review Board)

An Independent Woman continues the story of Barbara Lavette, the charismatic heroine of Second Generation, The Establishment, The Legacy, and The Immigrant's Daughter. Gently aging but as strong-willed as ever, she has become the matriarch of the large and powerful Lavette clan, whom everyone turns to for guidance and for the strength of her faith in the human spirit. After years as a liberal journalist, Barbara discovers the joys of a real love when she meets and marries Philip Carter, a Unitarian minister. Yet upon their return home to San Francisco from a romantic honeymoon in Europe and Israel, Barbara faces a test that proves to be more challenging and harrowing than anything that has come before.

From the author of Devil in a Blue Dress comes "the most powerful and poetic novel about black life in America since Ralph Ellison's Invisible Man (Digby Diehl, Playboy). RL's Dream, the first work of his to break from his mystery series, focuses on an aging bluesman named Soupspoon Wise.

A collection of short stories chronicling the plight of aging millennials as they enter their middle ages.

A rich and witty classic novel of love, community and home from the award-winning and best-loved Eva Ibbotson. Now reissued with a brand-new cover. Susanna Weber's dress shop stands in the picturesque Madensky Square, a quiet little world of its own, nestled in the heart of glittering pre-war Vienna.As the winter of 1910 unfurls into spring, Susanna starts a journal about life in the Square, about the buildings and their colourful inhabitants. There's Frau Schumacher, with six daughters and a baby on the way, Professor Starsky and his menagerie of sickly reptiles, an aging bookseller, a teenaged Anarchist, and little Sigi - an orphaned child prodigy forced to play the piano all day, every day.And then there's her dear friend Alice, the only person who has noticed the heartbreak that hides beneath Susanna's brisk kindness and brilliant talent.A whip-smart observation of the passions and tragedies behind daily life, Eva Ibbotson's Madensky Square is a classic snapshot of Viennese life before WWI.

Meet Viva Cohen: her bedroom walls are plastered with posters of silver-screen legends, and underneath her school uniform she wears vintage thigh-high stockings. Her best friends are a drugged-out beauty queen and an aging rock star. She lives in London with her gay uncle Manny. A bitingly funny and fiercely intelligent first novel, "Namedropper" takes you on a rowdy romp from London to Los Angeles, where Viva and her two best friends search for love, experience, and Jack Nicholson. It's a wild ride as she uncovers the icon in every person she meets.

Struggling to hold on to the illusion of youth, Friedan wrote, we have denied the reality and evaded the new triumphs of growing older. We have seen age only as decline. In this powerful and very personal book, Betty Friedan charted her own voyage of discovery, and that of others, into a different kind of aging. Friedan found ordinary men and women, moving into their fifties, sixties, seventies, discovering extraordinary new possibilities of intimacy and purpose. In their surprising experiences, Friedan first glimpsed, then embraced, the idea that one can grow and evolve throughout life in a style that dramatically mitigates the expectation of decline and opens the way to a further dimension of "personhood." The Fountain of Age suggests new possibilities for every one of us, all founded on a solid body of startling but little-known scientific evidence. It demolishes those myths that have constrained us for too long and offers compelling alternatives for living one's age as a unique, exuberant time of life, on its own authentic terms.