ONE OF THE NEW YORK TIMES’ 100 BEST BOOKS OF THE 21ST CENTURY “A master novelist's haunting parable about our troubled modern moment." —The Wall Street Journal “By turns unnerving, hilarious, and sad. . . . It is a book that shows how the public zeitgeist can shape, even destroy, an individual's life." —The New York Times “The best novel he has written.” —The Times Literary Supplement It is 1998, the year in which America is whipped into a frenzy of prurience by the impeachment of a president, and in a small New England town, an aging classics professor, Coleman Silk, is forced to retire when his colleagues decree that he is a racist. The charge is a lie, but the real truth about Silk would have astonished even his most virulent accuser. Coleman Silk has a secret, one which has been kept for fifty years from his wife, his four children, his colleagues, and his friends, including the writer Nathan Zuckerman. It is Zuckerman who stumbles upon Silk’s secret and sets out to reconstruct the unknown biography of this eminent, upright man, esteemed as an educator for nearly all his life, and to understand how this ingeniously contrived life came unraveled.

"Allison Weiss has a great job ... a handsome husband ... an adorable daughter ... and a secret. Allison Weiss is a typical working mother, trying to balance a business, aging parents, a demanding daughter, and a marriage. But when the website she develops takes off, she finds herself challenged to the point of being completely overwhelmed. Her husband's becoming distant, her daughter's acting spoiled, her father is dealing with early Alzheimer's, and her mother's barely dealing at all. As she struggles to hold her home and work life together, and meet all of the needs of the people around her, Allison finds that the painkillers she was prescribed for a back injury help her deal with more than just physical discomfort--they help her feel calm and get her through her increasingly hectic days. Sure, she worries a bit that the bottles seem to empty a bit faster each week, but it's not like she's some Hollywood starlet partying all night, or a homeless person who's lost everything. It's not as if she has an actual problem. However, when Allison's use gets to the point that she can no longer control--or hide--it, she ends up in a world she never thought she'd experience outside of a movie theater: rehab. Amid the teenage heroin addicts, the alcoholic grandmothers, the barely-trained "recovery coaches," and the counselors who seem to believe that one mode of recovery fits all, Allison struggles to get her life back on track, even as she's convincing herself that she's not as bad off as the women around her. With a sparkling comedic touch and tender, true-to-life characterizations, All Fall Down is a tale of empowerment and redemption and Jennifer Weiner's richest, most absorbing and timely story yet"--

O, The Oprah Magazine, Time Magazine, Financial Times, Esquire, Bustle, Lit Hub, Electric Literature, Library Journal, Brooklyn Based, Avenue BEST BOOK OF THE YEAR New York Times Editors' Choice "Superb. . . . Krauss's depictions of the nuances of sex and love, intimacy and dependence, call to mind the work of Natalia Ginzburg in their psychological profundity, their intellectual rigor. . . . Krauss's stories capture characters at moments in their lives when they're hungry for experience and open to possibilities, and that openness extends to the stories themselves: narratives too urgent and alive for neat plotlines, simplistic resolutions or easy answers." --Molly Antopol, New York Times Book Review "From a contemporary master, an astounding collection of ten globetrotting stories, each one a powerful dissection of the thorny connections between men and women. . . . Each story is masterfully crafted and deeply contemplative, barreling toward a shimmering, inevitable conclusion, proving once again that Krauss is one of our most formidable talents in fiction." --Esquire In one of her strongest works of fiction yet, Nicole Krauss plunges fearlessly into the struggle to understand what it is to be a man and what it is to be a woman, and the arising tensions that have existed from the very beginning of time. Set in our contemporary moment, and moving across the globe from Switzerland, Japan, and New York City to Tel Aviv, Los Angeles, and South America, the stories in To Be a Man feature male characters as fathers, lovers, friends, children, seducers, and even a lost husband who may never have been a husband at all. The way these stories mirror one other and resonate is beautiful, with a balance so finely tuned that the book almost feels like a novel. Echoes ring through stages of life: aging parents and new-born babies; young women's coming of age and the newfound, somewhat bewildering sexual power that accompanies it; generational gaps and unexpected deliveries of strange new leases on life; mystery and wonder at a life lived or a future waiting to unfold. To Be a Man illuminates with a fierce, unwavering light the forces driving human existence: sex, power, violence, passion, self-discovery, growing older. Profound, poignant, and brilliant, Krauss's stories are at once startling and deeply moving, but always revealing of all-too-human weakness and strength.

"A story of secrets, loss, and the betrayals of memory: a lyrical novel of an aging woman confronting her romantic past under the mysterious skies of her island home Off the coast of Georgia, near Savannah, generations have been tempted by strange blue lights in the sky near an island called Lyra. At the height of WWII, impressionable young Elle Ranier comes to the island when her new husband, Simon, is dispatched by his industrialist father to find the source of the mysterious lights. There they will live for decades, raising a family while employing much of the island's population in a quixotic campaign to find and exploit the elusive minerals rumored to lurk offshore. Fifty years later, as Simon's business is shuttered in disarray, Elle looks back at her life on the mysterious island--and at a secret she herself has guarded for decades. As her memory recedes, her life seems a tangle of questions: How did the business survive so long without ever finding the legendary Lyra stones? How did her own life crumble under treatment for depression? And what became of the other man they brought to the island--handsome, raffish Gabriel, who risked everything to follow the light to its source? With echoes of We Are Not Ourselves and even Jean Rhys's Wide Sargasso Sea, The Stars Are Not Yet Bells is a darkly romantic story of the tantalizing, faithless relationship between ourselves and the lives and souls we leave behind"--

Deborah Eisenberg is nearly unmatched in her mastery of the short story form. Now, in her newest collection, she demonstrates once again her virtuosic abilities in precisely distilled, perfectly shaped studies of human connection and disconnection. From a group of friends whose luck in acquiring a luxurious Manhattan sublet turns to disaster as their balcony becomes a front-row seat to the catastrophe of 9/11; to the Roman holiday of a schoolteacher running away from the news of her ex-husband's life-threatening illness, and her unlikely guide, a titled art scout in desperate revolt against his circumstances and aging; to the too painful love of a brother for his schizophrenic sister, whose tragic life embitters him to the very idea of family, Eisenberg evokes, in brooding passionate and brilliant prose, a brutally honest portrait of our lives today, showing us truths which are both poetic and deeply political. 'Like Alice Munro, virtually her only equal in the field, Deborah Eisenberg seems incapable of writing a bad short story . . . Eisenberg's writing at times approaches the beauty of a line of poetry. She manipulates her readers with a master's blend of humor and poignancy. Her stories are wondrous' San Francisco Chronicle

A profoundly unsettling collection of tales of Americans caught up in the ethnic, religious, social, economic, and political conflicts of modern day Israel, by an astonishing new voice. In a land where sudden death is an everyday fact of life, a boy dodges bullets and searches through rubble for news of his soldier father. An aging rabbi?s faith is tested by a crippling, seemingly supernatural affliction. A middle-aged man comforts his Holocaust-survivor mother as she faces senility, convinced that Nazis are conspiring against her. And the mysterious biblical red heifer makes a startling appearance in the midst of a decidedly contemporary struggle. In these unsettling tales, the remarkable Jon Papernick transports us to modern-day Israel, a country torn by war, strife, and controversy throughout the history of its statehood. Giving voice to striking characters--Israelis, Palestinians, and Americans; Arabs, Christians, and Jews--caught in the ethnic, religious, social, and political conflicts of a dangerous region, Papernick brings the images we glimpse from afar, in newspapers and on television, chillingly to life. By turns starkly realistic and allegorically fantastic, these tales chronicle the conflict from the inside and illuminate the suffering and anger experienced by those on all sides. In?An Unwelcome Guest,? a young Jewish settler from New York plays a deadly game of backgammon with a ghostly old Arab while his pregnant wife sleeps unaware. In?The King of the King of Falafel,? a restaurant rivalry ends in apocalyptic violence. In "Lucky Eighteen," two young Americans living in Jerusalem as the Oslo accords collapse juggle political activism and a devastating love triangle--under the dark specter of suicide bombings. And in the brilliant, horrifying title story, a lonely shepherd wanders a broken no-man's-land, carrying with him the burden of an unspeakable act. In these haunting and strangely beautiful stories, the tragic carnage of the Middle East is rendered in unforgettable form. Suffused with rage, violence, humor, magic, and religion, this gripping collection leaves a profound impact. Evenhanded yet passionate, shocking yet hopeful, The Ascent of Eli Israelheralds the arrival of a masterful storyteller. Please visit.

In this psychologically complex and darkly humorous debut collection, awardwinning writer Henry Shukman introduces an unforgettable cast of characters, travelers whose certain paths around the world lead invariably back to the uncertain self. In “The Garden of God” an aging, ailing war reporter reflects on his adventures covering a little-known conflict in the Sahara and the precipitous and disgraced end of his career; In “Old Providence,” a dissolute artist mourns a lost love and the “bloody perfect island” where, through his own callow foolishness, he lost her. In “Darien Dogs” a man goes south to Panama, desperate for a business deal that will restore his finances and sense of mastery, only to find himself on a confounding search for a beautiful, mysterious woman and his stolen wallet. By turns full of suspense, farce and poignance, always alive with energy and atmosphere, these are the stories of a gifted and assured writer.

The Jordan Rift Valley, stretching from the Red Sea to Lebanon, was ripped open millions of years ago by vast forces within the earth. This geological object has also been a part of human history ever since early humans used it as a path in their journey out of Africa. And for a quarter of a century it has been part of the biography of Israeli writer Haim Watzman. In the autumn of 2004, as his country was riven by a fierce debate over its borders, Watzman took a two-week journey up the valley. Along the way he met scientists who try to understand the rift through the evidence lying on its surface--an archaeologist who reconstructs the fallen altars of a long-forgotten people, a zoologist whose study of bird societies has produced a theory of why organisms cooperate, and a geologist who thinks that the valley will some day be an ocean. He encountered people whose life and work on the shores of the Dead Sea and Jordan River have led them to dream of paradise and to seem to build Gardens of Eden on earth--a booster for a chemical factory, the director of a tourist site, and an aging socialist farmer who curates a museum of idols. And he discovered that the geography’s instability is mirrored in the volatility of the tales that people tell about the Sea of Galilee. As an observant Jew who has written extensively about science and scholarship, Watzman tries to understand the valley in all its complexity--its physical facts, its role in human history and his own life, and the myths it has engendered. He realizes that human beings can never see the rift in isolation. "It is the stories that men and women have told to explain what they see and what they do as a result that create the rift as we see it,” he writes. "As hard as we try to comprehend the landscape itself, it is humanity that we find. Watzman’s poetic evocation of the scientific and the human is a unique chronicle of a quest for knowledge. Finalist, Sami Rohr Prize for Jewish Literature, 2008.

Grand Avenue, a street in the center of the northern California town of Santa Rosa where "everybody's connected to everybody, " is home not only to Pomo Indians making a life outside of the reservation but also to Mexicans, blacks, and some Portuguese, all trying to find their way among the many obstacles in their turbulent world. Bound together by a lone ancestor, the lives of the Native Americans from the core of these stories - tales full of cures, poison, family healing rituals, and a kind of humor that allows the inhabitants of Grand Avenue to see their own foibles with a saving grace. A teenage girl falls in love with a crippled horse marked for slaughter . . . an aging healer summons his strength for one final song . . . a father seeks a bond with his illegitimate son . . . a mother searches for the power to care for her cancer-stricken daughter's spirit. Here is a tapestry of lives rendered with the color, wisdom, and quest for meaning of the traditional tale-telling in which they are rooted. Vibrant with the emotions and realities of a changing world, these stories are all equally stunning and from the heart.

A captivating novel about aging fathers and their grown daughters, childhood scars, and rewriting the script with a little help from Shakespeare, from the acclaimed author of My October . On the brink of forty, Bea Rose has lost her lover, her business, and her bearings. When the opportunity arises to work on a summer production of King Lear to be staged in various parks around Montreal, she takes it, despite her utter lack of theatre experience. Things get off to a rocky start when Bea meets the artistic director, Artie White, a childhood friend whose presence stirs up painful memories. Then, inadvertently attracting the attentions of the play's aging star, she learns that she must tread carefully among the egos and relationships of the company. At the same time, Bea's father begins behaving erratically, and her younger sister Cara discovers cracks in the foundation of an apparently perfect life. The sisters do their best to care for their beloved, demanding father, but his deteriorating condition is more than they can handle. Meanwhile, the star of Lear is also faltering amidst the confusions of age, illness, and regret. When a raucous party whirls out of control, the various forces in Bea's life collide, culminating in a violent act that could destroy more than one life. But that act also reveals how lives might be united in new ways. Tender, vivid, and powerful, Lear's Shadow is a richly satisfying meditation on love's power to bind and to liberate. It's a lyrical reminder that even in the face of grief, life's joy can be embraced.

"A polyphonic novel set over the course of three days, Midnight is Not in Everyone's Reach is a stunning meditation on memory and time from Antonio Lobo Antunes, considered by many to be Portugal's greatest living writer. The year is 2011, and our aging narrator has returned to Alto da Vigia to say goodbye to the house where her family spent summers during her childhood. Divided into three sections, one for each day that she spends at the home, Midnight is Not in Everyone's Reach unspools in torrents of dialogue and surreal, feverish scenarios. Over these three days, the dead return to life, time splinters and freezes, and conversations flow from the past into the present and back again, as we journey across the narrator's corrosive psyche toward our real destination-the place inside herself where the family's grief-stricken secrets are kept"--

From one of the preeminent intellectual figures of the twentieth century, a highly personal testimonial of what Canetti himself chooses to term "notations," bits and pieces: notes, aphorisms, fragments. Taken together, they present an awesomely tender, guiltily gloomy meditation on death and aging. " A mosaical portrait of an old body's mind determined to do its exercises and not lose a step--and fascinating for that." - Kirkus Reviews

Delightfully quirky and willing to go where few other novels dare, The Swift Seasons takes readers deep into the lives of octogenarians in a retirement community as they learn to live with themselves and each other. At the heart of the story is Willa Warsaw, a childless and recent widow in her eighties who spends her days poring over the writing of Oliver Wendell Holmes and daydreaming. Naturally shy and a bit reclusive, Willa finds herself unaccountably drawn to the newest member of the community-former opera singer Eric Ravelle. Eric and Willa connect over their shared voice disorders, finding comfort in each other. But as their relationship deepens over the passing days, so do their health issues, bringing up very real concerns about their future together. Full of memorable characters, sharp insights into aging, and the wisdom of Oliver Wendell Holmes, The Swift Seasons is a treasured gift, a celebration of living long enough to grow old, and a meditation on things that endure or change as we age.