We all age differently, but we can learn from shared experiences and insights. The conversations, or paired essays, in Aging Thoughtfully combine a philosopher's approach with a lawyer-economist's. Here are ideas about when to retire, how to refashion social security to help the elderly poor, how to learn from King Lear -- who did not retire successfully -- and whether to enjoy or criticize anti-aging cosmetic procedures. Some of the concerns are practical: philanthropic decisions, relations with one's children and grandchildren, the purchase of annuities, and how to provide for care in old age. Other topics are cultural, ranging from the treatment of aging women in a Strauss opera and various popular films, to a consideration of Donald Trump's (and other men's) marriages to much younger women. These engaging, thoughtful, and often humorous exchanges show how stimulating discussions about our inevitable aging can be, and offer valuable insight into how we all might age more thoughtfully, and with zest and friendship.

From one of the preeminent intellectual figures of the twentieth century, a highly personal testimonial of what Canetti himself chooses to term "notations," bits and pieces: notes, aphorisms, fragments. Taken together, they present an awesomely tender, guiltily gloomy meditation on death and aging. " A mosaical portrait of an old body's mind determined to do its exercises and not lose a step--and fascinating for that." - Kirkus Reviews

In this illuminating philosophical book, Jabes, who died in 1991 and lived in France after being forced to leave Egypt with other native-born Jews during the Suez War, ruminates on the link between being Jewish and being mislabeled as a foreigner. It is also an indictment of bigotry. Jabes writes, "the basic racist is the man who refuses himself as he is. . . . The antisemite can never forgive the Jews for being capable of self-realization . . . . " Elsewhere he observes in verse on his own experience of exile: "I left a land not mine / for another, not mine either. / I took refuge in a word of ink with the book for space, / word from nowhere, obscure word of the desert. " His seamless style brings to mind both religious and French existential writings, although some musings reach heights too abstract to follow: "We must from now on grant citizen's rights to the foreigner's new name: the foreign I . / Foreign Me, foreign You designated by the I. " Here, too, Jabes ( The Book of Questions ) evokes powerful images of the desert to underscore a mood of isolation and comments wisely about aging and power. --