The Jordan Rift Valley, stretching from the Red Sea to Lebanon, was ripped open millions of years ago by vast forces within the earth. This geological object has also been a part of human history ever since early humans used it as a path in their journey out of Africa. And for a quarter of a century it has been part of the biography of Israeli writer Haim Watzman. In the autumn of 2004, as his country was riven by a fierce debate over its borders, Watzman took a two-week journey up the valley. Along the way he met scientists who try to understand the rift through the evidence lying on its surface--an archaeologist who reconstructs the fallen altars of a long-forgotten people, a zoologist whose study of bird societies has produced a theory of why organisms cooperate, and a geologist who thinks that the valley will some day be an ocean. He encountered people whose life and work on the shores of the Dead Sea and Jordan River have led them to dream of paradise and to seem to build Gardens of Eden on earth--a booster for a chemical factory, the director of a tourist site, and an aging socialist farmer who curates a museum of idols. And he discovered that the geography’s instability is mirrored in the volatility of the tales that people tell about the Sea of Galilee. As an observant Jew who has written extensively about science and scholarship, Watzman tries to understand the valley in all its complexity--its physical facts, its role in human history and his own life, and the myths it has engendered. He realizes that human beings can never see the rift in isolation. "It is the stories that men and women have told to explain what they see and what they do as a result that create the rift as we see it,” he writes. "As hard as we try to comprehend the landscape itself, it is humanity that we find. Watzman’s poetic evocation of the scientific and the human is a unique chronicle of a quest for knowledge. Finalist, Sami Rohr Prize for Jewish Literature, 2008.

"Orenstein is such a breezy, funny writer, it's easy to forget she's an important thinker too."--People In this lively, funny memoir, Peggy Orenstein sets out to make a sweater from scratch--shearing, spinning, dyeing wool--and in the process discovers how we find our deepest selves through craft. Orenstein spins a yarn that will appeal to everyone. The COVID pandemic propelled many people to change their lives in ways large and small. Some adopted puppies. Others stress-baked. Peggy Orenstein, a lifelong knitter, went just a little further. To keep herself engaged and cope with a series of seismic shifts in family life, she set out to make a garment from the ground up: learning to shear sheep, spin and dye yarn, then knitting herself a sweater. Orenstein hoped the project would help her process not just wool but her grief over the recent death of her mother and the decline of her dad, the impending departure of her college-bound daughter, and other thorny issues of aging as a woman in a culture that by turns ignores and disdains them. What she didn't expect was a journey into some of the major issues of our time: climate anxiety, racial justice, women's rights, the impact of technology, sustainability, and, ultimately, the meaning of home. With her wry voice, sharp intelligence, and exuberant honesty, Orenstein shares her year-long journey as daughter, wife, mother, writer, and maker--and teaches us all something about creativity and connection.

An introduction to the various parts and functions of the human body, including such aspects as breathing, talking, the circulatory system, the senses, the skin, hair and nails, reproduction, and aging and dying.