A hardcover edition of this book was published in 2015... First William Morrow paperback edition published 2016. Second William Morrow paperback edition published 2021."--Title page verso./ Includes the novella How the marquis got his coat back./ Published in 1997, Neil Gaiman's first novel, Neverwhere is the story of Richard Mayhew, a young London businessman with a good heart and an ordinary life, which is changed forever when he discovers a girl bleeding on the sidewalk. He stops to help her -- an act of kindness that plunges him into a world he never dreamed existed. Slipping through the cracks of reality, Richard lands in Neverwhere -- a London of shadows and darkness, monsters and saints, murderers and angels that exists entirely in a subterranean labyrinth. Neverwhere is home to Door, the mysterious girl Richard helped in the London Above. Here in Neverwhere, Door is a powerful noblewoman who has vowed to find the evil agent of her family's slaughter and thwart the destruction of this strange underworld kingdom. If Richard is ever to return to his former life and home, he must join Lady Door's quest to save her world -- and may well die trying.

By 1972 Richard Nixon had ended the Vietnam war, achieved diplomatic breakthroughs with Russia and China, presided over a period of economic stability at home, and was on the verge of a landslide re-election . . . until he decided to cover up a third-rate burglary. Watergate was one of the largest scandals in American history and two years later Nixon would resign the presidency—but with neither an admission of guilt nor any sign of remorse. In a drama "as thought-provoking as it is gripping and entertaining" (Charles Spencer, Th e Daily T e l e graph ), acclaimed screenwriter Peter Morgan examines how a British playboy, talk-show host managed what no other journalist or prosecutor could: to extract a confession from our most notorious statesman.

From the Pulitzer Prize-winning author of Angels in America comes this powerful portrayal of individual dissolution and resolution in the face of political catastrophe. "Tony Kushner's A BRIGHT ROOM CALLED DAY ... is unabashedly political, thought-provoking, a little scary, and frequently a good deal of theatrical fun ... BRIGHT ROOM is ... an examination of Nazi Germany in an attempt to shed insight on our own time. It's brash, audacious, and, depending on your politics, anything from infuriatingly naïve to intoxicatingly visionary. In its 1932-33 span, it tells of a group of Berlin artists and friends, with varying degrees of communist leanings, and of the changes in their lives as democracy falls and Adolph Hitler takes over." -Sid Smith, Chicago Tribune "It's fun to see a show this engaged. This passionate and ready to talk. Wild, uneven, pugnacious, ragged, committed, smart, dumb, satirical, and utterly serious ... Always dramatically and intellectually forceful. And most important, always passionately committed. More than a diatribe against Reagan or a falling-into-the-Nazi-abyss history play, A BRIGHT ROOM CALLED DAY is an assertion of the need for commitment." -Anthony Adler, The Reader

A very wealthy businessman buys a plane to carry his fianc�e, a non-US citizen, into Canada. However, an unexpected landing of the plane prompts an investigation into the man's affairs based on his tax payment history. As his assistant tries to help him put things back together, secrets are revealed, and it is discovered the man is a powerful political insider who's been evading tax law. The investigation deepens and his future is even more at risk.

This Student Edition of Broken Glass is perfect for students of literature and drama and offers an unrivalled and comprehensive guide to Miller's play. It features an extensive introduction by Alan Ackerman which includes a chronology of Miller's life and times, a summary of the plot and commentary on the characters, themes, language, context and production history of the play. Together with over twenty questions for further study and detailed notes on words and phrases from the text, this is the definitive edition of the play. Set in Brooklyn in 1938, Broken Glass is Miller's moving study of marital relations, Jewish identity and anti-Semitism that won the Olivier Award for Best New Play in 1994. Sylvia Gellburg is stricken by a mysterious paralysis in her legs for which the doctor can find no cause. He soon realises that she is obsessed by the devastating news from Germany, where government thugs have begun smashing Jewish stores. But through a series of meetings with her husband Phillip he learns that this experience is intermeshed with their strange relationship and the deceptions and hostilities that lie at the heart of their marriage. Professor Alan Acklerman's expertly edited edition of the play provides a wide-ranging study of Kristallnacht, and of American and European responses to the Holocaust, the situation of Jews in America from the 1930s to the 1990s, the Great Depression and other Holocaust and Jewish drama.

The Faber Classic Screenplay Series presents the very best writing from the history of cinema. Sweet Smell of Success is the smartest, most cynical American film of the 1950s. Written by Ernest Lehman ( North by Northwest , The Sound of Music ) and the celebrated leftist playwright Clifford Odets, it is a vicious dissection of the world of public relations and journalism which conjures up a wprld of creeping hysteria and acid disenchantment. Tony Curtis playing the Scuttling press agent Sidney Falco, and Burt Lancaster as the colimnist J.J. Hunsecker, gave the performances of their careers. With a specially commissioned introduction by Lehman, and an appreciation of the film's director, Alexander Mackendrick, by James Mangold. The Faber Classic Screenplay Series presents the very best writing from the history of cinema. Sweet Smell of Success is the smartest, most cynical American film of the 1950s. Written by Ernest Lehman ( North by Northwest , The Sound of Music ) and the celebrated leftist playwright Clifford Odets, it is a vicious dissection of the world of public relations and journalism which conjures up a wprld of creeping hysteria and acid disenchantment. Tony Curtis playing the Scuttling press agent Sidney Falco, and Burt Lancaster as the colimnist J.J. Hunsecker, gave the performances of their careers. With a specially commissioned introduction by Lehman, and an appreciation of the film's director, Alexander Mackendrick, by James Mangold.

"Listen to the dialogue: no other American dramatist has this feel for the ordinary talk of ordinary people, or the knowledge of what they do. This is more than a writer's craft, it is a psychological and moral openness to humanity, an act not of imitating, but of sharing". Sunday Times This fourth anthology features Arthur Miller's two early plays, The Golden Years , a historical tragedy about Montezuma's destruction at the hands of Cortez, and The Man Who Had All the Luck , a fable about human freedom and individual responsibility, are brought together in this volume. It also features two of his contemporary shorter plays, I Can't Remember Anything and Clara , first presented on a double bill as Danger! Memory . The latter focus on the importance and dangers of remembering the past, while the early plays, written at the time of the Second World War, mark the emergence of a drama in which public issues are rooted in private anxieties and chart the beginning of Miller's career that was one of the most distinguished in dramatic history. First produced in 1944 and revived in London in 2008, The Man Who Had All the Luck is a mesmerising drama in which the author's brilliance and characteristic qualities are already evident: The fourth volume of Miller's plays has been reissued with a new cover and features an introduction by the author and a chronology of his work.

Stella Adler was one of the most influential acting teachers of all time, a legendary force of nature whose generations of students include Marlon Brando, Karl Malden, Anthony Quinn, Diana Ross, Robert De Niro, Warren Beatty, Annette Benning, and Mark Ruffalo. This long-awaited companion to her book on the master European playwrights brings to life America’s most revered playwrights, whom she knew, loved, and worked with. Brilliantly edited by Barry Paris, Adler’s lectures on the giants of twentieth-century theater feature her indispensable insights into such classic plays as “Long Day’s Journey into Night,” “The Skin of Our Teeth,” “A Streetcar Named Desire,” “Come Back, Little Sheba,” “The Glass Menagerie,” and “Death of a Salesman,” while shedding new light on such lesser known gems as Tennessee Williams’s “The Lady of Larkspur Lotion” and Arthur Miller’s “After the Fall.” Illuminating, revelatory, inspiring—this is Stella Adler at her electrifying best.

Although Lillian Hellman and Mary McCarthy probably only met once in their lives, their names will be linked forever in the history of American literary feuds: they were legendary enemies, especially after McCarthy famously announced to the world that every word Hellman wrote was a lie, "including 'and' and 'the.'" The public battle, and the legal squabbling, that ensued ended, unsatisfactorily for all, with Hellman's death. In Imaginary Friends," Nora Ephron brilliantly and hilariously resuscitates these two bigger-than-life women to give them a post-mortem second act, and the chance to really air their differences.

Adapted from Daniel Woodrell's novel, Ride with the Devil tells the epic story of a group of young Bushwackers - Missouri guerilla fighters who waged a desperate and bloody battle against Union occupiers during the American Civil War. As the war progresses, two of the fighters - a former slave and the son of an immigrant worker - find they have more in common with each other than with their fellow fighters, who begin to suspect them of treason. This book includes a foreward by Ang Lee, and introduction by Schamus in which he discusses the challenge of bringing novels to life on the screen, and copious notes detailing how the finished film differs from the production script - and explaining the behind-the-scenes reasons why.

Full Length Comedy / 5m 2f / Scenery: Interior Al and Willie as "Lewis and Clark" were top-billed vaudevillians for over forty years. Now they aren't even speaking. When CBS requests them for a "History of Comedy" retrospective a grudging reunion brings the two back together along with a flood of memories miseries and laughs. "It's ham on wry...Simon's sure footed craftsmanship and his one liners are as exquisitely apt as ever."-New York Post "Delicious and oddly affecting."-T

Winner of Five Obies, now back in print after fifteen years, a stage adaptation of classic stories by Hawthorne and Melville In the three plays in The Old Glory--Endecott and the Red Cross ; My Kinsman, Major Molineux ; and Benito Cereno --the most powerful figure in postwar American poetry confronts the most haunting American fiction writers of the nineteenth century. The result is a mythical, nightmare history of three centuries in America. In Endecott and the Red Cross, Hawthorne's Puritan governor, horrified by his colony's high living, declares, "Everything in America will be Bible, blood and iron. / England will no longer exist." The other two plays, based on Hawthorne's My Kinsman, Major Molineux and Melville's Benito Cereno , take up the themes of parricide and independence: one in Boston on the eve of the Revolutionary War, the other on a merchant ship in the Caribbean in the early nineteenth century. The plays were first performed in 1964, when the poet Randall Jarrell wrote: "I have never seen a better American play than Benito Cereno , the major play in Robert Lowell's The Old Glory . . . The play is a masterpiece of imaginative knowledge."

A Rolls Royce Silver Cloud drove him to airports; the British film industry kowtowed to his power; the great Hollywood studios fawned at his feet.Sir Alexander Korda, one of the world's most flamboyant movie tycoons, rose from obscurity in rural Hungary to become a legendary filmmaker. With him were his brothers, Zoltan and Vincent, all living charmed lives in circles that included H. G. Wells, Sir Lawrence Olivier, Marlena Dietrich, Vivien Leigh, and Merle Oberon, who was soon to be Alex's wife. But along with Alex's flair for success was an equally powerful impulse for destruction. Now, Vincent's son, Michael Korda, in the first book of his memoirs, recalls the enchanted figures of his childhood...the glory days of the Korda brothers' great films...and then their heartbreaking, tragic end.

The complete memoirs of Neil Simon, the greatest—and most successful—American playwright of all time, the author of such iconic works as Lost in Yonkers , The Odd Couple , Biloxi Blues , and The Goodbye Girl , now with an insightful Introduction by Nathan Lane. This omnibus edition combines Neil Simon’s two memoirs, Rewrites and The Play Goes On , into one volume that spans his extraordinary five-decade career in theater, television, and film. Rewrites takes Simon through his first love, his first play, and his first brush with failure. There is the humor of growing up in Washington Heights (the inspiration for his play Brighton Beach Memoirs ) where, despite his parents’ rocky marriage and many separations, he learned to see the funny side of family drama, as when his mother thought she saw a body on the floor in their apartment—and it turned out to be the clothes his father discarded in the hallway after a night of carousing. He describes his marriage to his beloved wife, Joan, and writes lucidly about the pain of losing her to cancer. The Play Goes On adds to his life’s story, as he wins the Pulitzer Prize and reflects with humor and insight on his tumultuous life and meteoric career. “Neil Simon’s terrific memoirs are worth revisiting” ( New York Post ). Now, with the whole story in one place, he traces the history of modern entertainment over the last fifty years as seen through the eyes of a man who started life the son of a garment salesman and became the greatest—and most successful—American playwright of all time.

Larry Kramer has been described by Susan Sontag as "one of America's most valuable troublemakers." As Frank Rich writes in his Foreword to this new collection of writings for the screen and stage, "his plays are almost journalistic in their observation of the fine-grained documentary details of life ... that may well prove timeless." The title work, the Oscar-nominated screenplay for Women in Love, is a movie "as sensuous as anything you've probably ever seen on film" (The New York Times). The screenplay is accompanied by Kramer's reflections on the history of the production, sure to be of interest to any student of film. This volume also includes several early plays, Sissies' Scrapbook, A Minor Dark Age, and the political farce Just Say No, illuminating the development of one of our most important literary figures. "Since his screenplay for Women in Love, Kramer has been a prophet of psychic health and catastrophe among us." -- from The American Academy of Arts and Letters citation

Wide-ranging, discerning essays and reviews in which Mr. Brustein finds that the theatre has been quietly reinventing the nature of its art.

"Funny, moving, and undeniably sexy. The heady blend of smart dialogue and characters. . .makes it a candidate to be the "Angels in America" of the Bush II decade."--"San Francisco Chronicle" "The two works ["Angels in America" and "In the Wake"] use a volatile chapter in American history as background in their exploration of how the sociopolitical maladies of an age play out in the personal conduct of characters."-- Charles McNulty, "Los Angeles Times" Lisa Kron, author of Broadway's "Well" and the OBIE-winning solo show "2.5 Minute Ride," has taken on the big question of our country's character. On the Thanksgiving after the controversial 2000 election, political junkie Ellen gathers with family and friends in her cramped New York apartment. But she soon discovers--with an unexpected passionate encounter--that ideas about America and our own selves are not as fixed as they once seemed. A play with plenty of humor and passion to go with its politics, Kron's work premiered last year at Berkeley Rep and Los Angeles' Center Theater Group, and debuted at The Public Theater in New York this fall. Lisa Kron's plays have been performed on Broadway, off-Broadway, and around the world. She is a founding member of the award-winning theater group The Five Lesbian Brothers, and teaches playwriting at Yale University.

In his historic play The Melting Pot, Israel Zangwill (1864–1926) introduced into our discourse a potent metaphor that for nearly a hundred years has served as a key definition of the United States. The play, enthusiastically espoused by President Theodore Roosevelt, to whom it was dedicated, offered a grand vision of America as a dynamic process of ethnic and racial amalgamation. By his own admission, The Melting Pot grew out of Zangwill's intense involvement in issues of Jewish immigration and resettlement and was grounded in his interpretation of Jewish history. Zangwill, Anglo Jewry's most renowned writer, began writing seriously for the stage in the late 1890s. At the time, the negative stereotype of the so-called Stage Jew was still deeply entrenched in the theatrical mainstream, so much so that Jewish playwrights writing for the English-language stage avoided altogether the portrayal of Jewish life. Zangwill shattered this silence in 1899 with the American premiere of Children of the Ghetto―his first full-length drama, and the first English-language play devoted in its entirety to the depiction of Jewish life in an authentic and positive fashion. The play's groundbreaking production drew tremendous attention and generated heated debates, but since the script was never published, the memory of the passions it generated dimmed, and its whereabouts eventually became unknown. After more than a century, theater historian Edna Nahshon has discovered the original manuscript of this milestone text, as well as that of another unpublished Zangwill play, The King of Schnorrers, and the original version of The Melting Pot. Nahshon brings these three works together in print for the first time in From the Ghetto to the Melting Pot. Edna Nahshon's in-depth introduction to this volume includes a biography of Israel Zangwill that especially pertains to these works and situates them within the Anglo-American theater of the time. The essays preceding each play provide rich and hitherto unknown information on the scripts, their stage productions, and their popular and critical reception. While some issues addressed in From the Ghetto to the Melting Pot are uniquely Jewish, others are universal and typical of the negotiation of self-presentation by ethnic and minority groups, particularly within the American experience.

""Impromptu Man captures the remarkable impact of a singular genius, J.L. Moreno, whose creations-the best-known being psychodrama-have shaped our culture in myriad ways, many unrecognized. The record will be set straight for all time by this can't-put-down biography, a tribute by Jonathan D. Moreno to his father's masterly legacy." -DANIEL GOLEMAN, author of Emotional Intelligence: Why It Can Matter More Than IQ J.L. Moreno (1889-1974), the father of psychodrama, was an early critic of Sigmund Freud, wrote landmark works of Viennese expressionism, founded an experimental theater where he discovered Peter Lorre, influenced Martin Buber, and became one of the most important psychiatrists and social scientists of his time. ?? A mystic, theater impresario and inventor in his youth, Moreno immigrated to America in 1926, where he trained famous actors, introduced group therapy, and was a forerunner of humanistic psychology. As a social reformer, he reorganized schools and prisons, and designed New Deal planned communities for workers and farmers. Moreno's methods have been adopted by improvisational theater groups, military organizations, educators, business leaders, and trial lawyers. His studies of social networks laid the groundwork for social media like Twitter and Facebook. ?? Featuring interviews with Clay Shirky, Gloria Steinem, and Werner Erhard, among others, original documentary research, and the author's own perspective growing up as the son of an innovative genius, Impromptu Man is both the study of a great and largely unsung figure of the last century and an epic history, taking readers from the creative chaos of early twentieth-century Vienna to the wired world of Silicon Valley. Jonathan D. Moreno, called the "most interesting bioethicist of our time" by the American Journal of Bioethics, is a professor at the University of Pennsylvania and a Senior Fellow at the Center for American Progress. "--

Essays, reviews, and profiles in which Mr. Brustein uses the prism of the American theatre to explore the motivating impulses behind rampant political correctness. Witty, articulate, fiery...and well worth reading again and again. -Jack Helbig, Booklist