Exploring the startling history of the heterosexual concept, Jonathan Ned Katz reveals that as late as the 1920s, heterosexuality was still defined in a major American dictionary as "morbid sexual passion for one of the opposite sex." It was only through a slow process that heterosexuality became this society's dominant norm. Analyzing the work of such pioneering students of sexuality as Sigmund Freud and Richard von Krafft-Ebing, Katz considers the effects of their ideas about the sacred primacy of heterosexuality on both scientific literature and popular culture. He also examines the varied commentaries on heterosexuality by such contemporary writers as James Baldwin, Betty Friedan, Adrienne Rich, Kate Millett, and Michel Foucault.

The influence of gays and lesbians on language, literature, theater, poetry, dance, music, and the arts is unmeasurable. In the era before AIDS, gay and lesbian culture had a defining, if unrecognized, influence on American life, an influence that is only now being acknowledged. This reissue of the classic anthology, Lavender Culture , serves as a provocative, dynamic, and wide-ranging reminder of American gay and lesbian culture in the days before the status of gay people received widespread attention in the media, religion, and politics, before Newsweek saw it fit to feature a cover story on LESBIANS, and before gays and lesbians took center stage in America's cultural landscape. Here we find the young, assertive voices of such activists, authors, and artists as Rita Mae Brown, Barbara Grier, John Stoltenberg, Julia Penelope, Andrea Dworkin, Andrew Kopkind, Jane Rule, Arthur Bell, Charlotte Bunche, and dozens more. Including essays on such diverse subjects as gay bath houses, the gay male image in classical ballet, images of gays in rock music, Judy Garland, lesbian humor, sports and machismo, the growing business of women's music, and the Cleveland bar scene in the 1940s, Lavender Culture, with new introductory essays by the editors and Cindy Patton, offers a panoply of gay and lesbian life, tracing the current influence and visibility of gay and lesbian culture back to its origins.

Bringing together forty-two groundbreaking essays--many of them already classics--The Lesbian and Gay Studies Readerprovides a much-needed introduction to the contemporary state of lesbian/gay studies, extensively illustrating the range, scope, diversity, appeal, and power of the work currently being done in the field. Featuring essays by such prominent scholars as Judith Butler, John D'Emilio, Kobena Mercer, Adrienne Rich, Gayle Rubin, and Eve Kosofsky Sedgwick, The Lesbian and Gay Studies Readerexplores a multitude of sexual, ethnic, racial, and socio-economic experiences. Ranging across disciplines including history, literature, critical theory, cultural studies, African American studies, ethnic studies, sociology, anthropology, psychology, classics, and philosophy, this anthology traces the inscription of sexual meanings in all forms of cultural expression. Representing the best and most significant English language work in the field, The Lesbian and Gay StudiesReaderaddresses topics such as butch-fem roles, the cultural construction of gender, lesbian separatism, feminist theory, AIDS, safe-sex education, colonialism, S/M, Oscar Wilde, Gertrude Stein, children's books, black nationalism, popular films, Susan Sontag, the closet, homophobia, Freud, Sappho, the media, the hijrasof India, Robert Mapplethorpe, and the politics of representation. It also contains an extensive bibliographical essay which will provide readers with an invaluable guide to further reading. Contributors:Henry Abelove, Tomas Almaguer, Ana Maria Alonso, Michele Barale, Judith Butler, Sue-Ellen Case, Danae Clark, Douglas Crimp, Teresa de Lauretis, John D'Emilio, Jonathan Dollimore, Lee Edelman, Marilyn Frye, Charlotte Furth, Marjorie Garber, Stuart Hall, David Halperin, Phillip Brian Harper, Gloria T. Hull, Maria Teresa Koreck, Audre Lorde, Biddy Martin, Deborah E. McDowell, Kobena Mercer, Richard Meyer, D. A. Miller, Serena Nanda, Esther Newton, Cindy Patton, Adrienne Rich, Gayle Rubin, Joan W. Scott, Daniel L. Selden, Eve Kosofsky Sedgwick, Barbara Smith, Catharine R. Stimpson, Sasha Torres, Martha Vicinus, Simon Watney, Harriet Whitehead, John J. Winkler, Monique Wittig, and Yvonne Yarbro-Bejarano

The exhortation to “Go West!” has always sparked the American imagination. But for gays, lesbians, and transgendered people, the City of Angels provided a special home and gave rise to one of the most influential gay cultures in the world. Drawing on rare archives and photographs as well as more than three hundred interviews, Lillian Faderman and Stuart Timmons chart L.A.'s unique gay history, from the first missionary encounters with Native American cross-gendered “two spirits” to cross-dressing frontier women in search of their fortunes; from the bohemian freedom of early Hollywood to the explosion of gay life during World War II to the underground radicalism set off by the 1950s blacklist; and from the 1960s gay liberation movement to the creation of gay marketing in the 1990s.

My American History contains pieces written between 1981 and 1992, that document the expectations and imaginations of activists as they struggled, under impossible odds and an ever-growing opposition, to articulate a movement for freedom and dignity during the Reign of Reaganism. Also included is the Lesbian Avengers Handbook.

Winner of two Lambda Rising Awards This richly revealing anthology brings together for the first time the vital new scholarly studies now lifting the veil from the gay and lesbian past. Such notable researchers as John Boswell, Shari Benstock, Carroll Smith-Rosenberg, Jeffrey Weeks and John D’Emilio illuminate gay and lesbian life as it evolved in places as diverse as the Athens of Plato, Renaissance Italy, Victorian London, jazz Age Harlem, Revolutionary Russia, Nazi Germany, Castro’s Cuba, post-World War II San Francisco—and peoples as varied as South African black miners, American Indians, Chinese courtiers, Japanese samurai, English schoolboys and girls, and urban working women. Gender and sexuality, repression and resistance, deviance and acceptance, identity and community—all are given a context in this fascinating work. "A landmark of a book and a landmark of ideas that will shatter ignorance and delusion."— Catharine Stimpson, University Professor and Dean Emerita of the Graduate School of Arts and Science at New York University “Ground-breaking.”— Publishers Weekly “The juxtaposition of diverse perspectives and research crossing boundaries of race, gender, culture, and time encourages a lively dialogue. Highly recommended for history collections, and especially gay studies.”— Library Journal

TABLE OF CONTENTS: Who was Sappho? How gay was the Renaissance? When were the first sodomy laws passed in America? Were there any gay heroes in the American Revolution? Were "passing" women lesbians? Who was Walt Whitman? Who was Karl Heinrich Ulrichs? How did San Francisco become so gay? Was Susan B. Anthony a lesbian? Who were the "berdaches"? Who was Katharine Lee Bates? What was the Scientific-Humanitarian Committee? What were Oscar Wilde's trials about? What is the history of gay bathhouses? When did American gays, lesbians, and others first start calling themselves "queer"? Who was E.M. Forster? Who were Havelock Ellis and Edith Lees Ellis? How gay was the Harlem Renaissance? Who were Gertrude Stein and Alice B. Toklas? Who was Willa Cather? What was the Leopold and Loeb case? Who was Natalie Barney? What was the first gay rights organization in America? Who was Janet Flanner? What was the "Padlock" Bill? What was The Well of Loneliness? Who was Babe Didrikson Zaharias? Was Eleanor Roosevelt a lesbian? What was The Children's Hour? What happened to gays and lesbians during the Holocaust? Who were some of the lesbians in Hollywood's golden age? What is the origin of the phrase "a friend of Dorothy's"? Who were Ruth Benedict and Margaret Mead? What were the army drag shows during World War II? What were "blue discharges"? When did the American gay and lesbian press begin? How gay were Tennessee Williams's plays? What was the Kinsey Report? What were the lesbian pulp novels of the 1950s? What were physique magazines? Who was Christine Jorgensen? What was the Mattachine Society? How did McCarthyism affect gays and lesbians? Who were the Daughters of Bilitis? Who was Rudi Gernreich? Who was James Baldwin? What was the Boise Sex Scandal? What was Evelyn Hooker's research about? What was the Wolfenden Report? Who was Lorraine Hansberry? What was the Supreme Court's first pro-gay ruling? What have gays and lesbians experienced in revolutionary Cuba? Who was Bayard Rustin? What was NACHO? What is the origin of the annual gay and les

Identity Papers argues that contemporary Jewish American literature revises our understanding of Jewishness and Jewish difference. Moving beyond the reductive labeling of texts and authors as “too Jewish” or “not Jewish enough,” and focusing instead on narratives that portray Jewish regeneration through feminist Orthodoxy, queerness, off-whiteness, and intermarriage, Helene Meyers resists a lachrymose view of contemporary Jewish American life. She argues that such gendered, sexed, and raced debates about Jewish identity become opportunities rather than crises, signs of creative potential rather than symptoms of assimilation and deracination. Thus, feminist debates within Orthodoxy are allied to Jewish continuity by Rebecca Goldstein, Allegra Goodman, and Tova Mirvis; the geography of Jewish identity is racialized by Alfred Uhry, Tony Kushner, and Philip Roth; and the works of Jyl Lynn Felman, Judith Katz, Lev Raphael, and Michael Lowenthal queer the Jewish family as they reveal homophobia to be an abomination. Even as Identity Papers expands Jewish literary horizons and offers much-needed alternatives to the culture wars between liberal and traditional Jews, it argues that Jewish difference productively troubles dominant narratives of feminist, queer, and whiteness studies. Meyers demonstrates that the evolving Jewish American literary renaissance is anything but provincial; rather, it is engaged with categories of difference central to contemporary academic discourses and our national life.