The #1 national bestselling “riveting” ( The New York Times ), “propulsive” ( Time ) behind-the-scenes account “that reads like a tense thriller” ( The Washington Post ) of the 116 days leading up to the American attack on Hiroshima, by Chris Wallace, veteran journalist and CNN anchor and Max host. April 12, 1945: After years of bloody conflict in Europe and the Pacific, America is stunned by news of President Franklin D. Roosevelt’s death. In an instant, Vice President Harry Truman, who has been kept out of war planning and knows nothing of the top-secret Manhattan Project to develop the world’s first atomic bomb, must assume command of a nation at war on multiple continents—and confront one of the most consequential decisions in history. Countdown 1945 tells the gripping true story of the turbulent days, weeks, and months to follow, leading up to August 6, 1945, when Truman gives the order to drop the bomb on Hiroshima. In Countdown 1945 , Chris Wallace, the veteran journalist and CNN anchor and Max host, takes readers inside the minds of the iconic and elusive figures who join the quest for the bomb, each for different reasons: the legendary Albert Einstein, who eventually calls his vocal support for the atomic bomb “the one great mistake in my life”; lead researcher J. Robert “Oppie” Oppenheimer and the Soviet spies who secretly infiltrate his team; the fiercely competitive pilots of the plane selected to drop the bomb; and many more. Perhaps most of all, Countdown 1945 is the story of an untested new president confronting a decision that he knows will change the world forever. But more than a book about the atomic bomb, Countdown 1945 is also an unforgettable account of the lives of ordinary American and Japanese civilians in wartime—from “Calutron Girls” like Ruth Sisson in Oak Ridge, Tennessee, to ten-year-old Hiroshima resident Hideko Tamura, who survives the blast at ground zero but loses her mother and later immigrates to the United States, where she lives to this day—as well as American soldiers fighting in the Pacific, waiting in fear for the order to launch a possible invasion of Japan. Told with vigor, intelligence, and humanity, Countdown 1945 is the definitive account of one of the most significant moments in history.

Based on the most up-to-date sources, as well as extensive research and direct observation, Japan as Number One analyzes the island nation's development into one of the world's most effective industrial powers, in terms of not only economic productivity but also its ability to govern efficiently, to eduate its citizens, to control crime, to alleviate energy shortages, and to lessen pollution. Ezra Vogel employs criteria that America has traditionally used to measure success in his thoughtful demonstration of how and why Japanese institutions have coped far more effectively than their American counterparts.

On Saturday, August 2, 1941, the Washington Post reported that President Franklin D. Roosevelt would depart the next day for a fishing vacation aboard his yacht, Potomac. By the morning of August 5, the Potomac was sailing toward the fishing waters off Cape Cod -- but the president was not on board. Having quietly disembarked in the middle of the night, the president, now joined by his top military advisors, was headed for Newfoundland, where the U.S. and British governments would meet in a secret summit to coordinate their military efforts, although the United States had yet to declare war on Germany. The British were appalled at the state of American preparedness, one British colonel remarking, "They have a long way to go before they can play any decisive part in the war." But ready or not, the United States would be catapulted into World War II within a matter of months. Alan Schom's superb histories and biographies have been lauded for their dramatic sweep, their focus on extraordinary personalities, and their refreshingly iconoclastic perspective. Schom begins this magisterial account of World War II in the Pacific by demonstrating an ironic paradox: on one hand, the American government and people were as inadequately prepared for war as any major power ever has been; on the other, the Japanese high command plunged headlong into the Pacific campaign despite clear evidence -- from their own analysts -- that Japan had too little oil and too feeble an economy to prevail against the United States. It was a war that should not have been fought. Schom recounts a tense saga of diplomatic maneuvering, strategic blunders, and pivotal successes played out in the halls of the White House, Downing Street, and the Imperial Palace, as well as on the seas and shores of the Pacific. Key figures in the war come vividly to life in a series of brilliant biographical sketches: Emperor Hirohito, a devotee of Western pursuits such as golf and jazz, who hungered to expand Japan's global reach; the destructively egotistical General Douglas MacArthur, whose splendid achievements in World War I stood in stark contrast to his incompetent leadership in the Philippines; Rear Admiral Kelly Turner, whose realism and tactical savvy played a crucial role in turning the tide of the war; and the cool-headed Admiral Tanaka Raizo, who repeatedly slipped through the Allied net, transporting troops and supplies to and from Guadalcanal. The Eagle and the Rising Sun embraces the broad strategic concerns of the war and the telling details and turning points of individual engagements. As Rear Admiral Thomas Marfiak, Ret., CEO and publisher of the U.S. Naval Institute, writes in the Foreword: "From time to time, we are privileged to be given extraordinary insights into the history of our age. Alan Schom has given us a tapestry, into which he has woven figures of immense proportions, yet he has not lost sight of their humanity. He writes ... in the grand tradition of Barbara Tuchman's The Guns of August." Book jacket.

Japan's modern international history began in 1858 with the signing of the "unequal" commercial treaty with the United States. Over the next fifteen years, Japanese diplomacy was reshaped to respond to the Western imperialist challenge. Negotiating with Imperialism is the first book to explain the emergence of modern Japan through this early period of treaty relations. Michael Auslin dispels the myth that the Tokugawa bakufu was diplomatically incompetent. Refusing to surrender to the West's power, bakufu diplomats employed negotiation as a weapon to defend Japan's interests. Tracing various visions of Japan's international identity, Auslin examines the evolution of the culture of Japanese diplomacy. Further, he demonstrates the limits of nineteenth-century imperialist power by examining the responses of British, French, and American diplomats. After replacing the Tokugawa in 1868, Meiji leaders initially utilized bakufu tactics. However, their 1872 failure to revise the treaties led them to focus on domestic reform as a way of maintaining independence and gaining equality with the West. In a compelling analysis of the interplay among assassinations, Western bombardment of Japanese cities, fertile cultural exchange, and intellectual discovery, Auslin offers a persuasive reading of the birth of modern Japan and its struggle to determine its future relations with the world.

A Room Where the Star-Spangled Banner Cannot Be Heard is the highly acclaimed, moving debut of Levy Hideo (also known as Ian Hideo Levy), a white American author living in Japan who writes fiction and nonfiction in Japanese. Set against the political and social upheavals of the 1960s, which include student protests against the Vietnam War and the U.S.-Japan Mutual Cooperation and Security Treaty (AMPO), the novel tells the story of Ben Isaac, a blond-haired, blue-eyed American youth living with his father at the American consulate in Yokohama. Chafing against his father's strict authority and the cultural trappings of an America that grows more and more remote, Ben flees his home to live with Ando, his Japanese friend. Refusing to speak English with Ben, Ando shows the young American the way to Shinjuku, the epicenter of Japan's countercultural movement and the closest Ben has every felt to home. As Ben struggles to understand the full contours of his identity, Levy's coming-of-age novel offers an eloquent elegy to a lost time. From the vantage point of a privileged and alienated "outsider" (gaijin), A Room Where the Star-Spangled Banner Cannot Be Heard beautifully captures a heady, eventful moment in Japanese history. Ben's experiences virtually recreate Levy's own youth. Wandering the streets of Shinjuku, Ben can barely decipher the signs around him or make sense of the sounds that reach his ears. Eventually, the symbols and sensations take root, disproving the common assumption that foreigners can never really know Japanese language and culture. Through Ben's explorations, both he and the author break free from English and the constraints of being a "gaijin." Ben's character plays a leading role in each of the book parts: "A Room Where the Star-Spangled Banner Cannot Be Heard," "The End of November," and "One of the Guys."