Named a Best Book of the Year by The Economist , Financial Times , Inc. , Prospect Magazine , and The Conversation “The most comprehensive and reasonable story of this shift that has yet been attempted . . . Mounk has told the story of the Great Awokening better than any other writer who has attempted to make sense of it.” — The Washington Post “An intellectual tour de force about the origins of identity politics and the threat it presents to genuine, honest, old-fashioned liberalism.” — Bret Stephens, The New York Times “Among the most insightful and important books written in the last decade on American democracy and its current torments, because it also shows us a way out of the trap.” —Jonathan Haidt, author of The Righteous Mind , and coauthor of The Coddling of the American Mind “Outstanding.” — David Brooks, The New York Times A fascinating account of the origins of “wokeness”—and a trenchant explanation for why the noble goals of identity politics are doomed to fail For much of history, societies have violently oppressed ethnic, religious, and sexual minorities. It is no surprise that many came to believe that members of mar­ginalized groups need to take pride in their identity to resist injustice. But over the past decades, a healthy appreciation for the culture and heritage of minority groups transformed into our contemporary form of identity politics, a counterproductive obsession with group identity. This new ideology denies that members of different groups can truly understand each other and insists that the way governments treat their citizens should depend on the color of their skin. This, Yascha Mounk argues, is the identity trap. Those who battle for these ideas are often full of good intentions. But they ultimately stand in the way of the genuine equality we desperately need. Mounk was one of the first to warn of the risks that right-wing populists pose to American democracy, a danger that remains as serious as ever. But as he shows here, the identitarian left and the populist right actually reinforce each other; to vanquish one, it is necessary to oppose both. In The Identity Trap , Mounk provides the most ambitious and comprehensive account to date of the origins, consequences, and limitations of “wokeness.” He shows how postmodernism, postcolonialism, and critical race theory conquered many college campuses and forged an “identity synthesis” that gained tremendous influence in business, media, and government by 2020. Finally, Mounk makes a nuanced philosophical case for why these ideas are so counterproductive—and why universal, humanist values can best serve the vital goal of true equality. The Identity Trap provides truth and clarity where they are needed most.

In The Fords: An American Epic, Peter Collier and David Horowitz tell the riveting story of three generations of Fords, a dramatic story of conflict between fathers and sons played out against the backdrop of America's greatest industrial empire. The story begins with the first Henry Ford, the mechanical wizard, tinkerer and "mad genius" who drove the automobile into the heart of American life he had become an embittered crank who so possessively loved the company he built that when his son, Edsel, tried to change it to suit the changing times, Henry destroyed him. It was left to Edsel's son Henry II to avenge him and save the Ford Motor Company in the postwar world.

A brilliant look at colonialism and its effects in Antigua, by the author of Annie John. Lyrical, sardonic, and forthright, A Small Place magnifies our vision of one small place with Swiftian wit and precision. Jamaica Kincaid’s expansive essay candidly appraises the ten-by-twelve-mile island in the British West Indies where she grew up, Antigua, and makes palpable the impact of European colonialism and tourism. This book is a missive to the traveler, whether American or European, who wants to escape the banality and corruption of some large place. Kincaid, powerful and resolute, reminds us that the Antiguan people, formerly British subjects, are unable to escape the same drawbacks of their own tiny realm—that behind the benevolent Caribbean scenery are human lives, always complex and often fraught with injustice.

This monumental work offers a comprehensive narrative history of the American presidency from the institution of the office in 1789 through the end of Bill Clinton's first term, including 1996 election results. Each chapter is essentially a biography of an admin., not just the man who held the office. The authors, all noted experts on the presidency, analyze the social, political, economic, & foreign policy decisions of each administration & their effects on both domestic & international affairs. Each chapter features a portrait of the president as well as an up-to-date annotated bibliography. Also surveys the roles the First Ladies have played. Illustrated.

"This is the story of three revolutionary American musicians, the maestro jazzmen who orchestrated the chords that throb at the soul of twentieth-century America. Duke Ellington [...], Louis Daniel Armstrong [...], William James Basie [...]. What is far less known about these groundbreakers is that they were bound not just by their music or even the discrimination that they, like nearly all Black performers of their day, routinely encountered. Each defied and ultimately overcame racial boundaries by opening America's eyes and souls to the magnificence of their music. In the process they wrote the soundtrack for the civil rights movement. Based on more than 250 interviews, this exhaustively researched book brings alive the history of Black America in the early- to mid-1900s through the singular lens of the country's most gifted, engaging, and enduring African American musicians." -Från bokens baksida.

In an era when too many heroes have been toppled from too many pedestals, Sandy Koufax stands apart and alone, a legend who declined his own celebrity. As a pitcher, he was sublime, the ace of baseball lore. As a human being, he aspired to be the one thing his talent and his fame wouldn't allow: a regular guy. A Brooklyn kid, he was the product of the sedate and modest fifties who came to define and dominate baseball in the sixties. In Sandy Koufax: A Lefty's Legacy, former award-winning Washington Post sportswriter Jane Leavy delivers an uncommon baseball book, vividly re-creating the Koufax era, when presidents were believed and pitchers aspired to go the distance. He was only a teenager when Dodgers owner Walter O'Malley proclaimed him "the Great Jewish Hope" of the franchise. But it wasn't until long after the team had abandoned Brooklyn that the man became the myth. Old-fashioned in his willingness to play when he was injured and in his acute sense of responsibility to his team, Koutax answered to an authority higher than manager Walter Alston. When he refused to pitch the opening game of the 1965 World Series because it fell on Yom Kippur, the holiest day of the Jewish calendar, he inadvertently made himself a religious icon and an irrevocably public figure. A year later, he was gone -- done with baseball at age thirty. No other sports hero had retired so young, so well, or so completely. Despite Sandy Koufax's best efforts to protect his privacy, his legend has grown larger ever since. Part biography, part cultural history, Sandy Koufax: A Lefty's Legacy gets as close to that legend as he will allow. Through meticulous reporting and interviews with five hundred of his friends, teammates, and opponents, Leavy penetrates the mythology to discover a man more than worthy of myth.

In an era of American history that has shown a heightened sensitivity toward the ideals of democracy, self-expression, freedom, and individual rights, we are paradoxically experiencing a breakdown in our nation's ability to function as a civil people. From athletes who shout obscenities on national television to surgeons who blast their favorite music while operating, from gang members who kill those who've "dissed" them to mourners who treat funerals casually, we trample over the rights of others in a savage pursuit of individual agendas. We have cashed in etiquette (yes, the "E word") for a generous helping of self-importance, and the exchange is crippling our ability to function as a civil society. In her ground-breaking new book, MISS MANNERS RESCUES CIVILIZATION: From Sexual Harassment, Frivolous Lawsuits, Dissing and Other Lapses in Civility , Judith Martin puts etiquette on the public agenda in response to our nation's cry for a return to civility. A thought-provoking book that calls on etiquette to champion the quest for civil decency, MISS MANNERS RESCUES CIVILIZATION discusses the futility of using the law to correct our ever-increasing list of societal offenses cluttering the courts and declaring new laws has proved to be both costly and ineffective. However, a rebirth of good manners places the privileges and challenges of a civil society back where it belongs in the hands of the individual. This witty, thoughtful, and timely book responds to the public cry for a return to civility and puts etiquette on an equal plane with morality as society's most powerful guiding force.

From Nathan Rabin, former staff writer for The A.V. Club and The Dissolve and the author of Weird Al: The Book, You Don't Know Me But You Don't Like Me, and The Weird Accordion to Al, comes The Fractured Mirror, an exhaustively researched exploration of American movies about filmmaking. This loving deep dive chronicles, with humor, wit, and affection, a solid century of cinema about cinema, with illustrations from Felipe Sobreiro ( The Return of the Blues Brothers ) and a foreword from legendary filmmaker Joe Dante ( Gremlins, Matinee ). As an homage to The Golden Turkey Awards, which included a fake movie along with a plethora of real-life stinkers, Rabin got bad movie luminaries like How Did This Get Made's Paul Scheer, Dan McCoy of The Flop House, Andrew Jupin of We Hate Movies and Author/Humorist Mike Sacks to create blurbs for movies that exist only in their imaginations. The Fractured Mirror covers over 500 movies, from internationally beloved classics to notorious flops. It documents Bucky Larson: Born to Be a Star and Burden of Dreams, and everything in between. Movie history has never been so much fun! Praise for The Fractured Mirror "Nathan Rabin doesn't just write about Hollywood, he rewires how you watch it. The Fractured Mirror channels the same brilliance he brought to My Year of Flops and points it straight at showbiz itself. Every chapter left me itching to rewatch movies I'd written off, this time with brand-new eyes."- Paul Scheer "In this sparkling and essential compendium, one of America's all-time greatest cultural critics turns his keen eye and full heart to movies about American filmmaking, and thank goodness. This "casual epic," to paraphrase Rabin on Tarantino, deserves a spot on your shelf between Kael's FOR KEEPS and Peary's CULT MOVIES." - Julie Klausner, " The Fractured Mirror is an absolute feast for movie lovers, especially movie lovers who enjoy movies about making movies. And man, is it comprehensive! Possibly obsessive. But so much fun. Rabin's writing is smart, witty, and lively throughout."- Bill Corbett " The Fractured Mirror is such a fun, engaging read. Nathan's work always has a certifiable uniqueness and introspection that delivers laughs and deeper ways to rethink our views on film and pop culture."- Greg Sestero "Nathan Rabin's "The Fractured Mirror" sent me down a Proustian memory hole, bringing to mind not only how many of these titles our Tenna-Rotor (tm) brought in from distant New York, but of how films about filmmaking planted the absurd dream in my mind that I could someday join that crazy circus, myself. Hats off to Nathan - and to the next generation of filmmakers, his lovingly curated list will inspire!"- Steven E. DeSouza, screenwriter, 48 Hours, Commando, Die Hard

We at Penguin Putnam mourn the death of Pauline Kael, a singularly unique voice in American letters. She will be sorely missed.In her decades-long career, Pauline Kael established herself as the most renowned and respected movie reviewer in the field. The breadth of her knowledge of film history and technique, her insight into the arts of acting and directing, and her unfailing wit and candor endeared her to movie lovers everywhere.For Keeps offers the best of Kael's reviews and other writings on movies from the collections that have marked her matchless career, starting with I Lost it at the Movies (1965), through Kiss Kiss Bang Bang, Deeper into Movies (a National Book Award winner), The Citizen Kane Book ("Raising Kane", the full text on the making of the movie, is included here), and all the others in a glorious run concluding with Movie Love in 1991. Once Kael retired from regular reviewing, her reputation only increased, and for the inimitable real thing, readers must turn to this volume to sample her perspicacity, fluency, and style. More than 275 reviews are arranged chronologically -in effect, a history of 30 years of movies. This ultimate compendium from America's most eloquent, passionate, and provocative critic is a boon to serious moviegoers and an indispensible companion to film in the age of technological and pop culture overload.

Recent surveys reveal that more Americans can name at least two members of the Simpsons cartoon family than can name the first four American presidents in order. Richard Lederer and Caroline McCullagh have written the American Trivia Quiz Book to make your knowledge of our nation and history at least match the nation and knowledge of The Simpsons.

This encyclopedia provides the first standard reference work on the lives, history and activities of Jewish women in the United States. Covering a period which extends from the arrival of the first Jewish women in North America in 1654 to the present, this two-volume set presents the most comprehensive and detailed portrait of American Jewish women ever published, and brings together for the first time the wealth of recent scholarship on this subject. Includes: * Biographical entries on over 800 individual women. * 128 topical articles on organizations such as Hadassah, the National Council of Jewish Women, Mizrachi, and the Ladies' Garment Workers' Union. * Major essays on Jewish women's participation in the movement for women's suffrage, social reform, civil rights, and the recent women's movement. * The activities of Jewish women in politics, business, education, the arts, and religion. * A readable, inviting format with over 500 large photographs. * Bibliographies at the end of each entry which include overviews of major scholarship in the field, complete citations of more general works and citations of additional bibliographical and reference sources. * The comprehensive index includes citations to every substantive discussion in the entries as well as all proper names appearing in the text, such as organizations, book, song and film titles, schools, and individuals. The "Encyclopedia" provides information on American Jewish women in all fields of endeavor, and pays special attention to the work of women in the arts, academics, law, the labor movement, education, science, medicine, journalism and publishing, and on the lives of ordinary Jewish women during all time periods and in all regions of the United States.

From the beloved Richard Lederer comes another kind of trivia book-Presidential Trivia. In it you'll find all the details about the lives of the United States presidents. It answers such questions as: who was the first president to be assassinated; who was the first president to be born an American citizen; and, who was the first to be impeached. It also answers less important but certainly interesting questions such as: who was our fattest president; our tallest; who played golf; and, who played poker. Filled with games, anagrams, poems, speeches, and an abundance of tidbits, details, and fascinating facts, this book is perfect for the novice to the history buff. From politics and policy to presidential nicknames and White House pets, ''Presidential Trivia'' has everything you ever wanted to know about our presidents, and then some.

An examination of the development of the non-Zionist Jewish socialist Bund in Russia, Labour Zionism, and the American Jewish Labour movement, portraying their often bitter struggles with each other and with non-Jewish socialist movements, especially in Russia.

Originally published in 1980, this now classic work of literary theory explores the wilderness of positions that grew out of the collision between Anglo-American practical criticism and Continental philosophic criticism. This second edition includes a new preface by the author as well as a foreword by Hayden White. ?A key text for understanding ?the fate of reading' in the Anglophone world over the last fifty years.”?Hayden White, from the Foreword ? Criticism in the Wilderness may be the best, most brilliant, most broadly useful book yet written by an American about the sudden swerve from the safety of established decorum toward bravely theoretical, mainly European forms of literary criticism.”?Terrence Des Pres, Nation ?A polemical survey that reaffirms the value of the Continental tradition of philosophical literary criticism.”?Notable Books of the Year, New York Times Book Review

Dive into a compelling work of literary criticism with "Drug themes in science fiction" by the esteemed Robert Silverberg. This authoritative volume offers a meticulous exploration and comprehensive bibliography of drug-related themes across speculative fiction. Silverberg, a master of the genre, insightfully examines the diverse ways drugs-real and imagined-have been portrayed within American and English science fiction. From their roles in societal commentary to their impact on individual characters and narrative progression, this book uncovers the profound and often complex presence of psychoactive substances in literary imagination. It serves as both a critical analysis of recurring motifs and an invaluable reference for anyone researching the genre. For readers captivated by literary themes, the history of science fiction, or the enduring dialogue between human experience and altered states of consciousness, "Drug themes in science fiction" provides an essential, detailed, and timeless perspective on a fascinating corner of literature. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The all-encompassing embrace of world capitalism at the beginning of the twenty-first century was generally attributed to the superiority of competitive markets. Globalization had appeared to be the natural outcome of this unstoppable process. But today, with global markets roiling and increasingly reliant on state intervention to stay afloat, it has become clear that markets and states aren’t straightforwardly opposing forces. In this groundbreaking work, Leo Panitch and Sam Gindin demonstrate the intimate relationship between modern capitalism and the American state, including its role as an “informal empire” promoting free trade and capital movements. Through a powerful historical survey, they show how the US has superintended the restructuring of other states in favor of competitive markets and coordinated the management of increasingly frequent financial crises. The Making of Global Capitalism , through its highly original analysis of the first great economic crisis of the twenty-first century, identifies the centrality of the social conflicts that occur within states rather than between them. These emerging fault lines hold out the possibility of new political movements transforming nation states and transcending global markets.

Who was the inventor of the steamboat? James Thomas Flexner is frankly more interested in personalities than in mechanics. Exploring the fascinating byways of early America, he has packed his book with personal histories: John Fitch, the driven genius; Fulton, the brilliant schemer; Ramsey, the charming backwoods tavern-keeper, playing for Washington's political favor--and many others, no less alive and interesting. He tells their stories as a race for success, and he does not award the verdict until the last page. He completely satisfies those who want to know the mechanical facts; but his emphasis is on the nature of inventive genius, and its effect on the world of men.

Robin Lakoff gets to the heart of one of the most fascinating and pressing issues in American society today: who holds power and how they use it, keep it, or lose it. In a brilliant and vastly entertaining discussion of news events that have occupied an enormous amount of media space--political correctness, the Anita Hill/Clarence Thomas hearings, Hillary Rodham Clinton as First Lady, O. J. Simpson's murder trial, the Ebonics controversy, and the Clinton sex scandal--Lakoff shows that the struggle for power and status at the end of the century is being played out as a war over language. Controlling language is a basis for all power, she says, and therefore it is worth fighting for. As a result, newly emergent groups, especially blacks and women, are contending with middle- to upper-class white men for a share in "language rights." Lakoff's introduction to linguistic theories and the philosophy of language lays the groundwork for an exploration of news stories that meet what she calls the UAT (Undue Attention Test). As the stories became the subject of talk-show debates, late-night comedy routines, Web sites, and magazine articles, they were embroidered with additional meanings, depending on who was telling the story. Race, gender, or both are at the heart of these stories, and each one is about the right to construct meanings from languagein short, to possess power. Because language tells us how we are connected to one another, who has power and who does not, the stories reflect the language war. We use language to analyze what we call "reality," the author argues, but we mistrust how language is used today--witness the "politics of personal destruction" following the Clinton impeachment. Yet Lakoff sees in the struggle over language a positive goal: equality in the creation of our national discourse. Her writing is accessible and witty, and her excerpts from the media are used to great effect.

The third edition of the "Dictionary of American History is the first comprehensive revision of this classic reference source originally published in 1940. Entries from previous editions have been updated and revised in light of historical developments and current scholarship, and more than 800 new entries cover recent events and topics not covered previously. For the first time, illustrations and maps arc incorporated into the main body of the work and primary source documents comprise Volume 9.

In this book gender is the lens through which autobiography and biography are scrutinized. The authors show what is revealed when they magnify the gendered aspects of both men’s and women’s writing. The eternal questions of identity, choice, responsibility, happiness, tragedy, and even death are interpreted in terms of gender analysis. The book presents a sequence of studies from the early nineteenth to the late twentieth century that includes individuals such as American poet Anne Sexton and German writers Christa Wolf and Paul Celan, and groups such as nineteenth-century Mexican women and members of the British working class. It extends the paradigm of “self-reflexive” literature to include and highlight the overlap between autobiography and biography, especially in the case of women who often wrote their lives obliquely through the biographies of their famous male relatives, e. g., Adèle Hugo and Anne Thackeray Ritchie. The authors refuse to accept a monolithic conception of gender. The studies of Charles and Mary Lamb, Nadezhda Durova, and John Stuart Mill demonstrate that even in the nineteenth century, a binary gender system is inadequate as a mode of approach to actual life stories.