Her name was Henrietta Lacks, but scientists know her as HeLa. She was a poor Southern tobacco farmer, yet her cells--taken without her knowledge--became one of the most important tools in medicine. The first "immortal" human cells grown in culture, they are still alive today, though she has been dead for more than sixty years. HeLa cells were vital for developing the polio vaccine; uncovered secrets of cancer and viruses; helped lead to in vitro fertilization, cloning, and gene mapping; and have been bought and sold by the billions. Yet Henrietta Lacks is buried in an unmarked grave. Her family did not learn of her "immortality" until more than twenty years after her death, when scientists began using her husband and children in research without informed consent. The story of the Lacks family is inextricably connected to the dark history of experimentation on African Americans, the birth of bioethics, and the legal battles over whether we control the stuff we are made of--From publisher description.

Carl Djerassi, world famous for the first synthesis of the active progestational ingredient of the Pill, speaks out on a wide variety of topics in this captivating book. Djerassi's personal growth from laboratory scientist to spokesman on scientific issues as well as the myriad ways that developments in the laboratory can affect people all over the world are presented in this engaging collection of essays. Djerassi's starting point is the Pill; he describes the history of its development and its future in view of the public's unattainable desire for a risk-free Pill, special testing requirements, and the unfavorable climate for contraception research. From contraceptives, Djerassi broadens his scope to include the entire area of birth control and gives his opinions on factors influencing abortion, the relationship of abortion to the availability of contraceptives, the problem of teenage pregnancy in the United States, the need for chemical abortion inducers, and the possibilities for a male contraceptive agent. He also delves into the reasons why Orwellian approaches to birth control, such as adding contraceptives to the water supply, will not work. From this point, Djerassi branches out even further to discuss the danger of extrapolating animal toxicity studies to humans. He examines the multifaceted role of the pharmaceutical industry in bringing a new drug to market and focuses on the deleterious effects of over-regulation, inappropriate testing requirements, and litigation. He proposes changes that the FDA should make in approval procedures and stresses the need for an appeal procedure. He emphasizes the necessity of doing collaborative research with Third World countries and thedesirability of establishing centers for basic research. But Djerassi's interests are still wider. He informs us on topics as varied as insect control, pesticide development, why there are not more women in academia, and how improved mentoring could be a remedy for preventing ethical misconduct among scientists. He describes his use of fiction to explain the culture of scientists by way of a literary medium that he calls "science-in-fiction". Finally, he discusses the pleasures of collecting art, his collection of the works of Paul Klee, and his sponsorship of artists through the Djerassi Resident Artists Program. In this intriguing book, this very learned and cultured man shows us the breadth of his interests and knowledge. Anyone who is interested in the very important issues of our time will profit from and enjoy this book.

What is marriage? Can a relationship dedicated to equality, friendship, and mutual education flower in an atmosphere of romance? What are the paths between loving another and knowing another? Stanley Cavell identified a genre of classic American films that engaged these questions in his study of comedies of remarriage, Pursuits of Happiness . With Contesting Tears , Cavell demonstrates that a contrasting genre, which he calls "the melodrama of the unknown woman," shares a surprising number and weave of concerns with those comedies. Cavell provides close readings of four melodramas he finds definitive of the genre: Letter from an Unknown Woman , Gaslight , Now Voyager , and Stella Dallas . The women in these melodramas, like the women in the comedies, demand equality, shared education, and transfiguration, exemplifying for Cavell a moral perfectionism he identifies as Emersonian. But unlike the comedies, which portray a quest for a shared existence of expressiveness and joy, the melodramas trace instead the woman's recognition that in this quest she is isolated. Part of the melodrama concerns the various ways the men in the films (and the audiences of the films) interpret and desire to force the woman's consequent inaccessibility. "Film is an interest of mine," Stanley Cavell has written, "or say a love, not separate from my interest in, or love of, philosophy." In Contesting Tears Cavell once again brilliantly unites his two loves, using detailed and perceptive musings on melodrama to reflect on philosophical problems of skepticism, psychoanalysis, and perfectionism. As he shows, the fascination and intelligence of such great stars as Ingrid Bergman, Bette Davis, and Barbara Stanwyck illuminate, as they are illuminated by, the topics and events of these beloved and enduring films.

"This handbook surveys the materials, approaches, contexts, and applications of American folklore and folklife studies to guide students and scholars of American folklore, culture, history, and society in the future. In addition to longstanding areas in the 350-year legacy of the subject's study and applications such as folktales and speech, the handbook includes exciting fields that have emerged in the twenty-first century such as the Internet, bodylore, folklore of organizations and networks, sexual orientation, neurodiverse identities, and disability groups. These studies encompass cultural traditions in the United States ranging from bits of slang in private conversations to massive public demonstrations, ancient beliefs to contemporary viral memes, and a simple handshake greeting to festivals encompassing multiple genres and groups. Folklore and folklife studies include material traditions such as buildings and crafts as well as oral and social genres of dance, ritual, drama, and play. Whereas the use of lore often emphasizes speech, song, and story that all people express, the rhetoric of life draws attention to tradition-centered communities such as the Amish and Hasidim, occupational groups and their workaday worlds, and children and other age groups. Significant to the American context has been the cultural diversity and changing national boundaries of the United States, relative youth of the nation and its legacy of mass immigration, mobility of residents and their relation to an indigenous and racialized population, and a varied landscape and settlement pattern. The handbook is a reference, therefore, to American studies as well as the global study of tradition, folk arts, and cultural practice"--

"In December 1991, a two-volume edition of Dead Sea Scroll photographs was issued by the Biblical Archaeology Society, an American group headed by Hershel Shanks. It included an essay written by Dr. Elisha Qimron, an Israeli scholar noted for his work in the language of the Dead Sea Scrolls. Publication of this reconstruction and transcription resulted in a lawsuit in Israel and the United States between Qimron and Shanks. Piracy in Qumran analyzes this legal controversy, which rocked the scholarly world of Biblical and archaeological studies at the time, and which still resonates today"--

This volume recasts and reintroduces Riesman by presenting newly discovered and unpublished manuscripts of his work, including excerpts from a previously unpublished critical biography of Freud that Riesman began with this assistant at the time, Philip Rieff, an interview in which Riesman describes in detail his early biography and his route into the social sciences, and other research notes and memoranda. With additional chapters analyzing the unpublished works, as well as discussions of Riesman as a public intellectual, his multi-disciplinary method of understanding society and his connections with figures such as Goffman and Fromm, this book will appeal to scholars of sociology, social theory and the history of American social science.