A collection of twenty classic short stories by Isaac Asimov, author of the Foundation series, featuring the definitive version of "Nightfall". From one of history's most influential writers of science fiction comes this collection of twenty short works of fiction, arranged in order of publication from 1941 to 1967. Compiled by Asimov himself, who prefaced each story with an introduction.

When Christopher Columbus landed on the island of San Salvador in 1492, what he discovered were the Taino Indians. Told from a young Taino boy's point of view, this is a story of how the boy tried to warn his people against welcoming the strangers, who seemed more interested in golden ornaments than friendship. Years later the boy, now an old man, looks back at the destruction of his people and their culture by the colonizers.

For more than forty years, Harry Turtledove has been the acknowledged master of one of science fiction's most durable sub-genres: the tale of alternate history. In the course of an incredibly prolific career, Turtledove has created a host of brilliantly imagined revisionist histories on subjects ranging from the American Civil War to the Byzantine Empire to the Second World War (in which an alien invasion plays an unexpected role.) His work includes standalone novels and multi-volume epics, along with an impressive array of short fiction, the best of which has been gathered in this generous, irreplaceable volume. The Best of Harry Turtledove opens with "Peace is Better," the first of three stories featuring Bill Williamson, the nine-foot-tall Sasquatch who serves as governor of the fictional state of Jefferson, a place where "everyone gets along, regardless of race or size." Or species. "Bonehunters" posits a world in which the extinction event that ended the reign of the dinosaurs never took place. Two subsequent stories, "Junior & Me" and the Melville-inspired novella, "The Quest for the Great Gray Mossy," continue to develop this scenario. "The Eighth Grade History Class Visits the Hebrew Home for the Aging" imagines a world in which Anne Frank survived and emigrated to the United States, where she recounts her experiences to a visiting middle school class. "But It Does Move" is the account of a fictional confrontation between Galileo and a leader of the Holy Inquisition. These are only a few of the people, places, and historical epochs you will encounter in this magisterial collection. The twenty-four stories in The Best of Harry Turtledove constitute a master class both in the technique of alternate history and in the art of narrative itself. Longtime Turtledove readers will take this book to their hearts. Newcomers will find themselves searching for more of the author's inimitable--and highly addictive--fiction. They have a lot to look forward to.

“Turtledove is the standard-bearer for alternate history.”— USA Today The novels of Harry Turtledove show history balancing on single moments: One act of folly. One poor decision. One moment of rage. In this astounding new series, the unthinkable has come to pass. The Cold War turns hot—and the United States and the Soviet Union unleash their nuclear arsenals upon each other. Millions die. Millions more are displaced. Germans battle side by side with Americans, Polish freedom fighters next to Russian fascists. The genie is out of the bottle. And there’s no telling what fresh hell will come next. At the heart of Fallout are Harry Truman and Josef Stalin. Even as Joe McCarthy rises in power, the U.S. president is focused elsewhere, planning to cut off the head of the Soviet threat by taking out Stalin. It’s a daring gambit, but the Soviets have one of their own. Meanwhile, Europe’s weak sisters, France and Italy, seem poised to choose the winning side, while China threatens to overrun Korea. With Great Britain ravaged and swaths of America in ruins, leaders are running out of options. When the United States drops another series of bombs to slow the Russian advance in Europe, Stalin strikes back—with horrifying results. These staggering events unfold through the eyes of a sprawling cast of characters: a Holocaust survivor in a displaced persons camp in Washington; the wife of a bomber pilot and her five-year-old daughter starting a new existence; a savage Soviet fighter waging war by his own rules; a British pub owner falling in love with an American pilot. In the masterly hands of Harry Turtledove, this epic chronicle of war becomes a story of human struggle. As the armies of the world implode, the next chapter will be written by the survivors—those willing to rise up for an uncertain future. Praise for Fallout “Turtledove proves, yet again, that he is the best when it comes to rewriting history!” — Suspense Magazine “Turtledove, the master of alternate history, has done well again.” — Shelf Awareness “No one writes alternate-history novels quite like Turtledove. . . . Expect epic political stakes as well as personal and heartfelt stories of war.” —BookTrib

In this spectacular, thought-provoking epic of alternate history, Harry Turtledove has created an unparalleled vision of social upheaval, war, and cutthroat politics in a world very much like our own—but with dramatic differences. It is 1924—a time of rebuilding, from the slow reconstruction of Washington’s most honored monuments to the reclamation of devastated cities in Europe and Canada. In the United States, the Socialist Party, led by Hosea Blackford, battles Calvin Coolidge to hold on to the Powell House in Philadelphia. And it seems as if the Socialists can do no wrong, for the stock market soars and America enjoys prosperity unknown in a half century. But as old names like Custer and Roosevelt fade into history, a new generation faces new uncertainties. The Confederate States, victorious in the War of Secession and in the Second Mexican War but at last tasting defeat in the Great War, suffer poverty and natural calamity. The Freedom Party promises new strength and pride. But if its chief seizes the reins of power, he may prove a dangerous enemy for the hated U.S.A. Yet the United States take little note. Sharing world domination with Germany, they consider events in the Confederacy of little consequence. As the 1920s end, calamity casts a pall across the continent. With civil war raging in Mexico, terrorist uprisings threatening U.S. control in Canada, and an explosion of violence in Utah, the United States are rocked by uncertainty. In a world of occupiers and the occupied, of simmering hatreds, shattered lives, and pent-up violence, the center can no longer hold. And for a powerful nation, the ultimate shock will come when a fleet of foreign aircraft rain death and destruction upon one of the great cities of the United States. . . .

Time travel doesn't work. You can't go backward or forward; you're stuck at "now". What you can do is travel sideways, to the same "now" in another timeline where history turned out differently. So far, only our home timeline has figured out how to do that. We use it to conduct discreet trading operations in less advanced timelines, selling goods just a little bit better than the locals can make. It's profitable, but families who work as Time Traders have to be careful to fit in, lest the locals become suspicious. Justin's family are Time Traders. The summer before he's due to start college, he goes with them to a different Virginia, in a timeline where the American states never became a single country, and American history has consisted of a series of small wars. Despite his unease, he accompanies Randolph Brooks, another Time Trader, on a visit to the tiny upland town of Elizabeth, Virginia. He'll only be away from his parents for a few days. Beckie Royer thanks her stars that she's from California, the most prosperous and advanced country in North America. But just now she's in Virginia with her grandmother, who wants to revisit the tiny mountain town where she grew up. The only interesting thing there is a boy named Justin--and he'll be gone soon. Then war between Virginia and Ohio breaks out anew. Ohio sets a tailored virus loose on Virginia. Virginia swiftly imposes a quarantine, trapping Beckie and Justin and Randolph Brooks in Elizabeth. Even Crosstime Traffic can't help. All the three of them can do is watch as plague and violence take over the town. It's nothing new in history, not in this timeline or any other. It's part of the human condition. And just now, this part of the human condition sucks.

"The journey into high adventure soars on! Let the secret history of the world be told--of the alien virus that struck Earth after World War II, and of the handful of survivors who found they now possessed superhuman powers. Some were called Aces, endowed with powerful mental and physical prowess. The others were Jokers, tormented by bizarre mind or body disfigurements. Some served humanity. Others wreaked terror. Now, forty years later, under the streets of Manhattan an evil genius unleashes the powers of darkness--and Aces and Jokers alike must fight for their lives. Here, in the third volume of the Wild Cards series, seven of science fiction's most gifted writers take you on a journey of wonder and excitement.Includes stories by:Edward Bryant, Leanne C. Harper, George R. R. Martin, John J. Miller, Lewis Shiner ,Walter Simons, Melinda M. Snodgrass"--

Dive into a compelling work of literary criticism with "Drug themes in science fiction" by the esteemed Robert Silverberg. This authoritative volume offers a meticulous exploration and comprehensive bibliography of drug-related themes across speculative fiction. Silverberg, a master of the genre, insightfully examines the diverse ways drugs-real and imagined-have been portrayed within American and English science fiction. From their roles in societal commentary to their impact on individual characters and narrative progression, this book uncovers the profound and often complex presence of psychoactive substances in literary imagination. It serves as both a critical analysis of recurring motifs and an invaluable reference for anyone researching the genre. For readers captivated by literary themes, the history of science fiction, or the enduring dialogue between human experience and altered states of consciousness, "Drug themes in science fiction" provides an essential, detailed, and timeless perspective on a fascinating corner of literature. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In England, Irish-born citizens are being herded into prison camps. On the high seas, a furious British Navy is seizing American cargo ships bound for Europe. And on the Thames, a new weapon of unparalleled destructive force is sailing toward an impregnable city–spearheaded by a daring act of espionage. For U.S. president Abraham Lincoln, Britain’s Queen Victoria, Lord Palmerston, and a loyal opposition, a day of reckoning is at hand . . . and so is history’s most astounding battle. Harry Harrison’s series of alternate history, based on the U.S. Civil War, stands as a provocative work of imagination, drama, and brilliant historical insight. Now in the thrilling finale, Harrisontells a stunning, action-packed story of America’s rapidly growing military might being locked, loaded, and aimed at the heart of England itself. For the two countries that share a language and a heritage, the conflict began at the dawn of the U.S. Civil War. Just as America was about to tear itself to pieces, Britain itself committed an act of war by seizing a U.S. packet ship. In retaliation, the Confederate States rejoined the Union and took up arms against England. Repulsing a British invasion, and defeating her majesty’s army first in Canada, then in Mexico, then in Ireland, American pride and power swelled. Britain, like a wounded lion, howled in shame and anger. Now, Queen Victoria’s empire is more dangerous than ever before, turning against the Irish on her own soil, flexing her naval might, and all but forcing a weary President Lincoln to authorize the next step in a headlong journey toward war. A tale of daring and strategy, Stars and Stripes Triumphant explores how arrogance turns superpowers into victims, how regional conflicts can explode into world wars, and how the personalities of a few men and women can change the course of history itself–for better or for worse. From the Hardcover edition.

Dead Man's Hand combines the writing talents of George R. R. Martin & John Jos. Miller Chrysalis, the glass-skinned queen of the Joker underworld, has been found brutally murdered in her popular restaurant, the Crystal Palace. New two men are out to find her killer: Jay Ackroyd, the Ace private investigator who discovered her ruined body, and the vigilante archer known as the Yeoman, who has been framed for the crime. Their quest leads them on a nightmare odyssey of madness, violence, passion, and political intrigue that will forever alter the fates of Aces and Jokers everywhere. Experience this gripping tale of mystery and suspense, brought to you from the incredible imaginations of George R. R. Martin and John Jos. Miller in their first collaborative novel. EXPLORE THE WILD CARDS UNIVERSE An alien virus has changed the course of history, and the surviving population of Manhattan struggles to understand the new world left in its wake. Natural humans share the rough city with those given extraordinary—and sometimes terrifying—traits. While most manage to coexist in an uneasy peace, not everyone is willing to adapt. The Wild Cards Universe The Original Triad #1 Wild Cards #2 Aces High #3 Jokers Wild The Puppetman Quartet #4: Aces Abroad #5: Down and Dirty #6: Ace in the Hole #7: Dead Man’s Hand The Rox Triad #8: One-Eyed Jacks #9: Jokertown Shuffle #10: Dealer’s Choice #11: Double Solitaire #12: Turn of the Cards The Card Sharks Triad #13: Card Sharks #14: Marked Cards #15: Black Trump #16: Deuces Down #17: Death Draws Five The Committee Triad #18: Inside Straight #19: Busted Flush #20: Suicide Kings The Fort Freak Triad #21: Fort Freak #22: Lowball #23: High Stakes The American Triad #24: Mississippi Roll #25: Low Chicago #26: Texas Hold 'Em

"In the mid 21st Century the United States is a sleeping giant, lost in dreams of faded glory. But in one field we still reign supreme: entertainment, which in this future means computer simulations. That's why it is in America that the final computer breakthrough is achieved, the simulation of genius thinking, feeling personalities from history: Elizabeth I, Ghengis Khan, Pizarro, Socrates, Moses and Joan of Arc. You can see them all in action, with and against each other, in a world they never made--but just might remake closer to their silicon hearts' desire."--Pg. [4] of cover.

"To Write Like a Woman is a rare example of a feminist tackling science fictuion using postmodern theory, which makes for a much more sophisticated and nuanced appraisal than the usual fare." ―Passion"Russ’ essays are witty and insightful. An excellent book for any writer or reader." ―Feminist Bookstore News"In her new book of essays... Russ continues to debunk and demand, edify and entertain.... Appreciative of surface aesthetics, she continually delves deeper than most critics, yet in terms so simple and accessible that her essays read like lively, angry, humorous dialogues conducted face-to-face with the author. Russ is the antithesis of the distant critic in her ivory tower." ―Paul Di Filippo, The Washington Post Book World"... 20 years of the author’s feisty reports from the front lines of literature." ―The San Francisco Review of Books"This is a book of imaginative and provoking essays, but you should read it for the sheer fun of it." ―The Women’s Review of Books"Collects more than two decades of criticism by Joanna Russ, one of the most perceptive, forthright and eloquent feminist commentators around." ―Feminist Bookstore News"... a super book....This is a book that, for once, really will appeal to readers of all kinds." ―Utopian Studies"If you enjoy science fiction, this is definitely a book that you’ll want to talk about. I found myself sneaking a few pages at times when I really didn’t have time to read." ―Jan Catano, AtlantisClassic essays on science fiction and feminism by Nebula and Hugo award-winning Joanna Russ. Here she ranges from a consideration of the aesthetic of science fiction to a reading of the lesbian identity of Willa Cather. To Write Like a Woman includes essays on horror stories and the supernatural, feminist utopias, popular literature for women (the "modern gothic"), and the feminist education of graduate students in English.

Eugene Myers is working on a novel about the end of the world. Meanwhile, he discovers his daughter doing porn online and his marriage is coming to an end. When he begins dreaming about people who turn out to be real, he wonders if his novel is real as well. Eugene Myers may just be the one to stop the apocalypse. This history of the future covers every conspiracy imaginable: UFOs, secret societies, and World War III, as well as theories on life after death and human evolution by a writer whose last novel was called by Dogmatika, A page-turner and an example of an effective piece of storytelling that should be envied. In the tradition of Philip K. Dick and Robert Anton Wilson, The American Book of the Dead explores the nature of reality and the human race's potential to either disintegrate or evolve.

Seven essays on science fiction: Introduction Robert Silverberg: sounding brass, tinkling cymbal Alfred Bester: my affair with science fiction Harry Harrison: the beginning of the affair Damon Knight: Knight piece Frederick Pohl: ragged claws Brian Aldiss: magic & bare boards Appendices: how we work, selected bibliographies