A NEW YORK TIMES BESTSELLER. A sweeping history of the Spanish Civil War, told through a dozen characters, including Hemingway and George Orwell: A tale of idealism, heartbreaking suffering, and a noble cause that failed. For three crucial years in the 1930s, the Spanish Civil War dominated headlines in America and around the world, as volunteers flooded to Spain to help its democratic government fight off a fascist uprising led by Francisco Franco and aided by Hitler and Mussolini. Today we're accustomed to remembering the war through Hemingway's For Whom the Bell Tolls and Robert Capa's photographs. But Adam Hochschild has discovered some less familiar yet far more compelling characters who reveal the full tragedy and importance of the war: a fiery nineteen-year-old Kentucky woman who went to wartime Spain on her honeymoon, a Swarthmore College senior who was the first American casualty in the battle for Madrid, a pair of fiercely partisan, rivalrous New York Times reporters who covered the war from opposite sides, and a swashbuckling Texas oilman with Nazi sympathies who sold Franco almost all his oil--at reduced prices, and on credit. It was in many ways the opening battle of World War II, and we still have much to learn from it. Spain in Our Hearts is Adam Hochschild at his very best. "With all due respect to Orwell, Spain in Our Hearts should supplant Homage to Catalonia as the best introduction to the conflict written in English. A humane and moving book."--New Republic "Excellent and involving . . . What makes [Hochschild's] book so intimate and moving is its human scale."--Dwight Garner, New York Times

A collection of "first-rate frontline journalism" from the Spanish Civil War to US actions in Central America "by a woman singularly unafraid of guns" (Vanity Fair). For nearly sixty years, Martha Gellhorn's fearless war correspondence made her a leading journalistic voice of her generation. From the Spanish Civil War in 1937 through the Central American wars of the mid-eighties, Gellhorn's candid reporting reflected her deep empathy for people regardless of their political ideology. Collecting the best of Gellhorn's writing on foreign conflicts, and now with a new introduction by Lauren Elkin, The Face of War is a classic of frontline journalism by "the premier war correspondent of the twentieth century" (Ward Just, The New York Times Magazine ). Whether in Java, Finland, the Middle East, or Vietnam, she used the same vigorous approach. "I wrote very fast, as I had to," she says, "afraid that I would forget the exact sound, smell, words, gestures, which were special to this moment and this place." As Merle Rubin noted in his review of this volume for The Christian Science Monitor, "Martha Gellhorn's courageous, independent-minded reportage breaks through geopolitical abstractions and ideological propaganda to take the reader straight to the scene of the event."

Spain's Civil War, a tune-up for WW II, began in 1936. In three years, 600,000 patriots lay dead. Americans played a role in the conflict and Gerassi has chronicled their experiences. . . . Gerassi interviewed Americans who survived the Spanish Civil War, creating an oral history from those interviews. But the author has done more than that; he has written a social history of the 1930s, providing a window into an era in which radicalism took many forms. His `people's history' of men in arms and why they chose to take them up is most enlightening. Choice

In this study (her D.Phil thesis, U. of Bradford, UK), Mendeleson (American studies, Middlesex U., London) writes about one of the longest and most ambitious projects undertaken by the Society of Friends. Annotation c. Book News, Inc., Portland, OR (booknews.com)

A contemporary of Lorca and Buñuel in Spain’s Second Republic, Max Aub escaped into a life of exile after General Franco seized Barcelona. His masterpiece, acknowledged in Spain as one of the best accounts of the Spanish Civil War, is the five-novel cycle known as The Magic Labyrinth —never before translated into English. A playwright as well as a novelist, he brings the period alive through vibrant dialogue and a story that navigates the factional intrigues that eventually erupted onto the streets in violence. The protagonist of the first novel is Rafael López Serrador, whose coming of age in Barcelona introduces a cast from all walks of city life—Catalan nationalists, anarchists, Falangists, government ministers and showgirls. Just as central a character is Barcelona itself, lovingly depicted. Rafael’s adventures bring him into contact with the forces that were to destroy the Republic and determine the bloody course of the Spanish Civil War. Masterfully translated by Gerald Martin, author of Gabriel García Márquez: A Life , Max Aub’s novel is set to introduce to an English-speaking audience a classic of Spanish and Latin American literature—an account of the Spanish Civil War to compare with Ernest Hemingway’s For Whom the Bell Tolls .