In No Matter the Wreckage , Sarah Kay takes you on a profound journey through her self-discovery in New York. Following her breakout poem "B," this debut poetry collection showcases her accessible brilliance. With each verse, Kay transports readers to a world of love, nostalgia, and life's wonders. Her elegant words celebrate family bonds, young love, travel, and the echoes of history shaping our present. What sets No Matter the Wreckage apart is Kay's ability to find magic in the ordinary, painting intimate portraits of unlikely love affairs between objects and exploring whimsical topics. This collection's transformative helps readers to find a sanctuary of words that uplift your spirit and ignite imagination. No Matter the Wreckage is a must-have for poetry lovers, an unforgettable journey.

Homicide has many social and psychological implications that vary from culture to culture and which change as people accept new ideas concerning guilt, responsibility, and the causes of crime . A study of attitudes toward homicide is therefore a method of examining social values in a specific setting. Homicide in American Fiction, 1798-1860 is the first book to contrast psychological assumptions of imaginative writers with certain social and intellectual currents in an attempt to integrate social attitudes toward such diverse subjects as human evil, moral responsibility, criminal insanity, social causes of crime, dueling, lynching, the "unwritten law" of a husband's revenge, and capital punishment. In addition to works of literary distinction by Cooper, Hawthorne, Irving, and Poe, among others, Davis considers a large body of cheap popular fiction generally ignored in previous studies of the literature of this period. This is an engrossing study of fiction as a reflection of and a commentary on social problems and as an influence shaping general beliefs and opinions.

This book is a tribute to some of America's greatest characters, people holding on to unique ways of life at all costs. A castle builder, a forty-year veteran Woolworth's lunch-counter waitress, a moonshiner, and the president of The Brooklyn Elite Checker Club are among this varied group of ordinary people who prevail against all odds. They are Dewey Chafin and Barbara Elkins, snake handlers for the Church of the Lord Jesus in Jolo, West Virginia; Amos Powers, caretaker of America's only coon-dog graveyard in Colbert County, Alabama; Dixie Evans, curator of Exotic World, Museum of Burlesque in Helendale, California; and Mike Gashwarza of the Hopi tribe, fighting against electricity being brought to Old Oraibi, Arizona, the oldest town in North America. David Isay's compelling, often humorous profiles are accompanied by Harvey Wang's wonderful portraits of fifty such people, die-hard individualists who speak for themselves, illuminating their remarkable lives and personalities. Henry Roth's foreword is a moving testament to the creativity, tenacity, and dignity these people possess.

In his seventh book, Carl Dennis explores the ways in which our wishes - those in our power to fulfill at any moment and those that have no chance of ever being realized - define who we are. While some of the poems view wishing as a failure to do justice to the world we have, others regard it as a recognition that no present, however rich, can satisfy the imagination, and suggest that one of the functions of poetry is to keep significant wishes alive. In showing with moving clarity how wishes are essential to giving shape and direction to the moment, these poems make use of a rich variety of genres: elegy, advice, meditation, warning, consolation, and prophecy.

For nearly thirty years, Mort Kunstler has focused his considerable artistic talent on interpreting the Civil War through his paintings. In doing so, he has turned to leading historians and scholars for information that he has then translated on canvas to create an indelible image of this defining ordeal in America's history. More than 160 of those images--supplemented by preliminary sketches, early studies, and photographs of works in progress--are the basis for the four volumes in this series. Volume 4 follows the course of the war from the battle of Gettysburg (July 1-3, 1863) through the end of the war at Appomattox (April 9, 1865). The march through Virginia and Tennessee and Georgia, culminating at the battle of Chickamauga, the Atlanta campaign, the battles of Franklin and Nashville, Sherman's March to the Sea, the North's rampage through South Carolina, and battles through North Carolina all ended in a parlor in a house at an obscure railroad crossroads.

Arnold Beichman's comprehensive study of the writings of Herman Wouk, one of America's leading writers, shows how Wouk's plays and novels exemplify an extraordinary and often highly perceptive preoccupation with American society in war and in peace. Situating Wouk in the same literary tradition as Cervantes, Richardson, Balzac, and Dickens, Beichman demonstrates that Wouk's novels have strong plots, moralist outcomes, and active--essentially positive--characters. The new introduction serves to bring Wouk's work over the past two decades into the reckoning. Making extensive use of Wouk's personal papers and manuscripts as well as personal interviews with him, Beichman's focus is on the social and literary qualities of Wouk's work. In particular, he examines eight novels including War and Remembrance and The Winds of War; The Traitor, one of his three plays; and two moral tracts on Judaism. Wouk has written four more novels, including his latest, A Hole in Texas, his twelfth. Beichman portrays Wouk as one of the few living novelists concerned with virtue, and sees his work as against the mainstream of contemporary American novelists. These, he argues, have eschewed such elements of the traditional novel as invention, coincidences, surprises, suspense, and a moral perspective more presumed than examined.

Poetry arises from the search for sacred language that describes the awe and mystery of the real world. Deena Metzger is a contemporary poet who has aligned herself with this ancient tradition. This collection, that includes selections from her earlier books of poetry Dark Milk, The Axis Mundi Poems, Looking For the Faces of God , A Sabbath Among the Ruins and Skin: Shadows/Silence draws on her life s work, more than forty years of devotion to the word, and aligns itself with such a quest for meaning that has increasing urgency because of the spiritual and political ruins of our time. It is no longer sufficient, she believes, for the poet to be an unacknowledged legislator of the world, for the committed poet is called to engage with full heart in the continuous activity of restoration on behalf of beauty, wisdom and the natural world. Here we meet the articulate voices of the otherwise silenced, the voices of the animals, the land and the elementals, rain, wind fire and earth, and our responsibility to them. This book combines a searing look at the horrors that we permit, the anguish of human cruelty, brutality, and indulgence, but carrying the fierce determination to live, act, and write on behalf of the soul in all its manifestations. In this collection, despair is acknowledged but not indulged, as Metzger engages in the meticulous task of reconstructing a world, informed by the past and history as language demands, but, extracting ourselves from its violence and caprices, looking toward a viable future and all its unexpected possibilities. Poetry arises from the search for sacred language thatdescribes the awe and mystery of the realworld.Deena Metzger is a contemporarypoet who has aligned herself with this ancient tradition. This collection, thatincludes selections from her earlier books of poetry, and draws on her life swork, more than forty years of devotion to the word, and aligns itself withsuch a quest for meaning that has increasing urgency because of the spiritualand political ruins of our time.It isno longer sufficient, she believes, for the poet to be an unacknowledgedlegislator of the world, for the committed poet is called to engage with fullheart in the continuous activity of restoration on behalf of beauty, wisdom andthe natural world.Here we meet thearticulate voices of the otherwise silenced, the voices of the animals, theland and the elementals, rain, wind fire and earth, and our responsibility to them.This book combines a searing look at thehorrors that we permit, the anguish of human cruelty, brutality, andindulgence, but carrying the fierce determination to live, act, and write onbehalf of the soul in all its manifestations. In this collection, despair isacknowledged but not indulged, as Metzger engages in the meticulous task ofreconstructing a world, informed by the past and history as language demands, but, extracting ourselves from its violence and caprices, looking toward aviable future and all its unexpected possibilities. "

Everything Must Go is an illustrated collection of poems in the spirit of a graphic novel, a collaboration between poet Kevin Coval and illustrator Langston Allston. The book celebrates Chicago's Wicker Park in the late 1990's, Coval's home as a young artist, the ancestral neighborhood of his forebears, and a vibrant enclave populated by colorful characters. Allston's illustrations honor the neighborhood as it once was, before gentrification remade it. The book excavates and mourns that which has been lost in transition and serves as a template for understanding the process of displacement and reinvention currently reshaping American cities.