Now a major motion picture starring Melissa McCarthy—Lee Israel’s hilarious and shocking memoir of the astonishing caper she carried on for almost two years when she forged and sold more than three hundred letters by such literary notables as Dorothy Parker, Edna Ferber, Noel Coward, and many others. Before turning to her life of crime—running a one-woman forgery business out of a phone booth in a Greenwich Village bar and even dodging the FBI—Lee Israel had a legitimate career as an author of biographies. Her first book on Tallulah Bankhead was a New York Times bestseller, and her second, on the late journalist and reporter Dorothy Kilgallen, made a splash in the headlines. But by 1990, almost broke and desperate to hang onto her Upper West Side studio, Lee made a bold and irreversible career change: inspired by a letter she’d received once from Katharine Hepburn, and armed with her considerable skills as a researcher and celebrity biographer, she began to forge letters in the voices of literary greats. Between 1990 and 1991, she wrote more than three hundred letters in the voices of, among others, Dorothy Parker, Louise Brooks, Edna Ferber, Lillian Hellman, and Noel Coward—and sold the forgeries to memorabilia and autograph dealers. “Lee Israel is deft, funny, and eminently entertaining…[in her] gentle parable about the modern culture of fame, about those who worship it, those who strive for it, and those who trade in its relics” (The Associated Press). Exquisitely written, with reproductions of her marvelous forgeries, Can You Ever Forgive Me? is “a slender, sordid, and pretty damned fabulous book about her misadventures” ( The New York Times Book Review ).

A factual account of the serial killer who terrorized Boston for eighteen months.

In this brilliant history of Prohibition and its most notorious gangster, acclaimed biographer Laurence Bergreen takes us to the gritty streets of Chicago where Al Capone forged his sinister empire. Bergreen shows the seedy and glamorous sides of the age, the rise of Prohibition, the illicit liquor trade, the battlefield that was Chicago. Delving beyond the Capone mythology. Bergreen finds a paradox: a coldblooded killer, thief, pimp, and racketeer who was also a devoted son and father; a self-styled Robin Hood who rose to the top of organized crime. Capone is a masterful portrait of an extraordinary time and of the one man who reigned supreme over it all, Al Capone.

Bestselling author Douglas Century reveals the untold story of the epic rise and fall of Boris Nayfeld, also known as Biba, one of the most notorious Russian mob bosses of our era. Boris Nayfeld, a.k.a. "Biba," is the last living boss of the old-school Russian mob in America, and he's survived to tell it all. Filled with sex, drugs, and murder, Biba's story is a mind-boggling journey that took him from petty street crime in the USSR to billion-dollar embezzlement in America. Born in Soviet-era Belarus, abandoned by his parents in infancy, Biba's brutal upbringing left him hungry for more--more power, control, and money. Taking advantage of the rampant corruption in the Soviet Union, Biba's teenage hooliganism quickly turned into bolder "black cash" rackets, making him, by Soviet standards, a very rich young man. When authorities took notice and threatened him with "the supreme measure"-- execution by firing squad--he managed to get out of the USSR just in time. Within months of landing in America, his intimidating presence and street smarts quickly made him legendary in the Soviet émigré community of Brighton Beach, Brooklyn, and launched him to the top of New York's Russian Jewish mob, one of the world's most inventive, powerful and violent criminal organizations. After decades as a globe-trotting boss, and three stints in U.S. federal prisons he remains unbroken and unrepentant, even as his entire life has unraveled around him. Now seventy-four years old, Biba is a lion in winter. Douglas Century vividly brings the notorious gangster to life in these pages, telling not only his epic journey but also the history of the Russian mob in America.

Louis Ferrante began hijacking delivery trucks at age seventeen, and New York's infamous Gambino crime family took notice. By twenty-one, Ferrante's Mafia connections had enabled him to pull off some of the most lucrative heists in history. But betrayals by close friends brought Ferrante a slew of federal indictments, and he would spend the next decade as an inmate in some of America's most notorious penitentiaries—with ample time to ponder life's essential questions: Who am I? What makes me this way? Do I have a purpose? In the prison library he embarked on an extraordinary journey of the mind that took him from history to philosophy to major world religions, from the art of writing to the law. And after successfully appealing his own conviction—in a case now cited in courtrooms across the country—Ferrante walked away from prison a writer and a profoundly changed man. Unlocked is a remarkable memoir of personal transformation—a true story that is shocking, brutal, inspiring, and unforgettable.

True stories of sudden death in the classic collection by a master of American journalism “Reporters love murders,” Calvin Trillin writes in the introduction to Killings. “In a pinch, what the lawyers call ‘wrongful death’ will do, particularly if it’s sudden.” Killings, first published in 1984 and expanded for this edition, shows Trillin to be such a reporter, drawn time after time to tales of sudden death. But Trillin is attracted less by violence or police procedure than by the way the fabric of people’s lives is suddenly exposed when someone comes to an untimely end. As Trillin says, Killings is “more about how Americans live than about how some of them die.” These stories, which originally appeared in The New Yorker between 1969 and 2010, are vivid portraits of lives cut short. An upstanding farmer in Iowa finds himself drastically changed by a woman he meets in a cocktail lounge. An eccentric old man in Eastern Kentucky is enraged by the presence of a documentary filmmaker. Two women move to a bucolic Virginia county to find peace, only to end up at war over a shared road. Mexican American families in California hand down a feud from generation to generation. A high-living criminal-defense lawyer in Miami acquires any number of enemies capable of killing him. Stark and compassionate, deeply observed and beautifully written, Killings is “that rarity, reportage as art” (William Geist, The New York Times Book Review ). Praise for Killings “Riveting tales of murder and mayhem. . . . [Calvin] Trillin is a superb writer, with a magical ability to turn even the most mundane detail into spellbinding wonder. Armed with this wealth of material, he utterly shines. Every piece here is a gem.” — The Seattle Times “What Mr. Trillin does so well, what makes Killings literature, is the way he pictures the lives that were interrupted by the murders. Even the most ordinary life makes a terrible noise . . . when it’s broken off.” —Anatole Broyard, The New York Times “Fascinating, troubling . . . In each of these stories is the basis of a Dostoevskian novel.” —Edward Abbey , Chicago Sun-Times “The stories . . . are unforgettable. They leave us, finally, with the awareness of the unknowable opacity of the human heart.” —Bruce Colman , San Francisco Chronicle “[Trillin] writes brilliantly. . . . These stories still hold up, as classics.” — The Buffalo News “In his artful ability to conjure up a whole life and a whole world, Trillin comes as close to achieving the power of a Chekhov short story as can anyone whose material is so implacably tied to fact.” —Frederick Iseman , Harper’s Bazaar “I have a book for you true-crime addicts if you’re caught up on the podcast Serial, the cascade on TV of 48 Hours and Dateline NBC episodes. . . . It’s time to pick up Calvin Trillin’s Killings .” — The New York Times Book Review “Well-crafted and thoughtfully composed, lacking judgment and admonishment, these are a true piece of quality journalism, which clearly continues to captivate audiences.” — Library Journal “With telling detail and shrewd insights, [Calvin Trillin] masterfully evokes the places and personalities that hatched these grim episodes.” — Publishers Weekly

Who killed Kennedy? Many keen minds have their doubts about the findings of the Warren Commission. Could Oswald have fired 3 shots in 5.6 seconds with the inaccurate rifle he had - and hit a moving target? Did he even kill patrolman Tippit (the bullets in the body were smaller than the barrel of his revolver)? Was the brown paper bag made only to attract attention? Was Bullet No. 399 a plant? Suppose there was a Second Oswald - a man very similar physically and an expert marksman? Such a man was seen both before and at the time of the murder. Was there a rifleman on the knoll as well as at the Book Depository window? If so this was one of the greatest - and most successful conspiracies of modern times... THE SECOND OSWALD has been called "the first plausible and significant argumentation on the Kennedy assassination." It takes into account the books by Edward J. Epstein, Mark Lane and Harold Weisberg. Too much was attempted too quickly. Professor Popkin believes that Lee Harvey Oswald may have been innocent and no more than a decoy in a plot to kill the President. His job may have been to divert suspicion and be arrested. A startling alternative to the 'Single Assassin' theory. For an author bio and photo, reviews and a reading sample, visit bosonbooks.com.

In The Wizard of Odds, renowned and best-selling basketball writer Charley Rosen brings us for the first time the full life story of Jack Molinas, one of the greatest basketball players of his era, a man whose gambling addiction and hubris caused his ultimate demise. Drawing on numerous, previously unavailable first-person accounts, including Jack Molinas’s own journal and trial transcripts, Rosen presents the true saga of a man who perhaps better than anyone around him understood the weaknesses of the system in which he lived—so much so that he convinced himself that he could manipulate that system to his advantage with total impunity, in a life’s journey that took him from NBA play to the Mafia and the pornographic film industry, and to an ultimate tragic destiny.

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Was he New York City’s last pirate . . . or its first gangster? This is the true story of the bloodthirsty underworld legend who conquered Manhattan, dock by dock—for fans of Gangs of New York and Boardwalk Empire . “History at its best . . . I highly recommend this remarkable book.”—Douglas Preston, #1 New York Times bestselling author of The Lost City of the Monkey God Handsome and charismatic, Albert Hicks had long been known in the dive bars and gin joints of the Five Points, the most dangerous neighborhood in maritime Manhattan. For years, he operated out of the public eye, rambling from crime to crime, working on the water in ships, sleeping in the nickel-a-night flops, drinking in barrooms where rat-baiting and bear-baiting were great entertainments. His criminal career reached its peak in 1860, when he was hired, under an alias, as a hand on an oyster sloop. His plan was to rob the ship and flee, disappearing into the teeming streets of lower Manhattan, as he’d done numerous times before, eventually finding his way back to his nearsighted Irish immigrant wife (who, like him, had been disowned by her family) and their infant son. But the plan went awry—the ship was found listing and unmanned in the foggy straits of Coney Island—and the voyage that was to enrich him instead led to his last desperate flight. Long fascinated by gangster legends, Rich Cohen tells the story of this notorious underworld figure, from his humble origins to the wild, globe-crossing, bacchanalian crime spree that forged his ruthlessness and his reputation, to his ultimate incarnation as a demon who terrorized lower Manhattan, at a time when pirates anchored off 14th Street.

WHY CRIME DOES NOT PAY BY SOPHIE LYONS WITH BEAUTIFUL CLASSIC COVER. PERFECTLY FOR EVERYONE WHO LOVES CLASSIC AUTOBIOGRAPHY BOOKS OR AS A GIFT FOR YOU LOVED ONE. GET YOURS TODAY! Specifications: Cover Finish: GLOSSY Dimensions: 5,25" x 8" (13,34 x 20,32 cm) Interior: White Paper Pages: 155

Dead End: Be Careful How You Live is a suspenseful crime thriller novel written by Ed Lacy. The story revolves around a young man named Johnny Dolan, who is wrongly accused of murdering his girlfriend. Despite his innocence, the police and the media are convinced of his guilt, and Johnny is forced to go on the run to clear his name.As Johnny tries to evade the law and find the real killer, he becomes embroiled in a dangerous world of organized crime and corruption. Along the way, he meets a cast of colorful characters, including a tough-talking private detective, a seductive nightclub singer, and a ruthless gangster who will stop at nothing to protect his interests.As the plot thickens, Johnny must use all his wits and resources to stay one step ahead of his pursuers and uncover the truth behind his girlfriend's murder. With plenty of twists and turns, Dead End: Be Careful How You Live is a gripping page-turner that will keep readers on the edge of their seats until the very end.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.