The most haunting memoir of the twentieth century—written in exile, published after death, essential for our time. Stefan Zweig was born into the golden age of European civilization, a world that believed in progress, treasured culture above nationalism, and thought peace permanent. From his privileged position in Vienna—cultural capital of the Hapsburg Empire—he witnessed the last great flowering of cosmopolitan humanism. He knew Rilke and Freud, Hofmannsthal and Richard Strauss. He moved effortlessly between Paris, London, Berlin, and Rome. By the 1920s, he was one of the most translated authors in the world. Then, across three decades, he watched that entire civilization destroy itself. The World of Yesterday is Zweig's attempt to capture what was lost—the intellectual brilliance of pre-war Vienna, the madness of 1914's patriotic fever, the hyperinflation that destroyed Austria's middle class, the rise of Mussolini and Hitler, the nightmare of exile. Writing without access to his notes or library, relying purely on memory, Zweig creates something more valuable than conventional autobiography: a sustained meditation on civilization's fragility, written by a witness who understood exactly what was being destroyed and why it mattered. This is not simply historical testimony. It is warning and prophecy. Zweig describes how quickly democratic norms collapsed, how virulent antisemitism erupted in countries where Jews felt integrated, how cultural achievement proved defenseless against totalitarian barbarism. He chronicles the failure of intellectuals to resist, the transformation of neighbors into enemies, the speed with which cosmopolitan ideals gave way to tribal hatred. The memoir was completed in Brazil in February 1942, mailed to the publisher on February 21st. The next day, Zweig and his wife ended their lives. He could not survive the destruction of everything he valued. But he left us this book—eloquent, heartbroken, clear-eyed about both his generation's achievements and its catastrophic failures. For readers in our own uncertain era, The World of Yesterday speaks with uncomfortable urgency. The questions Zweig asks have become our questions. The dangers he witnessed have not disappeared. His testimony reminds us that civilization is never guaranteed—it must be defended, or it will be lost. A masterwork of witness and warning. The essential memoir of European catastrophe. Required reading for our age.

There is no summarizing or explaining the writings of Gertrude Stein. With the exception of her fledgling efforts like Three Lives or her funny, successful memoir, The Autobiography of Alice B. Toklas , her fictions are without conventional plot, setting, or character. They are intellectual flowers, each sentence growing or receding from the one before it, repeating its main points with subtle, telling changes. In Lucy Church Amiably , first published in Paris in 1930 and long out of print, Stein describes the landscape and pastoral life of central France (while writing, she was staying near a small village named Lucy) in and through her character Lucy "Gradually remembering a lake. Gradually. Remembering. A lake. In gradually remembering a lake by the shore of the lake where they were sitting." Yet Stein is not opaque or purely she always provides solid details in unexpected places, specializing, as the critic Fred Dupee put it, in "the mingling of apparent conviction with transparent nonsense." She is a central figure in the modernist movement, but her relentless pleasure in her quirky, handmade idiom can repel the unwary reader. Although it is a delight to have this reprint, a brief introduction would have been useful for the uninitiated. Those interested in Stein should also turn to her Selected Writings , or, for a painless entrée to her work, begin with The Autobiography of Alice B. Toklas . --Regina Marler

In this book gender is the lens through which autobiography and biography are scrutinized. The authors show what is revealed when they magnify the gendered aspects of both men’s and women’s writing. The eternal questions of identity, choice, responsibility, happiness, tragedy, and even death are interpreted in terms of gender analysis. The book presents a sequence of studies from the early nineteenth to the late twentieth century that includes individuals such as American poet Anne Sexton and German writers Christa Wolf and Paul Celan, and groups such as nineteenth-century Mexican women and members of the British working class. It extends the paradigm of “self-reflexive” literature to include and highlight the overlap between autobiography and biography, especially in the case of women who often wrote their lives obliquely through the biographies of their famous male relatives, e. g., Adèle Hugo and Anne Thackeray Ritchie. The authors refuse to accept a monolithic conception of gender. The studies of Charles and Mary Lamb, Nadezhda Durova, and John Stuart Mill demonstrate that even in the nineteenth century, a binary gender system is inadequate as a mode of approach to actual life stories.

Natalia Ginzburg, arguably the most important woman writer of postwar Italy, always spoke of herself with irrepressible modesty. Yet the woman who claimed she "never managed to climb up mountains" in fact wrote the history of twentieth-century Italy with her sparse and captivating prose, chronicling Fascism, war, and the Nazi occupation as well as the intimacies of family life. Ginzburg's marriage to Leone Ginzburg, who met his death at the hands of the Nazis for his anti-Fascists activities, and her work for the Einaudi publishing house placed her squarely in the center of Italian political and cultural life. But whether writing about the Turin of her childhood, the Abruzzi countryside, where her family was interned during World War II, or contemporary Rome, Ginzburg never shied away from the traumas of history-even if she approached them only indirectly, through the mundane details and catastrophes of personal life. Intensely reserved, Ginzburg said that she "crept toward autobiography stealthily like a wolf." But she did openly discuss her life and her work in an extraordinary series of interviews for Italian radio in 1990. Never before published in English, It's Hard to Talk about Yourself presents a vivid portrait of Ginzburg in her own words on the forces that shaped her remarkable life-politics, publishing, literature, and family. This fluid translation will join Ginzburg's autobiography, Family Sayings , as one of the most important records of her life and, as the editors write in their preface, "the last, unexpected, original book by Natalia Ginzburg."

This is a new release of the original 1945 edition.

""Music Is My Faith: An Autobiography"" is a memoir written by David Mannes, an American violinist and conductor. The book chronicles Mannes' life from his early years as a child prodigy to his successful career as a musician and educator. Mannes shares his experiences performing with renowned orchestras and musicians, including the New York Philharmonic and Jascha Heifetz. He also discusses his role in founding the Mannes School of Music in New York City, which has become one of the most prestigious music schools in the world. Throughout the book, Mannes reflects on the importance of music in his life and the impact it has had on his personal and professional growth. ""Music Is My Faith"" is a compelling read for anyone interested in music, education, or the life of a successful musician.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

"One day, a young man receives an unexpected letter from his grandmother, kicking off a literary adventure that brings home to him everything he has not seen. Once Upon Argentina relates the lives of the narrator's relatives-- a group of people from all over the world gathered in a land where immigrant traditions merge and thrive. The lives of these relatives intersect, like a set of Matryoshka dolls or a hall of mirrors, as the personal and social stories of twentieth century Argentina converge. Beyond these tales of hardship and triumph, Andres Neuman's novel experiments with the nature of the autobiography, encompassing prenatal memories, expanding the autofiction genre with a new voice and twist. Merging present and past, collective experiences and his own, the narrator explores a genealogy populated by unforgettable characters, offering us the story of the construction of a country, his Argentine childhood, and his early literary discoveries.With extraordinary delicacy and intensity, combining elegy, tragedy, and humor, Andres Neuman reveals a world as real as it is fantastic, as strange as it is our own. Once Upon Argentina is a coming-of-age tale, a political novel, and a love letter to the absent ones."--Publisher's website

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a new release of the original 1948 edition.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Molly Picon began as a child actor in the Yiddish Theatre at age six. Picon went on to appear in many films, beginning with silent movies. In 1934, Picon had her own musical comedy radio show, Picon went on to appear in many TV shows and her final role was as Roger Moore's mother in cameo appearances in the comedies Cannonball Run and its sequel Cannonball Run II. In "So Laugh a Little" the famous Yiddish actress, has written a funny and poignant book describing her life journey all the while paying homage to the many life lessons learned from her grandmother. Molly's grandmother came to Philadelphia from Russia and helped raise Molly and encourage her in her career in show business. Part autobiography, part common-sense wisdom, this book will engage and entertain you through every chapter. Starting with Molly's early start in Yiddish to her later success in her own stage show and on to many TV and film roles, Molly shares life advice that is just as important to hear today as it was when the book was originally published in 1962.

Rebecca Nachman is a Rabbi without a synagogue. Having resigned from her dwindling congregation, she now works as a college counselor at a small Vermont college advising students about private matters and offering the "Jewish perspective" on issues raised at faculty dinner parties. Deeply lonely and on the edge of losing her faith, she comes into possession of a Torah, the last relic of Czechowa, a village of Polish Jews who were exterminated by the Nazis. With the Torah, the unquiet spirits of the village dead begin to visit Rebecca. On one visit they leave a manuscript written in Hebrew and titled My Life, an autobiography by God who, like any eager author, is seeking a sympathetic reader. No one has ever finished reading the manuscript, including Thomas Aquinas, Martin Luther, Maimonides, and Augustine. God thinks Rebecca will. Rebecca's life is further complicated when one of her advisees-a troubled young woman who seemed on the verge of confessing something-is found murdered. As the college struggles to comprehend the tragedy and a police investigation is launched, Rebecca begins reading, and so comes to confront the central challenge to her faith in His most troubling and unlikely incarnation. Julius Lester's first adult novel in more than a decade, The Autobiography of God marks the return of an utterly original and provocative voice in American letters, addressing religion with wicked humor and profound reverence.

Text: English, German (translation)

Throughout the ages philosophers have examined their own lives in an attempt both to find some meaning and to explain the roots of their philosophical perspectives. This volume is an introduction to philosophical autobiography, a rich but hitherto ignored literary genre that questions the self, its social context, and existence in general. The author analyzes representative narratives from antiquity to postmodernity, focusing in particular on three case studies: the autobiographies of St. Augustine, Rousseau, and Sartre. Through the study of these exemplary texts, philosophical reflection on the self emerges as a valid alternative to Freudian psychoanalysis and as a way of promoting self-renewal and change.

This is a new release of the original 1941 edition.

First published in 1933, this novel tells the story of a Jewish family living in New York City in the early 20th century. The book explores themes of identity, assimilation and the immigrant experience. Written in a humorous and irreverent style, the novel was controversial at the time of its release for its frank portrayal of sexuality and its use of slang and non-standard English. Today, it is recognized as an important work of Jewish-American literature. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

Felix Moscheles was the godson of Felix Mendelssohn. He was a painter, peace activist and keen fan of Esperanto.