"The original Bloomberg by Bloomberg was published in 1997 and focused primarily on the genesis of the financial software, data, and media company, Bloomberg L.P. Bloomberg began his career at the securities brokerage Salomon Brothers, before forming Bloomberg L.P. in 1981 and spending the next twenty years as its Chairman and CEO. Bloomberg by Bloomberg featured insights and anecdotes from Bloomberg's illustrious career and advice for aspiring entrepreneurs. In 2001, Bloomberg became the 108th Mayor of New York City, and he was reelected for two more terms. Thus, Bloomberg by Bloomberg, Second Edition will feature additional content highlighting Bloomberg's time as mayor of NYC and how it affected his principles"--

Best known for his "How'm I doing?" approach to politics and life, as well as his candid stands on controversial issues, Ed Koch survived his years in public office by being the most outspoken and candid mayor in the history of New York City. Citizen Koch is an insightful, funny, and outrageous memoir about life, politics, and the City of New York. Ed's taken off the gloves and bares all about the highs and lows of his mayoralty and life. Besides being a hard-hitting, unusually honest political memoir, Citizen Koch is filled with heartfelt reminiscences from Koch's life - his childhood working as a hatcheck boy in a Newark dancehall with his immigrant parents during the Depression, his years living in Brooklyn, his World War II experiences as a Sergeant in the 104th Infantry Division, his time as a young attorney, and much, much more. Best of all, he chronicles his introduction to politics and offers a private and personal recounting of his nine years as a U.S. Congressman and three terms as Mayor of New York City. And, for the first time, Ed discusses his contemplation of suicide during the corruption crisis that clouded his third term. In Citizen Koch, Ed Koch also provides hilarious anecdotes and witty reminiscences from his years in public life, including wonderful stories from his time in Gracie Mansion and visits with Menachem Begin, Sir Laurence Olivier, Leonard Bernstein, Mother Teresa, and audiences with Presidents Bush and Nixon, Daniel Ortega, Pope John Paul II, and many, many others. And, perhaps best of all, Ed discusses his life out of office and offers up his opinions on many of the issues facing America today. Citizen Koch is the most candid, searching, and intimateportrait of one of our best-known public figures.

"A down-to-earth, inspiring book about the American promise fulfilled." -President Bill Clinton "Fascinating . . . . Made me wish I had been born in the Bronx." -Barbara Walters A touching and provocative collection of memories that evoke the history of one of America's most influential boroughs-the Bronx-through some of its many success stories The vivid oral histories in Arlene Alda's Just Kids from the Bronx reveal what it was like to grow up in the place that bred the influencers in just about every field of endeavor. The Bronx is where Michael Kay, the New York Yankees' play-by-play broadcaster, first experienced baseball; where J. Crew's CEO Millard ("Mickey") Drexler found his ambition; where Neil deGrasse Tyson and Dava Sobel fell in love with science; and where local music making inspired singer-songwriter Dion DiMucci and hip-hop's Grandmaster Melle Mel. The parks, the pickup games, the tough and tender mothers, the politics, the gangs, the food-for people who grew up in the Bronx, childhood recollections are fresh. Arlene Alda's own Bronx memories were a jumping-off point from which to reminisce with a nun, a police officer, an urban planner, and with Al Pacino, Carl Reiner, Colin Powell, Maira Kalman, Bobby Bonilla, Mary Higgins Clark, and many other leading artists, athletes, scientists, and entrepreneurs-experiences spanning six decades of Bronx living. Alda then arranged these pieces of the past, from looking for violets along the banks of the Bronx River to the wake-up calls from teachers who recognized potential, into one great collective story, a filmlike portrait of the Bronx from the early twentieth century until today.

"During his 50-year association with the Village Voice, Fred W. McDarrah (1926-2007) covered the city's downtown scenes, producing an unmatched and encyclopedic visual record of people, movements, and events. McDarrah frequented the bars, cafés, and galleries where writers, artists, and musicians gathered, and he was welcome in the apartments and lofts of the city's avant-garde cultural aristocracy. He captured every vital moment, from Jack Kerouac reading poetry, to Bob Dylan hanging out in Sheridan Square, to Andy Warhol filming in the Factory, to the Stonewall Riots. Through his lens, we see the legendary birth of ideas and attitudes that continue to shape the character and allure of New York today." -- Publisher's description

Every city and every state needs a Richard Ravitch. In sixty years on the job, whether working in business or government, he was the man willing to tackle some of the most complex challenges facing New York. Trained as a lawyer, he worked briefly for the House of Representatives, then began his career in his family's construction business. He built high-profile projects like the Whitney Museum and Citicorp Center but his primary energy was devoted to building over 40,000 units of affordable housing including the first racially integrated apartment complex in Washington, D.C. He dealt with architects, engineers, lawyers, bureaucrats, politicians, union leaders, construction workers, bankers, and tenants—virtually all of the people who make cities and states work. It was no surprise that those endeavors ultimately led to a life of public service. In 1975, Ravitch was asked by then New York Governor Hugh Carey to arrange a rescue of the New York State Urban Development Corporation, a public entity that had issued bonds to finance over 30,000 affordable housing units but was on the verge of bankruptcy. That same year, Ravitch was at Carey's side when New York City's biggest banks said they would no longer underwrite its debt and he became instrumental to averting the city's bankruptcy. Throughout his career, Ravitch divided his time between public service and private enterprise. He was chairman of the Metropolitan Transportation Authority from 1979 to 1983 and is generally credited with rebuilding the system. He turned around the Bowery Savings Bank, chaired a commission that rewrote the Charter of the City of New York, served on two Presidential Commissions, and became chief labor negotiator for Major League Baseball. Then, in 2008, after Governor Eliot Spitzer resigned in a prostitution scandal and New York State was in a post-financial-crisis meltdown, Spitzer's successor, David Paterson, appointed Ravitch Lieutenant Governor and asked him to make recommendations regarding the state's budgeting plan. What Ravitch found was the result of not just the economic downturn but years of fiscal denial. And the closer he looked, the clearer it became that the same thing was happening in most states. Budgetary pressures from Medicaid, pension promises to public employees, and deceptive budgeting and borrowing practices are crippling our states' ability to do what only they can do—invest in the physical and human infrastructure the country needs to thrive. Making this case is Ravitch's current public endeavor and it deserves immediate attention from both public officials and private citizens.

"In a world where everyone is inventing a self, curating a feed and performing a fantasy of life, what does it mean to be a person? In his grandly entertaining debut memoir, playwright David Adjmi explores how human beings create themselves, and how artists make their lives into art.."--Publisher's description.

*Winner of the National Jewish Book Award for Biography and Autobiography This is the story of the making of a world-famous sociologist. It is even more the story of a boy hustling to survive. Here in an astonishing and candidly written memoir by one of America's premier social scientists recounting the intensely personal story of his tormented youth in a ghetto within a ghetto. It etches the painful details of a boy's overcoming alienation and isolation in a hostile place in an unloving family. In the 1930s a small remnant community of Eastern European Jewish immigrants still resided in predominantly black Harlem. As shopkeepers trying to make out a marginal existence, Harlem's Jews were a minority within a minority. Into this restricted world the author of this book was born. Irving Louis Horowitz's parents had fled Russia, his father the victim of persecution in the Tsarist army during World War I. The boy's schoolmates were the children of black sharecroppers who had immigrated to the North. Poverty, language, and culture all cut off the Horowitz family from traditional community life, and the stress of a survival existence led to the trauma of a deteriorating family unit. Harlem and its environs, the Apollo and the Alhambra theaters, the Polo Grounds, and Central Park were the stage on which a youngster from this ghetto built a kind of self-reliance at the cost of social graces. The recipient of the National Jewish Book Award for Biography and Autobiography, this new, augmented edition contains the author's reflection of the impact of the Great Depression on Harlem family life.

"A contentious, deeply moving ode to friendship, love, and urban life in the spirit of Fierce Attachments A memoir of self-discovery and the dilemma of connection in our time, The Odd Woman and the City explores the rhythms, chance encounters, and ever-changing friendships of urban life that forge the sensibility of a fiercely independent woman who has lived out her conflicts, not her fantasies, in a city (New York) that has done the same. Running steadily through the book is Vivian Gornick's exchange of more than twenty years with Leonard, a gay man who is sophisticated about his own unhappiness, whose friendship has "shed more light on the mysterious nature of ordinary human relations than has any other intimacy" she has known. The exchange between Gornick and Leonard acts as a Greek chorus to the main action of the narrator's continual engagement on the street with grocers, derelicts, and doormen; people on the bus, cross-dressers on the corner, and acquaintances by the handful. In Leonard she sees herself reflected plain; out on the street she makes sense of what she sees. Written as a narrative collage that includes meditative pieces on the making of a modern feminist, the role of the flaneur in urban literature, and the evolution of friendship over the past two centuries, The Odd Woman and the City beautifully bookends Gornick's acclaimed Fierce Attachments, in which we first encountered her rich relationship with the ultimate metropolis"--