A wonderfully candid memoir from one of the most recognizable faces of a generation, actor, writer, Youtuber, and television superstar, Josh Peck. In his warm and inspiring book, Josh reflects on the many stumbles and silver linings of his life and traces a zigzagging path to redemption. Written with such impressive detail and aching honesty, Happy People are Annoying is full of surprising life lessons for anyone seeking to accept their past and make peace with the complicated face in the mirror. Josh Peck rose to near-instant fame when he starred for four seasons as the comedic center of Nickelodeon's hit show Drake & Josh. However, while he tried to maintain his role as the funniest, happiest kid in every room, Josh struggled alone with the kind of rising anger and plummeting confidence that quietly took over his life. For the first time, Josh reflects on his late teens and early twenties. Raised by a single mother, and coming of age under a spotlight that could be both invigorating and cruel, Josh filled the cratering hole in his self-worth with copious amounts of food, television, drugs, and all of the other trappings of young stardom. Until he realized the only person standing in his way...was himself. Today, with a string of lead roles on hit television shows and movies, and one of the most enviable and dedicated fanbases on the internet, Josh Peck is more than happy, he's finally, enthusiastically content. Happy People are Annoying is the culmination of years of learning, growing, and finding bright spots in the scary parts of life. Written with the kind of humor, strength of character, and unwavering self-awareness only someone who has mastered their ego can muster, this memoir reminds us of the life-changing freedom on the other side of acceptance.

"Adolph Marx [Harpo] squashed his formal education at the age of eight when he was dumped out of the 2nd grade window at P.S. 86 for the last time by two Irish classmates. He never went back. But his informal education blossomed on the streets of New York's Upper East Side; as a piano player in the Happy Times Tavern, on the vaudeville circuit of the early 1900's, at all-night poker games in the Algonquin Hotel. This is a racy autobiography by the mute Marx Brother with the rolling eyes, oversized pants and red wig who could send a glissando reeling over his harp. From the financial embarrassment of his childhood generally due to his predatory gambler-brother, Chico, he rose to the free-swinging, free-spending, game-loving gang of the twenties headed articulately by Alec Woollcott. There was croquet at the Woollcott's Vermont retreat, poker at the Algonquin, roulette on the Rivera, and backgammon at the Garden of Allah in Hollywood. At 41 he finally married and dutifully tells the reader in scenario style the conversation and events of his first dates with his wife. It is a chatty, colorful story designed for shockeroos and honks and only gets dull when there are no more pranks to play on anybody. The most appealing parts of Harpo's tale deal with his tour of Russia and his description of his family, particularly his mother Minnie with her Master Plan and Father Frenchie peddling the ""lappas"" (tailor's remnants). It is enjoyable reading and polished writing." Kirkus, 1961.

Written with biting wit, Confessions of a Pretty Lady is a dazzling, no-holds-barred collection of autobiographical anecdotes and short fiction by an icon of pop culture. Illustrated.

On the motion-picture front, no other publication of our age has achieved the stature, vitality, or magic of Vanity Fair. In its coverage of the film industry, the magazine prides itself on assigning the world's top photographers, writers, and illustrators to explore the brightest stars in the Hollywood firmament. Now, for the first time, the most memorable renderings of this illustrious pantheon have been assembled in one volume: Garbo and Swanson, Fairbanks and Pickford, Gable and Grant, Tracy and Hepburn, Taylor and Burton -- along with today's cinematic giants, including Cruise and Kidman, Nicholson and Streep, De Niro and DiCaprio, Tom Hanks and Julia Roberts, and scores more. As this sweeping, lavish book makes clear, Vanity Fair's stable of photographers (Cecil Beaton, Annie Leibovitz, Helmut Newton, Herb Ritts, Edward Steichen, Mario Testino, Bruce Weber, and many others represented here) have helped define modern portraiture. Likewise, Vanity Fair's Hollywood includes Vanity Fair contributors of the past (D.H. Lawrence, Clare Boothe Luce, Dorothy Parker, Carl Sandburg, Walter Winchell, and P.G. Wodehouse) and of the present.

Final Dress