Anarchist, journalist, drama critic, advocate of birth control and free love, Emma Goldman was the most famous—and notorious—woman in the early twentieth century. This abridged version of her two-volume autobiography takes her from her birthplace in czarist Russia to the socialist enclaves of Manhattan’s Lower East Side. Against a dramatic backdrop of political argument, show trials, imprisonment, and tempestuous romances, Goldman chronicles the epoch that she helped shape: the reform movements of the Progressive Era, the early years of and later disillusionment with Lenin’s Bolshevik experiment, and more. Sounding a call still heard today, Living My Life is a riveting account of political ferment and ideological turbulence. First time in Penguin Classics Condensed to half the length of Goldman's original work, this edition is accessible to those interested in the activist and her extraordinary era

"Political power," says Howard Zinn, "is controlled by the corporate elite, and the arts are the locale for a kind of guerilla warfare in the sense that guerillas look for apertures and opportunities where they can have an effect." In Artists in Times of War, Zinn looks at the possibilities to create such apertures through art, film, activism, publishing and through our everyday lives. In this collection of four essays, the author of A People's History of the United States writes about why "To criticize the government is the highest act of patriotism." Filled with quotes and examples from the likes of Bob Dylan, Mark Twain, e. e. cummings, Thomas Paine, Joseph Heller, and Emma Goldman, Zinn's essays discuss America's rich cultural counternarratives to war, so needed in these days of unchallenged U.S. militarism.

A vibrant, deeply human portrait of a woman dedicated to fierce protest against the tyranny of institutions over individuals, by the celebrated author Emma Goldman is the story of a modern radical who took seriously the idea that inner liberation is the first business of social revolution. Her politics, from beginning to end, was based on resistance to that which thwarted the free development of the inner self. The right to stay alive in one's senses, to enjoy freedom of thought and speech, to reject the arbitrary use of power--these were key demands in the many public protest movements she helped mount. Anarchist par excellence, Goldman is one of the memorable political figures of our time, not because of her gift for theory or analysis or even strategy, but because some extraordinary force of life in her burned, without rest or respite, on behalf of human integrity--and she was able to make the thousands of people who, for decades on end, flocked to her lectures, feel intimately connected to the pain inherent in the abuse of that integrity. To hear Emma describe, in language as magnetic as it was illuminating, what the boot felt like on the neck, was to experience the mythic quality of organized oppression. As the women and men in her audience listened to her, the homeliness of their own small lives became invested with a sense of drama that acted as a catalyst for the wild, vagrant hope that things need not always be as they were. All you had to do, she promised, was resist. In time, she herself would become a world-famous symbol for the spirit of resistance to the power of institutional authority over the lone individual. In Emma Goldman, Vivian Gornick draws a surpassingly intimate and insightful portrait of a woman of heroic proportions whose performance on the stage of history did what Tolstoy said a work of art should do: it made people love life more.

In 1892, unrepentant anarchists Alexander Berkman, Henry Bauer, and Carl Nold were sent to the Western Pennsylvania State Penitentiary for the attempted assassination of steel tycoon Henry Clay Frick. Searching for a way to continue their radical politics and to proselytize among their fellow inmates, these men circulated messages of hope and engagement via primitive means and sympathetic prisoners. On odd bits of paper, in German and in English, they shared their thoughts and feelings in a handwritten clandestine magazine called "Prison Blossoms." This extraordinary series of essays on anarchism and revolutionary deeds, of prison portraits and narratives of homosexuality among inmates, and utopian poems and fables of a new world to come not only exposed the brutal conditions in American prisons, where punishment cells and starvation diets reigned, but expressed a continuing faith in the "beautiful ideal" of communal anarchism

In 1889 two Russian immigrants, Emma Goldman and Alexander Berkman, met in a coffee shop on the Lower East Side. Over the next fifty years Emma and Sasha would be fast friends, fleeting lovers, and loyal comrades. This dual biography offers an unprecedented glimpse into their intertwined lives, the lasting influence of the anarchist movement they shaped, and their unyielding commitment to equality and justice. Berkman shocked the country in 1892 with "the first terrorist act in America," the failed assassination of the industrialist Henry Clay Frick for his crimes against workers. Passionate and pitiless, gloomy yet gentle, Berkman remained Goldman's closest confidant though the two were often separated-by his fourteen-year imprisonment and by Emma's growing fame as the champion of a multitude of causes, from sexual liberation to freedom of speech. The blazing sun to Sasha's morose moon, Emma became known as "the most dangerous woman in America." Through an attempted prison breakout, multiple bombing plots, and a dramatic deportation from America, these two unrelenting activists insisted on the improbable ideal of a socially just, self-governing utopia, a vision that has shaped movements across the past century, most recently Occupy Wall Street. Sasha and Emma is the culminating work of acclaimed historian of anarchism Paul Avrich. Before his death, Avrich asked his daughter to complete his magnum opus. The resulting collaboration, epic in scope, intimate in detail, examines the possibilities and perils of political faith and protest, through a pair who both terrified and dazzled the world.

The Sacco-Vanzetti affair is the most famous and controversial case in American legal history. It divided the nation in the 1920s, and it has continued to arouse deep emotions, giving rise to an enormous literature. Few writers, however, have consulted anarchist sources for the wealth of information available there about the movement of which the defendants were a part. Now Paul Avrich, the preeminent American scholar of anarchism, looks at the case from this new and valuable perspective. This book treats a dramatic and hitherto neglected aspect of the cause célèbre that raised, according to Edmund Wilson, "almost every fundamental question of our political and social system."

Albert Meltzer (1920-whenever) has been involved actively in class struggles since the age of 15; exceptionally for his generation in having been a convinced Anarchist from the start, without any family background in such activity. I Couldn't Paint Golden Angels is a lively, witty account of what he claims would have been the commonplace life of a worker but for the fact that he spent sixty years in anarchist activism. As a result it is a unique recounting of many struggles otherwise distorted or unrecorded, including the history of the contemporary development of anarchism in Britain and other countries where he was involved, notably Spain. His story tells of many struggles, including for the first time, the Anglo-Spanish cooperation in the post-War anti-Franco resistance and provides interesting sidelights on, amongst others, the printers' and miners' strikes, fighting Blackshirts and the battle of Cable Street, the so-called Angry Brigade activities, the Anarchist Black Cross, the Cairo Mutiny and wartime German anti-Nazi resistance, the New Left of the 60s, the rise of squatting - and through individuals as varied as Kenyata, Emma Goldman, George Orwell, Guy Aldred and Frank Ridley - all of which have crowded out not only his story, but his life too.

From the celebrated Russian intellectuals Michael Bakunin and Peter Kropotkin to the little-known Australian bootmaker and radical speaker J. W. Fleming, this book probes the lives and personalities of representative anarchists.