From the bestselling author of The Postcard and How To Be Parisian Wherever You Are , this unique book charts Françoise's Sagan journey to publication for her legendary novel, Bonjour Tristesse . 'Fascinating' Stylist Before Françoise Sagan the literary icon, there was Françoise Quoirez, an eighteen-year-old Parisian girl, who wrote a novel and needed a publisher for it. This intimate narrative details the months in 1954 leading up to the publication of the legendary Bonjour Tristesse. We encounter Françoise, her family and friends close up, in a post-war world that is changing radically; and Mlle Quoirez, in her new guise of Françoise Sagan, will be at the heart of that social change. Sagan was always focused on her writing, though at times the fame of her books was to be eclipsed by her wild-child reputation. Yet, as Anne Berest herself testifies, Sagan's fearless approach to life lived on her own terms remains an inspiration even now.

'You will be a great hero, a general, Gabriele d'Annunzio, Ambassador of France!' For his whole life, Romain Gary's fierce, eccentric motherhad only one aim: to make her son a great man. And she did. This, his thrilling, wildly romantic autobiography, is the story of his journey from poverty in Eastern Europe to the sensual world of the Côte d'Azur and on to wartime pilot, resistance hero, diplomat, filmmaker, star and one of the most famed French writers of his age.

In this first volume of his two-volume autobiography, Wiesel takes us from his childhood memories of a traditional and loving Jewish family in the Romanian village of Sighet through the horrors of Auschwitz and Buchenwald and the years of spiritual struggle, to his emergence as a witness for the Holocaust's martyrs and survivors and for the State of Israel, and as a spokesman for humanity. With 16 pages of black-and-white photographs.

"A rare eyewitness account by an important author of fleeing the Nazis' march on Paris in 1940, featuring a never-before-published introduction by Antoine de Saint-Exupery. In June of 1940, Leon Werth and his wife fled Paris before the advancing Nazis Army. 33 Days is his eyewitness account of that experience, one of the largest civilian dispacements in history. Encouraged to write 33 Days by his dear friend, Antoine de Saint-Exupery, author of The Little Prince, Werth finished the manuscript while in hiding in the Jura mountains. Saint-Exupery smuggled the manuscript out of Nazi-occupied France, wrote an introduction to the work and arranged for its publication in the United States by Brentanos. But the publication never came to pass, and Werth's manuscript would disappear for more than fifty years until the first French edition, in 1992. It has since become required reading in French schools. This, the first-ever English language translation of 33 Days, includes Saint-Exupery's original introduction for the book, long thought to be lost. It is presented it here for the first time in any language. After more than seventy years, 33 Days appears--complete and as it was fully intended"--

"Eric Hazan follows in Balzac's footsteps, criss-crossing the city in the novelist's outsize boots, running between printers, publishers, coffee merchants, mistresses and friends, stopping for a moment, struck by a detail that would be fixed in Balzac's photographic memory. More than a tour of the city, this is an attempt to measure the soul of a city as recovered in its finest literature"--

The influence of Antonin Artaud on the contemporary theatre has only become evident since the early Sixties, although writers and directors have been directly or indirectly influenced by his thinking and innovations for many years. Today his pre-eminence as a founder of modern theatrical style is rivalled only by Brecht, with whom he has much in common. The man and his work, as Martin Esslin persuasively argues in this perceptive study, are inseparable and must be considered together. Genius or madman, everything about Artaud is fascinating – his extraordinary life, his passions, his wide-ranging interests, the brilliance and originality that he brought to his plays, his productions and his other writings. Artaud died in 1948 at the age of fifty-two, but accomplished a revolution in his short life that is still bearing fruit today. This compact, carefully researched study is an invaluable guide, combining readability with a sympathetic and authoritative study of its subject.

In this "powerful" (New York Times Book review) collection of personal essays and landmark speeches by "one of the great writers of our generation" (New Republic), Elie Wiesel weaves together reminiscences of his life before the Holocaust, his struggle to find meaning afterward, and the actions he has taken on behalf of others that have defined him as a leading advocate of humanity and have earned him the Nobel Peace Prize. Here, too, as a tribute to the dead and an exhortation to the living are landmark speeches, among them his powerful testimony at the Klaus Barbie trial, his impassioned plea to President Reagan not to visit a German S.S. cemetery, and the speech he gave in Oslo in acceptance of the Nobel Peace Prize, in which he voices his hope that "the memory of evil will serve as a shield against evil."

About the Author rer /f Geoffrey

Bianca Bienenfeld was a seventeen-year-old lycee student when she was seduced both intellectually and sexually by her philosophy professor, Simone de Beauvoir, in 1938. The following year de Beauvoir passed Bianca on to her "essential partner", Jean-Paul Sartre. The three formed a menage a trois until 1940, when Bianca was suddenly abandoned by her dual mentors and lovers. Their lack of concern for Bianca's fate as a Jew in occupied France made the abrupt break even more shattering for her. She began to suffer periodic bouts of severe depression linked not only to the Nazi horrors, but to the betrayal by de Beauvoir and Sartre. After World War II, Bianca Bienenfeld (now married to Bernard Lamblin) resumed a platonic friendship with de Beauvoir that lasted more than forty years, but the pain of the old, perturbing affair flooded back when, in 1990, she read de Beauvoir's posthumously published Letters to Sartre and War Journal. The intimate content of these books referred directly to Bianca in a tone of ridicule and contempt, and she finally discovered the full extent of de Beauvoir's deception. Now Bianca explodes with the true story behind her earlier relationship with the high priests of existentialism. Published here in English for the first time, her memoir reveals what it was like to be a third party in the "contingent" affairs of de Beauvoir and Sartre. Bianca's compelling narrative is not written out of revenge or retaliation. Rather, it is an eloquent, candid account of how de Beauvoir and Sartre influenced the shape of her life and how she survived a disgraceful affair that, when broken, almost broke her. Bianca's unique perspective on de Beauvoir and Sartre is the centralfocus of the book, but not the sole one. She writes about her love for her husband Bernard, who helped her recover. She also describes life during the dark times of German occupation, and recounts witnessing the battle of Vercors during the French Resistance. Her well-crafted and poignant memoir will appeal to scholars and general readers alike.

"Finally, the writing of one of the century's most notorious lesbians is available in English. Though best known for hosting the avant garde of Paris for thirty years--Colette, Renee Vivien, Marcel Proust and Gertrude Stein, to mention a few--she was also a writer who challenged the male-dominated literary establishment both in the content and the form of her work. Now we can discover her views on the people, places and events of that exciting and stimulating era for ourselves. Here is a spirited translation of Barney's thought-provoking work by one of Britain's most interesting writers"--Back cover.

A powerful and wide-ranging collection of essays, letters, and diary entries that weave together all the periods of the author's life from his childhood in Transylvania to Auschwitz and Buchenwald, Paris, and New York. • "One of the great writers of our generation addresses himself to the question of what it means to be a Jew." — The New Republic Elie Wiesel, acclaimed as one of the most gifted and sensitive writers of our time, probes, from the particular point of view of his Jewishness, such central moral and political issues as Zionism and the Middle East conflict, Solzhenitsyn and Soviet anti-Semitism, the obligations of American Jews toward Israel, the Holocaust and its cheapening in the media. "Rich in autobiographical, philosophical, moral and historical implications." — Chicago Tribune

All the time when I lived in Algeria, my native country, I dreamt of one day arriving in Algeria. Born in Oran, Algeria, Hélène Cixous spent her childhood in France's former colony. Reveries of the Wild Woman is her visceral memoir of a preadolescence that shaped her with intense feelings of alienation, yet also contributed, in a paradoxically essential way, to her development as a writer and philosopher. Born to a French father and an Austro-German mother, both Jews, Cixous experienced a childhood fraught with racial and gender crisis. In her moving story she recounts how small events--a new dog, the gift of a bicycle--reverberate decades later as symbols filled with social and psychological meaning. She and her family endure a double alienation, by Algerians for being French and by the French for being Jewish, and Cixous builds her story on the themes of isolation and exclusion she felt in particular under the Vichy government and during the Algerian Civil War. Yet she also concedes that memories of Algeria awaken in her a longing for her home country, and ponders how that stormy relationship has influenced her life and thought. A meditation on postcolonial identity and gender, Reveries of the Wild Woman is also a poignant recollection of how a girl's childhood is, indeed, author to the woman.

This provocative analysis of the life and work of Francois Marie Arouet, pseudonymously known as Voltaire, reassesses his life and reevaluates the original impact of his voluminous writings

"Manhattan is the tale of a young French scholar who travels to the United States in 1965 on a Fulbright Fellowship to consult the manuscripts of beloved authors. In Yale University's Beinecke Library, tantalized by the conversational and epistolary brilliance of a fellow researcher, she is lured into a picaresque and tragic adventure. Meanwhile, back in France, her children and no-nonsense mother await her return. A young European intellectual's first contact with America and the city of New York are the background of this story. The experience of Manhattan haunts this labyrinth of a book as, over a period of thirty-five years, its narrator visits and revisits Central Park and a half-buried squirrel, the Statue of Liberty and a never again to be found hotel in the vicinity of Morningside Heights: a journey into memory in which everything is never the same. Traveling from library to library, France to the United States, Shakespeare to Kafka to Joyce, Manhattan deploys with gusto all the techniques for which Cixous's fiction and essays are known: rapid juxtapositions of time and place, narrative and description, analysis and philosophical reflection. It investigates subjects Cixous has spent her life probing: reading, writing, and the "omnipotence-other" seductions of literature; a family's flight from Nazi Germany and postcolonial Algeria; childhood, motherhood, and, not least, the strange experience of falling in love with a counterfeit genius"--

In So Close , the internationally renowned writer Hélène Cixous recounts a return to her native Algeria after a more than thirty-year absence. Before she can decide to go, she must sift through large parts of her past in a land where she never felt at home and, from a young age, knew she must leave. Above all, she must confront the depths of her mother’s rejection of the country that had rejected her despite years of devotion to the poor women of Algiers. As she is struggling with this decision, she receives a message from Zohra Drif, with whom she has had no contact since their school days, which was just before Zohra joined the Algerian FLN and become a heroine in the uprising against French rule in her homeland. They meet in Paris for the first time in more than fifty years and soon afterward the narrator departs for Algiers. The latter part of the narrative brings a rush of sensations, impressions, memories, and new encounters as the narrator revisits sites from her past in Algiers and especially in Oran, the city of her birth, the city of the family’s happiness before her father’s death when she was a young girl. The quest to find his grave again in the overgrown Jewish cemetery of Algiers leads to a startlingly moving scene that closes the voyage and the book.

A compelling work of autobiographical fiction, Hélène Cixous's Hemlock weaves tragedy and comedy, narrative and meditation in its exploration of various human attachments: between an elderly but still truculent mother and her writer-daughter, between the mother and her sister, and between the writer and her vanished but nonetheless intensely present friend, Jacques Derrida, whose death is movingly evoked. "I have in mind two lovely faces, old women in bloom," writes the author with a backwards nod to Proust's ‘jeunes filles.' "Here," she says in her preface, "the criss-crossing paths of my mother and my aunt will come to an end at last. When one old flower is left, what becomes of the other face?" Socrates is conjured up, along with the poisonous plants of Hamlet, the human comedies of Balzac and Proust, and other literary and philosophical ghosts who find themselves drawn into the fabric of Cixous's text: "I'm not sleeping," writes the protagonist. "A worm is drilling my brain. It's a phrase I heard in the hellish juice of the jusquiame. I pour it into my own ear. ‘I'm afraid Mama will die'." In this new work Hélène Cixous continues to explore and expand the boundaries of narrative, slipping from thought to thought and from image to image, so as to render every action, fear and thought palpable to the reader.

Anka Muhlstein's lively biography, translated by Teresa Waugh, introduces American readers to Astolphe de Custine, a passionate literary figure, a poet, playwright, essayist, traveler, aristocrat and homosexual adventurer. Against the fascinating background of early-19th-century France, Anka Muhlstein presents the gifted if at times deplorable Custine with vivacity, elegance, and insight. It is a splendid introduction to the Marquis and his world and to his famous 1839 tour of autocratic Russia -- Daniel Aaron. Briliant, visionary, beautiful Astolphe -- man of letters and man of society -- finally gets his biography . . . -- French elle Magazine ... -- Amazon