The The seven years between the birth of Etgar Keret's son and the death of his father were good years, though still full of reasons to worry. Lev is born in the midst of a terrorist attack. Etgar's father gets cancer. The threat of constant war looms over their home and permeates daily life. What emerges from this dark reality is a series of sublimely absurd ruminations on everything from Etgar's three-year-old son's impending military service to the terrorist mind-set behind Angry Birds. There's Lev's insistence that he is a cat, releasing him from any human responsibilities or rules. Etgar's siblings, all very different people who have chosen radically divergent paths in life, come together after his father's shivah to experience the grief and love that tie a family together forever. This wise, witty memoir--Etgar's first nonfiction book published in America, and told in his inimitable style--is full of wonder and life and love, poignant insights, and irrepressible humor

The last two decades have seen a resurgence of critical and popular attention to Virginia Woolf's life and work. Such traditional institutions as "The New York Review of Books" now pair her with William Shakespeare in promotional advertisements; her face is used to sell everything from Barnes & Noble books to Bass Ale. Virginia Woolf: Lesbian Readings represents the first book devoted to Woolf's lesbianism. Divided into two sections, Lesbian Intersections and Lesbian Readings of Woolf's Novels, these essays focus on how Woolf's private and public experience and knowledge of same-sex love influences her shorter fiction and novels. Lesbian Intersections includes personal narratives that trace the experience of reading Woolf through the 60s, 70s, 80s, and 90s. Lesbian Readings of Woolf's Novels provides lesbian interpretations of the individual novels, including "Orlando, The Waves," and "The Years." Breaking new ground in our understanding of the role Woolf's love for women plays in her major writing, these essays shift the emphasis of lesbian interpretations from Woolf's life to her work.

"Amos Oz (1939-2018) was one of Israel's most prolific and prominent writers, as well as a regular contender for the Nobel Prize for Literature. He was the author of dozens of novels, essay collections, and novellas written between 1965 and shortly before his death. In this first published biography of Oz, the celebrated translator, literary critic, and biblical scholar Robert Alter explores Oz's relationship with his family, beginning with the suicide of his mother, Fania Klausner, when he was twelve years old, and goes on to review his time in Kibbutz Hulda, which he entered at fourteen following his separation from his father, Arieh Klausner; his family's right-wing Zionism; his writing career; his activism in support of a pluralistic Israel; and his work as an international lecturer. In examining Oz's life and work, Alter brings together testimony from Oz and his circle, as well as close readings of his central works, to present the inner world and public persona of Amos Oz.--Dust jacket.

The author joyfully remembers those days he spent as a boy with his grandparents in the bucolic Jezreel Valley, and in this quirky tribute commemorates the spirit of an exacting, tireless character who was "the purified essence of us all, for better and worse."

The award-winning novelist recounts his miraculous survival of the Holocaust, from a forced march across the Ukraine to a labor camp at the age of seven, his escape from the camp, his life in hiding in the Ukranian forests, his negotiation of several displaced persons' camps, his 1946 arrival in Palestine and his struggle to build a new life on the fragments of his past.

"Born in 1955, Avraham Burg witnessed firsthand many of the most dramatic and critical junctions in Israeli history. Here he chronicles the highs and lows of his country during the last five decades, beginning with the 1967 war, when, as a young boy, his mother brought him back Uzi cartridges from the Kotel, which he incorporated into the Chanukah menorah he made for his home economics class. Burg narrates the misplaced hopes of religious Zionism (informed by his conservative upbringing), Israel's obsession with military might (informed by his own experiences as a paratrooper), the country's democratic aspirations (informed by his tenure in the Knesset) and more. What he delivers, ultimately, is an analysis of the ambitions and failures of Israel and Judaism, from the unique standpoint of his generation--the children of the mythical "founders" who established the state. In Days to Come is Burg's philosophical inquiry into what Jewish-Israeli identity means today if you are personally, ethically, and politically opposed to what your country stands for. With bravery and candor, he urges his countrymen to dare to ask the difficult questions and accept the truth of difficult answers, have the courage to move on from trauma to trust, understand that Jews do not have monopoly over suffering but a responsibility to prevent crimes against humanity, have the will to solve the conflict between Israel and Palestine by adopting new paradigms, be ready to relinquish the privileges given to the Jews and create a shared space with equal rights for every human being, lay the groundwork for a constitutional reality in which every individual--under Israeli sovereignty or responsibility--has equal rights, and build a wall of separation between synagogue and state"--

An autobiographical novel of Yoram Kaniuk's years as a young painter in the New York of the 1950s. Wounded and alienated, a war veteran at the age of nineteen, Kaniuk arrives in Greenwich Village at its peak period of artistic creativity, and finds his way among such giants as Charlie Parker, Billie Holiday, Willem de Kooning, and Frank Sinatra.