Brief biography of the Scottish writer who created the story of Peter Pan, as well as other works of literature.

'Alasdair Gray was not always the rapidly ageing, fat Glasgow pedestrian he likes to describe on the inside leaf of his books. There was once a time when he was young. A time when he was really rather thin. Many years when he went unpublished and unrecognised. This book aims to document, as faithfully as possible, that journey from son of a box-maker, encouraged to paint, write and do whatever made him feel good, to septuagenarian "little grey deity" (as Will Self has called him). For the first time in his life, Alasdair claims to be completely satisfied and well-paid (he lived in debt until 1990), and now lives a settled, happy day-to-day existence with Morag, painting his mural at the Oran Mor arts centre five minutes walk from his home most days, while (at the time of writing) taking occasional periods off for writing several books. Aside from work, Gray's pleasures include daytime whisky, giving money away, reading books by people he doesn't have to meet and "having my way". This book will look in depth at the people, events, books, paintings, plays, poems and circumstances that conspired to make the man as he is today.' RODGE GLASS Suiting form to subject, Rodge Glass has brought the inventive techniques of Gray's fiction to bear on the biographer's role. Mixing a chronological narrative of his subject's life (at the rate of one chapter per decade) with his own diaries of meeting, getting to know and working with the artist, writer and campaigner, narrative and diaries eventually dovetail in a riotous final chapter on the publication of Alasdair Gray's latest novel, Old Men in Love, in October 2007.

Few writers have inspired such affection ain their contemporaries, and in later generations of readers, as Robert Louis Stevenson. And yet, difficult though it is to resist the generous, enchanting personality tht shines out from his letters, it is even harder to define it. A descendant of Calvinists who spent his youth in a Bohemian milieu, a lover of his native Scotland who became committed to exile, a man whose humorous enjoyment of human foibles did not preclude an awareness of the nightmarish background against which some lives are lived - Stevenson was highly complex, with a deep sense of moral ambiguities which runs throughout his work. He could have no abler or more sympathetic biographer than David Daiches, Professor of English Studies at Sussex University, and author of an earlier book on the master (Robert Louis Stevenson: A Revaluation) as well as of biographies of Burns and Scott in this series. In a brilliant and absorbing text, Professor Daiches traces Stevenson's life, from his childhood and early manhood in Scotland (whose scenery and townscapes inspired his work throughout his life), through his visits to France and the United States, and on to his las years in Samoa. Professor Daiches also discusses Stevenson's writings, explaining how he harnessed the disparate elements in his nature so that they fertilized his imagination while he developed his gifts as a romancer, essayist, poet and historical novelist, from his early travel books and Treasure Island - the greatest of all adventure stories for boys - to the tragic conflict so superbly realised in Weir of Hermiston, the masterpiece which he did not live to complete.