A true-crime thriller -- the first book for teens to tell the nearly unknown tale of the brazen attempt to steal Abraham Lincoln's body. Reissued in Scholastic Focus, with an exciting new cover. The action begins in October of 1875, as Secret Service agents raid the Fulton, Illinois, workshop of master counterfeiter Ben Boyd. Soon after Boyd is hauled off to prison, members of his counterfeiting ring gather in the back room of a smoky Chicago saloon to discuss how to spring their ringleader. Their plan: grab Lincoln's body from its Springfield tomb, stash it in the sand dunes near Lake Michigan, and demand, as a ransom, the release of Ben Boyd -- and $200,000 in cash. From here, the action alternates between the conspirators, the Secret Service agents on their trail, and the undercover agent moving back and forth between them. Along the way readers get glimpses into the inner workings of counterfeiting, grave robbing, detective work, and the early days of the Secret Service. The plot moves toward a wild climax as robbers and lawmen converge at Lincoln's tomb on election night: November 7, 1876.A dynamic and thrilling tale from critically acclaimed author Steve Sheinkin.

"To all those who have for several years sought to discredit the new American literature, Lawrence Ferlinghetti has just dealt a most powerful blow," wrote French critic Pierre Lepape in 1961 when Her was published in France as La Quatrième Personne du Singulier. Calling it "a masterpiece of the young American novel," Lepape declared it was "the confirmation of a great American writer who, in the hall of American literary glories, takes the place left vacant by the death of Hemingway." Lepape went on to speak of the "incredible verbal virtuosity" by which the reader is led through this "laby-rêve," and it is this image of the "labyrinth-dream" which relates Her to the anti-novels of the young French school of Robbe-Grillet and Butor. Being thus very far from the kind of novels produced by Ferlinghetti's immediate contemporaries (whether Beat or academic) this book has met with little but bafflement among American critics. With well over 50,000 now in print Her nevertheless continues to make its own way.

With a foreword by the actor, director, and playwright described as "the greatest living exponent of Groucho Marx’s material” by The New York Times, and text by the author of Monkey Business, a biography of the Marx Brothers, this bio brings the wisecracking, cigar-chomping, eyebrow-raising comedian to life on the page. Groucho discusses such issues as the film Duck Soup , the rules of comedy, the directors he worked with, and his talented brothers Harpo and Chico (" You know, of course, those two aren’t really acting when they play those scenes. They’re just being themselves .”).

Maurice Saatchi is dead. He is standing in front of the Gates of Heaven. Arrival halls worse than Heathrow Airport. Queues. Overcrowding. A tidal wave of Paradise seekers. ID scans. Voice and facial recognition. X-ray examinations. Background checks. It all seems like a bad dream. His tests expose abnormalities. He is charged with multiple breaches of immigration law and detained pending a full jury trial. The verdict will reveal the biggest secret of all time: why some people go to Heaven and others to Hell. Do Not Resuscitate is a bold statement. Maurice Saatchi, a towering figure in the worlds of business and politics, frames his unsparing self-portrait with the conceit of a celestial trial in which his application to pass through the Gates of Heaven is heard before a jury featuring luminaries like Marilyn Monroe, Pablo Picasso, Chairman Mao, and Margaret Thatcher. In seeking admission to Heaven, Saatchi offers a defence like no other.