The man behind Spider-Man, The X-Men, The Incredible Hulk, and a legion of other superheroes tells his own amazing story in a book packed with punch, humor, anecdotes, and a gallery of never-before-seen photographs. Stan Lee is the most legendary name in the history of comicbooks. The leading creative force behind the rise of Marvel Comics, he brought to life some of the world's best-known heroes and most infamous villains. His stories, featuring super- heroes who struggled against personal hang-ups and bad guys who possessed previously unseen psychological complexity, added wit and subtlety to a field previously locked into flat portrayals of good vs. evil. Lee put the human in the super-human. In the process, he created a new mythology for the twentieth century. In this treasure trove of marvelous memories, Stan tells the story of his life with the same inimitable wit, energy, and offbeat spirit that he brought to the world of comicbooks. He moves from his impoverished childhood in Manhattan to his early days writing comicbooks, followed by military training films during World War II, through the rise of the Marvel empire in the 1960s to his recent adventures in Hollywood. The story of a man who earned respect by blazing new creative trails in a storytelling form once dismissed as just for kids, Excelsior! is an inspirational story about following one's vision, no matter the odds. Yet it's also the story of how some of the most exciting and memorable characters in the pop-culture universe came to thrill a generation.

Visually and emotionally rich, MetaMaus is as groundbreaking as the masterpiece whose creation it reveals. In the pages of MetaMaus, Art Spiegelman re-enters the Pulitzer prize-winning Maus, the modern classic that has altered how we see literature, comics, and the Holocaust ever since it was first published twenty-five years ago. He probes the questions that Maus most often evokes -- Why the Holocaust? Why mice? Why comics? -- and gives us a new and essential work about the creative process. MetaMaus includes a bonus DVD-R that provides a digitized reference copy of The Complete Maus linked to a deep archive of audio interviews with his survivor father, historical documents, and a wealth of Spiegelman's private notebooks and sketches. Compelling and intimate, MetaMaus is poised to become a classic in its own right. - Publisher.

Few artists have had as much of an impact on American popular culture as Stan Lee. The characters he created-Spider-Man and Iron Man, the X-Men and the Fantastic Four-occupy Hollywood's imagination and production schedules, generate billions at the box office, and come as close as anything we have to a shared American mythology. This illuminating biography focuses as much on Lee's ideas as it does on his unlikely rise to stardom. It surveys his cultural and religious upbringing and draws surprising connections between celebrated comic book heroes and the ancient tales of the Bible, the Talmud, and Jewish mysticism. Was Spider-Man just a reincarnation of Cain? Is the Incredible Hulk simply Adam by another name? From close readings of Lee's work to little-known anecdotes from Marvel's history, the book paints a portrait of Lee that goes much deeper than one of his signature onscreen cameos.

Jack Kirby created or co-created some of comic books' most popular super heroes, including Captain America, The X-Men, The Hulk, The Fantastic Four, The Mighty Thor, Darkseid, and The New Gods. More significantly, he created much of the visual language for fantasy and adventure comics. There were comics before Kirby, but for the most part their page layout, graphics, and visual dynamic aped what was being done in syndicated newspaper strips. Almost everything that was different about comic books began in the 1940s on the drawing table of Jack Kirby. This is his story by one who knew him well-Mark Evanier. First issued in 2008, Kirby: King of Comics was the first overview of the legendary comic book creator's career. It is now available in a smaller, more affordable package, revised and expanded for Kirby's centennial.

By overwhelming demand, Roy Thomas has compiled all the material on the founders of the Marvel Bullpen from three sold-out Alter Ego issues--plus over 30 new pages of content! There's the Steve Ditko issue (#160 with a rare '60s Ditko interview by Richard Howell, biographical notes by Nick Caputo, and Ditko tributes)! The Stan Lee issue (#161 with Roy Thomas on his 50+ year relationship with Stan, art by Kirby, Ditko, Maneely, Everett, Severin, Romita, plus tributes from pros and fans)! And the Jack Kirby issue (#170 with Will Murray on Kirby's contributions to Iron Man's creation, Jack's Captain Marvel/Mr. Scarlet Fawcett work, Kirby in 1960s fanzines, plus Stan Lee and Roy Thomas on Jack)! Whether you missed these issues, or can't live without the extensive new material on Ditko, Lee, and Kirby, it's sure to be an Amazing, Astonishing, Fantastic tribute to the main men who made Marvel!

Recounts the life of the unrecognized co-creator of the Batman comic strip and details the author's quest to find out more about him.

""Peter David, award-winning writer of comic books, novels, television, films and video games, has boatloads of stories to tell about his 30-year career. Whether it was attending George Takei's wedding, being described as Will Smith's bodyguard, or wandering around on the set of Babylon 5, David has been telling anecdotes of his life for years. Here they are all in one place, along with the story of a career that has taken him from writing Marvel Comics' Incredible Hulk for twelve years to adventures in the Star Trek universe to the New York Times bestseller list."-Provided by publisher"--

Friedman features portraits of the pioneering legends of American comic books. Each drawing is accompanied by a one-page synopsis of their life and work.

In his own words, this is the life of Joe Simon, one of the most important figures in comics history, and half of the famous creative team Simon and Kirby. Joe Simon co-created Captain America , and was the first editor in chief of Marvel Comics (where he hired Stan Lee for his first job in comics). Simon began his prolific career in the Great Depression, and this book recounts his journey to New York City, his first comic book work, his meeting with Jack Kirby, and the role comics played in wartime America. He remembers the near-death of the comics industry, and the scramble to survive. And he reveals what it was like to bring comics out of their infancy, as they became an American art form.

"The fabulous life and times of one of our wittiest and most endearing and enduring caricaturists--in his own words and inimitable art. Alongside more than 150 of his drawings, cartoons, and caricatures--and in prose as spirited and wickedly pointed as his artwork--Edward Sorel gives us an unforgettable self-portrait: a poor Depression-era childhood in the Bronx (surrounded by loving Romanian-immigrant grandparents and a clan of mostly left-leaning aunts and uncles); his first stabs at drawing when pneumonia kept him out of school at the age of eight; his time as a student at New York's famed High School of Music & Art; the scrappy early days of Push Pin Studios, founded with fellow Cooper Union alums Milton Glaser and Seymour Chwast and which became the hottest design group of the 1960s; his two marriages and four children; his many friends in New York's art and literary circles. Sorel charts the highlights of his remarkable career as the "young lefty becomes an older lefty," and, in magazines and newspapers, murals, cartoons, and comic strips, he steadily lampooned--and celebrated--American cultural and political life. He sets his story in the parallel trajectory of American presidents, from FDR to the present day--with the candor and depth of insight that could only come from someone who lived through it all--revealing the uproarious ways in which the personal and political collide in his mordant artwork"--

Spanning the birth of the industry to its first few decades, this book has approximately 100 full-color portraits of the legends of American comic books―publishers, editors, and artists. Its subjects are popular and obscure, men and women, and it includes several pioneering artists of color.

"A darkly comic memoir about being a working creative person in a world that is growing ever more dysfunctional, by acclaimed New Yorker cartoonist and television writer Bruce Eric Kaplan In January of 2022, Bruce Eric Kaplan found himself confused and upset by the state of the world and the state of his life as a television writer in Los Angeles. He started a journal to keep from going mad. That journal is now They Went Another Way. The book's through line traces his trying to get a television project set up in the increasingly Byzantine world of Hollywood. But as he details the project's ups and downs, Kaplan finds himself not only ruminating on show business, but also on today's political and social issues, on old movies and TV shows and music, on his family, on his friends, on his past, on his failing heating system, and on all the dead birds that kept showing up in his backyard. This hilarious and surprisingly moving book is about life-about art, about love, about alienation, about connection, about ugliness and beauty, about disappointment and wonder and hope. In short, it is about everything. And if it's not, it almost is"--

A biography of Mort Meskin, a respected comic artist who was active from the 1940s to the 1960s, showcases his diverse work in comics as well as the pieces he produced for ad agencies and the fine art he created at home.

First with his magisterial fantasy Bone to his mind-bending, time-warping sci-fi noir RASL, Paleolithic-set fantasy Tüki: Save the Humans, arthouse-styled superheroic miniseries Shazam!, and his latest children's book Smiley's Dream Book, Jeff Smith (b. 1960) has made an indelible mark on the comics industry. As a child, Smith was drawn to Charles Schulz's Peanuts, Carl Barks's Donald Duck, and Walt Kelly's Pogo, and he began the daily practice of drawing his own stories. After writing his regular strip Thorn for The Ohio State University's student paper, Smith worked in animation before creating, writing, and illustrating his runaway success, Bone. A comedic fantasy epic, Bone focuses on the Bone cousins, white, bald cartoon characters run out of their hometown, lost in a distant, mysterious valley. The self-published series ran from 1991 to 2004 and won numerous awards, including ten Eisner Awards. This career-spanning collection of interviews, ranging from 1999 to 2017, enables readers to follow along with Smith's development as an independent creator, writer, and illustrator.