John Cage was a man of extraordinary and seemingly limitless talents: musician, inventor, composer, poet. He became a central figure of the avant-garde early in his life and remained at that pinnacle until his death in 1992 at the age of eighty. Now award-winning biographer Kenneth Silverman gives us the first comprehensive life of this remarkable artist.--Publisher description.

Irving Berlin (1888–1989) was unable to read or write music and could only play the piano in the key of F-sharp major; yet, for the first half of the twentieth century he was America's most successful and most representative songwriter, composing such hits as "Alexander's Ragtime Band," "Cheek to Cheek," "Let's Face the Music and Dance," "Puttin' on the Ritz," "White Christmas," "Anything You Can Do," "There's No Business Like Show Business," and "God Bless America." As Thousands Cheer, winner of the Ralph J. Gleason Music Book Award, explores with precision and sensitivity Berlin's long, prolific career; his self-doubt and late-blooming misanthropy; and the tyrannical control he exerted over his legacy of song. From his immigrant beginnings through Tin Pan Alley, Broadway, and Hollywood to his reclusive and bitter final years, this definitive biography reveals the man who wrote 1500 songs but could never quash the fear that, for all his success, he wasn't quite good enough.

Profiling Canada's leading poet-singer, this concise biography surveys the remarkable 40-year career of Leonard Cohen that has produced 11 books and 11 records. Focusing on the evolution of Cohen's international reputation, the book begins with a review of the Montreal years. The popularity of works like The Spice Box of Earth and Beautiful Losers is examined in detail. Cohen's musical career receives special attention, from his first studio session to his latest record. The biography concludes with a discussion of Stranger Music.

You know the music... but do you know the man? Ludwig van Beethoven is one of the world's best loved and most influential composers. His life - its dramas, conflicts, loves and losses - is played out in his music. Now John Suchet shows us the man behind the music in this compelling biography of a musical genius. He reveals a difficult and complex character, struggling to continue his profession as musician despite increasing deafness, alienating friends with unprovoked outbursts of anger one moment, overwhelming them with excessive kindness and generosity the next, living in a city in almost constant disarray because of war with France. This is the real Beethoven, and Suchet brings him faithfully and vividly to life.

"Why Mahler? Why does his music affect us in the way it does? Norman Lebrecht, one of the world's most widely read cultural commentators, has been wrestling obsessively with Mahler for half his life. Pacing out his every footstep from birthplace to grave, scrutinizing his manuscripts, talking to those who knew him, Lebrecht constructs a compelling new portrait of Mahler as a man who lived determinedly outside his own times. Mahler was - along with Picasso, Einstein, Freud, Kafka, and Joyce - a maker of our modern world."--Book jacket.

The autobiography, in dialogue, of the composer and lyricist of Chicago and Cabaret as well as a wise and witty memoir of forty years of American musicals. Composer John Kander and lyricist Fred Ebb are the longest-running composer-lyricist team in Broadway history, having first joined forces in 1962. The creators of such groundbreaking musicals as Chicago , Cabaret , and Kiss of the Spider Woman , Kander and Ebb have helped to push American musical theater in a more daring direction, both musically and dramatically. Their impact on individual performers has been great as well, starting with the handpicked star of their first musical: an untested nineteen-year-old named Liza Minnelli (who writes of this experience in her introduction). Colored Lights covers the major shows of Kander and Ebb's partnership, from Flora, The Red Menace (starring a then-unknown Liza) to The Visit , due to open on Broadway in 2004. The pages and musicals in between reveal what has made theirs such a long-lived musical partnership--and one so valued by the artists they have worked with. In recounting the genesis and controversies of Cabaret , reflecting on the superstar mentality of such artist as Frank Sinatra and Barbra Streisand, and recalling their work with Bob Fosse on Chicago (as well as their views on the blockbuster 2002 film), John Kander and Fred Ebb provide a history not only of their own lives but also of the American musical theater of the late twentieth century. The autobiography, in dialogue, of the composer and lyricist of Chicago and Cabaret as well as a wise and witty memoir of forty years of American musicals. Composer John Kander and lyricist Fred Ebb are the longest-running composer-lyricist team in Broadway history, having first joined forces in 1962. The creators of such groundbreaking musicals as Chicago , Cabaret , and Kiss of the Spider Woman , Kander and Ebb have helped to push American musical theater in a more daring direction, both musically and dramatically. Their impact on individual performers has been great as well, starting with the handpicked star of their first musical: an untested nineteen-year-old named Liza Minnelli (who writes of this experience in her introduction). Colored Lights covers the major shows of Kander and Ebb's partnership, from Flora, The Red Menace (starring a then-unknown Liza) to The Visit , due to open on Broadway in 2004. The pages and musicals in between reveal what has made theirs such a long-lived musical partnership--and one so valued by the artists they have worked with. In recounting the genesis and controversies of Cabaret , reflecting on the superstar mentality of such artist as Frank Sinatra and Barbra Streisand, and recalling their work with Bob Fosse on Chicago (as well as their views on the blockbuster 2002 film), John Kander and Fred Ebb provide a history not only of their own lives but also of the American musical theater of the late twentieth century.

Charles Fox has composed more than 100 motion picture and television scores, among them the themes of many iconic series, including Happy Days, Laverne & Shirley, Love, American Style, and Love Boat. Twice nominated for the Academy Award and a two-time Emmy winner, Fox has also written music for the concert hall and the ballet. Among the hundreds of songs he has written is the Grammy Award-winning "Killing Me Softly with His Song," a number one record in just about every country in the world, by two different artists: Roberta Flack in 1973 and the Fugees, 20 years later. In this memoir, Fox recounts his development as a musician, beginning with his formal music education in Paris. From letters he wrote home between 1959 and 1961, Fox recounts his studies under the tutelage of the most renowned music composition teacher of the 20th century, Nadia Boulanger, whose influence Fox carried throughout his entire professional career. Following his return to the states, Fox describes the cornerstone events of his musical and personal life. He reflects on the highlights of his career, working with some of the greatest names in entertainment, film, television, and records, including Jim Croce, Barry Manilow, Lena Horne, and Fred Astaire. Inducted into the Songwriters Hall of Fame in 2004 and a recipient of the Lifetime Achievement Award from the Society of Composers & Lyricists, Fox's memoir is a compelling story of a musician and composer whose work continues to entertain and inspire listeners around the world.

In a candid, witty autobiography, the distinguished American composer recalls his Brooklyn childhood, his study with Nadia Boulanger in Paris, his music, and his relationships, and offers a portrait of the era in which he lived and worked

Yet only that last point is actually true. In this comprehensive biography, John Suchet examines the many myths and misunderstandings surrounding the world's best-loved composer. From his early days as a child prodigy performing for the imperial royal family in Vienna to the last months of his short life, driven to exhaustion by a punitive workload, one thing remained constant: his happy disposition Through trials and tribulations, grand successes and disheartening setbacks, Suchet shows us the real Mozart--blessed with an abundance of talent yet sometimes struggling to earn a living. His mischievous nature and earthy sense of humor, his ease and confidence in his own incredible abilities; these were traits that never left him. His music has brought comfort to countless generations; his life, though brief, is no less fascinating

Many musicians sing about heartache, despair, and confusion, but few have experienced those feelings more intensely than James Taylor, who rose from a childhood of privilege as the son of an affluent medical school dean to become a modern-day troubadour and pop superstar. When he was seventeen years old, his demons led him to a Massachusetts mental institution where he confronted them the only way he knew how, by writing his first songs. Thirty years later, Taylor's songs are among the most popular in the annals of music, but the demons are still with him. But unlike many of his contemporaries who faced a similar struggle, Taylor managed to emerge as an inspirational figure. Fire and Rain traces this remarkable path, including his troubled marriage to pop star Carly Simon and the premature alcoholism-related death of his brother: -- Taylor's ten-month stay in the exclusive private psychiatric institution where he finished high school. -- His self-imposed exile to England, where he submitted some of his music to the Beatles' Apple Records, which signed him to his first record contract in 1968. Paul McCartney mentored Taylor's early career. -- The story behind his second album, Sweet Baby James, which contained the song "Fire and Rain" about the hopelessness of mental illness and suicide. -- As Taylor's fame increased, so did his problems with heroin, alcohol, and mental illness. In the seventies, the singer nearly fell over the edge many times. Ian Halperin has interviewed more than 100 musicians, family members, music industry figures, and others to paint a detailed but ultimately sympathetic portrait of Taylor's incredible life and career -- the first-ever biographyof this pop-music icon.

"A frank personal account by the Grammy and Academy Award-winning songwriter traces the story of her life in and out of the recording studio, from her formative relationships to her collaborations with some of today's leading composers and music artists,"--NoveList.

Hailed as important, entertaining, and revealing, Copland: Since 1943 is composer Aaron Copland's irresistible account of the latter half of his career--a career that brought us such pioneering works as Appalachian Spring and Lincoln Portrait, the movie scores for Of Mice and Men and Our Town, and numerous other orchestral and chamber works. It tells the story of how a self-described "brash young man from Brooklyn" went on to become one of the founding fathers of "serious" American music. Featuring cameos by luminaries such as Leonard Bernstein, Martha Graham, Agnes de Mille, Benny Goodman, and other peers of Aaron Copland during this explosively creative period, Copland: Since 1943 is an invaluable memoir that charts the crescendo of one of the most accomplished careers in the modern canon.

"What did Haydn’s wife use for curling-paper for her hair? What did Schubert do with his old spectacles case? Why was Dvorák given a butcher’s apron when he was a little boy? Why did Tchaikovsky spit on a map of Europe? Why did Fauré find a plate of spinach on his face? And why did Handel waggle his wig?" --Back cover.

"Good Things Happen Slowly is [Fred Hersch's] memoir. It's the story of the first openly gay, HIV-positive jazz player; a deep look into the cloistered jazz culture that made such a status both transgressive and ground-breaking; and a profound exploration of how Hersch's two-month-long coma in 2007 led to his creating some of the finest, most direct, and most emotionally compelling music of his career."--Jacket.

In this philosophical biography, Liel Leibovitz looks at what it is that makes musician/philosopher/poet Leonard Cohen an enduring international figure in the cultural imagination. Born into a Canadian religious Jewish family, for years a reclusive lyricist on the Greek island of Hydra, known for his bold political commentary, his devotion to Buddhist thought and his later despair over contemporary Zionism, Cohen hardly follows the rules of a conventional rock star. Yet the prophetic themes of his music, often filled with pessimism and apocalyptic visions, prove redemptive to an audience that spans generations, from those who listened in the 1960's to today. As Leonard Cohen requires, this is a passionate and personal evocation of a man who appeals to the inner spirit of his fervent followers.

America's favorite (great) Dane proves himself just as funny on paper as he does on film. Here Borge examines the lives of such musical geniuses as Schubert, Mendelsohn, and Brahms with hilarious results.

"In 21-Hit Wonder, Sam Hollander has collected anecdotes from his weird waltzes around the banquet of pop to help aspiring songwriters and other creatives learn about survival, endurance, scheming, hustle, and the importance of laughing even on the worst days of the journey"--